Stephen Greenblatt
Stephen Greenblatt | |
---|---|
Pulitzer Prize | |
Spouse | Ellen Schmidt (1969–1996) Ramie Targoff (1998–) |
Children | 3 |
Stephen Jay Greenblatt (born November 7, 1943) is an American literary historian and author. He has served as the
Greenblatt is one of the founders of
Life and career
Education and career
Greenblatt was born in Boston and raised in Newton, Massachusetts. After graduating from Newton High School, he was educated at Yale University (BA 1964, PhD 1969) and Pembroke College, Cambridge (MPhil 1966).[4] Greenblatt has since taught at the University of California, Berkeley, and Harvard University. He was Class of 1972 Professor at Berkeley (becoming a full professor in 1980) and taught there for 28 years before taking a position at Harvard University.[5] He was named John Cogan University Professor of the Humanities in 2000. Greenblatt is considered "a key figure in the shift from literary to cultural poetics and from textual to contextual interpretation in U.S. English departments in the 1980s and 1990s."[6]
Greenblatt is the founder and faculty co-chair of Harvard's branch of the
In February 2022, Greenblatt was one of 38 Harvard faculty to sign a letter to The Harvard Crimson defending Professor John Comaroff, who had been found to have violated the university's sexual and professional conduct policies.[13] After students filed a lawsuit with detailed allegations of Comaroff's actions and the university's failure to respond, Greenblatt was one of several signatories to say that he wished to retract his name from the letter.[14]
Family
Greenblatt is an Eastern European
In 1998, he married literary critic Ramie Targoff, whom he has described as his soulmate.[4]
Work
Greenblatt has written extensively on
Greenblatt's collaboration with Charles L. Mee, Cardenio, premiered on May 8, 2008, at the American Repertory Theater in Cambridge, Massachusetts. While the critical response to Cardenio was mixed, audiences responded quite positively. The American Repertory Theater has posted audience responses on the organization's blog. Cardenio has been adapted for performance in ten countries, with additional international productions planned.[citation needed]
He wrote his 2018 book Tyrant: Shakespeare on Politics out of anxiety over the result of the 2016 US presidential election.[17][18]
New Historicism
Greenblatt first used the term "
As stated by Shakespeare scholar Jonathan Bate, the approach of New Historicism has been "the most influential strand of criticism over the last 25 years, with its view that literary creations are cultural formations shaped by 'the circulation of social energy'."[4] When told that several American job advertisements were requesting responses from experts in New Historicism, Greenblatt remembered thinking: "'You've got to be kidding. You know it was just something we made up!' I began to see there were institutional consequences to what seemed like a not particularly deeply thought-out term."[4]
He has also said that "My deep, ongoing interest is in the relation between literature and history, the process through which certain remarkable works of art are at once embedded in a highly specific life-world and seem to pull free of that life-world. I am constantly struck by the strangeness of reading works that seem addressed, personally and intimately, to me, and yet were written by people who crumbled to dust long ago".[22]
Greenblatt's works on New Historicism and "cultural poetics" include Practicing New Historicism (2000) (with
New Historicism acknowledges that any criticism of a work is colored by the critic's beliefs, social status, and other factors. Many New Historicists begin a critical reading of a novel by explaining themselves, their backgrounds, and their prejudices. Both the work and the reader are affected by everything that has influenced them. New Historicism thus represents a significant change from previous critical theories like New Criticism, because its main focus is to look at many elements outside of the work, instead of reading the text in isolation.
