Silent comedy
Silent comedy is a style of film, related to but distinct from mime, invented to bring comedy into the medium of film in the silent film era (1900s–1920s) before a synchronized soundtrack which could include talking was technologically available for the majority of films. Silent comedy is still practiced, albeit much less frequently, and it has influenced comedy in modern media as well.
Many of the techniques of silent comedy were borrowed from
Silent film era
Beginnings–1913
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The first silent comedy film is generally regarded as L'Arroseur Arrosé, directed and produced by Louis Lumière. Shown to the public on June 10, 1895, it ran for 49 seconds and consisted of a gardener being sprayed in the face with a hose. Most likely based on a popular comic strip of the time,[1] L'Arroseur Arrosé created a new genre and inspired its audiences.[1]
As film shifted from a novelty medium that set out to capture exotic places and everyday actions to an established industry in the early 1900s,
The first international silent comedian star came was the French Max Linder[4] who worked for the Pathé Film Company. His character, a mustached, top hat wearing, high class man, excelled in taking simple scenarios and everyday tasks and wreaking havoc. His style of comedy was imitated by numerous silent comedians that followed him.
1913–1927
Modern era
In the early years of "talkie" films (beginning in 1927, see The Jazz Singer) a few actors continued to act silently for comedic effect, most famously Charlie Chaplin, whose last great "silent" comedies City Lights (1931) and Modern Times (1936) were both made in the sound age. Another late example was Harpo Marx, who always played a mute in the Marx Brothers' films. An early television series that featured exaggerated visual humor was the Ernie Kovacs program.
Another important legacy of silent film comedy was the humor in animated cartoons. Even as live-action comedy moved towards a focus on the verbal humor of Abbott and Costello and Groucho Marx, animated cartoons took up the entire range of slapstick gags, frenetic chase scenes, visual puns, and exaggerated facial expressions previously seen in silent comedies. These devices were most pronounced in the Looney Tunes and Merrie Melodies cartoons from Warner Bros. directed by Bob Clampett, Chuck Jones and Friz Freleng and in the MGM Cartoons of Tex Avery, the Tom and Jerry cartoons of William Hanna and Joseph Barbera, and of Harman and Ising.
During the 1960s and 1970s, several films made homages or references to the silent era of film comedy. It's a Mad, Mad, Mad, Mad World performers and gags form the era and Blake Edwards' The Great Race and Mel Brooks' Silent Movie were full-length tributes. Peter Bogdanovich's What's Up, Doc? also featured slapstick gags and Keystone-style chase scenes, ideas that prefigured much of the humor in The Blues Brothers and Airplane! later in the decade.
An episode of The Brady Bunch featured the family making a silent comedy filled with pie-throwing.
Few feature films today exploit the genre of silent comedy. Occasionally, comedy teams will use a silent character for comedic effect. The most consistent—and also the most famous—is Teller from Penn & Teller.
Rowan Atkinson had huge success in the 1990s with the character Mr. Bean.
In a 1999 episode of
Shaun the Sheep is a British stop motion animated children's television series which also uses silent comedy.
However, techniques employed by silent comedy, continue to influence talkie comedies, mainly through silent comedy's development of the older art of
References
- ^ a b "L'Arroseur Arrose - Film (Movie) Plot and Review - Publications". www.filmreference.com.
- ISBN 978-0-19-874242-5.
- ISBN 978-0-19-874242-5.
- ISBN 978-0-19-874242-5.
- ^ "Fans love Gutur Gu cast". The Times of India. Mar 12, 2011. Archived from the original on April 11, 2013.
- ^ "Hush: Gutur Gu, India's first silent comedy show, goes on air from March 5". Indian Express. Mar 7, 2010.
Further reading
- ISBN 0-394-46907-0.