Sonnet 67
Sonnet 67 | |||||||
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Sonnet 67 is one of
Structure
Sonnet 67 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form, ABAB CDCD EFEF GG, and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The third line exemplifies a regular iambic pentameter:
× / × / × / × / × / That sin by him advantage should achieve (67.3)
- / = ictus, a metrically strong syllabic position. × = nonictus.
Line eight exemplifies an initial reversal, of which there are several in this sonnet:
/ × × / × / × / × / Roses of shadow, since his rose is true? (67.8)
Source and analysis
Gary Schmidgall notes that the underlying conceit of the sonnet derives from Petrarch, for whom hyperbolic praise is a main part of the stock in trade. For most critics, this theme is in this poem significant as it interacts with another theme, the corruption of the court. This theme, which was prominent in the voguish satire of the 1590s. As he would in Hamlet, Shakespeare draws on the language of abuse derived ultimately from Roman satirists such as Juvenal and Horace. The combination of satiric and romantic language is commonly said to reinforce the speaker's ambivalence about his beloved. M. M. Mahood notes the lexical uncertainty of line 1, which leaves open the possibility that the friend himself is infected. For this reason, Roger Warren points to a thematic similarity to All's Well That Ends Well, whose hero, Bertram, is similarly ambiguous.
"Lace" in line 4 has been glossed various ways. Citing Romeo and Juliet and Macbeth, George Steevens glossed it as "embellish"; Edward Dowden agreed, but George Wyndham has it as "diversify." Wyndham also perceives a reference to the "rival poet" in lines 7–8. In line 8, "seeing" is sometimes amended to "seeming" but more commonly "dead seeing" is glossed as some variation "lifeless appearance."
Notes
- OCLC 4770201.
References
- Baldwin, T. W. On the Literary Genetics of Shakspeare's Sonnets. Urbana: University of Illinois Press, 1950.
- Hubler, Edwin. The Sense of Shakespeare's Sonnets. Princeton: Princeton University Press, 1952.
- Warren, George. "Why Does It End Well? Helena, Bertram, and the Sonnets." Shakespeare Studies 22 (1969).
- First edition and facsimile
- Shakespeare, William (1609). Shake-speares Sonnets: Never Before Imprinted. London: Thomas Thorpe.
- OCLC 458829162.
- Variorum editions
- OCLC 234756.
- Modern critical editions
- Atkins, Carl D., ed. (2007). Shakespeare's Sonnets: With Three Hundred Years of Commentary. Madison: OCLC 86090499.
- OCLC 2968040.
- Burrow, Colin, ed. (2002). The Complete Sonnets and Poems. OCLC 48532938.
- OCLC 32272082.
- OCLC 15018446.
- Mowat, Barbara A.; Werstine, Paul, eds. (2006). Shakespeare's Sonnets & Poems. OCLC 64594469.
- OCLC 46683809.
- OCLC 36806589.