Sylvia Pankhurst

Source: Wikipedia, the free encyclopedia.

Sylvia Pankhurst
Richard Pankhurst
Parent(s)Richard Pankhurst
Emmeline Goulden
RelativesChristabel Pankhurst (sister)
Adela Pankhurst (sister)
Helen Pankhurst (granddaughter)
Alula Pankhurst (grandson)

Estelle Sylvia Pankhurst (5 May 1882 – 27 September 1960) was an English feminist and socialist activist and writer. Following encounters with women-led labour activism in the United States, she worked to organise working-class women in London's East End. This, together with her refusal in 1914 to enter into a wartime political truce with the government, caused her to break with the suffragette leadership of her mother and sister, Emmeline and Christabel Pankhurst. Pankhurst welcomed the Russian Revolution and consulted in Moscow with Lenin. But as advocate of workers' control, she rejected the Leninist party line and criticised the Bolshevik dictatorship.

Pankhurst was vocal in her support for Irish independence; for anti-colonial struggle throughout the British Empire; and for anti-fascist solidarity in Europe. Following its invasion by Italy in 1935, she was devoted to the cause of Ethiopia where, after the Second World War, she spent her remaining years as a guest of the restored emperor Haile Selassie. The international circulation of her pan-Africanist weekly The New Times and Ethiopia News was regarded by British colonial authorities as a factor in the development of African nationalism, and of the Rastafari movement in Jamaica.

Early life

Estelle Sylvia Pankhurst (she later dropped her first forename) was born at Drayton Terrace,

née Goulden) and Dr. Richard Pankhurst
.

Dr Pankhurst had been a founding member in 1872 of the National Society for Women's Suffrage, and played a role in drafting legislation that gave unmarried women householders a vote in local elections, and married women control over their property and earnings.[1] According to his daughter, he was also distinguished by his support for Irish Home Rule, being "the first English Parliamentary candidate to pledge himself to Irish self-government when he stood at a by-election in Manchester in 1883".[2]

The family home, for a period in Russell Square in London, hosted radical intelligentsia from both Britain and abroad. These included the Russian anarchist Peter Kropotkin, the Communard Louise Michel, and the Fabian Annie Besant.[3]

In 1893, Pankhurst's parents joined the Scottish miner Keir Hardie, a family friend, as founding members of the Independent Labour Party (ILP).[4][5]

Pankhurst and her sisters, Christabel and Adela, attended Manchester High School for Girls. In 1903, Pankhurst went on to train as an artist at the Manchester School of Art.[6] While completing an ILP commission to paint murals in a social hall the party had built in Salford, Pankhurst discovered that the hall, named after her father, would not admit women. It was an episode that helped convince her elder sister, Christabel, of the need for women to organise independently.[7]

In 1904, Pankhurst won a scholarship to the Royal College of Art (RCA) in London,[6] but she was incensed to learn that of 16 scholarships awarded by the college each year, 13 were reserved for men, and that, in response to a parliamentary question, Keir Hardie should be told that the authorities "did not contemplate any change".[7][8]

Suffragette

Sylvia Pankhurst carried by supporters, London, June 1914

The Women's Social and Political Union (WSPU) was founded as an independent women's movement on 10 October 1903 in the family's Nelson Street home in Manchester.[9] Pankhurst's sister Christabel had persuaded a group of ILP women that women had to do the work of emancipation themselves, and that they needed a movement free of party affiliation.[10][4]

In 1906, Sylvia Pankhurst started to work full-time for WSPU, with Christabel and their mother. She devised the WSPU logo and various leaflets, banners, and posters as well as the decoration of its meeting halls.[11] In 1907 she toured industrial towns in England and Scotland, painting portraits of working-class women in their working environments.[12] She was later to write that she witnessed "so much distress", that she felt unable to return to her "beloved profession".[7] She became a full-time organiser, with Alice Hawkins and Mary Gawthorpe, helping establish the WSPU in Leicester.[13]

Pankhurst contributed articles to the WSPU's newspaper,

Conciliation Bill, and were met with violence, some of it sexual, from the Metropolitan Police and male bystanders.[15]

