Six Degrees of Separation (play)

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Six Degrees of Separation
Mitzi E. Newhouse Theater
New York City
Original languageEnglish
GenreDrama
SettingNew York City

Six Degrees of Separation is a play written by American playwright John Guare that premiered in 1990. The play was nominated for the Pulitzer Prize for Drama and the Tony Award for Best Play.[1]

The play explores the existential premise that everyone in the world is connected to everyone else in the world by a chain of no more than six acquaintances, thus, "six degrees of separation".

It was adapted into a film of the same name in 1993.

Synopsis

A young black man named Paul shows up at the home of art dealer Flan Kittredge and his wife Louisa, known simply as "Ouisa", who live overlooking

Broadway musical Cats
. Paul continues to charm them with his story, though in reality, it is all a lie: Paul is no Harvard student and obtained details on the Kittredges from a male student he had seduced. Eventually Paul uses their home for an encounter with a hustler, but is caught red-handed. The police are called, but Paul escapes.

Soon after, Paul starts up another con against a sensitive young man named Rick and his live-in girlfriend, Elizabeth. The naive young couple are new to the big city having just moved to New York from Utah and, based on Paul's con, invite him to live with them until he gets everything sorted out with his wealthy father—who Paul tells them is Flan Kittredge. The trio become good friends, with Paul spinning a tale of being estranged from his racist father; the girlfriend tells Rick not to lend Paul any money. One night Paul takes Rick out on the town, and seduces him in order to get the money. Later that night, Rick tells Elizabeth that Paul is gone, that he has all their money, and that he and Paul had sex. In a fit of fury, she cruelly suggests that Rick's father had always questioned his son's sexuality. Soon afterwards Rick commits suicide.

In desperation, Paul calls the Kittredges for assistance. Partly due to strained relations with her children, Ouisa finds herself feeling emotionally attached to Paul, hoping to be able to help him in some way despite the fact that he has victimized them. Over a protracted and laborious phone call, he agrees to give himself up to the police; however, during the arrest, he and the couple are separated. Despite their efforts—Ouisa's more than Flan's—his fate is unresolved, except for a possibly tragic end. Towards the end of the play, in a climactic moment of reflection, she delivers the play's most famous monologue:

I read somewhere that everybody on this planet is separated by only six other people. Six degrees of separation. Between us and everybody else on this planet. The president of the United States. A gondolier in Venice. Fill in the names. I find that A) tremendously comforting that we're so close and B) like

Tierra del Fuegan
. An Eskimo. I am bound to everyone on this planet by a trail of six people. It's a profound thought. How Paul found us. How to find the man whose son he pretends to be. Or perhaps is his son, although I doubt it. How every person is a new door, opening up into other worlds. Six degrees of separation between me and everyone else on this planet. But to find the right six people.

Historical casting

Character 1990 Off-Broadway cast 1990 Broadway cast 1992 West End cast 1993 Film cast 1st National Tour cast 2017 Broadway revival cast
Ouisa Kittredge Stockard Channing Marlo Thomas Allison Janney
Flan Kittredge John Cunningham Paul Shelley Donald Sutherland John Cunningham John Benjamin Hickey
Paul James McDaniel Courtney B. Vance Adrian Lester Will Smith Ntare Mwine
Corey Hawkins

Kristin Griffith and Swoosie Kurtz read the role of Ouisa Kittredge in workshops in 1989 before Stockard Channing was cast. Channing was originally unavailable and was committed to coming to Broadway in another play, Neil Simon's Jake's Women. The play's Broadway run was canceled. Channing had starred previously in John Guare's The House of Blue Leaves, and he offered her the role for the official Off-Broadway run. Kurtz later replaced Channing during the Broadway run.[4][5]

Production history

The play premiered

Mitzi E. Newhouse Theater, Lincoln Center, on May 16, 1990. Stockard Channing won an Obie Award
for Best Actress for her performance. Guare won an Obie Award for his script.

The production was transferred to the Vivian Beaumont Theater for its Broadway debut on November 8, 1990. The production closed on January 5, 1992 after 485 performances, directed by Jerry Zaks.[6] Kelly Bishop played the role of Ouisa as a replacement on Broadway, and Laura Linney made her Broadway debut as a replacement for the role of Tess. The original Broadway production was nominated for four Tony Awards, winning for Best Direction for Zaks. A US. National tour was launched in 1992.[7] Veronica Hamel also played Ouisa in the first production in Chicago.[8]

The play made its UK debut in 1992 at the

Old Vic theatre in London starring Lesley Manville as Ouisa.[9]

A 1995 production at

In May 2004 Michael Buffong directed a production at the Royal Exchange, Manchester with Lisa Eichhorn as Ouissa Kittredge, Phillip Bretherton as Flanders Kittredge and O-T Fagbenle as Paul. O-T Fabenle won a MEN Award for his performance.

