Stilyagi

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Stilyagi

Stilyagi (Russian: стиляги, IPA:

zagranitsa, modern Western music and fashions corresponding to those of the Beat Generation. English writings on Soviet culture variously translated the derogatory term as "dandies", "fashionistas", "beatniks", "hipsters", or "zoot suiters
".

Today,[

Stagnation Period) and allowed "informal" views on life, such as hippies, punks and rappers
.

Characteristics

Their

apolitical views, neutral or negative attitudes toward Soviet morality
, and their open admiration of modern, especially American, lifestyles were key characteristics that slowly developed during the 1950s.

At the dawn of the phenomenon, the stilyagi look was rather a caricature, inspired by movies from abroad of recent years. It resembled the zoot suit but combined different bright colors. By the late fifties, the look had evolved into something more elegant and stylish. Typical stilyagi wear included narrow pants, long jackets, narrow ties, bright-colored shirts, and thick soled shoes.

Usually stilyagi enjoyed popular American music of the 1940s, especially

rock-n-roll
.

History and legacy

A selection of "ribs", illicit 78rpm recordings cut into X-ray film stock.

The first stilyagi were from the generation of young adults in their early twenties who had lived through the hard times of

trends at the time. As a result, many of them wore clothes based on images from abroad (early 1940s romance films
, daily newspapers and photographs) and young women later adopted styles from modern female stereotypes too.

The main cause of this phenomenon was the struggle between capitalism and communism-led societies. The enforced uniformity of the Soviet thought and the heavy weight of its dictatorship were the only politically correct form of view, lifestyle and self-expression permitted during Stalinism. Therefore, the stilyagi sought to follow the modern ideology and morality in order to avoid Soviet pressure and its influence on society.

The stilyagi were largely repressed until

upper-middle class, known as "intelligentsia
") and were frowned upon in political instances, but had become too many in number to be repressed. Thus, instead of trying to get rid of them, the media and politics, including journalism, eagerly mocked their style by portraying them as ridiculous as opposed to "normal" parts of Soviet society.

In the mid-1950s, many people were arrested for making musical recordings on

]

In the late 1950s, the catchphrase "Today he dances jazz, but tomorrow [he] will sell [his] homeland" (Сегодня он танцует джаз, а завтра Родину продаст, Segodnya on tantsuet dzhaz, a zavtra Rodinu prodast), became the stilyagi's signature and the key idea underlying their social protest. Stilyagi were recognized as an official musical, artistic and pop culture movement that later took on further modern influences, notably

musical genres.

Following the international festival of 1957, however, the USSR became more open to modern culture. The official ban on jazz music was removed, and many records became available in stores from the 1960s. Admiration of modern music, especially the rock-n-roll wave of the sixties, met more tolerance from official ideology and little active resistance. All this contributed to the decline of the movement in the early sixties, as former stilyagi abandoned the lifestyles of their youth, while the next generation felt no need to follow such a lifestyle in order to enjoy modern culture or a nonpolitical way of life.

The influence of the stilyagi movement on Soviet-Russian culture is tremendous. Many of today's most respected Russian musicians, writers, film editors and other cultural personalities belonged to the movement, or shared its free, bohemian lifestyle. There is a 2008 Russian comedy musical film, Stilyagi, about this subculture.

See also

  • 1950s youth fashion
    • Hep cat, another Western counterpart to the Stilyagi
  • La Sape, a similar movement that originated in the Democratic Republic of Congo during the 1980s
    • 1980s in African fashion
    • Swenka
      , a South African variant in the 2010s
    • 2010s in African fashion
  • The Moon is a Harsh Mistress
    , a 1966 novel by Robert A. Heinlein describing a similar fictional subculture on the Moon

Notes

  1. ^ "Jazz on Bones: X-Ray Sound Recordings". kk.org. August 28, 2006. Retrieved 29 December 2010.
  2. ^ Tracy Donovan Drake. "The Jazz-Rock Counterculture is Born". The Historical Political Development of Soviet Rock Music. Archived from the original on June 21, 2009. Retrieved 29 December 2010.

References

Further reading