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{{Article for deletion/dated|page=De Panamá a New York (album)|timestamp=20220722145126|year=2022|month=July|day=22|substed=yes}} |
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{{Infobox album |
{{Infobox album |
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| name = De Panamá a New York |
| name = De Panamá a New York |
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| type = studio |
| type = studio |
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| artist = [[Rubén Blades]] & Pete Rodríguez and His Orchestra |
| artist = [[Rubén Blades]] & Pete Rodríguez and His Orchestra |
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| cover = Rubén Blades - De Panamá a New York.png |
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| released = 1970 |
| released = 1970 |
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| recorded = 1970 |
| recorded = 1970 |
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| studio = Bell Sound Studios (New York)<ref>{{cite web | url=https://www.discogs.com/es/master/587775-Ruben-Blades-Con-La-Orquesta-De-Pete-Rodriguez-From-Panama-To-New-York | title=Ruben Blades Con la Orquesta de Pete Rodriguez - from Panama to New York | website=[[Discogs]] }}</ref> |
| studio = {{hlist|[[Bell Sound Studios|Bell Sound]] (New York City)<ref name="discogs.com">{{cite web | url=https://www.discogs.com/es/master/587775-Ruben-Blades-Con-La-Orquesta-De-Pete-Rodriguez-From-Panama-To-New-York | title=Ruben Blades Con la Orquesta de Pete Rodriguez - from Panama to New York | website=[[Discogs]] | date=1970 }}</ref>|[[The Sound Factory|Sound Factory]] ([[Hollywood, Los Angeles|Hollywood]])<ref>{{cite web | url=https://www.allmusic.com/album/de-panama-a-new-york-mw0000800553 | title=Rubén Blades, Orquesta de Pete Rodriguez - de Panama a New York Album Reviews, Songs & More | website=[[AllMusic]] }}</ref>}} |
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| genre = *[[Salsa music|Salsa]] |
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⚫ | |||
*[[Latin soul]] |
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⚫ | |||
*[[bolero]] |
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| language = [[English language|English]] and [[Spanish language|Spanish]] |
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*[[guaguancó]] |
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⚫ | |||
⚫ | |||
⚫ | |||
| language = {{hlist|Spanish|English}} |
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⚫ | |||
| producer = Miguel Estivill |
| producer = Miguel Estivill |
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| compiler = [[Fania Records]] |
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| year = 1970 |
| year = 1970 |
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| next_title = [[The Good, the Bad, the Ugly (Willie Colón album)|The Good, the Bad, the Ugly]] |
| next_title = [[The Good, the Bad, the Ugly (Willie Colón album)|The Good, the Bad, the Ugly]] |
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| next_year = 1974 |
| next_year = 1974 |
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| chronology = [[Rubén Blades]] |
| chronology = [[Rubén Blades]] |
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}} |
}} |
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{{Music ratings |
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|rev1 = [[Allmusic]] |
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⚫ | '''''De Panamá a New York (From Panama to New York)''''' It is the |
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|rev1score = {{rating|3.5|5}}<ref>{{cite web |last1=Bush |first1=John |title=Rubén Blades, Orquesta De Pete Rodriguez - De Panama a New York Album Reviews, Songs & More {{!}} AllMusic |url=https://www.allmusic.com/album/de-panama-a-new-york-mw0000800553 |publisher=AllMusic |access-date=July 23, 2022}}</ref> |
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|rev2 = ''[[The New Rolling Stone Album Guide]]'' |
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|rev2score = {{rating|3|5}}<ref name=rs>{{cite book|title=Rubén Blades Reviews|url=https://books.google.com/books?id=t9eocwUfoSoC&pg=PA81|work=The New Rolling Stone Album Guide|access-date=13 December 2016|author-link=Nathan Brackett|date=28 November 2004|isbn = 9780743201698|last1 = Brackett|first1 = Nathan|last2 = Hoard|first2 = Christian David| publisher=Simon and Schuster }}</ref> |
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}} |
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⚫ | '''''De Panamá a New York (From Panama to New York)''''' It is the debut [[studio album]] by Panamian singer-songwriter [[Rubén Blades]] and the eleventh for [[Pete Rodriguez (boogaloo musician)|Pete Rodríguez and His Orchestra]]. Released on 1970 through [[Alegre Records]]. Containing outstanding songs such as ''Descarga Caliente,'' ''El Bravo'' and ''Juan Gonzáles''. Songs that, despite not having the expected success,<ref name=":0">{{Cite web |title=DE PANAMÁ A NUEVA YORK |url=https://fania.com/es/record/de-panama-a-nueva-york/ |access-date=2022-07-19 |website=Fania Records |date=13 April 2020 |language=es}}</ref> were the basis for songs like ''[[Pedro Navaja]]'', [[Siembra|''Plástico'']] and ''[[Siembra]]'', among others. |
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This album was recorded during the trip that Blades and his family made in [[New York City|New York]]. This album also meant the inspiration of the Panamanian to compose the song ''El Cazanguero'' included in the album [[The Good, the Bad, the Ugly (Willie Colón album)|The Good, the Bad, the Ugly]]. |