In 1912, Pankhurst led a march on Mountjoy Prison in Dublin in solidarity with two English WPSU militants who had violently sought to disrupt the Prime Minister H. H. Asquith's visit to the Irish capital. They had thrown a hatchet, to which a suffrage message was attached, into the carriage in which he was travelling with John Redmond and had attempted to set fire to the theatre in which the Prime Minister was to speak.[16][17]

Between February 1913 and August 1914, Sylvia was arrested eight times for protest actions in London. After the passing of the so-called

Cat and Mouse Act, she would be released for short periods to recuperate from hunger striking. Supporters would carry her back to her home and offices in Old Ford Street, Bow, where, when the police came to re-arrest her, street battles would ensue.[18]

In June 1914, supporters carried her to the entrance to the

ten years
.

Encounters women-led labour activism in the United States

Pankhurst undertook two speaking tours in the United States: in the first three months of 1911 and again at the beginning of 1912.[21] Writing letters home, mostly to Keir Hardie, she described herself as having to persuade her largely middle-class hosts that sweated female labour and mother-child poverty were as much a feature of the New World as the Old. She related her experience of going into factories, workshops, workhouses and prisons, of observing the application of Taylorist principles (rendering workers "part of the machinery"),[22] and of witnessing in the South the virtual criminalisation of African Americans.[21]

In January 1911, she was in Chicago. A strike wave, which had begun in 1909 with "the uprising of the 20,000" mostly immigrant, Jewish women workers in the sweatshops of New York, had spread to the city's clothing workers. Union pickets had been beaten and arrested. Two had been shot dead. Pankhurst visited strikers in their police cells, and observed that their conditions were as bad anything suffragettes had been subject to in Britain.[23]

That same month, in New York City, she met the pioneer socialist feminist

Lawrence textile strike.[24] Back in New York City at the beginning of 1912, Pankhurst observed in laundry workers the same ability to overcome through collective action the racial, ethnic and sexual divisions systematically exploited by employers.[25]

In Chicago, Pankhurst had been in the company of Zelie Passavant Emerson. Emerson had come to the Women's Trade Union League from the settlement house movement. Pankhurst had encountered settlement houses in England: as a child she had visited the first of these, Ancoats Brotherhood in Manchester. But in their outreach to women as both domestic and wage workers, in America she saw a potentially potent form of women-led activism.[25] Returning to London with Emerson, it was an example she sought to replicate in London's East End.[23]

Before being followed back to England by Emerson, in April 1912 Pankhurst joined the funeral procession in New York City for the 146 garment workers killed in the Triangle Shirtwaist Factory fire. Speaking beside labour organiser Rose Schneiderman, she said that their deaths were the result of working-class people being denied the right to represent themselves.[26]

East London socialist

In a first show of independence, and with the support of

East London Federation of Suffragettes. Although it was to remain a women's—and women-led—emancipatory movement, it was opened to trade unionists and to men.[3]

Pankhurst noted that "the East End was the greatest homogeneous working-class area accessible to the House of Commons by popular demonstrations" and proposed that the "creation of a woman’s movement in that great abyss of poverty would be a call and a rallying cry to the rise of similar movements in all parts of the country".

In January 1914, accompanied by

Cat and Mouse Act, to discuss the future of the ELFS.[30] Christabel was insistent upon an independent, women-only WPSU, and was incredulous at her sister's unwillingness to attack socialists unpledged to women's suffrage.[31] Pankhurst was equally insistent on supporting popular and labour struggles, and critical of what she considered to the WPSU's social elitism. The sisters agreed that they and their organisations should go their separate ways.[30]

From the East London Federation of Suffragettes, in 1914 Pankhurst formed the

The Woman's Dreadnought.[33] Nora Smyth (who helped pay the bills) and Mary Phillips were the principal contributors, with Smyth illustrating the paper with her photographs of domestic East End poverty.[34]

In the first edition of the paper (8 March 1914), Pankhurst's editorial defended their insistence on building a working-class suffragette campaign:

Amy Hicks, a veteran of the Social Democratic Federation, supported the ELFS from its start;[36] as did Dora Montefiore who had left the WSPU in 1906,[37] and had also spoken on behalf of the Dublin workers at the Albert Hall.[38][39] The ELFS supported labour struggles and organised rent strikes.[23]