The play was revived on Broadway at the Ethel Barrymore Theatre in a limited engagement opening on April 5, 2017, starring Allison Janney, John Benjamin Hickey and Corey Hawkins, with direction by Trip Cullman.[12][13]

Background

The play was inspired by the real-life story of

con man and robber who managed to convince a number of people in the 1980s that he was the son of actor Sidney Poitier. The writer John Guare was a friend of Inger McCabe Elliott and her husband Osborn Elliott. In October 1983 Hampton came to the Elliotts' New York apartment and they allowed him to spend the night. The next morning Inger Elliott found Hampton in bed with another man and later called the police. The Elliotts told Guare about the story and it inspired him to write the play years later.[14]

Hampton was tried and acquitted for harassment of Guare after the play became a critical and financial success; he felt that, as the real life protagonist of the story, he was due a share of the profits that he ultimately never received.[15]

A strong influence on the play is the novel

allusions made both in the script and in the cinematography of the film version, such as when various characters begin to take on Holden Caulfield
-esque characteristics and attitudes.

Film adaptation

Guare adapted the play for a film released in 1993 directed by Fred Schepisi. Channing was nominated for the Academy Award for Best Actress for her performance in the film.

Awards and nominations

Original Broadway production

Year Award ceremony Category Nominee Result
1991
Tony Award
Best Play Nominated
Best Performance by a Leading Actor in a Play Courtney B. Vance Nominated
Best Performance by a Leading Actress in a Play Stockard Channing Nominated
Best Direction of a Play Jerry Zaks Won
Drama Desk Award
Outstanding New Play
Nominated
Outstanding Actress in a Play Stockard Channing Nominated
Outstanding Director of a Play Jerry Zaks Won
Outer Critics Circle Award
Outstanding New Broadway Play Nominated
Outstanding Actress in a Play Stockard Channing Nominated
Outstanding Director Jerry Zaks Nominated
New York Drama Critics' Circle Award Best Play John Guare Won
Clarence Derwent Awards Most Promising Male Performer James McDaniel Won

Original London production

Year Award ceremony Category Nominee Result
1993
Laurence Olivier Award
Best New Play Won
Best Actress in a Play Stockard Channing Nominated

2017 Broadway revival

Year Award ceremony Category Nominee Result
2017
Tony Award
Best Revival of a Play Nominated
Best Performance by a Leading Actor in a Play Corey Hawkins Nominated
Outer Critics Circle Award
Outstanding Actress in a Play Allison Janney Nominated
Drama League Award Outstanding Revival of a Play Nominated
Distinguished Performance Corey Hawkins Nominated
Allison Janney Nominated

See also

References

  1. ^ "Pulitzer Prize for Drama" pulitzer.org, accessed November 13, 2015
  2. .
  3. .
  4. ^ Jake's Women canceled accessed 11/23/2016
  5. ^ Play script notes accessed 11/23/2016
  6. ^ "'Six Degrees of Separation' Broadway" playbillvault.com, accessed November 13, 2015
  7. ^ Writer, JACK ZINK, Theater (4 April 1993). "MARLO THOMAS WOMAN OF DEGREES IN SIX DEGREES OF SEPARATION, THE ACTRESS FOUND AN ENTICING MIX OF INTELLIGENCE AND CONTROVERSY -- JUST THE THING TO DRAW HER OUT OF TV STUDIOS AND ONTO THE ROAD". Sun-Sentinel.com. Retrieved Aug 31, 2019.{{cite web}}: CS1 maint: multiple names: authors list (link)
  8. ^ writer, Sid Smith, Entertainment (24 July 1992). "HAMEL ADDS WARMTH TO 'SIX DEGREES'". chicagotribune.com. Retrieved Aug 31, 2019.{{cite web}}: CS1 maint: multiple names: authors list (link)
  9. ^ Billington, Michael. "Review. 'Six Degrees of Separation'" The Guardian, 19 January 2010
  10. ^ "Theatre Notes". Toronto Star, January 12, 1995.
  11. ^ "Dora Winners". Toronto Star, June 27, 1995.
  12. ^ Paulson, Michael. "Allison Janney to Return to Broadway in ‘Six Degrees of Separation’ Revival", The New York Times, October 18, 2016
  13. ^ Clement, Olivia. " 'Six Degrees of Separation' Announces Rush Policy" Playbill, March 29, 2017
  14. ^ New York Mag The Story of David Hampton accessed 7-27-2015
  15. ^ Larrt McShane (19 July 2003). "Six Degrees' Inspiration Hampton Dies". Associated Press. Retrieved 2008-08-17.
  16. ^ "Catcher references in Six Degrees of Separation". Archived from the original on 2009-10-27. Retrieved 2019-08-30.
  17. ^ Colin L. Ryono (2008). "Six Degrees of Separation". Colin's Movie Monologue Page. Retrieved 2008-08-31.

Further reading

External links