Songket

Source: Wikipedia, the free encyclopedia.
Songket
A typical Minangkabau songket, the pattern in the lower third representing bamboo sprouts
TypeArt fabric
Materialsilk, cotton, gold, silver
Place of originPalembang, Sumatra (present-day Indonesia, mainly and originally),[1][2] spread throughout Maritime Southeast Asia[3]
Songket
CountryMalaysia
DomainsTraditional craftsmanship
Reference01505
RegionAsia and the Pacific
Inscription history
Inscription2021 (16th session)
ListRepresentative List

Songket or sungkit is a

supplementary weft weaving technique.[5]

Songket is often associated with the Srivijaya Empire as the origin of the songket tradition, several types of popular Songket can not be separated from locations that were once under Srivijaya rule, one of the dominant locations which is also believed to be the capital of the Srivijaya Empire in the past, namely Palembang, which located in South Sumatra, Indonesia. Besides Palembang, several areas in Sumatra are also the best-in-class Songket producing locations, which include areas in Minangkabau or West Sumatra such as Pandai Sikek, Silungkang, Koto Gadang, and Padang. Outside of Sumatra, songket is also produced by regions such as Bali, Lombok, Sambas, Sumba, Makassar, Sulawesi, and other areas in Indonesia.

Due to the historical factors of the Srivijaya Empire, trade, and mixed marriages, Songket has also become popular in the Maritime Southeast Asia region, especially in countries around Indonesia such as Brunei, Malaysia, and Singapore.

Based on the analysis conducted on the statues at the Bumiayu temple, South Sumatra, it can be seen that songket has been worn by the people of South Sumatra since the 8th century CE, when Srivijaya was based in Palembang. This statue was found at the Bumiayu Temple Archaeological Site which is located on the downstream bank of Lematang River which empties into Musi River, precisely in Tanah Abang District, Penukal Abab Lematang Ilir Regency approximately 120 km to the west of Palembang City.

In Indonesia, five songket traditions are recognised as Intangible Cultural Heritage by the Indonesian Ministry of Education and Culture.[6] They are songket traditions of

Masterpiece of the Oral and Intangible Heritage of Humanity.[12]

Etymology

A group of women dressed in indigenous clothing songket from Batipuh near Padang Panjang highlands of West Sumatra, circa 1895.

The term songket derived from the Malay word of sungkit, which means "to hook". It is referred to the method of songket making; to hook and pick a group of threads, and then slip the gold and silver threads in it.[13] Another theory suggested that it was constructed from the combination of two terms; tusuk (prick) and cukit (pick) that combined as sukit, modified further as sukit and finally songket.[14] Some says that the word songket was derived from songka, a Palembang cap in which gold threads was first woven.[1] The earliest confirmable written proof of this clothing in Malay texts always mentioned sungkit instead of songket, for example the Hikayat Aceh of 1620s and Hikayat Banjar of 1660s.[15]

The

Pattani, Kelantan and Terengganu.[18] The fabric is even mandated as part of the ceremonial court dress of Bruneian royalty since the time of Omar Ali Saifuddien III.[19] Traditionally women are the weavers of songket, however in this modern time men also are known to weave it as well.[1]

Songket is known in many names in vernacular

Karo Batak of North Sumatra, call it jongkit. People in Ternate, Maluku, call it suje, while the Buginese in South Sulawesi call it subbi’ and arekare’ and the Iban Dayak in West Kalimantan and Sarawak call it pilih or pileh.[5]

History

Songket in Palembang Aesan Gede wedding costume, South Sumatra

Songket weaving traditions at first, historically associated with

Arab merchants.[1]

Songket is a luxurious textile that required some amount of real gold leaves and gold threads to be hand-woven into exquisite fabrics, surely it has become a symbol of luxury and social status.[23] Historically the gold mines are located in Sumatra hinterland; Jambi and Minangkabau Highlands.[24]: 451  Although gold threads were found buried in the Srivijaya ruins in Sumatra, along with unpolished rubies and pieces of gold plate, there is no corroborating evidence that the local weavers used gold threads as early as 7th century to early 8th century.[1]

Based on archaeological data, it can be seen that songket has been known by the people of

South Sumatra Province, Indonesia.[2][26] At that time the use of songket was reserved only for the nobility, as seen from the statues which were probably the deified personification of a king. The evidence for the existence of songket can be seen on the lepus motifs found on the vest worn by Figure 1 at the Bumiayu temple complex. The use of lepus motif shows the continuity of that motif that has been around since the 9th century.[2]

The description of textiles reminiscent of songket can be found in 10th century Chinese source from Song dynasty. According to this Song chronicle, in 992 the envoy from She-po (Java) arrived in Chinese court bearing a lot of gifts, consists of silk "woven with floral motifs made of gold threads", ivories, pearls, silk of various colours, fragrant sandalwood, cotton clothes of various colours, turtle shells, betel nut preparation kit, kris dagger with exquisite hilt made of rhino horn and gold, rattan mat with the image of white cockatoo, and a small model of house made of sandalwood adorned with valuable ornaments.[27]: 199 

The statue of Durga Mahisasuramardini from 13th century Singhasari temple shows the sash is carved with "star flower" motifs, a pattern that continues today in songket design.

