Stardust (Willie Nelson album)

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Stardust
Studio album by
Willie Nelson
ReleasedApril 1978
RecordedDecember 3–12, 1977
StudioEnactron Truck Studio
Genre
Length36:43
LabelColumbia
ProducerBooker T. Jones
Willie Nelson chronology
Waylon & Willie
(1978) 		Stardust
(1978) 		Sings Kristofferson
(1979)

Stardust is the 22nd studio album by

pop standards that Nelson picked from among his favorites. Nelson asked Booker T. Jones, who was his neighbor in Malibu at the time, to arrange a version of "Moonlight in Vermont". Impressed with Jones's work, Nelson asked him to produce the entire album. Nelson's decision to record such well-known tracks was controversial among Columbia executives because he had distinguished himself in the outlaw country genre
. Recording the album took only ten days.

Stardust was met with high sales and near-universal positive reviews. It peaked at number 1 in

All of Me" peaked, respectively, at numbers one and three in Billboard's Hot Country Singles
.

In 1979, Nelson won a

Grammy Hall of Fame
class.

Background and recording

After the critical and commercial success of 1975's Red Headed Stranger, Nelson became one of the most recognized artists in country music. He replicated this success in 1976, releasing Wanted! The Outlaws (featuring Waylon Jennings, Jessi Colter, and Tompall Glaser), which became the genre's first certified platinum album.[1] His 1977 release To Lefty from Willie peaked at number 3 on Billboard's Top Country Albums.[2]

By 1977, Nelson had decided to record a collection of

Nashville, he mentioned his plan to Columbia Records executive Rick Blackburn. Blackburn had a negative reaction to Nelson's idea, and he recommended that he focus on writing new material instead. Nelson told Blackburn that his younger audience would not know the songs, while he expected to reach older audiences that did not listen to his music at the time.[5]

Nelson was living in the same neighborhood in Malibu as producer Booker T. Jones.[6] After one of his morning runs, Nelson encountered Jones in the neighborhood, and the two of them became acquainted. Nelson was aware of Jones's work with the M.G.'s. He later visited Jones at his home to try some of the material he had in mind for his next album.[7] The two became friends, and Nelson asked Jones to arrange "Moonlight in Vermont" for him. Pleased by the results, he later asked Jones to produce his next album.[6]

"Georgia on My Mind"
For the song, Nelson won a Grammy Award for best male country performance in 1979.
Problems playing this file? See media help.

Nelson selected his ten favorite pop songs from his childhood, starting with "

All of Me", "Unchained Melody", "September Song", "On the Sunny Side of the Street", "Moonlight in Vermont", "Don't Get Around Much Anymore", and "Someone to Watch Over Me" for the album.[6] Initially, Nelson expressed to Jones his doubts about recording "Georgia on My Mind", as he compared his rendition to that of Ray Charles. Jones told him, "Ray did it his way, and you'll do it yours." Following Jones's advice, Nelson decided to create his own version of each of the songs with the support of Jones's arrangements.[7]

Nelson then approached Brian Ahern to use the recording trailer parked at his home in the Hollywood Hills, Enactron Truck Studio. Ahern set up cables leading from the console of the truck to his own house, where the musicians played.[8] The band worked on the songs that were produced using a few takes in the living room, while harmonicist Mickey Raphael did his part in a tiled bathroom shower.[9] Jones decided to keep the arrangements sparse, without the use of backup singers or additional strings.[10] It was recorded from December 3–12, 1977.[11]

The executives of Columbia Records were not convinced that the album would sell well because the project was a radical departure from Nelson's earlier success with the

outlaw movement. The album spanned pop, jazz, and folk music styles, in addition to country.[12] Nelson's contract with the label granted him total creative control of his works.[13] Nelson's decision not to use a photograph of himself for the cover of the recording was further criticized by Columbia but dismissed by the singer.[13] The cover art featured a painting of the Pleiades constellation made by Susanna Clark.[9] The executives of Columbia then decided to release fewer copies of the album.[14]

Release and reception

Triple platinum certification of Stardust by RIANZ

Stardust was released in April 1978.[15] The album started to sell well, and Columbia reversed its decision and issued more copies of it.[14] The release reached number one on the Billboard Top Country Albums chart (and would stay there until June 1988) and peaked at number 30 on the Billboard 200.[16] Meanwhile, the songs "Blue Skies" and "All of Me" peaked at numbers one and three, respectively, on Billboard's Hot Country Songs.[17] Stardust was certified platinum in December 1978, and it was named Top Country Album of the year for 1978.[18][19] It charted at number one in Canadian RPM's Country Albums, while it charted at number 28 in RPM's Top Albums.[20][21]

