Syro
Syro | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 19 September 2014 | |||
Recorded | Mid-to-late 2000s – early 2010s (various studios) | |||
Genre | ||||
Length | 64:31 | |||
Label | Warp | |||
Producer | Richard D James | |||
Aphex Twin chronology | ||||
| ||||
Alternate cover | ||||
Singles from Syro | ||||
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Syro (/saɪroʊ/)[7] is the sixth studio album by Aphex Twin, the alias of British electronic musician Richard D. James, released on 19 September 2014 on Warp. It was James's first album under the Aphex Twin name since Drukqs (2001).
The album was recorded over several years on a wide range of equipment setups.
Syro received critical acclaim and placed in several international charts, peaking at number 11 in the
Background
Warp founder Steve Beckett mentioned in 2009 that a new Aphex Twin studio album would "hopefully" be available by the end of the year, though no album was released.[11] In 2010 James said he had completed six studio albums. Among them were two "very non-commercial abstract, modular-synthesis field recordings" completed in 2006, and Melodies from Mars, a collection of unreleased material from 1995 which James reworked in 2007.[12]
In 2014 a
Music
Recording
The album was recorded in six different studios, including James's studio in Scotland, which he spent three years building and which was completed in 2006. One
According to James, the tracks were written over an extended period; Syro features both archived and more recent compositions, with the album's oldest track around "six or seven years old".
Style
Syro incorporates elements of
On the album's overall sound, James said it is "[his] pop album, or as poppy as it's going to get"[9] and "pleasurable to listen to ... maybe just the composition's changed, but there's no next-level beats on there". He attributed this change in style to the fact he had not used computer-controlled percussion during Syro's sessions.[8] James also described the album as capping off an era so that he could begin working on new material, stating that "I don't think these tracks are particularly innovative. Maybe in really subtle ways they are, for me, but there's nothing there that I need to explore more [...] It just totally makes me want to not do anything else in that particular style."[8]
Packaging
Syro (pronounced /saɪroʊ/) is a neologism coined by one of James' children. It is a shortened version of "Syrobonkus", a "nonsense word one of his sons blurted out while listening to [the album]". The majority of the album's track titles are named after the working titles stored on James' hard drives[9] and reference individual pieces of equipment James used in their recording,[7] as well as the tracks' respective BPM values.[25] A comprehensive list of all equipment featured on Syro is included as part of the album's packaging;[18] Creative Review referred to the list as a "disinfographic".[24]
Syro's cover artwork was designed by
Ian Anderson, the founder of the Designers Republic, noted that the final concept for the album cover was conceived after receiving a number of suggestions from James. Among James' other suggestions for the album's packaging was "the idea of pressing the album or a single track into the fabric of the cover, effectively as a deboss", or using various images of the raw vinyl pucks from which all copies of Syro are pressed.[24] These suggestions were implemented into Syro's final LP packaging, with James' wife Anastasia Rybina credited for additional design and "puckography".[28]
Release
Promotion
The promotional campaign for Syro began when a
In the following week several purported leaks of Syro appeared on YouTube and SoundCloud;[32] Richard D James subsequently denied that any of the leaks were legitimate.[7] "Listening events" for Syro were then organised in various cities in the UK, Belgium, Canada, Netherlands and the US as part of the album's promotional campaign. Beginning on 5 September in London and concluding on 10 September in Utrecht, the events allowed applicants who had won an online lottery ballot to hear the album in its entirety prior to its international release.[33][34] "minipops 67 [120.2]", Syro's opening track, was released as the album's lead single on 4 September. It was made available for stream and as a digital download following its premiere on BBC Radio 1 earlier that day.[35]
Syro was released on Warp on 19 September 2014 in Australia, Germany, Ireland, New Zealand and Switzerland;
Commercial performance
Syro placed on the mid-week
Syro entered the top 10 in several international charts, including the
On the United States'
On 5 March 2015 it was announced that Syro's Japanese bonus track "
Critical reception
Critical reviews
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 8.3/10[67] |
Metacritic | 86/100[68] |
Review scores | |
Source | Rating |
AllMusic | [69] |
Entertainment Weekly | A[70] |
The Guardian | [71] |
The Independent | [72] |
Los Angeles Times | [73] |
Mixmag | 5/5[74] |
NME | 9/10[3] |
Pitchfork | 8.7/10[20] |
Resident Advisor | 5/5[75] |
Rolling Stone | [23] |
At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, Syro received an average score of 86, based on 36 reviews, indicating "universal acclaim".[68]