War-time organiser and dissident

WSF toy factory, London East End, 1915

The United Kingdom declaration of war upon Germany on 4 August 1914 found Pankhurst in Dublin investigating the Bachelor's Walk massacre. After allowing the initial popular enthusiasm for the war to pass, Pankhurst (who on 8 August decried the "heedless" rush to war of "men-made governments") and the WSF campaigned against conscription and in solidarity with conscientious objectors. These were positions for which she was attacked in the WSPU newspaper, patriotically renamed Britannia.[40]

Pankhurst retained the confidence of some WSPU veterans. She was invited by Elizabeth McCracken to Belfast, where Christabel's wartime directive had put a halt to a particularly militant campaign,[41] to speak in support of equal pay for women doing war work.[42] It was a demand Pankhurst championed along with universal food rationing, debt relief and improved allowances for soldiers wives. By helping to shift some the costs of the war off the back of women and poor, she believed that these were measures that might hasten its end.[43]

At same time, in the East End docks community, the ELFS/WSF sought to offer women practical assistance. They organised "cost-price" canteens, employment in a toy-making cooperative (whose product was in high demand in West-End shops),[44] and (in what had been a pub converted from the Gunmakers’ Arms to the Mothers ’ Arms) childcare offered on Montessori principles, a home visiting centre, and free medical care and advice.[23] Not wishing to be diverted by actions that might be interpreted as charity (and for which wealthy patrons had to be solicited), Pankhurst had misgivings. She feared that "organised relief, even the kindliest and most understanding, might introduce some savour of patronage or condescension, and mar our affectionate comradeship, in which we were all equals". Mitigation was sought in a policy of paying women not less than the minimum wage paid to men in the area and by creating the separate League of Rights for Soldiers’ and Sailors’ Wives and Relatives, in which women who wished to challenge government benefit decisions were encouraged to act collectively.[43] Pankhurst later wrote:

It was my great joy that we were stimulating working women to speak up for themselves and their sort, and to master, despite their busy lives, the intricacies of Royal warrants and Army regulations, so as to secure the promised allowances, such as they were, for themselves and their neighbours.[45]

In 1915, Pankhurst supported the International Women's Peace Congress, held at The Hague. Her sister Christabel, meanwhile, seconded British diplomatic efforts, travelling to Russia after the February 1917 Revolution to rally support for the country's continued participation in the war.[46]

The 28 July 1917 edition of her paper appeared under a new title Worker's Dreadnought—WSF members "realised that solidarity between men and women was essential if they were going to win their fight"— and with a new strap-line, "Socialism. Internationalism, Votes for All". It printed, three days in advance of The Times, Siegfried Sassoon’s "wilful defiance of military authority":[47] his statement that having become "a War of aggression and conquest", the conflict was being "deliberately prolonged by those who have the power to end it". It led to a police raid on the paper's offices. The issue of 6 October 1917 advocating a peace referendum among the troops, was destroyed and the type broken up.[28]

In May 1918, the WSF, in line with the paper, was renamed the Workers' Socialist Federation.[48] Reflecting her growing belief, in the wake of the October Revolution in Russia, that only Soviets could form the "guiding and co-ordinating machinery" for a socialist transformation, Pankhurst refused an invitation to stand for the Sheffield Hallam constituency in the December 1918 "Coupon election". The WSF did go on to support other socialist candidates,[49] but claimed to do so merely to "make propaganda ... for "the Soviet system [in which] those who make the laws are delegates chosen from amongst the workers themselves".[50]

Revolutionary

Left communist

By March 1919, Pankhurst was insisting that the choice was clear: socialists had to build "an industrial republic on Soviet lines," and abandon the Parliamentary system.