On its August 14, 1978 issue,

New Zealand top albums, while it ranked at number five in Australian top albums.[28][29]

In 1984, Stardust was certified triple platinum, earning US$2.1 million (equivalent to $6.16 million in 2023).[23] Later, it was also certified quadruple platinum in 1990 and quintuple platinum in 1988.[30][31] It was ranked by Rolling Stone at number 260 in The 500 Greatest Albums of All Time.[32]

Contemporary reviews

Professional ratings
Review scores
SourceRating
Rolling StoneFavorable
BillboardFavorable
Texas MonthlyFavorable
Los Angeles TimesFavorable
Chicago TribuneFavorable
New York Daily NewsFavorable
New TimesFavorable
Orange CoastFavorable.
Christgau's Record GuideA–

Stardust received positive reviews from most publications, both for its original release and for its various reissues.[33] Rolling Stone welcomed the release as it considered that "[f]or all the sleek sophistication of the material, Stardust is as down-home as the Legion dance." The reviewer continued, "[T]hese tunes have become part of the folk music of exurban America. And that's the way Nelson plays them—spare and simple, with a jump band's verve and a storyteller's love of a good tale." Of Nelson's performance, the publication said: "[H]e's displaying the tools of a journeyman musician's trade—worn smooth and polished by constant use—and when he lays them out this way, they kind of look like works of art."[34]

Billboard delivered a favorable review. The publication felt that it was an "unusual pairing of artist and producer", while adding that it "works well". It remarked Nelson's "distinctive, soft vocal style", while considering that "all of the material seems well suited to his easygoing indication style as Nelson backs himself with guitar and gets help with guitar, drums, keyboards, bass and harmonica."[35] Texas Monthly also favored the album but noted the difference with previous Nelson recordings: "Stardust blends the stark economy of Red Headed Stranger with an underlying current of church spiritualism. More often than not it works. Though the selections are all at least twenty years old, the songs withstand the test of time. Occasionally when Willie's voice seems to crack, I do miss the more familiar hard-bitten whine that accompanies his usual fare like "Whiskey River". But nonetheless this is a sterling effort."[36]

The Los Angeles Times favored the album; for the reviewer, the tracks represented "a warmly refreshing merger of earthy rural vocals and sophisticated urban songs." It called Nelson's performances "spare, sincere, soft and warm enough to invite comparisons with Crosby and Sinatra."[37] The review concluded that the release showed that Nelson was "also at home in more conventional pop streams" and that he " not only knows how to create good music, he knows where to find it—and how to bring it out in all its sublimity."[38] The Chicago Tribune stressed Nelson's decision to record classic tunes, as the review noted that he "directs the attention of his throng of young fans" to music "for his own (or an older generation)." It compared his vocal performances to those of his own repertoire numbers, "Night Life" and "Crazy". Meanwhile, Jones's production was considered "appropriately simple, clean and respectful of both songs and singer."[39] The New York Daily News deemed it an "interesting and enjoyably flavored album."[40] The Pittsburgh Press mentioned Nelson's phrasing that resulted in "a pure, plainly pretty sound."[41] In its review, the Gannett News Service considered that "Hoagy Carmichael would be proud."[42] New Times wrote: "In Texas, some folks swear that Willie could sing "The Star-Spangled Banner" and make it sound soulful. This collection of hoary old standards is the next best thing to testing that proposition directly."[43] Orange Coast praised Nelson's performance of the standards: "Willie Nelson is perhaps the finest male singer in country music. [...] [H]is phrasing and sense of understated drama have caused him to be compared with the best jazz singers. Now he's released an album of old pop standards, Stardust (Columbia), and you can almost hear the stirrings of an outlaw uprising between the grooves. [...] [A]lthough it's definitively no step forward in Nelson's career, it's still a pleasurable showcase of his considerable artistry as a vocalist. Plus, even though he's dealing with the sophisticated likes of Irving Berlin, George Gershwin, and Kurt Weill, he remains essentially country."[44]

Village Voice critic Robert Christgau said, "I'm real happy this record exists, not just because Nelson can be a great interpretive singer—his "Moonlight in Vermont" is a revelation—but because he's provided me with ten great popular songs that I've never had much emotional access to."[45]

Legacy

Stardust was reissued on compact disc in 1985.[46] A 1999 release of the album included the additional tracks "Scarlet Ribbons" and "I Can See Clearly Now".[47] In 2008, Columbia Records issued a version of Stardust subtitled 30th Anniversary Legacy Edition. The album contained a 16-track bonus disc of standards from Nelson's other albums. None of the bonus tracks date back to the original Stardust sessions.[48]