Studies of Javanese statues dated from Indonesian Hindu-Buddhist period between 8th to 15th centuries provides a glimpse of the fashion during that period. These statues were decorated elaborately including textiles pattern. The details of kain lower garment of Durga Mahisasuramardini form the 13th-century Singhasari temple near Malang, shows elaborately carved tassels which suggests goldwork decoration. The costume is completed with two sashes draped over the legs carved with bunga bintang or "star flower" motifs, a pattern that continues today in songket design. The precision of stone carved textile suggests the designs are unlikely an invention of sculptor's imagination, and more likely to have replicated a cloth that existed at the time.[28]: 154 

Various Chinese and Arab accounts mentioned the presence of textiles produced within the region and emphasized the prevalence of weaving in the Malay Peninsula.

Pattani, and finally reach the Malay court of Kelantan and Terengganu as early as the 16th century.[1][30] The weaving of songket continues as a small cottage industry on the outskirts of Kota Bharu and Terengganu.[31] However, Terengganu weavers believe that songket weaving technique was introduced to Malaysia from India through Sumatra's Palembang and Jambi where it probably originated during the time of Srivijaya (7th to 11th century).[1] Nevertheless, Zani Bin Ismail put forth the argument that the origins of songket can be traced to China and subsequently spread to Indochina, including Cambodia and Thailand. His assertion was based on the similarities observed in the handweaving looms of Terengganu, Cambodia, and Thailand.[32]

Another possible of origin of songket based on Liang dynasty record (502-557) is from Langkasuka kingdom, an ancient kingdom dressed in the Malay Peninsula. It's King dressed ‘rose-colored cloth with gold flowers’, which could have been a songket of some kind, as red is traditional color of Songket.[28]: 34 

Much documentation is sketchy about the origins of the songket but it is most likely that songket weaving was brought to Peninsular Malaysia through intermarriages between royal families. This was a common occurrence in the 15th century for sealing strategic alliances. Production was located in politically significant kingdoms because of the high cost of materials; the gold thread used was originally wound with real gold leaf.[33]

The use of songket vest with lepus motif as described in the statue of the Bumiayu temple, was also popular during the Islamic Palembang Sultanate period from the 16th to 19th centuries, and limited only for the upper class of the society. After the collapse of the sultanate, songket began to spread among non-aristocrats.[2]

Songket as king's dress was also mentioned by

Abdullah bin Abdul Kadir writings in 1849.[34]

Tradition

Minangkabau wedding ceremony using songket Minangkabau cloth in Padang Panjang, West Sumatra, late 19th century.

Songket is traditionally considered an exquisite, luxurious and prestigious traditional fabric, only worn for special occasions, religious festivals, and traditional social functions. It has become a required garment for brides and grooms for their weddings, as in the traditional wedding costumes of

Palembangese, Minangkabau and Balinese people.[35]

In Indonesian tradition, songket has become a marker of social status.[23] Traditionally a certain songket motif is reserved for particular social status. For example in Palembang songket tradition, the lepus motifs were originally reserved only for bangsawan (royalty, nobles or aristocrats).[36] Indeed songket is employed as the social marker of the wearer, even as far as to inform the marital status of the wearer. In old Palembang, widows wore outstanding selendang (shoulder cloth) songket to disclose their social and marital status. There are two kinds of specific songket motifs for widows; those for widows eligible for remarriage is called songket janda berias (dress up widow songket),[37] and those for widow brides is called songket janda pengantin (widow bride songket).[38]

Today, songket are usually made from affordable materials, such as using artificial gold threads made of nylon instead of pure gold threads. Nevertheless, there are few rare songket that is actually made from real gold threads. These are precious textiles that are held as pusaka or heirloom passed down for generations within a family.[39]

Rijksmuseum Amsterdam

Today, songket is mostly worn in traditional settings as traditional costumes for weddings or any traditional ceremonies. Several efforts has been conducted to promote songket as a popular fabric for fashion, either locally and abroad. During the Dutch colonial era, West Sumatran songket were exhibited in the Netherlands. The Sawahlunto Songket Carnival was held in Sawahlunto, West Sumatra in August 2015. The songket carnival featured a parade and exhibition with participants from numbers of songket studios across West Sumatra. The carnival, held on 28 August 2015, was recorded in the Indonesian Museum of Records for the most people wearing songket at a same time, with 17,290 people wearing Silungkang songket during the event.[40]

Several exhibitions has been held to preserve and promote the traditional art of songket making, such as the songket exhibition held in 2015 by Jakarta Textile Museum, which showcased around 100 pieces of songket from various Indonesian provinces.[41]

Today, songket has become a source of inspiration for contemporary fashion designers who draw ideas from this traditional art.[42]

Songket making

Pasar Malam Surabaya circa 1905, Dutch East Indies
.
Manuriang is spinning yarn for weaving. A grandma doing Manuriang in Pandai Sikek, West Sumatra

Equipments and materials

There are two categories of songket weaving equipments; the main weaving equipment made from wooden or bamboo frame; and the supporting equipment which includes thread stretching tool, motif making tool, thread inserting and picking tools. The materials for making songket consist of

gold threads
were used to create songket; the cotton threads were run along heated liquid gold, coating the cotton and creating gold thread. However today because the scarcity and the expensiveness of real gold threads, imitation gold or silver threads are commonly used instead.

