Speculum Humanae Salvationis
The Speculum Humanae Salvationis or Mirror of Human Salvation was a bestselling, anonymously illustrated work of popular theology in the
Contents
After a short Prologue (two pages) and Prohemium (four), both unillustrated, the first two chapters deal with the
The writing of the text follows an exact scheme: twenty-five lines per column, with two columns per page, one under each miniature, so a hundred lines per standard chapter. Sometimes there are captions over the pictures as well, of varying content. Many copies reduced the original text, often by omitting the non-standard chapters at the beginning or end, whilst others boosted the content with calendars and commentaries or extra illustrations.[2]
Dating and manuscript copies
The work originated between 1309, as a reference to the Pope being at Avignon indicates, and 1324, the date on two copies.[3] A preface, probably from the original manuscript, says the author does not give his name out of humility, though numerous suggestions have been made.[4] He was almost certainly a cleric, and there is evidence he was a Dominican.[5] Ludolph of Saxony is a leading candidate for authorship, and Vincent of Beauvais has also been suggested.[6]
The first versions are naturally in illuminated manuscript form, and in Latin. Many copies were made, and several hundred still survive (over 350 in Latin alone), often in translations into different vernacular languages; at least four different translations into French were made, and at least two into English. There were also translations into German, Dutch, Czech (Zrcadlo člověčieho spasenie),[7] and Croatian (Zrcalo člověčaskago spasenja).[8][9][10] Czech and Croatian translations are the only ones into Slavic languages.[8]
Manuscript versions covered the whole range of the manuscript market: some are lavishly and expensively decorated, for a de luxe market, whilst in many the illustrations are simple, and without colour. In particular, superb Flemish editions were produced in the 15th century for Philip the Good and other wealthy bibliophiles. The Speculum is probably the most popular title in this particular market of illustrated popular theology, competing especially with the Biblia pauperum and the Ars moriendi for the accolade.
Printed editions
In the 15th century, with the advent of printing, the work then appeared in four blockbook editions, two in Latin and two in Dutch, and then in sixteen incunabulum editions by 1500. The blockbooks present unique questions as only editions of this work combine hand-rubbed woodcut pages with text pages printed in movable type. Further eccentricities include a run of twenty pages in one edition which are text cut as a woodcut, based on tracings of pages from another edition printed with movable type. Though the circumstances of production of these editions are unknown, two of the editions are in Dutch and the Netherlands was probably the centre of production, as with most blockbooks.[11] Hind places them in Holland, from about 1470–75.[12] It appears the Prohemium may have been sold separately as a pamphlet, as one version speaks of the usefulness of it for "poor preachers who cannot afford the entire book".[13]
The incunabulum editions, from eleven different presses, mostly, but not all, printed their woodcut illustrations in the
Iconographic influence
The images in the Speculum were treated in many different styles and media over the course of the two centuries of its popularity, but generally the essentials of the compositions remained fairly stable, partly because most images had to retain their correspondence with their opposite number, and often the figures were posed to highlight these correspondences. Many works of art in other media can be seen to be derived from the illustrations; it was for example, the evident source for depictions for the Vision of Augustus in Rogier van der Weyden's Bladelin Altarpiece and other Early Netherlandish works.[18] In particular the work was used as a pattern-book for stained glass, but also for tapestries and sculpture.
References
- ^ Hind p.245
- ^ Wilson & Wilson pp.27–28
- ^ Wilson & Wilson p.26
- ^ Wilson & Wilson p.27
- ^ Wilson & Wilson p.10
- ^ Wilson & Wilson p.26–27
- ^ Wilson & Wilson p.10; Hind p.602
- ^ a b Eterović 2020, p. 260.
- ^ Kramarić 2019.
- ^ Reinhart 2000, p. 120.
- ^ Wilson & Wilson p.11
- ^ Hind p.247
- ^ Wilson & Wilson p.120
- ^ Wilson & Wilson p.207
- ^ Mayor nos.33–34, appears to contradict Hind p.602
- ^ Wilson & Wilson p.208
- ^ Wilson & Wilson p.111 ff
- ^ Wilson & Wilson p.29
Sources
- Eterović, Ivana (2020). "Martina KRAMARIĆ, Zrcalo člověčaskago spasenja (1445.): Transkripcija, kontekst nastanka i jezičnopovijesna analiza". Slovo. 71: 260–263.
- Hind, Arthur M. (1935). An Introduction to a History of Woodcut, Houghton Mifflin Co., reprinted Dover Publications, (1963). ISBN 0-486-20952-0, pp. 245–247 and passim.
- Kramarić, Martina (2019). Zrcalo člověčaskago spasenja (1445.). Transkripcija, kontekst nastanka i jezičnopovijesna analiza. Zagreb: ISBN 978-953-7967-24-6.
- Mayor, A. Hyatt (1971). Prints and People, Metropolitan Museum of Art/Princeton. nos.33,34. ISBN 0-691-00326-2.
- Reinhart, Johannes (2000). "Husova homilija na 13. nedjelju po Duhovima u hrvatskoglagoljskom prijevodu". Slovo. 50: 119-190.
- Wilson, Adrian, and Joyce Lancaster Wilson (1984). A Medieval Mirror. Berkeley: University of California Press. online edition Includes many illustrations, including a full set of woodcut pictures with notes in Chapter 6.
External links
- Warburg Institute Iconographic Database (ca 13,000 photos from over 80 manuscripts, and all the woodcuts from early printed editions)
- Miroir de l'humaine salvation A lavish Flemish manuscript (Bruges, 1455) from the Hunterian Library, Glasgow
- Some images from French manuscripts (note consistency of images between Lyon and Marseilles)
- Full turn-the-pages manuscript (not standard contents) from the Danish Royal Library
- Speculum humanae salvationis From the Rare Book and Special Collections Division at the Library of Congress
- "Speculum humanae salvationis" (MS Add. 6447) a fifteenth century version likely produced in the Northern Netherlands, from the collections of Cambridge University Library and fully digitised in Cambridge Digital Library