Shakespeare and Renaissance studies
Greenblatt's work contextualizes Shakespeare against the English Renaissance as a whole, believing "that nothing comes of nothing, even in Shakespeare."[23] In particular, as he states in "King Lear and Harsnett's 'Devil-Fiction'," Greenblatt believes that "Shakespeare's self-consciousness is in significant ways bound up with the institutions and the symbology of power it anatomizes".[24] His work on Shakespeare has addressed such topics as ghosts, purgatory, anxiety, exorcists and revenge. He is also a general editor of the Norton Shakespeare. This New Historicism opposes the ways in which New Criticism consigns texts "to an autonomous aesthetic realm that [dissociates] Renaissance writing from other forms of cultural production" and the historicist notion that Renaissance texts mirror "a coherent world-view that was held by a whole population," asserting instead "that critics who [wish] to understand sixteenth- and seventeenth-century writing must delineate the ways the texts they [study] were linked to the network of institutions, practices, and beliefs that constituted Renaissance culture in its entirety".[20] Greenblatt's work in Renaissance studies includes Renaissance Self-Fashioning (1980), which "had a transformative impact on Renaissance studies".[19]
Norton Anthology of English Literature
Greenblatt joined
Political commentary
Although it does not refer to Donald Trump directly, Greenblatt's 2018 book, Tyrant: Shakespeare on Power, is considered by literary critics in leading newspapers as thinly veiled criticism of the Trump administration.[27][28][29]
Honors
- 1964–66: Fulbright scholarship
- 1975: Guggenheim Fellowship
- 1983: Guggenheim Fellowship
- 1989: James Russell Lowell Prize of the Modern Language Association (Shakespearean Negotiations)
- 2002: Honorary D.Litt., Queen Mary College, University of London
- 2002: Erasmus Institute Prize
- 2002: Mellon Distinguished Humanist Award
- 2005: William Shakespeare Award for Classical Theatre, The Shakespeare Theatre, Washington, D.C.
- 2006: Honorary degree, University of Bucharest, Romania
- 2010: Wilbur Cross Medal, Yale University
- 2011: The Swerve: How the World Became Modern
- 2011: The Swerve: How the World Became Modern
- 2012: The Swerve: How the World Became Modern
- 2016: Honorary Ph.D. in Visual Arts: Philosophy, Aesthetics, and Art Theory, from the Institute for Doctoral Studies in the Visual Arts
- 2016 Holberg Prize for outstanding scholars for work in the arts, humanities, social sciences, law or theology
Lectures
- Clarendon Lectures, University of Oxford (1988)
- Carpenter Lectures, University of Chicago (1988)
- Adorno Lectures, Goethe University Frankfurt (2006)
- Campbell Lectures, Rice University (2673 )
- Sigmund H Danziger Jr Lecture, University of Chicago (2015)
- Rosamond Gifford Lecture Series, Syracuse, New York (2015)
- Mosse Lecture Series, Humboldt University (2015)
- Humanitas Visiting Professorship in Museums, Galleries and Libraries, University of Oxford (2015)
- Shakespearean Futures Panel and Keynote Presentation, Pequot Library Association (2023)
Bibliography
Books
- Greenblatt, Stephen (1965). Three modern satirists: Waugh, Orwell, and Huxley. New Haven, Conn.: Yale University Press. ISBN 978-0-300-00508-0.
- — (1973). Sir Walter Raleigh: The Renaissance Man and His Roles. New Haven, Conn.: Yale University Press. ISBN 978-0-300-01634-5.
- — (2005) [1980]. Renaissance Self-Fashioning: From More to Shakespeare. Chicago: University of Chicago Press. ISBN 978-0-226-30659-9.
- — (1989). Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Berkeley: University of California Press. ISBN 978-0-520-06160-6.
- — (2007) [1990]. Learning to Curse: Essays in Early Modern Culture. London: Harvard University Press. ISBN 978-0-415-77160-3.
- — (1992). Marvelous Possessions: The Wonder of the New World. Chicago: University of Chicago Press. ISBN 978-0-226-30652-0.
- —, ed. (1992). Redrawing the Boundaries: The Transformation of English and American Literary Studies. New York: Modern Language Association of America. ISBN 978-0-87352-396-7.
- with Cohen, Walter; Howard, Jean; Maus, Katharine Eisaman, eds. (2008) [1997]. The Norton Shakespeare (2nd ed.). New York: W. W. Norton. ISBN 978-0-393-92991-1.
- with ISBN 978-0-226-27935-0.
- — (2002). Hamlet in Purgatory. Princeton: Princeton University Press. ISBN 978-0-691-10257-3.
- — (2004). Will in the World: How Shakespeare Became Shakespeare. New York: W. W. Norton. ISBN 978-0-393-05057-8.
- — (2005). The Greenblatt Reader. Hoboken: Wiley-Blackwell. ISBN 978-1-4051-1566-7.