Left-Wing Communism: An Infantile Disorder profiled the WSF,[51] advised Pankhurst that, tactically, the blanket rejection of parliamentarianism is a "mistake".[52][49]

In June 1920, the WSF co-hosted the inaugural meeting conference of the

Antonie Pannekoek and to the anarcho-syndicalism of her partner Silvio Corio.[20] Her contribution was to highlight the potential for extending their models of collective decision-making from the workplace into the domestic sphere. What she called Household Soviets would ensure that "mothers and those who are organisers of the family life of the community" are "adequately represented, and may take their due part in the management of society"[53][54]

In any event, it was the

Comintern. There Lenin personally persuaded her that her objections were less important than unity, and that it would be possible for her to maintain a platform within the CPGB.[54]

On her return, Pankhurst was sufficiently enthused to offer a paean to the new Soviet society:[56]

From Russia... I brought away with me a prevailing memory of beautiful, well-grown children and healthy people. It appears that a happy contentment and buoyant, confident enthusiasm is radiating from the active makers of the revolution and builders of the proletarian state, to wider and wider sections of people...[57]

In September, with Willie Gallacher Pankhurst called a conference, inviting representatives of the Shop Stewards Movement, the CPGB, the Scottish Worker's Committee and the Glasgow Communist Group. All the groups at the conference bar Guy Aldred's Glasgow Communist Group agreed to merge with the Communist Party of Great Britain in January 1921.[49]

In the interim, in October 1920, she had been arrested in the offices of the Dreadnought and sentenced to six months for calling on dockers not to load arms for shipment to the anti-Bolshevik forces in Russia. Pankhurst said she considered a hunger strike but was afraid the weapon was no longer available as the government had just allowed Terence MacSwiney, Sinn Féin mayor of Cork, to die in Brixton Prison.[58]

While in Holloway, Pankhurst wrote poems published in 1922 as Writ on Cold Slate.[59] "Above all" they are the stories of her cellmates – "the young and the old, the homeless and the hungry, mothers, pregnant women and babies born in captivity – ‘dregs from the ancient system’s wheel of waste’".[60]

Break with Moscow

In September 1921, arguing that there had to be "free expression and circulation of opinion within the Party" and "an independent Communist voice, free to express its mind unhampered by Party discipline",[61] Pankhurst refused to hand over control of the Workers Dreadnought to the CPGB, and was expelled.[49]

In an "Open Letter to Lenin" in November, Pankhurst warned that the

Bolsheviks had begun to "desert communism" and, by default, were opening Europe to path taken in Italy by the Fascisti.[62] She had serialised Rosa Luxemburg's 1918 critique of Bolshevik policy,[63] and had herself repeated Luxemburg's charge that in sanctioning the division of the land into small peasant holdings, the Bolsheviks had betrayed the revolution.[64] She had also opened the Dreadnought to Alexandra Kollontai’s "The Workers’ Opposition", a critique of the developing Soviet bureaucracy,[65][66] and to appeals from anarchists in Bolshevik prisons.[67][68]

By July 1923 Pankhurst concluded that "the term 'dictatorship of the proletariat' has been used to justify the dictatorship of a party clique of officials over their own party members and over the people at large". Socialism, as interpreted by the Bolsheviks, had been stripped of its emancipatory promise. In one of her last contributions to Dreadnought on the subject of

Antonie Pannekoek,[70] that Communism can be achieved only by workers "acting where they stand in the process of production", the Dreadnought group called for an "All-Workers Revolutionary Union" (AWRU). This was to organise on industrial unionist lines, with recallable delegates elected, in rising succession, from workshops, factories, districts, and regions to national councils. With this One Big Union programme, in February 1922 they formed themselves as the Communist Workers' Party (CWP).[49]

When in July 1923 the CWP announced its campaign to build the AWRU, it was with the admission that they had no funds and very few people. It had managed to established just three branches outside London, in Sheffield, Plymouth and Portsmouth. Despite optimism concerning a rise in revolutionary sentiment, by the end of 1923 the CWP had dissolved.[49]

On 14 June 1924, Workers' Dreadnought itself ceased publication.[49] This was not before raising the alarm at the triumph fascism in Italy, condemning the then-Communist condoned white labourism in South Africa's Rand Rebellion,[71] and employing its first black correspondent, the Jamaican writer Claude McKay. With McKay, Pankhurst shared outrage at the Daily Herald's campaign against the French employment of black colonial troops in Germany.[72][73]

Writer

With her partner, the Italian libertarian socialist Silvio Erasmus Corio, Pankhurst retired to a cottage in then rural Woodford Green, Essex (now in the London Borough of Redbridge).[74]

While Corio ran a tearoom, Pankhurst researched and wrote an eclectic series of books: an anti-colonial historical-cultural treatise. India and the Earthly Paradise (1926);