Technique

The songket technique itself involves the insertion of decorative threads in between the wefts as they are woven into the warp, which is fixed to the loom. They are inserted as part of the weaving process, but not necessary in the making of the cloth. There are four types of

supplementary weft weaving technique: continuous, discontinuous, inlaid and wrapped.[5]

Songket weaving is done in two stages, weaving the basic cloth with even or plain weaving and weaving the decoration inserted into basic cloth, this method is called "inlay weaving system".[14] The shining gold, silver or silk threads were inserted and woven into the plain weave base cloth in certain motifs, creating a shimmering effect of golden pattern against darker plain background. Songket weaving is traditionally done as a part-time job by young girls and older women in between their daily domestic chores. The complicated process of songket making is believed to cultivate virtues, as it reflects the values of diligence, carefulness and patience.

Patterns

There are hundreds of songket motifs. In Palembang tradition, songket is inseparable from the lives of the people who wear it during important events such as births, marriages, and death.[4] Palembang songket recognises several types of songket patterns; they are lepus, tretes, limar, tawur, bungo, and rumpak songkets.[36] Examples of Palembang songket motifs are naga besaung, pucuk rebung, biji pare, bintang berante, bintang kayu apuy, bungo mawar, bungo melati, bungo cino, bungo jepang, bungo intan, bungo pacik, cantik manis, lepus berakam, pulir, nampan perak, tabur limar and tigo negeri.[14]

Production centers

Sasak traditional songket, Lombok
.

In

Klungkung regency, especially at Sidemen and Gelgel village.[44] The Klungkung Market is a popular spot to shop Balinese songket, as it offers wide collection of this traditional fabrics.[35]

While in the neighboring island of

Lombok, the Sukarara village in Jonggat district, Central Lombok regency, is also famous for songket making.[45] In this village, learning how to weave a good songket is an obligation for the Sasak women. Weaving songket is usually done by women during their spare time, and subsequently this traditional skill has enabled them to earn money for their family.[46]

In Malaysia production area included the east coast of the Malay Peninsula[29] especially in the city of Kuala Terengganu, Terengganu and the Kota Bharu, Kelantan.[33]

Gallery

  • Songket weaver in West Sumatra c. 1890.
    Songket weaver in West Sumatra c. 1890.
  • Minangkabau women in songket attire at Sumatra's west coast c. 1915.
    Minangkabau women in songket attire at Sumatra's west coast c. 1915.
  • Songket Minangkabau traditional wedding costumes from Minangkabau, West Sumatra.
    Songket Minangkabau traditional wedding costumes from Minangkabau, West Sumatra.
  • A Lombok wedding party using songket. In Lombok, most weddings are held during the month of April, and the parades are held on Sunday, West Nusa Tenggara.
    A Lombok wedding party using songket. In Lombok, most weddings are held during the month of April, and the parades are held on Sunday, West Nusa Tenggara.
  • The stage of winding the weaving threads into a place where the spools of thread function as thread for the length of the songket cloth in Sumatra.
    The stage of winding the weaving threads into a place where the spools of thread function as thread for the length of the songket cloth in Sumatra.
  • Minangkabau men from West Sumatra in traditional dress (songket), 1929.
    Minangkabau men from West Sumatra in traditional dress (songket), 1929.
  • Shoulder cloth. The entire length of the plaid silk is decorated with gold thread (songket). The edges were decorated with gallons and gold trim, the shoulder cloth was silk with gold thread trimmings in Sumatra, circa 1900 (Tropenmuseum).
    Shoulder cloth. The entire length of the plaid silk is decorated with gold thread (songket). The edges were decorated with gallons and gold trim, the shoulder cloth was silk with gold thread trimmings in
    Tropenmuseum
    ).
  • Selendang, Long silk scarf from Aceh, Sumatra. The ends are decorated with weft thread from the golden thread (songket) of the ceremonial shawl c. 1900.
    Selendang, Long silk scarf from Aceh, Sumatra. The ends are decorated with weft thread from the golden thread (songket) of the ceremonial shawl c. 1900.
  • Songket fabric with keris motif with a bamboo shoot in the middle from West Sumatra, Pucuak rabuang is one of the Minangkabau traditional motifs.
    Songket fabric with keris motif with a bamboo shoot in the middle from West Sumatra, Pucuak rabuang is one of the Minangkabau traditional motifs.
  • Detail of a songket sarong from Singaraja, the collection of Balique Arts of Indonesia. 1920's.
    Detail of a songket sarong from Singaraja, the collection of Balique Arts of Indonesia. 1920's.
  • Terengganu songket, the Limar Songket Bertabur cloth from the 19th century, the collection of Textile Museum, George Washington University.
    Terengganu songket, the Limar Songket Bertabur cloth from the 19th century, the collection of Textile Museum, George Washington University.

See also

References

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Further reading

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