Multi-platinum certification of Stardust in Australia

For the 35th anniversary of the release, Nelson performed the entire album live with the accompaniment of an orchestra directed by

Grammy Hall of Fame was announced; the record was included among the 2015 class.[50]

Retrospective reviews

Professional ratings
Review scores
SourceRating
Zagat Survey
[53]

Stephen Thomas Erlewine of AllMusic said that the album "showcases Nelson's skills as a musician and his entire aesthetic—where there is nothing separating classic American musical forms, it can all be played together—perhaps better than any other album, which is why it was a sensation upon its release and grows stronger with each passing year."[51]

Pitchfork wrote: "Thirty years ago, Willie Nelson took a typically left turn and followed up a string of successful albums with a cover album of songs made famous by decidedly non-country musicians like Dean Martin, Frank Sinatra, and Louis Armstrong. [...] What makes the record so thrilling and very often beautiful—and what separates him from today's ham-handed vocalists—is Nelson's facility as an interpreter. [...] With his tender, textured voice and intuitively around-the-beat phrasing, Nelson gives these songs fresh readings, with just the touch of sentimentality and nostalgia they demand. The cliché 'makes them his own' certainly applies here: He sings them as they've never been sung before or since, which is quite a feat considering their age and popularity. Hardened from endless touring into a tough, tight roadhouse revue, Nelson's band gives a surprisingly supple performance on each song, which reinforces the album's sweetly ruminative mood. Producer Booker T. Jones, of Stax fame, facilitates every aspect of the band's sound, showcasing the performers' range while ensuring the arrangements play to the lyrics and vocals without overwhelming them. [...] Stardust set both the template for Nelson's career and the standard. Few artists have treat the American Songbook so affectionately and so cavalierly."[52]

Zagat Survey wrote: "On this legendary departure from the traditional Willie, America's pop troubadour puts his one-of-a-kind touch on old pop standards, finding common ground between outlaw country and mellow. [...] Sweet and simple, more bow tie than bandana, each song is turned."[53]

Track listing

Side one
No.TitleWriter(s)Length
1."
All of Me"
3:54
5."Unchained Melody"
3:50
Total length:19:31
Side two
No.TitleWriter(s)Length
1."September Song"
4:35
2."On the Sunny Side of the Street"
2:36
3."Moonlight in Vermont"
3:25
4."Don't Get Around Much Anymore"
2:33
5."Someone to Watch Over Me"
4:03
Total length:17:12

Reissues

1999 CD edition bonus tracks
No.TitleWriter(s)Length
11."
Scarlet Ribbons"
4:30
12."I Can See Clearly Now"Johnny Nash4:18
30th Anniversary Legacy Edition - Disc two: More From the Great American Songbook
Angel Eyes" (from Angel Eyes, 1984)
4:50

Personnel

Musicians[55]

Chart performance

Albums
Sales chart performance of Stardust
Year Chart Peak
position
1978 US Top Country Albums (Billboard)[56] 1
US Billboard 200[57] 30
Canada Country Albums (RPM)[20] 1
Canada Top Albums/CDs (RPM)[58] 28
1980
RIANZ Albums Chart (New Zealand)[28]
 1
Australia (Kent Music Report)[59] 5
Year-end charts
Year-end sales chart performance of Stardust
Year Chart Peak
position
1978 US Billboard Top Country Albums[19] 1
1980 Australia (Kent Music Report)[59] 6
New Zealand Albums (RMNZ)[60] 6

Certifications

Region Certification Certified units/sales
Australia (ARIA)[61] Platinum 50,000^
United States (RIAA)[62] 5× Platinum 5,000,000^

^ Shipments figures based on certification alone.

