Corinna: Difference between revisions
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42 fragments of Corinna's poetry survive, though no complete poems of hers are known.<ref name=Plant04-92>{{harvnb|Plant|2004|p=92}}</ref> The three most substantial fragments are preserved on pieces of papyrus discovered in [[Hermopolis]] and [[Oxyrhynchus]] in Egypt, dating to the second century AD;{{efn|PMG 654, which contains the "Contest of Helicon and Cithaeron" and "Daughters of Asopus" fragments comes from P.Berol. 284; PMG 655, the "Terpsichore" fragment, comes from P.Oxy. 2370.<ref>{{harvnb|Plant|2004|p=222}}</ref>}} many of the shorter fragments survive in citations by grammarians interested in Corinna's Boeotian dialect.<ref name=Plant04-92/> |
42 fragments of Corinna's poetry survive, though no complete poems of hers are known.<ref name=Plant04-92>{{harvnb|Plant|2004|p=92}}</ref> The three most substantial fragments are preserved on pieces of papyrus discovered in [[Hermopolis]] and [[Oxyrhynchus]] in Egypt, dating to the second century AD;{{efn|PMG 654, which contains the "Contest of Helicon and Cithaeron" and "Daughters of Asopus" fragments comes from P.Berol. 284; PMG 655, the "Terpsichore" fragment, comes from P.Oxy. 2370.<ref>{{harvnb|Plant|2004|p=222}}</ref>}} many of the shorter fragments survive in citations by grammarians interested in Corinna's Boeotian dialect.<ref name=Plant04-92/> |
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Marylin Skinner argues that Corinna's poetry is part of the tradition of "women's poetry" in ancient Greece, though it differs significantly from [[Sappho]]'s conception of that genre.<ref name=Skinner83-10>{{harvnb|Skinner|1983|p=10}}</ref> She suggests that Corinna's songs were composed for performance by a chorus of young girls in religious festivals, and were related to the ancient genre of ''partheneia''.<ref>{{harvnb|Skinner|1983|p=11}}</ref> Skinner considers that although it was written by a woman, Corinna's poetry tells stories from a patriarchal |
Marylin Skinner argues that Corinna's poetry is part of the tradition of "women's poetry" in ancient Greece, though it differs significantly from [[Sappho]]'s conception of that genre.<ref name=Skinner83-10>{{harvnb|Skinner|1983|p=10}}</ref> She suggests that Corinna's songs were composed for performance by a chorus of young girls in religious festivals, and were related to the ancient genre of ''partheneia''.<ref>{{harvnb|Skinner|1983|p=11}}</ref> Skinner considers that although it was written by a woman, Corinna's poetry tells stories from a patriarchal point of view,<ref name=Skinner83-10/> describing women's lives from a masculine perspective.<ref>{{harvnb|Skinner|1983|p=15}}</ref> |
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==Reception== |
==Reception== |
Revision as of 13:46, 2 September 2017
Corinna (
Life
Corinna was from Tanagra in Boeotia,[1] the daughter – according to the Suda – of Acheloodorus and Procratia.[2] According to ancient tradition, she lived during the 5th century BC.[3] She was supposed to have been a contemporary of Pindar, either having taught him,[a] or been a fellow-pupil of Myrtis of Anthedon with Pindar.[b][4] Corinna was said to have competed with Pindar, defeating him in at least one competition, though some sources claim five.[c][4]
However, from the early twentieth century, scholars have been divided over the accuracy of the traditional chronology of Corinna's life.[5] As early as 1930, Edgar Lobel argued that the language used in Corinna's surviving poetry seems to favour a later date than tradition suggests,[6] and that there is no reason to believe that Corinna significantly predated the mid-fourth century BC, the point at which the orthography preserved in the Berlin Papyrus of Corinna's poetry began to be used.[7] More recently, M. L. West has argued for dating Corinna to the late-third century BC, and W. J. Henderson supports a middle-ground, between West's very late and the traditional early date.[5] Other scholars such as Archibald Allen and Jiri Frel argue for the accuracy of the traditional date,[8] writing that a Hellenistic Corinna as argued for by West would be "astonishing".[9]
