Super Bowl XXXVI halftime show
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Super Bowl halftime show chronology | ||||
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The Super Bowl XXXVI Halftime Show, known through corporate sponsorship as the E-Trade Super Bowl XXXVI Halftime Show, was the
Singer Janet Jackson was originally booked as the halftime performer, but after the September 11 attacks, it was decided that a different artist would be needed to set the tone required. U2 were selected as the replacement after several executives from the National Football League (NFL) attended one of their October 2001 concerts in New York City and were emotionally impacted by the band's tribute to the attack victims, whose names were projected across the ceiling of Madison Square Garden. During their halftime performance, the band played their 2000 hit single "Beautiful Day", the 1984 song "MLK", and their 1987 hit single "Where the Streets Have No Name". During the latter two songs, U2's tribute to the September 11 victims was reprised, as their names were projected onto a vertical scrim behind the stage and across the interior of the Superdome. At the end of the performance, lead singer Bono opened his jacket to reveal an American flag in the lining.
The halftime show drew a 38.3
Background
On September 10, 2001,
Following the attacks, All That You Can't Leave Behind found added resonance with American audiences,[8] as the album climbed on the Billboard 200 chart and songs such as "Walk On" and "Peace on Earth" garnered radio airplay. Both tracks were performed during U2's appearance on the America: A Tribute to Heroes telethon to benefit the attack victims.[7] The Elevation Tour was the top-earning North American tour of 2001 with a gross of US$109.7 million, the second-highest ever at the time for a North American tour.[9] Globally, it grossed US$143.5 million from 2.18 million tickets sold,[10] making it the year's highest-grossing tour overall.[11] U2 was named "Band of the Year" by the magazines Rolling Stone and Spin.[12]
As a result of the September 11 attacks, the
Booking
Jim Steeg, the executive of special events for the NFL, completed booking the original entertainment lineup for Super Bowl XXXVI by August 2001. The billing would have featured performers from a diverse range of musical genres: Lionel Richie for "America the Beautiful", the Bee Gees and Creedence Clearwater Revival for a pregame performance, and Janet Jackson for the halftime show.[15] However, after the September 11 attacks, Jackson cancelled the European leg of her All for You Tour and was not travelling,[16][17] and she decided to pull out of the Super Bowl after realising her show would not fit the mood that was required.[15]
NFL marketing executive John Collins was tasked with finding a replacement for the halftime show.[18] On October 25, 2001, he attended a U2 concert at Madison Square Garden in New York City.[17] During the band's performance of "One", a scrolling list of the names of the 9/11 victims appeared on screen.[19] Collins witnessed fans becoming emotional at that moment, and realised U2 would make an ideal replacement for the halftime show. In a meeting the following day, Collins and two other league officials who had attended the concert discussed its poignancy and unanimously agreed with the idea of booking U2.[17] NFL spokesperson Brian McCarthy said, "we certainly like the music, but we like the message that U2 carries, which is responsibility to others and a sense of freedom".[19] Collins called Jimmy Iovine, chairman of Interscope Records and producer of U2's 1988 album Rattle and Hum, and pitched him on U2 recreating the same tribute at the Super Bowl. Iovine contacted lead singer Bono and conveyed the NFL's proposal to him.[17]
The following day, Bono met with several executives of the NFL, including Collins, Steeg, commissioner Paul Tagliabue, COO Roger Goodell, and New England Patriots owner Robert Kraft.[17] Bono was enthusiastic about the prospect of being involved in a Super Bowl halftime show and proposed an extravagant show that would incorporate elements of world music.[17][18] Many were skeptical of the idea, and the NFL debated for several days whether to book U2.[17] Some argued against an Irish act paying tribute to the victims of an American tragedy, while a television executive mentioned that a past U2 television special had drawn low ratings.[17][18] Goodell was immediately on board with the idea of U2, and while Tagliabue was initially uncertain,[18] he ultimately came around and decided to book them.[17] Greg Hagglund, vice president and executive producer of CCE,[20] met with U2 in Las Vegas during a stop on their Elevation Tour to have a brainstorming session about the show. He said that Bono "had such a grasp of what he wanted and what we and the NFL felt was appropriate".[21]
On November 27, 2001, it was reported that E-Trade had reached an agreement with the NFL to sponsor the halftime show for the third consecutive year.[22] The deal was reportedly worth more than US$3 million.[23] On November 30, the NFL announced that CCE had been selected to produce the halftime show,[24] and on December 2, the league announced that U2 would perform.[25] Super Bowl XXXVI marked the first time that CCE was involved in a Super Bowl halftime show; most of the previous halftime shows had been produced by the television networks, with the exception of Super Bowl XXXV's show in 2001 that was produced by MTV.[21] U2 were the first international act to be the sole performer for a Super Bowl halftime show.[26] McCarthy said: "we were looking for a band that would help capture and lift the spirit of America and the world. With U2 we found what we were looking for."[27] Regarding the show's content, he added: "This year, we're looking to make it more relevant and meaningful, rather than dropping a rock concert in the middle of a football game. We're looking to provide entertainment that's memorable and inspiring."[21] U2's booking was in line with the NFL recasting the Super Bowl entertainment under the theme "Heroes, Hope, and Homeland".[28] McCarthy said, "With the events of September 11th, we've redefined and refocused the game presentation, and the theme is celebration and the human spirit and the values of freedom, and also to everyday heroes".[29]