This album was recorded during the trip that Blades and his family made in [[New York City|New York]]. This album also meant the inspiration of the Panamanian to compose the song ''El Cazanguero'' included in the album [[The Good, the Bad, the Ugly (Willie Colón album)|The Good, the Bad, the Ugly]]. |
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== Background == |
== Background == |
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Blades after arriving in New York for the second time.<ref name=":0" /> caught the attention of [[Alegre Records]] producer Pancho Cristal who had already produced hits like [[I Like It Like That (Pete Rodriguez song)|I Like It Like That]] and [[Jala Jala y Boogaloo |
Blades after arriving in New York for the second time.<ref name=":0" /> caught the attention of [[Alegre Records]] producer Pancho Cristal who had already produced hits like "[[I Like It Like That (Pete Rodriguez song)|I Like It Like That]]" and ''[[Jala Jala y Boogaloo]]''. Who was in charge of instrumentalizing [[Rubén Blades|Blades]] and [[Pete Rodriguez (boogaloo musician)|Pete Rodríguez]]. The album marks the first Blades mainly composed songs for his albums.<ref>{{cite magazine |last1=Hamill |first1=Pete |title=Hey, it's Rubén Blades! |magazine=[[New York (magazine)|New York]] |date=19 August 1985 |volume=18 |issue=32 |page=48 |url=https://books.google.com/books?id=ZskBAAAAMBAJ&pg=PA48 |access-date=July 23, 2022 |issn=0028-7369}}</ref> |
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== Songs and their meanings in Blades == |
== Songs and their meanings in Blades == |
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Although still evolving, many of its essential traits - the storytelling, the common touch, the character sketches, the knack for melody and flashy soneos or vocal improvisations - were already evident here. Many of these songs contain the core of concepts that would flourish in future years. The opening song ''Juan González'', for example, foreshadows his ''Cipriano Armenteros'', recorded in 1975 by [[Ismael Miranda]]. Both songs extol the legends of revolutionary folk heroes, borrowing from the Mexican corrido or narrative song, but with a clip-clop salsa beat. It is the differences that are revealing. The later song is much more fleshed out as a story, with more details, more verses, and more concrete action. Also, unlike ''Juan González'', who is killed along with his tired and hungry rebels, Cipriano is rescued in a daring raid by his men who swear revenge, a poignant ending that inspires more than regrets. Still, the artist thought enough of "Juan Gonzalez" four decades later to revive the tune during his 2008 European tour. To foreshadow further, Blades addresses a heartbroken friend bilingually on ''Hey Man'', like this as he headed down a drunken street to a tune that begins ''What happened, man?'' From Salsa at Woodstock from 1976 by Bobby Rodríguez and the |
Although still evolving, many of its essential traits - the storytelling, the common touch, the character sketches, the knack for melody and flashy soneos or vocal improvisations - were already evident here. Many of these songs contain the core of concepts that would flourish in future years. The opening song ''Juan González'', for example, foreshadows his ''Cipriano Armenteros'', recorded in 1975 by [[Ismael Miranda]]. Both songs extol the legends of revolutionary folk heroes, borrowing from the Mexican corrido or narrative song, but with a clip-clop salsa beat. It is the differences that are revealing. The later song is much more fleshed out as a story, with more details, more verses, and more concrete action. Also, unlike ''Juan González'', who is killed along with his tired and hungry rebels, Cipriano is rescued in a daring raid by his men who swear revenge, a poignant ending that inspires more than regrets. Still, the artist thought enough of "Juan Gonzalez" four decades later to revive the tune during his 2008 European tour. To foreshadow further, Blades addresses a heartbroken friend bilingually on ''Hey Man'', like this as he headed down a drunken street to a tune that begins ''What happened, man?'' From Salsa at Woodstock from 1976 by Bobby Rodríguez and the company. ''El Pescador'' has hints of the haunting melody of ''Prepara'', from the 1979 [[Fania All-Stars|Fania All Stars]] Crossover; both songs are about outings and both combine tenderness and foreboding. And on "Descarga Caliente," Blades unleashes a torrent of bristling soneos expressing his fierce independence and a sharp social message against simulation and materialism, a clear preamble to "Plástico" and "Siembra" from his classic 1978 album with [[Willie Colón]].<ref name=":0" /> |
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== Track |
== Track listing == |
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This list has been adapted from [[AllMusic|All Music]], [[Discogs]] and [[Apple Music]].<ref>{{Citation |title=De Panama A Nueva York de Rubén Blades & Pete Rodríguez and His Orchestra |date= |
This list has been adapted from [[AllMusic|All Music]], [[Discogs]] and [[Apple Music]].<ref>{{Citation |title=De Panama A Nueva York de Rubén Blades & Pete Rodríguez and His Orchestra |date= |url=https://music.apple.com/co/album/de-panama-a-nueva-york/1464956267 |language=es-MX |access-date=2022-07-19}}</ref><ref>{{Citation |title=Ruben Blades Con La Orquesta De Pete Rodriguez - From Panama To New York |date=1970 |url=https://www.discogs.com/release/6448097-Ruben-Blades-Con-La-Orquesta-De-Pete-Rodriguez-From-Panama-To-New-York |language=es |access-date=2022-07-19}}</ref><ref>{{Citation |title=Rubén Blades, Orquesta De Pete Rodriguez - De Panama a New York Album Reviews, Songs & More {{!}} AllMusic |url=https://www.allmusic.com/album/de-panama-a-new-york-mw0000800553 |language=en |access-date=2022-07-19}}</ref> |
