Sibilla Aleramo

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Sibilla Aleramo
Sibilla Aleramo, Rome, 1913
Sibilla Aleramo, Rome, 1913
BornMarta Felicina Faccio
(1876-08-14)14 August 1876
Alessandria, Kingdom of Italy
Died(1960-01-13)13 January 1960
Rome, Italy
Occupation
  • Writer
  • feminist
Notable awardsViareggio Prize

Sibilla Aleramo (born Marta Felicina Faccio; 14 August 1876 – 13 January 1960) was an Italian feminist writer and poet best known for her autobiographical depictions of life as a woman in late 19th century Italy.

Life and career

Aleramo was born as Marta Felicina Faccio (a.k.a. "Rina") in Alessandria, Piedmont, and grew up in Milan. At 11, she moved with her family to Civitanova Marche, where her father had been appointed manager of a glass factory. Unable to continue her education beyond primary school, Aleramo continued to study on her own, seeking advice from her former teacher about what to read. While employed in the same factory where her father worked, she was raped in an empty office room by Ulderico Pierangeli, a co-worker ten years her senior, when she was only 15. Rina did not tell her parents about the event, and when Pierangeli asked for her hand, she was persuaded by her family to marry him. A year and a half later, at 17, she had her first and only child, Walter.[1]

Pierangeli was abusive and violent and in 1901 Aleramo moved to

Un viaggio chiamato amore, by Michele Placido
, depicts Aleramo's affair with the latter).

In 1908, while still involved with Cena, she met Cordula "Lina" Poletti at a suffragette's congress. The two women started a relationship, later recounted in the novel Il passaggio (The Crossing, 1919), a book in which Aleramo also modified some of the events told in Una donna, arguing that Giovanni Cena had originally convinced her to slightly change her story. Aleramo was one of the contributors to Florence-based magazine Il Marzocco[3] and Lidel, which was in circulation in the period 1919–1935.[4]

In the following years, Aleramo became one of Italy's leading

feminists. In 1925 she supported the Manifesto of the Anti-Fascist Intellectuals. Later in life, Aleramo toured the continent and was active in Communist politics after World War II. In 1948 she took part to the World Congress of Intellectuals in Defense of Peace in Wrocław.[5]

Aleramo famously said that she felt like she lived three lives. The first one, as a mother and wife, was outlined in her novel Una donna. Her second one was when she volunteered in a shelter for homeless people in Rome run by the Unione Femminile and was active in feminist organizations.[6] Her 'third life' consisted of the 30 years she spent writing about her life experiences in her work.[6] Aleramo died in Rome at the age of 83.

Legacy

Aleramo's life is mostly significant for her trail-blazing trajectory as an independent woman and artist, and as an individual who lived through different ages (Liberal Italy, Fascism, Post-World War II, the advent of the Italian Republic) while always maintaining cultural and political visibility. Her personal correspondence with Poletti has, in more recent years, been studied due to their open-minded view on homosexual relationships. Aleramo's first book in particular, Una donna, is considered a classic of Italian literature, and the first outspokenly feminist novel written by an Italian author.

Selected works

  • Una donna (A Woman, 1906)
  • Il passaggio (The Crossing, 1919)
  • Andando e stando (Moving and Being, 1921)
  • Momenti (Moments, 1921)
  • Trasfigurazione (Transfiguration, 1922)
  • Endimione (Endymion, 1923, play)
  • Poesie (Poems, 1929)
  • Gioie d'occasione (Occasional Pleasures, 1930)
  • Il frustino (The Whip, 1932)
  • Sì alla terra (Yes to the Earth, 1934)
  • Orsa minore (Ursa Minor, 1938)
  • Diario e lettere: dal mio diario (Diary of a Woman, 1945)
  • Selva d'amore (Forest of Love, 1947)
  • Aiutatemi a dire (Help Me to Speak, 1951)
  • Gioie d'occasione e altre ancora (More Occasional Pleasures, 1954)
  • Luci della mia sera (Lights of My Evening, 1956)
  • Lettere (Letters, 1958)

References

  1. ^ Drake, Richard. (Apr. – Jun. 1990). Sibilla Aleramo and the Peasants of the Agro Romano: A Writer's Dilemma. Journal of the History of Ideas, 51(2):255–272
  2. ^ "Disease as Metaphor in Sibilla Aleramo's Una Donna". academic.brooklyn.cuny.edu. Retrieved 31 July 2023.
  3. .
  4. .
  5. .
  6. ^ a b Pickering-lazzi, Robin (1995). Mothers of Invention: Women, Italian Fascism, and Culture. Minneapolis: University of Minnesota Press. pp. 137–165.

Bibliography

External links