Tarring and feathering
Tarring and feathering is a form of public torture where a victim is stripped naked, or stripped to the waist, while
Used to enforce unofficial justice or revenge, it was used in
The image of a tarred-and-feathered outlaw remains a metaphor for severe public criticism.[1][2]
Tarring and feathering was a very common punishment in British colonies in North America during 1766 through 1776. The most famous American tarring and feathering is that of John Malcom, a British loyalist, during the American Revolution.
Early history
The earliest mention of the punishment appears in orders that Richard I of England issued to his navy on starting for the Holy Land in 1189. "Concerning the lawes and ordinances appointed by King Richard for his navie the forme thereof was this ... item, a thiefe or felon that hath stolen, being lawfully convicted, shal have his head shorne, and boyling pitch poured upon his head, and feathers or downe strawed upon the same whereby he may be knowen, and so at the first landing-place they shall come to, there to be cast up" (transcript of original statute in Hakluyt's Voyages, ii. 21).[3][4]
A later instance of this penalty appears in Notes and Queries (series 4, vol. v), which quotes James Howell writing in Madrid in 1623 of the "boisterous Bishop of Halberstadt, a German Protestant military leader... having taken a place where there were two monasteries of nuns and friars, he caused divers feather beds to be ripped, and all the feathers thrown into a great hall, whither the nuns and friars were thrust naked with their bodies oiled and pitched and to tumble among these feathers, which makes them here (Madrid) presage him an ill-death."[3] (The Bishop was apparently Christian the Younger of Brunswick.)
In 1696, a London
18th-century North America
The practice of tarring and feathering was exported to the Americas, gaining popularity in the mid-18th century. Throughout the 1760s it saw increased usage as a means of protesting the Townshend Revenue Act and those who sought to enforce it.[5] After a period of few tarrings and featherings between 1770 and 1773, the passage of the Tea Act in May 1773 led to a resurgence of incidents.[5]
During the Stamp Act 1765 crisis, Archibald McCall, a wealthy Loyalist landowner, was targeted by a Patriot mob in Westmoreland and Essex County, Virginia.[6] He insisted on collecting the British tax that was placed on stamps and other documents. In reaction, a mob formed and stormed his house in Tappahannock, Virginia. They threw rocks through the windows, and McCall was captured, tarred and feathered.[7] In 1766, Captain J. William Smith was tarred, feathered, and dumped into the harbor of Norfolk, Virginia, by a mob that included the town's mayor. A vessel picked him out of the water just as his strength was giving out. He survived and was later quoted in a letter as saying that they "be-dawbed my body and face all over with tar and afterwards threw feathers on me." Smith was suspected of informing on smugglers to the British customs agents, as was the case with most other tar-and-feathers victims in the following decade.[8]
The practice appeared in Salem, Massachusetts in 1768, when mobs attacked low-level employees of the customs service with tar and feathers. In October 1769, a mob in Boston attacked a customs service sailor the same way, and a few similar attacks followed through 1774. Customs Commissioner John Malcolm was tarred and feathered on two occasions. First, in November 1773, he was targeted by sailors in Portsmouth, New Hampshire before undergoing a similar, albeit arguably more violent, ordeal in Boston in January 1774.[9][10] Malcolm was stripped, whipped, beaten, tarred, and feathered for several hours. He was then taken to the Liberty Tree and forced to drink tea until he vomited.[5]
In February 1775, Dr. Abner Bebee, a Loyalist of East Haddam, Connecticut, was tarred and feathered before being taken to a hog sty and covered in dung. Hog dung was then smeared in his eyes and forced down his throat. Dr. Bebee was subjected to this as a perceived punishment for expressing pro-British sentiment by his local Committee of Safety.[10][11]
A particularly violent act of tarring and feathering took place in August 1775 northeast of Augusta, Georgia.[12] Landowner and loyalist Thomas Brown was confronted on his property by members of the Sons of Liberty. After putting up some resistance, Brown was beaten with a rifle, fracturing his skull. He was then stripped and tied to a tree. Hot pitch was poured over him before being set alight, charring two of his toes to stubs. Brown was then feathered by the Sons of Liberty, who then took a knife to his head and began scalping him.[12]
Such acts associated the punishment with the Patriot side of the American Revolution.[5] An exception occurred in March 1775, when a number of soldiers from the 47th Regiment of Foot tarred and feathered Thomas Ditson, a colonist from Billerica, Massachusetts, who attempted to illegally purchase a musket from one of the regiment's soldiers.[13] Ditson was tarred and feathered before having a placard reading "American Liberty: A Speciment of Democracy" hung around his neck whilst regimental musicians played "Yankee Doodle".[5]
During the Whiskey Rebellion, local farmers inflicted the punishment on federal tax agents.[5] Beginning on September 11, 1791, western Pennsylvania farmers rebelled against the federal government's taxation on western Pennsylvania whiskey distillers. Their first victim was reportedly a recently appointed tax collector named Robert Johnson. He was tarred and feathered by a disguised gang in Washington County. Other officials who attempted to serve court warrants on Johnson's attackers were whipped, tarred, and feathered. Because of these and other violent attacks, the tax went uncollected in 1791 and early 1792. The attackers modeled their actions on the protests of the American Revolution.[14]
