Sweet Bird of Youth

Sweet Bird of Youth is a 1959 play by Tennessee Williams that tells the story of a gigolo and drifter, Chance Wayne, who returns to his hometown as the companion of a faded movie star, Alexandra del Lago (travelling incognito as Princess Kosmonopolis), whom he hopes to use to help him break into the movies. The main reason for his homecoming is to get back what he had in his youth, primarily, his old girlfriend, whose father had run him out of town years before. The play was written for Tallulah Bankhead, a good friend of Williams.

Sweet Bird of Youth originated around 1956 as two plays: a two-character version of the final play featuring only Chance and the Princess, and a one-act play titled The Pink Bedroom that was later developed into Act Two of the play, featuring Boss Finley and his family.^[1]

Plot

In St. Cloud, native son Chance Wayne has fled his hometown, seeking to profit from his beauty and youth in New York or Hollywood. When he fails as an actor and a personality in both cities, he becomes a gigolo. As the traveling escort of his employer, Chance returns to St. Cloud to win back his childhood lover, escorting an aging, depressed, semi-alcoholic film star: Alexandra del Lago, who is running away from the negative criticism of her recently released cinematic comeback film.

Del Lago also had been burying herself in sex, alcohol, and drugs until Chance recognized her while hustling in a Florida resort. He saw in her a last chance to build a relationship (taking care of her while on their drive back to Hollywood, with him as her escort). As he and del Lago are driving along the Sunset Route back to California, Chance hopes that he will reunite with Heavenly Finley, his childhood sweetheart, and bring her back to Hollywood, where – with del Lago's aid – they will both achieve stardom.

Once back in St. Cloud, Chance discovers Heavenly is only a shadow of the girl he knew. During his last visit to St. Cloud, she got pregnant. When she discovered the problem, she had to have an abortion and because of an unskilled doctor's knife, the abortion resulted in a hysterectomy and her sterility. Her father and brother are determined to make Chance pay for the injury done to Heavenly. Chance worries that he will receive the same fate as a Black man in town who recently was attacked and castrated.

Using Alexandra's car and funds, Chance tries to prove to the town that he is a success, but his old friends call his bluff and see him for what he has become. Meanwhile, del Lago receives news that the criticism she has been running from is actually praise and that her comeback could not have been better. Chance believes he will ride with her to the top, but she has no wish for a gigolo. With his youth gone, Chance does not know how to move on with his life. Although she will not recommend him for a job in Hollywood, del Lago urges him to continue as her escort, but he decides to stay and accept his punishment in St. Cloud.

Production history

Pre-Broadway

Williams began work on the play in the fall of 1959, calling it at first The Enemy of Time.^[2] As Sweet Bird of Youth, the work-in-progress had a tryout production starring Tallulah Bankhead and Robert Drivas in Coral Gables, Florida, directed by George Keathley^[2] at his Studio M Playhouse in 1956^[3][4] which began before Williams' agent Audrey Wood knew he had a new play.^[5] Elia Kazan saw it.^[6] Kazan and Cheryl Crawford were "party to the secret and petitioned Audrey to let them produce and direct the new play."^[5]

Broadway

The original production by

A production was planned to open in 2011 with David Cromer directing and Scott Rudin serving as producer. In 2012, the production showed at the Goodman Theatre to much acclaim, with Diane Lane in the lead role.^[9]

London

After 26 years, Sweet Bird of Youth appeared in London's

The play returned to the London stage on 1 June 2013 with a production at The Old Vic directed by Marianne Elliott and starring Kim Cattrall as Del Lago and Seth Numrich as Chance.^{[citation needed][10]}

Chichester

The play was revived in 2017 at Chichester Festival Theatre, running from June 2 to 24. Directed by Jonathan Kent, it starred Marcia Gay Harden as Alexandra del Lago/The Princess Kosmonopolis and Brian J. Smith as Chance Wayne. Co-stars included Emma Amos and Richard Cordery.^[11]

Film and television adaptations

1962 feature film

In 1962, the play was made into a feature film starring Paul Newman, Geraldine Page, Shirley Knight, Madeleine Sherwood, Ed Begley, Rip Torn and Mildred Dunnock. The movie was adapted and directed by Richard Brooks.^[12][13] The film version earned three Academy Award nominations, all for acting: Geraldine Page for Best Actress, Shirley Knight for Best Supporting Actress, and Ed Begley for Best Supporting Actor, which he won.^[14]

1989 television version

Sweet Bird of Youth was made for television in 1989, directed by Nicolas Roeg and starring Elizabeth Taylor, Mark Harmon, Valerie Perrine, Ronnie Claire Edwards, Cheryl Paris, Kevin Geer and Rip Torn. It was adapted by Gavin Lambert.^{[citation needed]}

In popular culture

• In the Robert Zemeckis film Death Becomes Her (1992), lead character Madeline Ashton (played by Meryl Streep) is depicted as the star of a failing Broadway musical adaptation of Sweet Bird of Youth titled Songbird!.^[15]
• The song "Sweet Bird of Truth" by the rock group The The is a reference to the Tennessee Williams play.^{[citation needed]}
• A reference to the Tennessee Williams play (as well as Williams) was written by Bernie Taupin in his lyric for Elton John's song "Lies", from John's 1995 album Made in England.^{[citation needed]}
• The greek composer Eleni Karaindrou wrote Incidental Music for the play (2016-17)

References