Poetry
Corinna, like Pindar, wrote choral
42 fragments of Corinna's poetry survive, though no complete poems of hers are known.[16] The three most substantial fragments are preserved on pieces of papyrus discovered in Hermopolis and Oxyrhynchus in Egypt, dating to the second century AD;[f] many of the shorter fragments survive in citations by grammarians interested in Corinna's Boeotian dialect.[16]
Marylin Skinner argues that Corinna's poetry is part of the tradition of "women's poetry" in ancient Greece, though it differs significantly from Sappho's conception of that genre.[18] She suggests that Corinna's songs were composed for performance by a chorus of young girls in religious festivals, and were related to the ancient genre of partheneia.[19] Skinner considers that although it was written by a woman, Corinna's poetry tells stories from a patriarchal point of view,[18] describing women's lives from a masculine perspective.[20]
Reception
Corinna seems to have been well-regarded by the people of ancient Tanagra, her hometown. Pausanias reports that there was a monument to her in the streets of the town – probably a statue – and a painting of her in the gymnasium.[21] In the early Roman Empire, Corinna's poetry was popular:[22] the earliest mention of Corinna is by the first century BC poet Antipater of Thessalonica, who includes her in his selection of nine "mortal muses".[23] However, modern critics have tended to dismiss it, considering it naive and shallow. Though her poetry is not well-regarded by critics, Corinna's work has been of interest to feminist literary historians, as one of the few extant examples of ancient Greek women's poetry.[24]
Notes
- ^ As, for example, the vita metrica claims.
- ^ As e.g. the Suda has it.
- ^ Pausanias says once; Suda and Aelian five times.
- ^ The story is told in Plutarch's On the Glory of the Athenians.
- ^ fragment 690 in Denys Page's Poetae Melici Graeci
- ^ PMG 654, which contains the "Contest of Helicon and Cithaeron" and "Daughters of Asopus" fragments comes from P.Berol. 284; PMG 655, the "Terpsichore" fragment, comes from P.Oxy. 2370.[17]
References
- ^ Skinner 1983, p. 9
- ^ Suda κ 2087, "Corinna"
- ^ West 1990, p. 553
- ^ a b Allen & Frel 1972, p. 26
- ^ a b Collins 2006, p. 19
- ^ Lobel 1930, p. 364
- ^ Lobel 1930, pp. 356, 365
- ^ Collins 2006, p. 19, n. 6
- ^ Allen & Frel 1972, p. 28
- ^ Skinner 1983, p. 11
- ^ a b Campbell 1992, p. 3
- ^ a b Collins 2006, p. 21
- ^ Collins 2006, p. 26
- ^ West 1990, p. 555
- ^ Snyder 1991, pp. 44–5
- ^ a b Plant 2004, p. 92
- ^ Plant 2004, p. 222
- ^ a b Skinner 1983, p. 10
- ^ Skinner 1983, p. 11
- ^ Skinner 1983, p. 15
- ^ Snyder 1991, p. 42
- ^ Skinner 1983, p. 9
- ^ Snyder 1991, p. 43.
- ^ Skinner 1983, p. 9
Works cited
- Allen, Archibald; Frel, Jiri (1972). "A Date for Corinna". The Classical Journal. 68 (1).
{{cite journal}}
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(help) - Campbell, D. A. (1992). Greek Lyric Poetry IV: Bacchylides, Corrina, and Others. Cambridge, MA: Harvard University Press.
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(help) - Collins, Derek (2006). "Corinna and Mythological Innovation". The Classical Quarterly. 56 (1).
{{cite journal}}
: Invalid|ref=harv
(help) - Lobel, Edgar (1930). "Corinna". Hermes. 65 (3).
{{cite journal}}
: Invalid|ref=harv
(help) - Plant, I. M. (2004). Women Writers of Ancient Greece and Rome: an Anthology. Norman: University of Oklahoma Press.
{{cite book}}
: Invalid|ref=harv
(help) - Skinner, Marylin B. (1983). "Corinna of Tanagra and her Audience". Tulsa Studies in Women's Literature. 2 (1).
{{cite journal}}
: Invalid|ref=harv
(help) - Snyder, Jane McIntosh (1991). The Woman and the Lyre: Women Writers in Classical Greece and Rome. Carbondale: SIU Press.
{{cite book}}
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(help) - West, Martin L. (1990). "Dating Corinna". The Classical Quarterly. 40 (2).
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(help)
External links
Works by or about Corinna at Wikisource