U2 and other musical acts at the Super Bowl were unpaid for their performances, as the NFL covered only travel expenses and accommodations in New Orleans.[19] An NFL insider said, "We would have paid U2, but they didn't want any money."[30]
Promotion
An NFL representative said one factor in the league's decision to select CCE to produce the halftime show was its ability to use its vast media holdings, which included 1,200 radio stations, to promote the event.[31] To increase interest in the Super Bowl in the weeks preceding it, NFL Films re-shot the music videos for U2's songs "Stuck in a Moment You Can't Get Out Of" and "Beautiful Day" to include football footage.[12] The NFL and Fox both used the band's songs in television commercials advertising the 2001–02 NFL playoffs.[32] Collins said that the league's and Interscope Records' objective was "to help make U2 synonymous with the NFL".[33]
In a counterprogramming move against the halftime show, on December 17, 2001, NBC announced it would air an episode of Fear Factor featuring Playboy Playmates at the same time that Fox would broadcast the halftime show.[35]
Preparations and rehearsals
A few weeks before the game, a major production issue arose when organizers discovered they were unable to power the projectors that would scroll the victims' names across the domed ceiling of the Superdome. Collins was irate and demanded organizers resolve the problem, stating, "The only reason Paul Tagliabue approved this was because of the names going across the roof." A generator was ultimately located, allowing the projection to proceed.[17] Around January 21, 2002, production crews arrived at Tad Gormley Stadium at the University of New Orleans to work on the logistical aspects of the halftime show, particularly the process of building and disassembling the stage on the field in the mandated amount of time. After arriving in New Orleans on January 30, the band rehearsed in the Superdome and participated in a 20-minute press conference that day. During rehearsals, it was debated whether to project the victims' names onto a scrim behind the stage or not;[36] the projection was not powerful enough to be seen across the ceiling.[37] Ultimately, the scrim was adopted, but to some, the effect did not look good.[37] After the Friday rehearsal just two days before the Super Bowl, one NFL executive remained cynical about the show's prospects, saying, "This is going to be the worst halftime show ever."[17]
Show production
CCE's Special Events Group in St. Louis was responsible for managing the timing and technical aspects of the show, as well as managing talent. Hagglund produced the performance and coordinated with the special events department.
Stage design and equipment
The stage, which featured a heart shape with an open center, was replicated from the one designed by Mark Fisher for the band's 2001 Elevation Tour.[41] Between 2,000 and 3,000 winners of a Clear Channel radio promotion were selected to be on field for the performance, 400 of whom occupied the inside of the heart. The stage comprised 22 interlocking pieces varying in weight from 700 to 3,500 pounds (320 to 1,590 kg);[32] in total, the stage weighed 50,000 pounds (23,000 kg).[42] The sections of the stage were wheeled onto the field by a team of 250 volunteers, who were split into groups of ten and blended in with the rest of the on-field audience after completing the stage assembly. The wheels of each stage segment had soft tires to avoid damaging the playing surface.[32]
The names of the 9/11 victims were projected by twelve 7-kilowatt xenon PIGI film projectors manufactured by E/T/C Audiovisuel and supplied by Fourth Phase Image Systems Group; they were the same type of projectors used during the band's Elevation Tour.[41] The victims' names were projected across the interior of the Superdome, as well as onto a Kabuki scrim measuring 120 feet (37 m) high by 60 feet (18 m) wide.[41][43] Willie Williams and Catherine Owens created the projections, while Brian Beasley operated the projectors.[41]
Much of the same lighting equipment from the Elevation Tour was used for the halftime show. In partnership with Williams, lighting directors Bob Dicksinon and Ted Wells used two lighting systems with luminaires by Vari-Lite. The one suspended above the stage featured 38 VL2416 fixtures, 24 VL5 fixtures, 210 VL5Arc fixtures, and 18 VL7 fixtures, and it was controlled by Victor Fable with a Virtuoso console. The lighting system at ground level comprised 30 VL2416 fixtures, 12 VL5 fixtures, and 30 VL5Arc fixtures, and was controlled by Willy McLachlan with a Virtuoso console. Bruce Ramus operated the lighting.[41] U2's halftime set required three times more cabling and lighting than the previous three Super Bowls in New Orleans combined.[44]
ATK AudioTek Corp. coordinated the audio aspects of the show. Their
Performance synopsis
External videos | |
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Clips of Super Bowl XXXVI halftime show and commentary – via the NFL's official channel on YouTube. |
Organisers said that most of the musical performers at Super Bowl XXXVI would pre-record their performances to reduce the possibility of technical problems. U2, however, said they intended to play live for the halftime show.[45] When asked if he would lip sync, Bono said: "I'll be singing live. Call us old-fashioned, but I thought it might be novel. It might catch on with the kids."[38] A backing rhythm track accompanied the band's live performance as a precaution. Despie said it was required as a "technical protection" against "the risk of a show going down".[32] An Associated Press report published days before the Super Bowl claimed that the band would perform "Walk On".[29] It was confirmed that the band would perform three songs, but they did not announce in advance which ones.[46] The websites for U2 and the NFL stated that they would play at least one track from a list consisting of "I Still Haven't Found What I'm Looking For", "Desire", "Pride (In the Name of Love)", and "Beautiful Day".
