Symphony in Three Movements (ballet)
| Symphony in Three Movements | |
|---|---|
| Choreographer | New York State Theater |
| Original ballet company | New York City Ballet |
| Genre | neoclassical ballet |
Symphony in Three Movements is a
Production
Balanchine and Stravinsky had collaborated for many years until the latter's death in 1971. As a tribute to the composer, Balanchine decided to have his company, the
Despite its complex choreography, intricate music and large cast, Balanchine completed the ballet in a week due to the pressures of the festival.[1] Gordon Boelzner, the company's pianist and associate conductor, recalled, "[Balanchine] just tossed off steps without hesitation." He added, "He threw whole chunks of choreography at the dancers. I couldn't make head or tail of what was going on. Then Balanchine took one afternoon to clean it all up, and all of a sudden it came absolutely clear."[3]: 25 Edward Villella, one of the original cast members, called Stravinsky's score "the single most complicated score I had ever danced to." He added, "During rehearsals, despite all my experience dancing Stravinsky, I couldn't really hear the music and couldn't count it."[5] Balanchine's assistant Barbara Hagan recalled Sara Leland, another original cast member and a newly promoted principal dancer, "was a quick learner", while "Balanchine really struggled with Symphony with regard to tempos", therefore Balanchine used Leland to demonstrate the steps to the corps de ballet.[6]
After she retired, Leland, known for her ability to remember choreography, went on to stage and coach ballets, including Symphony in Three Movements. Christine Redpath, a New York City Ballet repertory director who would also stage the ballet, noted Leland had memorized all the difficult counts.[6]
Choreography
The first movement begins with sixteen women in a diagonal line, before the six principal dancers and five soloist couples enter. Critic Zoe Anderson described, "Dancers leap on, followed by small entourages, or spin their way among the jogging corps."[1][4] Villella noted dancing to the first movement was "the biggest musical challenge I had ever faced".[5]
The second movement is a pas de deux. Anderson called this movement "both sensuous and remote". She added, "Although there is some partnering, the dancers keep an emotional and sometimes physical distance."[1]
The full cast returns for the third and final movement.[7] Villella wrote, "The movement for everyone here is aggressive, mysterious and frightening."[5] The New York Times critic Anna Kisselgoff noted, "Stravinsky's allusion to an Allied victory in World War II is not to be taken literally. But the triumphant note is translated in the massed groupings on stage: Dancers frozen in semaphores and abstractions of warriors at the ready."[4]
Original cast
The principal dancers at the premiere of Symphony in Three Movements were:[3]: 415
- Sara Leland
- Marnee Morris
- Lynda Yourth
- Helgi Tomasson
- Edward Villella
- Robert Weiss
Performances
Symphony in Three Movements premiered on June 18, 1972, at the
References
- ^ ISBN 9780300154290.
- ^ Schonberg, Harold C. (June 20, 1972). "Stravinsky: A Composer Never Far From Ballet". New York Times.
- ^ ISBN 9780520060593.
- ^ a b c Kisselgoff, Anna (April 27, 2000). "Dance Review; City Ballet Opens in a Blaze of Balanchine". New York Times.
- ^ ISBN 9780822956662.
- ^ a b Sulcas, Roslyn (December 9, 2020). "Sara Leland, Ballerina of Passion and Abandon, Dies at 79". New York Times.
- ^ McDonagh, Don (February 4, 1973). "Dance: In the Repertory". New York Times.
- ^ Tsao, Aimee (April 22, 2013). "San Francisco Ballet – Criss-Cross, Francesca da Rimini, Symphony in Three Movements – San Francisco". DamnceTabs.
- ^ Harss, Marina (June 30, 2014). "Boston Ballet – Program B: Symphony in Three Movements, L'Apres-Midi d'un Faune, Plan to B, Bella Figura – New York". DanceTabs.
External links
- Symphony in Three Movements on New York City Ballet's website
- Symphony in Three Movements on George Balanchine Trust's website