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{{Track listing |
{{Track listing |
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| all_writing = Rubén Blades |
| all_writing = Rubén Blades |
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| headline = ''De Panamá a New York'' track listing |
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| extra_column = Producer(s) |
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| title1 = Juan González |
| title1 = Juan González |
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| length1 = 3:59 |
| length1 = 3:59 |
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| writer1 = Rubén Blades |
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| extra1 = {{hlist|Pancho Cristal|Miguel Estivill}} |
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| title2 = Solo |
| title2 = Solo |
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| length2 = 2:43 |
| length2 = 2:43 |
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| extra2 = {{hlist|Cristal|Estivill}} |
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| title3 = Hey Man |
| title3 = Hey Man |
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| length3 = 3:42 |
| length3 = 3:42 |
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| extra3 = {{hlist|Cristal|Estivill}} |
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| title4 = When |
| title4 = When |
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| length4 = 2:38 |
| length4 = 2:38 |
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| extra4 = {{hlist|Cristal|Estivill}} |
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| title5 = Descarga Caliente (featuring [[Pete Rodriguez (boogaloo musician)|Pete Rodríguez]]) |
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| title5 = Descarga Caliente |
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| length5 = 5:23 |
| length5 = 5:23 |
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| extra5 = {{hlist|Cristal|Estivill|Rubén Blades}} |
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| title6 = El Bravo |
| title6 = El Bravo |
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| length6 = 3:37 |
| length6 = 3:37 |
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| extra6 = {{hlist|Cristal|Estivill}} |
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| title7 = Donde |
| title7 = Donde |
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| length7 = 2:24 |
| length7 = 2:24 |
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| extra7 = {{hlist|Cristal|Estivill}} |
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| title8 = El Pescador |
| title8 = El Pescador |
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| length8 = 5:52 |
| length8 = 5:52 |
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| extra8 = {{hlist|Cristal|Estivill}} |
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| title9 = Amanecer |
| title9 = Amanecer |
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| length9 = 2:52 |
| length9 = 2:52 |
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| extra9 = {{hlist|Cristal|Estivill}} |
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| title10 = De Panamá a New York |
| title10 = De Panamá a New York |
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| length10 = 4:21 |
| length10 = 4:21 |
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| writer10 = Roberto Cedeño |
| writer10 = {{hlist|Blades|Roberto Cedeño}} |
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| extra10 = {{hlist|Cristal|Estivill}} |
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| total_length = 37:31 |
| total_length = 37:31 |
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}} |
}} |
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== References == |
== References == |
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<references /> |
<references /> |
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{{Rubén Blades}} |
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{{DEFAULTSORT:De Panama a New York (album)}} |
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⚫ | |||
[[Category:Rubén Blades albums]] |
[[Category:Rubén Blades albums]] |
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[[Category:Fania Records albums]] |
[[Category:Fania Records albums]] |
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[[Category:Pete Rodríguez albums]] |
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[[Category:Salsa albums]] |
[[Category:Salsa albums]] |
Latest revision as of 22:48, 7 February 2024
De Panamá a New York | ||||
---|---|---|---|---|
![]() | ||||
Studio album by Rubén Blades & Pete Rodríguez and His Orchestra | ||||
Released | 1970 | |||
Recorded | 1970 | |||
Studio |
| |||
Genre | ||||
Length | 37:31[3] | |||
Language |
| |||
Label | Alegre | |||
Producer | Miguel Estivill | |||
Rubén Blades chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
The New Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
De Panamá a New York (From Panama to New York) It is the debut
This album was recorded during the trip that Blades and his family made in New York. This album also meant the inspiration of the Panamanian to compose the song El Cazanguero included in the album The Good, the Bad, the Ugly.