Richard in 1927, had broken off all contact.[77]

Anti-imperialism and anti-fascism

Pankhurst protesting in Trafalgar Square against British policies in India, 1932

While the Dreadnought did not take a consistent line on the 1916 Easter Rising in Dublin, an editorial written by Pankhurst on the event stated in part that: "Justice can make but one reply to the Irish rebellion and that is the demand that Ireland should be allowed to govern itself".[3] She placed the rising in the context of the limitations of the Irish Home Rule movement, and argued that "[everybody] knows it was the Carsonites who first armed". She claimed that the rebels were animated by "high ideals", and stated that the Dreadnought "[understands] why rebellion breaks out in Ireland and we share the sorrow of those who are weeping today for the rebels whom the government has shot."[78]

In commentary on the Irish War of Independence (1919-1921), the Dreadnought suggested that "with their industries being destroyed by English capitalists, and with their lives always in danger from the military . . . Irish men and women are compelled to become Communists in word and deed". The paper was open to assertions of James Connolly's daughter Nora that with "the awakening of a revolutionary spirit (caused by the insurrection of 1916) has come an intensive growth of revolutionary thought". In the event, Pankhurst was disappointed by the outcome: the Anglo-Irish Treaty of 1921 described in the Dreadnought as "a sad, humiliating compromise of the stand for a completely independent Irish Republic".[78]

In India and the Earthly Paradise, published in Bombay in 1926, Pankhurst claimed that the social and family structures in ancient India resembled the essential features of communism: equality, fraternity and mutuality. She further argued in the work that these structures were corrupted and destroyed by priests, monarchies and successive wave of foreign invaders, citing the caste system in India to support her arguments.[75] The work has been described as a "'romantic Communist’ contribution to Indian nationalism" which may have been the "result of [Pankhurst's] contacts with fringe elements of that movement".[79] Though she was unable to find a publisher for the work in Britain, Pankhurst continued to involve herself on Indian affairs. She participated in protests against the slow progress of the Indian Home Rule movement and criticised the Royal Air Force's use of aerial bombing during the Saya San Rebellion in Burma and Pink's War in the North-West Frontier. In 1935, Pankhurst commissioned the Anti–Air War Memorial in Woodford Green, London as "a protest against war in the air".[80]

In 1934, the French feminist Gabrielle Duchêne organized the World Assembly of Women, and chaired its World Committee of Women against War and Fascism (CMF: Comité mondial des femmes contre la guerre et le fascisme).[81] Pankhurst was among the non-Communist British sponsors of the Committee along with Charlotte Despard, Ellen Wilkinson, Vera Brittain and Storm Jameson,[82] the Six Point Group and the National Union of Women Teachers.[83] In 1935 the Committee pooled resources with the League against Imperialism and the West-African Union des Travailleurs Nègres to promote freedom of speech and to protest repression throughout the European colonial empires.[84] The Women's World Committee was active in support of the International Committee for the Defence of the Ethiopian People, which held its first meeting on 2 September 1935 before the Italian invasion of Ethiopia was launched in October 1935.[84]

Having already in her Open Letter to Lenin (1922) identified Fascism as a gathering threat in Europe, Pankhurst acted in support of Italian exiles (her partner Silvio Corio among them). She was a founding member of the anti-fascist Friends of Italian Freedom, the Italian Information Bureau and the Women's International Matteotti Committee.[77] Later, in the 1930s, she became a vice-president of the League for the Boycott of Aggressor Nations and the Anti-Nazi Council which sought trade embargoes against Mussolini's Italy and Hitler's Germany.[85] Correspondence with George Bernard Shaw (who professed to be unmoved by the murder of Giacomo Matteotti) suggest that her alarm at the advance fascism moderated a once doctrinaire dismissal of capitalist democracy. To Shaw she wrote (9 July 1935):[86]

You have said that "liberty, as understood by the upholders of capitalism, is a putrefying corpse". To a large extent you are right, for if people are slaves of economic stress, as so many are everywhere today, they often find themselves unable to exercise the liberty of standing up for their convictions as they would desire, but at least in the non-Fascist countries, most of us are able to do propaganda for our convictions, as you and I do.