- — (2010). Shakespeare's Freedom. Chicago: University of Chicago Press. ISBN 978-0-226-30667-4.
- — (2011). ISBN 978-0-393-06447-6.
- — (2017). ISBN 978-0-393-24080-1.
- — (2018). Tyrant: Shakespeare on Politics. New York: W. W. Norton. ISBN 9780393635751.
Essays and reporting
- Greenblatt, Stephen (April 2, 2015). "Shakespeare in Tehran". The New York Review of Books. Retrieved October 9, 2016.
- — (June 19, 2017). "The invention of sex : St. Augustine's carnal knowledge". Annals of Culture. The New Yorker. Vol. 93, no. 17. pp. 24–28.[30]
- — (July 10, 2017). "If You Prick us". Annals of Culture. The New Yorker. Vol. 93, no. 20. pp. 34–39.[31]
See also
- Cultural Materialism (often contrasted with)
- Historicism
- Literary theory
Notes
- ^ Rachel Donadio (January 23, 2005). "Who Owns Shakespeare?". The New York Times. Retrieved March 2, 2012.
- ^ "The 2012 Pulitzer Prize Winners". Retrieved March 25, 2014.
- ^ "2011 National Book Award Winner, Nonfiction". National Book Foundation. Retrieved March 25, 2014.
- ^ a b c d Miller, Lucasta (February 26, 2005). "The human factor". The Guardian. Retrieved October 7, 2015.
- ^ "Greenblatt Accepts Tenure: Prof. Will Join English Dept". The Harvard Crimson. December 14, 1996. Retrieved October 7, 2015.
- ISBN 978-0-393-97429-4.
- ^ Wu, Sarah (December 14, 2016). "A Safe Haven for Scholars at Risk". The Harvard Crimson. Retrieved February 23, 2022.
- ^ "MLA: Widening the lens". Times Higher Education. December 20, 2002. Retrieved February 23, 2022.
- ^ "Chronicle of the Wissenschaftskolleg zu Berlin 1978–2006". Wissenschaftskolleg zu Berlin. Retrieved October 7, 2015.
2001 ... Stephen Greenblatt, Humanities, Harvard, is appointed a Non-Resident Permanent Fellow.
- ^ "Stephen Greenblatt Contemplates the Enduring Power of Lucretius and his Dangerous Ideas". April 2, 2013. Retrieved October 7, 2015.
A lecture by Stephen Greenblatt, RAAR '10, took place Wednesday evening under an auspicious full moon at the Villa Aurelia.
- ^ "APS Member History". search.amphilsoc.org. Retrieved May 14, 2021.
- JSTOR 1261517.
- ^ "38 Harvard Faculty Sign Open Letter Questioning Results of Misconduct Investigations into Prof. John Comaroff". www.thecrimson.com. The Harvard Crimson. Retrieved February 8, 2022.
- ^ "3 graduate students file sexual harassment suit against prominent Harvard anthropology professor". www.bostonglobe.com. The Boston Globe. Retrieved February 8, 2022.
- ^ https://www.lrb.co.uk/the-paper/v22/n18/stephen-greenblatt/the-inevitable-pit%7Ctitle=The Inevitable Pit|work=London Review of Books|date=September 21, 2000|
- ^ "The Inevitable Pit: Stephen Greenblatt writes about his family and the New World". London Review of Books. Retrieved December 9, 2012.
- ^ "What can Macbeth teach us about President Trump's next move?" by Eliot A. Cohen, The Washington Post, May 3, 2018
- ^ "Stephen Greenblatt interview: on Shakespeare, Trump and his new book about the 'strong men' who lead the world" by Bryan Appleyard, The Times, May 20, 2018 (subscription required)
- ^ ISBN 978-1-4051-1566-7.
- ^ a b c Cadzow, Hunter; Conway, Alison; Traister, Bryce (2005). "New Historicism". Johns Hopkins Guide to Literary Theory and Criticism. Retrieved March 2, 2012.
- ISBN 978-0300061055.
- ^ "Greenblatt Named University Professor of the Humanities". Harvard University Gazette. September 21, 2000. Archived from the original on February 8, 2012. Retrieved March 2, 2012.
- ISBN 978-0-691-10257-3.