Background
Blades after arriving in New York for the second time.[6] caught the attention of Alegre Records producer Pancho Cristal who had already produced hits like "I Like It Like That" and Jala Jala y Boogaloo. Who was in charge of instrumentalizing Blades and Pete Rodríguez. The album marks the first Blades mainly composed songs for his albums.[7]
Songs and their meanings in Blades
Although still evolving, many of its essential traits - the storytelling, the common touch, the character sketches, the knack for melody and flashy soneos or vocal improvisations - were already evident here. Many of these songs contain the core of concepts that would flourish in future years. The opening song Juan González, for example, foreshadows his Cipriano Armenteros, recorded in 1975 by Ismael Miranda. Both songs extol the legends of revolutionary folk heroes, borrowing from the Mexican corrido or narrative song, but with a clip-clop salsa beat. It is the differences that are revealing. The later song is much more fleshed out as a story, with more details, more verses, and more concrete action. Also, unlike Juan González, who is killed along with his tired and hungry rebels, Cipriano is rescued in a daring raid by his men who swear revenge, a poignant ending that inspires more than regrets. Still, the artist thought enough of "Juan Gonzalez" four decades later to revive the tune during his 2008 European tour. To foreshadow further, Blades addresses a heartbroken friend bilingually on Hey Man, like this as he headed down a drunken street to a tune that begins What happened, man? From Salsa at Woodstock from 1976 by Bobby Rodríguez and the company. El Pescador has hints of the haunting melody of Prepara, from the 1979 Fania All Stars Crossover; both songs are about outings and both combine tenderness and foreboding. And on "Descarga Caliente," Blades unleashes a torrent of bristling soneos expressing his fierce independence and a sharp social message against simulation and materialism, a clear preamble to "Plástico" and "Siembra" from his classic 1978 album with Willie Colón.[6]
Track listing
This list has been adapted from All Music, Discogs and Apple Music.[8][9][10]
All tracks are written by Rubén Blades
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Juan González" | Rubén Blades |
| 3:59 |
2. | "Solo" |
| 2:43 | |
3. | "Hey Man" |
| 3:42 | |
4. | "When" |
| 2:38 | |
5. | "Descarga Caliente" |
| 5:23 | |
6. | "El Bravo" |
| 3:37 | |
7. | "Donde" |
| 2:24 | |
8. | "El Pescador" |
| 5:52 | |
9. | "Amanecer" |
| 2:52 | |
10. | "De Panamá a New York" |
|
| 4:21 |
Total length: | 37:31 |
References
- ^ a b "Ruben Blades Con la Orquesta de Pete Rodriguez - from Panama to New York". Discogs. 1970.
- ^ "Rubén Blades, Orquesta de Pete Rodriguez - de Panama a New York Album Reviews, Songs & More". AllMusic.
- ^ "De Panama a Nueva York".
- ^ Bush, John. "Rubén Blades, Orquesta De Pete Rodriguez - De Panama a New York Album Reviews, Songs & More | AllMusic". AllMusic. Retrieved July 23, 2022.
- )
- ^ a b c "DE PANAMÁ A NUEVA YORK". Fania Records (in Spanish). 13 April 2020. Retrieved 2022-07-19.
- ISSN 0028-7369. Retrieved July 23, 2022.
- ^ De Panama A Nueva York de Rubén Blades & Pete Rodríguez and His Orchestra (in Mexican Spanish), retrieved 2022-07-19
- ^ Ruben Blades Con La Orquesta De Pete Rodriguez - From Panama To New York (in Spanish), 1970, retrieved 2022-07-19
- ^ Rubén Blades, Orquesta De Pete Rodriguez - De Panama a New York Album Reviews, Songs & More | AllMusic, retrieved 2022-07-19