References

  1. ^ Kingsbury, Paul 2004, p. 375.
  2. ^ Billboard staff 2021.
  3. ^ Country Music Magazine Editors 2009, p. 264.
  4. ^ Nelson, Willie & Ritz, David 2015, p. 264.
  5. ^ Patoski, Joe Nick 2008, p. 336.
  6. ^ a b c Nelson, Shrake & Shrake 2000, p. 147.
  7. ^ a b Nelson, Willie & Ritz, David 2015, p. 265.
  8. ^ Patoski, Joe Nick 2008, pp. 338–339.
  9. ^ a b Patoski, Joe Nick 2008, p. 339.
  10. ^ Nelson, Willie & Ritz, David 2015, p. 266.
  11. ^ Mojo Magazine staff 2007, p. 407.
  12. ^ Scobey, Lola 1982, p. 352.
  13. ^ a b Nelson, Willie & Ritz, David 2015, p. 267.
  14. ^ a b Patoski, Joe Nick 2008, p. 340.
  15. ^ Sakol, Jeannie 1983, p. 161.
  16. ^ Billboard staff 2 2021.
  17. ^ a b Billboard staff 3 2021.
  18. ^ Wood, Gerry 1979, p. 4.
  19. ^ a b "Year End Charts – Year-end Albums – Top Country Albums". Billboard. Archived from the original on October 20, 2006. Retrieved August 26, 2009.
  20. ^ a b "Country Week 25 Albums". RPM. 29 (22). August 26, 1978. Retrieved April 19, 2021. Open access icon
  21. ^ "100 Albums". RPM. 29 (16). July 15, 1978. Retrieved April 19, 2021. Open access icon
  22. ^ Axthelm, Pete (August 14, 1978). "King of Country Music - Willie Nelson". Newsweek (252).
  23. ^ a b Draper, Robert 1986, p. 170.
  24. ^ "Be Gees, Billy Joel Grammy Award Winners". The Republic. UPI. February 16, 1979. Retrieved April 5, 2021 – via Newspapers.com. Open access icon
  25. ^ Grein, Paul 1986, p. 70.
  26. ^ Foster 1998, p. 147.
  27. ^ Browne, Pat 2001, p. 574.
  28. ^
    ISSN 0006-2510
    .
  29. ISSN 0006-2510
    .
  30. ^ Flint, Joseph & Nelson, Judy 1993, p. 234.
  31. ^ "RIIA Searchable data base". RIAA's Official website. Recording Industry Association of America. Retrieved April 20, 2021.
  32. ^ "The 500 Greatest Albums of All Time. 260: Stardust – Willie Nelson". Rolling Stone. May 31, 2009. Retrieved December 17, 2019.
  33. ^ Nelson, Willie & Ritz, David 2015, p. 268.
  34. ^ Swartley, Ariel (June 29, 1978). "Stardust album review". Rolling Stone. Retrieved April 12, 2021.
  35. ^ "Stardust". Billboard. 1978.
  36. ^ Patoski, Joe Nick 1978, p. 144.
  37. ^ Atkinson, Terry 1978, p. C84.
  38. ^ Atkinson, Terry 1978, p. C85.
  39. ^ Hurst, Jack 1978, p. 16.
  40. ^ Adams, Ace 1978, p. C8.
  41. ^ Morgenstern, Dan 1978, p. D-8.
  42. ^ Hance, Bill 1978, p. 14B.
  43. ^ New Times Communications 1978, p. 71.
  44. ^ Kemnitz, Robert 1978, p. 67.
  45. ISBN 089919026X
    . Retrieved March 8, 2019 – via robertchristgau.com.
  46. ^ Nelly, Tim 2002, p. 864.
  47. ^ Stereophile staff 1999, p. 185.
  48. ^ Erlewine, Stephen Thomas. "Stardust [30th Anniversary Legacy Edition]". Allmusic. Rovi Corporation. Retrieved May 27, 2020.
  49. ^ Doyle, Patrick (July 12, 2013). "Willie Nelson to Perform 'Stardust' LP in Its Entirety for First Time". Retrieved July 12, 2013.
  50. ^ Allers, Hannahlee (December 19, 2014). "Willie Nelson, Hank Williams Recordings Among 2015 Grammy Hall of Fame Inductees". The Boot. Taste of Country Network. Retrieved December 21, 2014.
  51. ^ a b Erlewine, Stephen Thomas. "Stardust". Allmusic. Rovi Corporation. Retrieved November 21, 2011.
  52. ^ a b Deusner, Stephen (August 15, 2008). "Willie Nelson Stardust: Legacy Edition". Pitchfork Media. Pitchfork Media Inc. Retrieved November 21, 2011.
  53. ^ a b Zagat Survey 2003, p. 125.
  54. ^ Nelson, Willie 2008.
  55. ^ a b Nelson, Willie 1978.
  56. ^ "Willie Nelson Chart History (Top Country Albums)". Billboard. Retrieved April 19, 2021.
  57. ^ "Willie Nelson Chart History (Billboard 200)". Billboard. Retrieved April 19, 2021.
  58. ^ "Top RPM Albums: Issue 4598a". RPM. Library and Archives Canada. Retrieved April 16, 2021.
  59. ^
    ISBN 0-646-11917-6
    .
  60. Recorded Music New Zealand
    . Retrieved January 28, 2022.
  61. ^ "Kent Music Report No 341 – 5 January 1981 > Platinum and Gold Albums 1980". Kent Music Report. Retrieved November 12, 2021 – via Imgur.com.
  62. ^ "American album certifications – Willie Nelson – Stardust". Recording Industry Association of America.
Sources

External links
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