- ISBN 978-0-312-10106-0.
- ^ Donadio, Rachel, The New York Times, January 8, 2006, "Keeper of the Canon"
- ^ Ken Gewertz (February 2, 2006). "Greenblatt Edits 'Norton Anthology'". Harvard University Gazette. Archived from the original on February 8, 2012. Retrieved March 2, 2012.
- ^ Callow, Simon (June 20, 2018). "What Would Shakespeare Have Made of Donald Trump?". The New York Times. Retrieved July 12, 2019.
- ^ McCrum, Robert (July 1, 2018). "Tyrant: Shakespeare on Power by Stephen Greenblatt review – sinister and enthralling". The Guardian. Retrieved July 12, 2019.
- ^ Cohen, Eliot A. (May 3, 2018). "What can Macbeth Teach us about President Trump's next move?". The Washington Post. Retrieved July 12, 2019.
- ^ Online version is titled "How St. Augustine invented sex".
- ^ Online version is titled "Shakespeare's Cure for Xenophobia".
Further reading
- Cadzow, Hunter; Conway, Alison; Traister, Bryce (2005). "New Historicism". Johns Hopkins Guide to Literary Theory and Criticism. Retrieved March 2, 2012.
- "A conversation with author Stephen Greenblatt". Charlie Rose. PBS. December 1, 2004. Archived from the originalon March 19, 2012. Retrieved March 2, 2012.
- Gewertz, Ken (February 2, 2006). "Greenblatt Edits 'Norton Anthology'". Harvard University Gazette. Archived from the original on February 8, 2012. Retrieved March 2, 2012.
- "Greenblatt Named University Professor of the Humanities". Harvard University Gazette. September 21, 2000. Archived from the original on February 8, 2012.
- Greenblatt, Stephen (1989). Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Berkeley: University of California Press. ISBN 978-0-520-06160-6.
- — (1992). Marvelous Possessions: The Wonder of the New World. Chicago: University of Chicago Press. ISBN 978-0-226-30652-0.
- — (2002). Hamlet in Purgatory. Princeton: Princeton University Press. ISBN 978-0-691-10257-3.
- — (2005). The Greenblatt Reader. Hoboken: Wiley-Blackwell. ISBN 978-1-4051-1566-7.
- — (February 5, 2013). "The Shape of a Life". The New Yorker.
- — (July 10, 2017). "Shakespeare's Cure for Xenophobia". The New Yorker.
- "Interview: Will in the World: How Shakespeare Became Shakespeare". Booknotes. C-SPAN. November 14, 2004. Archived from the original on November 16, 2010. Retrieved March 2, 2012.
- Leitch, Vincent, ed. (2001). Norton Anthology of Theory and Criticism. New York: W. W. Norton. ISBN 978-0-393-97429-4.
- "Meet the Writers: Stephen Greenblatt". Barnes & Noble. 2004. Archived from the original on February 10, 2012. Retrieved March 2, 2012.
- Pieters, Jürgen, ed. (1999). Critical Self-Fashioning: Stephen Greenblatt and the New Historicism. Frankfurt: Peter Lang. ISBN 978-3-631-34116-2.
- —, ed. (2001). Moments of Negotiation. The New Historicism of Stephen Greenblatt. Amsterdam: Amsterdam University Press. ISBN 978-90-5356-502-5.
- Richter, David, ed. (1988). The Critical Tradition: Classic Texts and Contemporary Trends. Boston: Bedford Books. ISBN 978-0-312-10106-0.
- Rivkin, Julie; Ryan, Michael, eds. (2004). Literary Theory: An Anthology. Malden: Blackwell. ISBN 978-1-4051-0696-2.
- Ruder, Debra Bradley (February 6, 1997). "Renaissance Literature Scholar to Join FAS". Harvard University Gazette. Retrieved March 2, 2012.
External links
- Cardenio, American Repertory Theater
- The Cardenio Project
- The Johns Hopkins Guide to Literary Theory and Criticism
- Harvard Faculty profile
- The Norton Anthology of English Literature
- Appearances on C-SPAN
- Booknotes interview with Greenblatt on Will in the World, November 14, 2004.
- Stephen Greenblatt, interviewed on Charlie Rose