Pankhurst wrote to Winston Churchill, her constituency MP, concurring with him on the need for a more resolute foreign policy, but was unable to persuade him of the need for immediate action against the Italian invasion of Ethiopia.[87]

In 2004, the release of previously classified government files revealed that throughout the 1930s and 1940s MI5 had monitored Ms Pankhurst’s movements and intercepted her letters and telephone calls.[88]

Involvement in Ethiopia

From 1936,

Fifth Columnists, and enclosed lists of active Fascists still at large and of anti-Fascists who had been interned. A copy of this letter on MI5's file carries a note in Swinton's hand reading: "I should think a most doubtful source of information."[89] Meanwhile, the authorities took an increasingly grim view of her anti-colonial agitation, heightened from 1935 as she became "the main protagonist of the ‘print activism’" in the cause of Ethiopia.[90]

In July 1935, representing the

Essex Hall in London.[92] After the Italian invasion commenced in October, she began publication of The New Times and Ethiopia News. As well as reporting Italian atrocities in Ethiopia (and from July 1936, Francoist atrocities in Spain), it provided an outlet for anti-colonialist writers elsewhere in Africa.[93] Nancy Cunard, for whom it was no accident that the Spanish fascist rebellion first broke out in an African colony (Spanish Morocco), also wrote for the paper, as did Jawaharlal Nehru.[94]

Pankhurst visited Ethiopia in 1944 after it had been liberated by

Foreign Office official commented that "we agree with you... that this horrible old harridan should be choked to death with her own pamphlets".[96]

The New Times and Ethiopia News remained in circulation for 20 years and at its height sold 40,000 copies weekly. This included an extensive circulation throughout West Africa and the West Indies.[97] In 1956, the Governor of Jamaica, Sir Hugh Foot, was informed that Pankhurst's paper was radicalising a "sect" who called themselves the "Rastafari". At the same time, he was cautioned that she could be relied upon to "react violently to any suggestion that her paper should not be made available to all and sundry".[98] In some Crown colonies, such as Sierra Leone from where the nationalist I. T. A. Wallace Johnson contributed pieces, the paper had, indeed, been banned.[90]

Friendship with Haile Selassie

Pankhurst did have political contact with T. Ras Makonnen, the West Indian pan-Africanist (a Guyanese of Ethiopian descent),[99] but there is no indication that she was engaged with the new spiritual movement in Jamaica. Such, nonetheless, was her seeming hagiography of Haile Selassie that she has since been proposed as the "first white Rastafarian".[100]

Her biographer Patricia Romero suggests that Pankhurst was overwhelmed by Haile Selassie so that "her republicanism departed from Waterloo station in June 1936, when the emperor’s train rolled in" and she encountered him for the first time.

Richard, her mother did not hesitate to tell Haile Selassie that, as a life-long republican, she supported him only because of the cause he represented, and that while she was cautious about involving herself in Ethiopia's domestic politics, she did voice support for trade unions and for universal suffrage.[103]

In 1956, encouraged by Haile Selassie to aid with women's development, Pankhurst and her son Richard moved into an imperial guest house in the Ethiopian capital to Addis Ababa (Corio had died in 1954).[104] She raised funds for Ethiopia's first teaching hospital, and wrote extensively on Ethiopian art and culture. She dedicated Ethiopia: A Cultural History (1955)[93] to Haile Selassie: "Guardian of Education, Pioneer of Progress, Leader and Defender of his People in Peace and War".[105]

Death and commemoration

Pankhurst's grave

Pankhurst died in Addis Ababa in 1960, aged 78, and received a full state funeral at which Haile Selassie named her "an honorary Ethiopian". She is the only foreigner buried in front of Holy Trinity Cathedral in Addis Ababa, in a section reserved for patriots of the Italian war.[106]

Pankhurst's name and picture (and those of 58 other women's suffrage supporters) are on the

ELFS and WSF.[112]

In October 2022, London's Old Vic Theatre announced for 25 January 2023 the world premiere of Sylvia, a hip hop musical about Pankhurst. Directed and choreographed by Kate Prince, it seek to tell her story to "younger and more diverse audiences".[113]

Family

Pankhurst objected in principle to entering into a marriage and to taking a husband's name. Near the end of the First World War, she began living with Italian anarchist