The on-field audience held
Reception
U2's halftime show performance received generally positive reviews.[50] Dan Shaughnessy of The Boston Globe called it: "the greatest halftime show in the history of sporting events. Hands down."[51] John Smyntek of the Detroit Free Press rated U2's performance "Four stars all the way", saying that it "sure beat other recent Super Bowl halves that tried to telescope the wide world of pop".[47] Phillip B. Wilson of The Indianapolis Star gave the halftime show a "B" rating and called it a "touching tribute" to the victims of September 11.[52] Roger Catlin of the Hartford Courant said that U2 was a "perfect fit" for the occasion, calling them "a group clearly used to big events, big crowds and big statements". He praised the decision to perform the uplifting "Where the Streets Have No Name" and Bono's revelation of the American flag in his jacket lining, saying it was "as if to demonstrate beneath his rock star exterior, he's with his U.S. fans on this most American of days".[53] Tom Shales of The Washington Post said of the band's tribute to the 9/11 victims, "To some, it may have seemed rather a garish memorial, but in a strangely affecting way, it worked, and respectfully."[54] Tim Goodman of the San Francisco Chronicle said: "The real deal was an inspired bit of rock from U2 as the halftime entertainment. Here's a quick pop quiz: Has the halftime show ever been good? Ever? Pencils down. Correct answer: Not in our lifetime. And yet, U2's live breath of fresh air and dramatic, emotional spectacle that paid homage to the victims of Sept. 11 was both daringly bombastic and also pretty damn cool."[55] David Bianculli of the New York Daily News said that the halftime show "managed to strike the right mood of patriotism, pride and solemnity." He added: "It was theater, yes – but on a grand scale. Given the occasion, it was grand indeed."[56] Peter King of CNN/SI called the band's performance "perfect for the occasion" and said, "I praise you, NFL, selfishly, for giving me 11 terrific minutes at halftime of a great event".[57]
Tim Kawakami of the
Commercial impact
The Super Bowl was expected to draw 130 million viewers in the United States and 800 million worldwide.
