Sritattvanidhi
The Sritattvanidhi (Śrītattvanidhi, "The Illustrious Treasure of Realities") is a treatise written in the 19th century in Karnataka on the iconography and iconometry of divine figures in South India. One of its sections includes instructions for, and illustrations of, 122 hatha yoga postures.
Authorship
The Sritattvanidhi is attributed to the then Maharaja of Mysore, Krishnaraja Wodeyar III (b. 1794 - d. 1868). The Maharaja was a great patron of art and learning, and was himself a scholar and writer. Around 50 works are ascribed to him.[1] The first page of the Sritattvanidhi attributes authorship of the work to the Maharaja himself:
May the work Sri Tattvanidi, which is illustrated and contains secrets of mantras and which is authored by King Sri Krishna Raja Kamteerava, be written without any obstacle. Beginning of Shaktinidhi.[2]
Martin-Dubost's review of the history of this work says that the Maharaja funded an effort to put together in one work all available information concerning the iconography and iconometry of divine figures in South India. He asked that a vast treatise be written, which he then had illustrated by miniaturists from his palace.[3][page needed]
Contents
The resulting
- Shakti nidhi
- Vishnu nidhi
- Shiva nidhi
- Brahma nidhi
- Grahanidhi
- Vaishnavanidhi
- Shaivanidhi
- Agama nidhi
- Kautuka nidhi
Published editions
An original copy of this colossal work is available in the Oriental Research Institute at the University of Mysore. Another copy is in the possession of the royal family of Mysore. An unedited version with text in Devanagari script was published around 1900 by Khemraj Krishna Das of Sri Venkateshvar Steam Press, Bombay.
In recent times the Oriental Research Institute has published three volumes (Saktinidhi, Vishnunidhi, and Sivanidhi.[5]
Influence on modern yoga
Another important work on the subject is by the scholar of Sanskrit and hatha yoga,
The yoga scholars
-
A yogini in Aṇkuśāsana, theBhairavasana)
-
"Kamapithasana" (Setubandhasana)
-
Gajasana, Elephant pose, a forerunner of Downward Dog (Adho Mukha Shvanasana)
See also
Notes
- ^ Gopal & Prasad 2004, pp. 92–94.
- ^ Wodeyar 1997, Shakti nidhi.
- ^ Martin-Dubost 1997.
- ^ Wodeyar 1997, pp. xviii-xxiv (Volume 1: Shakti nidhi.
- ^ Wodeyar 1997.
- ^ Sjoman 1999, pp. 69–85.
- ^ Sjoman 1999, plates 1–20.
- ^ Sjoman 1999, pp. 53–57.
- ^ Sjoman 1999, pp. 49–52.
- ISSN 0191-0965.
- ^ Mallinson & Singleton 2017, p. 94.
Cited sources
- Gopal, R.; Prasad, S. Narendra (2004). mummaDi kRuShNarAja oDeyaru - oMdu cAriTrika adhyana [Mummadi Krsihnaraja Wodeyar- a Historic Study]. Karnataka: Directorate of Archeology and Museums.
- OCLC 928480104.
- Martin-Dubost, Paul (1997). Gaņeśa: The Enchanter of the Three Worlds. Mumbai: Project for Indian Cultural Studies. ISBN 81-900184-3-4.
- ISBN 81-7017-389-2. Contains 20 color plate reproductions of 112 asanas reproduced from the Sri Tattvanidhi.
- Wodeyar, Mummadi Krsihnaraja (1997). Sritattvanidhi. Oriental Research Institute, University of Mysore.
Further reading
- Chinmayananda, Swami(1987). Glory of Ganesha. Bombay: Central Chinmaya Mission Trust.
- Annals of the Mysore Royal Family , Part II. Mysore: Government Branch Press. 1922.
- Heras, H. (1972). The Problem of Ganapati. Delhi: Indological Book House.
- Krishan, Yuvraj (1999). Gaņeśa: Unravelling An Enigma. Delhi: Motilal Banarsidass Publishers. ISBN 81-208-1413-4.
- Ramachandra Rao, S. K. (1992). The Compendium on Gaņeśa. Delhi: Sri Satguru Publications. ISBN 81-7030-828-3. Contains colour plate reproductions of the 32 Ganapati forms reproduced from the Sri Tattvanidhi.
- Thapan, Anita Raina (1997). Understanding Gaņapati: Insights into the Dynamics of a Cult. New Delhi: Manohar Publishers. ISBN 81-7304-195-4.