Clash editor Mike Diver referred to the album as "an effortless comeback" and described it as "a more immediately engaging collection" than Drukqs (2001) and "an album that plays almost exclusively to its maker's long-established strengths".[76] Writing for The Guardian, Tim Jonze said that "[Syro] doesn't do what some fans will have been hoping, in that it does not completely reshape the sonic landscape in the way Richard D James repeatedly did through the [19]90s ... and yet by sounding simply like a series of Aphex Twin tracks, Syro is still utterly engrossing and remains, somewhat unbelievably, on a completely different planet".[71] NME reviewer Louis Pattison surmised that the album is "a banging reminder of why the Cornish raver is one of music's true innovators". Pattison further stated that "whereas Drukqs sometimes felt alienating or punishing, Syro charms and beguiles … [it is] amazing: bug-eyed, banging rave that sounds quintessentially Aphex while not quite sounding like anything he's done before."[3]
In his review for The Wire, Derek Walmsley wrote positively that "Syro feels like a perfected memory of 80s music," adding "its sweeping melodies, with echoes of 1991's Analogue Bubblebath, could be seen as a return to his roots" but concluded that "Aphex Twin's music seems as new as it ever was."[77] Rolling Stone reviewer Will Hermes stated that the record "answers Daft Punk's Random Access Memories with future-shock electronics supplanting nostalgic dazzle … graying snobs once called this 'intelligent dance music.' Even now, few do it better."[23] The Independent's Andy Gill called Syro "a collection primarily concerned with the somatic rather than cerebral sides of Richard James' music, overdosing somewhat on staccato, bouncing synth twangs and jittery drum'n'bass beats."[72] Syro's closing track "aisatsana [102]" drew comparisons to the works of French composer Erik Satie from both The Independent and Drowned in Sound.[72] Summarising the album, review Tom Fenwick said that "Syro sees a master craftsman return with renewed inspiration. And while it might not technically be James' most innovative album, it way [sic] well be his best … and once you let the hype drain away—what's revealed is pretty much flawless."[78]
Australian national radio station
Accolades
Syro was featured on several publications' year-end critics' lists. The album fared particularly well in the British press; The Guardian selected Syro as the fourth-best album of 2014,[4] and the album placed at number 9 on the newspaper's reader poll.[85] The Wire named Syro the release of the year,[86] while NME placed Syro at number 4 on its list "Top 50 Albums of 2014",[87] Q ranked the album at number 10 on its "Top 50 Albums of 2014" feature and Uncut selected it as the third-best album on its list of the "Best Albums of 2014".[88][89] Syro was also featured at number 6 on Dazed's "top 20 albums of 2014" and number 8 on Clash's "Fuss-Free Top 40 Albums Of 2014".[90][91]
Elsewhere, Syro was featured in Rolling Stone at number 41 on its "50 Best Albums of 2014" list,[92] on Stereogum's "50 Best Albums of 2014" at number 33 and Pitchfork's "50 Best Albums of 2014" at number 4.[93][94] Critics on behalf of Billboard selected Syro as the eighth-best album of 2014 and PopMatters placed the album at number 9 on its "Best Albums of 2014" feature,[95][96] while Resident Advisor ranked it at number 4 on its "Top 20 albums of 2014".[97] In its end-of-year roundup Bleep.com selected Syro as the top album of 2014, writing that the album is "a poignant reminder of the relevance of one of the most important artists of our time."[98]
Syro won a
Track listing
All tracks written and produced by Richard D. James.
No. | Title | BPM[103] | Length |
---|---|---|---|
1. | "minipops 67" (source field mix) | 120.2 | 4:47 |
2. | "XMAS_EVET10" (thanaton3 mix) | 120 | 10:31 |
3. | "produk 29" | 101 | 5:03 |
4. | "4 bit 9d api+e+6" | 126.26 | 4:28 |
5. | "180db_" | 130 | 3:11 |
6. | "CIRCLONT6A" (syrobonkus mix) | 141.98 | 6:00 |
7. | "fz pseudotimestretch+e+3" | 138.85 | 0:58 |
8. | "CIRCLONT14" (shrymoming mix) | 152.97 | 7:21 |
9. | "syro u473t8+e" (piezoluminescence mix) | 141.98 | 6:32 |
10. | "PAPAT4" (pineal mix) | 155 | 4:18 |
11. | "s950tx16wasr10" (earth portal mix) | 163.97 | 6:01 |
12. | "aisatsana" | 102 | 5:21 |
Total length: | 64:31 |
No. | Title | Length |
---|---|---|
13. | "end E2" | 5:19 |
Total length: | 69:50 |
No. | Title | BPM | Length |
---|---|---|---|
13. | "MARCHROMT30A edit 2b 96" | 104.98 | 7:19 |
Total length: | 71:50 |
Personnel
All personnel credits adapted from Syro's album notes.[28]
Performer
- Richard D James – piano, synthesizers, keyboards, drums, percussion, vocoder, programming, production
Technical personnel
- mastering(2–13)
- Beau Thomas – mastering (1)
Design personnel
- The Designers Republic – design, cover art
- Anastasia Rybina – design, "puckography"
Charts
Release history
Region | Date | Format(s) | Label | Catalogue |
---|---|---|---|---|
Australia[36] | 19 September 2014 | 3×LP, CD, digital download | Warp | WARP247 |
Germany[37] | ||||
Ireland[38] | ||||
New Zealand[39] | ||||
Switzerland[40] | ||||
Denmark[41] | 22 September 2014 | |||
France[42] | ||||
Netherlands[43] | ||||
Spain[44] | ||||
United Kingdom[24] | ||||
United States[16] | 23 September 2014 | |||
Japan[45] | 24 September 2014 | CD, digital download | Beat | BRC-444 |
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