Richard.[115] As she refused to marry the child's father, her mother broke ties with her and did not speak to her again.[116] Richard became a leading student of Ethiopian history and the first director of the Institute of Ethiopian Studies at Addis Ababa University.[117] His son, Pankhurst's grandson, Alula Pankhurst is an Ethiopian scholar and social development consultant in Addis Ababa, and has been a contributor to the Ethiopia Observer which continues to publish.[118]

Art

From an early age Pankhurst had an ambition to become a "painter and draughtsman in the service of the great movements for social betterment".[119] She trained at Manchester School of Art (1900–02) and then the Royal College of Art in London (1904–06). As part of her work campaigning for the WSPU, for which she created designs for a range of banners, jewellery and graphic logos. Her motif of the 'angel of freedom', a trumpeting emblem had wider appeal across the campaign for women's suffrage, appearing on banners, political pamphlets, cups and saucers.[120]

An exhibition of her artistic works took place at Tate Modern in 2013–14. Information about the exhibition, together with photographs of the artwork itself, is part of the Sheffield Hallam University Research Archive.[121]

Pankhurst found it difficult to reconcile her artistic vocation with her political activities, eventually deciding that they were incompatible. She said: "Mothers came to me with their wasted little ones. I saw starvation look at me from patient eyes. I knew that I should never return to my art".[122] By 1912, she had all but abandoned her artistic career in order to concentrate on her political activism.[123]

Writings (selection)

Newspapers, journals

  • Women's Dreadnought. 1914–1917.
  • Workers' Dreadnought. 1917–1924.
  • Germinal. 1923.[104]
  • The New Times and Ethiopia News 1935–1956.
  • Ethiopia Observer. 1956–present.

Secondary literature

See also

References

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  3. ^ a b c d e Pedersen, Susan (4 March 2021). "Susan Pedersen · Worth the Upbringing: Thirsting for the Vote". London Review of Books. Retrieved 6 November 2022.
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  5. ^ Simkin, John. "Sylvia Pankhurst". Spartacus Educational. Retrieved 3 March 2018.
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  7. ^ a b c Mulhallen, Jacqueline (2021). "Artist". Sylvia Pankhurst. Retrieved 19 November 2022.
  8. ^ Bullock, Ian; Pankhurst, Richard (1992). Sylvia Pankhurst: From Artist to Anti-Fascist. London: Palgrave Macmillan. pp. 1–13.
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  10. ^ Pankhurst, Christabel (1959). Unshackled: The Story of How We Won the Vote. London: Hutchison, p. 43.
  11. ^ Winslow, Barbara (2008). The Oxford Encyclopedia of Women in World History. Oxford: Oxford University Press. p. 409.
  12. ^ Chambers, Emma. "Women Workers of England". Tate Gallery. Retrieved 3 March 2014.
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  17. ^ Woman and her Sphere (2014). "Suffrage Stories:'We Believe That The Rousing Of The Irish People Had Best Be Left To Irish Women'". Woman and her Sphere. Retrieved 25 March 2023.
  18. ^ "Sylvia Pankhurst". Spartacus Educational. Retrieved 10 November 2022.
  19. ^ Archives, The National (19 June 2014). "The National Archives - The working women's struggle for the vote". The National Archives blog. Retrieved 6 November 2022.
  20. ^ a b Carlyle, Susan; Matgamma, Sean (2001). "Sylvia Pankhurst and Democracy | Workers' Liberty". www.workersliberty.org. Retrieved 11 November 2022.
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  23. ^ a b c d Connelly, Catherine (2020). "Sylvia Pankhurst the East London Suffragettes and the Chicago Strikers". issuu. Retrieved 7 November 2022.
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  26. ^ Broder, David (2019). "A British Suffragette in America: an Interview with Catherine Connelly". jacobin.com. Retrieved 19 November 2022.
  27. ^ a b "Mary Phillips". Spartacus Educational. Retrieved 27 July 2019.
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  33. ^ Date: 8 March 1914 (1) Newspaper: Woman's Dreadnought www.britishnewspaperarchive.co.uk, accessed 29 February 2020
  34. ^ Rosemary Betterton, An Intimate Distance: Women, Artists and the Body, p.73
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