Legacy
U2's performance is considered by critics to be one of the best Super Bowl halftime shows. In 2019, Entertainment Weekly called it "probably the most moving Super Bowl halftime performance to date".[73] BBC Music and Variety ranked it seventh-best,[74][75] while CBSSports.com ranked it sixth-best as of 2018.[76] In 2024, Levi Weaver of The Athletic ranked U2's performance the third-best Super Bowl halftime, saying that the group "managed to pull off the impossible — performing a touching tribute to a moment at the time still too big and too new to fully process, but doing so without sacrificing an ounce of showmanship or delving into jingoism".[77] Jim Harrington of The Mercury News ranked it the second-best of the 21st century,[78] while Billboard and Roisin O'Connor of The Independent ranked it second-best overall.[79][80] In 2021, Thrillist ranked it the second-best halftime show, saying, "U2 delivered the kind of bald sentimentality that both attracts and repels legions of fans and detractors, though it's tough not to appreciate the raw power of the performance" during the tribute to the September 11 victims.[81] In 2014, Rob Sheffield of Rolling Stone placed it first on his list, saying, "U2 created one of the truly great live-TV rock & roll moments of all time, up there with 'Bad' at Live Aid". He added: "Only U2 could have made this so grandiose, yet so emotionally direct. Grown men wept buckets. Every daft ambition U2 ever had, every lofty claim they ever made, they earned [that night]."[82] Sheffield later re-ranked the performance to second-best in 2023.[83]
Lisa Redmond of NBC Sports ranked it number one, saying, "While other halftime shows may have been more entertaining, none of them have had as much meaning as this one."[84] Brian Mansfield of USA Today ranked it first, saying that U2 "gave a sentimental, cathartic performance that went from celebration to elegy and back... By embracing the nation's still-fresh pain, the band transcended the game, making the performance the only one that stands on its own as a cultural event."[85] Sean Merriman of Bleacher Report ranked it first, calling it "one of the most moving musical tributes of all time".[86] Other publications such as the Pittsburgh Post-Gazette,[87] Sports Illustrated,[88] and the NFL's own website[89] also described or ranked it as the best Super Bowl halftime show. Writing for Uproxx, critic Steven Hyden ranked U2's Super Bowl concert 17th on a list of the best televised musical performances since 2000; he called it "one of the few times when the Super Bowl halftime show actually felt important as a virtual town square where people go to feel less alone".[90]
On the fifth anniversary of the September 11 attacks, U2's halftime performance was re-aired on the NFL Total Access program on NFL Network.[91]
On September 25, 2006, U2 once again performed at the Superdome in New Orleans as part of entertainment for an NFL football game. For the
Setlist
References
Footnotes
- ^ Waddell, Ray (June 23, 2001). "U2 on Career High with Elevation Tour". Billboard. Vol. 113, no. 25. p. 97.
- The Associated Press. 4 December 2001. sec. Sports, p. 2.
- ^ McGee (2008), p. 220
- ^ Rodman, Sarah (February 22, 2001). "A 'Beautiful' day for U2, Steely Dan; Old rockers steal thunder from Eminem at Grammys". Boston Herald. p. 39.
- ^ McGee (2008), p. 228
- ^ Waddell, Ray (September 15, 2001). "U2 to Return to North America for Tour's Second Leg". Billboard. Vol. 113, no. 37. p. 12.
- ^ a b c McGee (2008), p. 237
- ^ McCormick (2006), pp. 308–309
- ^
- Grossberg, Josh (27 December 2001). "Elevation! U2 Tops 2001 Tours". E! News. Retrieved January 12, 2017.
- Goodman, Dean (31 December 2001). "By scaling down, U2 rises to the top of 2001 concert circuit". The Philadelphia Inquirer. p. D6.
- ^ Waddell, Ray (March 14, 2009). "Kissing the Future". Billboard. Vol. 121, no. 10. p. 19.
- ^ Hyden, Steven (27 December 2001). "U2 elevates itself to top-grossing tour of the year". The Post-Crescent. sec. Encore, p. 2.
- ^ a b Lewis, Nick (February 3, 2002). "Super Bowl Stars". Calgary Herald. p. C9.
- ^ Altavilla, John (September 19, 2001). "NFL Preserves 16 Games". Hartford Courant. pp. C1–C2.
- Newspapers.com.
- ^ a b Weiss, Joanna (February 2, 2002). "Flag football". The Boston Globe. pp. E1, E8.
- ^ "Janet Jackson Cancels European Tour". Billboard. October 1, 2001. Retrieved June 4, 2020.
- ^ Yahoo Sports. Archivedfrom the original on November 20, 2023. Retrieved May 26, 2020.
- ^ a b c d Murphy, Austin (February 3, 2014). "Bland Bands, Nip Slips and 3-D Bebop". Sports Illustrated. Vol. 120, no. 4. pp. 42–49. Retrieved June 1, 2020.
- ^ a b c Battista, Judy (February 2, 2002). "N.F.L.'s fine-tuning captures a new mood". The New York Times. p. D5. Retrieved May 27, 2020.
- ^ a b c d Waddell, Ray (February 2, 2002). "Super Bowl Boasts 'Greatest Musical Lineup' Ever". Billboard. Vol. 114, no. 5. p. 34.
- ^ a b c d e f g Johnson, Kevin C. (February 1, 2002). "U2 is only half of the big show in Sunday's game". St. Louis Post-Dispatch. pp. B1–B2.
- ^ "E Trade, NFL Agree". The Cincinnati Enquirer. Bloomberg News. November 27, 2001. p. B8.
- Sports Business Journal. Retrieved June 5, 2020.
Bibliography
- Assayas, Michka; Bono (2005). Bono: In Conversation with Michka Assayas. New York City: ISBN 1-57322-309-3.
- McGee, Matt (2008). U2: A Diary. London: ISBN 978-1-84772-108-2.
- U2 (2006). ISBN 0-00-719668-7.)
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