There is no known case of a person dying from being tarred and feathered during this period.[citation needed]
19th century
In 1851, Thomas Paul Smith, a 24-year-old African-American from Boston, outspoken in his opposition to school desegregation, was tarred and feathered by a group of African-American Bostonians opposed to segregation.[15]
Also in 1851, a
20th century
The November 27, 1906, edition of the Evening News of Ada, Oklahoma, reports that a vigilance committee consisting of four young married women from East Sandy, Pennsylvania, corrected the alleged evil conduct of their neighbor, Mrs. Hattie Lowry, in whitecap style. One of the women was a sister-in-law of the victim. The women appeared at Mrs. Lowry's home in open day and announced that she had not heeded the spokeswoman and leader. Two women held Mrs. Lowry to the floor while the other two smeared her face with stove polish until it was completely covered. They then poured thick molasses upon her head and emptied the contents of a feather pillow over the molasses. The women then marched the victim to a railroad camp, tied by the wrists, where two hundred workmen stopped work to watch the spectacle. After parading Mrs. Lowry through the camp, the women tied her to a large box where she remained until a man released her. Three of the women involved were arrested, pleaded guilty and each paid a $10.00 fine.[19]
In 1912, the American
There were several examples of tarring and feathering of African Americans in the lead-up to World War I in Vicksburg, Mississippi.[21] According to William Harris, this was a relatively rare form of mob punishment to Republican African-Americans in the post-bellum U.S. South, as its goal was typically pain and humiliation rather than death.[21]
During World War I,
Future Australian senator
A group of black-robed
The edition of the Miami Daily News-Record (Miami, Oklahoma) for Wednesday, May 28, 1930, contains on its front page the arrests of five brothers (Isaac, Newton, Henry, Gordon and Charles Starns) from Louisiana accused of tarring and feathering Dr. S. L. Newsome, who was a prominent dentist. This was in retaliation for the dentist having an affair with one of the brother's wives.[citation needed]
Similar tactics were also used by the Provisional Irish Republican Army (IRA) during the early years of the Troubles. Many of the victims were women accused of being in romantic relationships with policemen or British soldiers.[28][29]
21st century
In August 2007, loyalist groups in Northern Ireland were linked to the tarring and feathering of an individual accused of drug-dealing.[30]
In June 2020, multiple graves and memorials to Confederate soldiers at Crown Hill Cemetery in Indianapolis, Indiana were tarred and feathered.[31]
In popular culture
Tarring and feathering has been commonly referenced in historic and contemporary popular culture, particularly in the United States.
Literature
The use of tar and pitch in punishments appearing in such medieval works as
North America
The punitive social ritual of tarring and feathering has appeared in numerous
James Fenimore Cooper's Redskins from 1846 presented the act of tarring and feathering in the context of the
"Dramatizations of the ritual in antebellum literature reveal the deep political and psychological anxieties about the use of violent social coercion to establish the always shifting class and racial boundaries of U.S. nationalism."
The Adventures of Huckleberry Finn (1885) by Mark Twain "perhaps more than any other literary work, immortalized the punishment": the King and the Duke are tarred, feathered, and ridden on a rail after performing the Royal Nonesuch to a crowd that Jim had warned about the rapscallions. Twain points out the dehumanizing effect of the ritual and "that even those who deserve blame do not warrant punishment outside the law".[33]: 154–157 [38] In 1958 the social punishment appears as a humorous element in James Thurber's modern fable "What Happened To Charles": the duck Eva, who eavesdrops on every conversation she hears but never gets anything quite right, is ironically tarred and un-feathered, i.e. plucked, after she mistakes "shod" (having shoes put on) for "shot" and spreads the rumor that the horse Charles has been killed (he turns up alive and wearing new horseshoes).[41][42] In Philip Roth's 2004 alternate history novel The Plot Against America, the 8-year-old protagonist has a daydreaming fear of himself and his family being tarred and feathered. Here this "antiquated punishment from Western mythology" symbolizes the humiliation the Jewish family suffers in a climate of antisemitism.[43] In Anne Cameron's The Journey (1982) it is an example of misogyny in the American West.[44]
Scholar of American literature Marina Trininc observed in 2013 that tarring and feathering has also appeared in recent American novels against the background of terroristic attacks in the US and worldwide.[33]: 158
Europe
Tarring and feathering in North America was reported and discussed in many British newspapers in the 1770s, often in an exaggerating manner, emphasizing different sensibilites between the two populations and denigrating North American attitudes,[45] while a majority of American newspapers presented such acts in a sympathetic and euphemistic way.[33]: 24, 36–37 Charles Dickens satirized this tone of the latter in Martin Chuzzlewit (1842-1844) in the figure of Mr. Chollop: This American was an "advocate of Lynch law, and slavery; and invariably recommended, both in print and speech, the "tarring and feathering" of any unpopular person who differed from himself" and "was much esteemed for his devotion to rational Liberty".[46]
In
In fairy tales tarring and feathering is only rarely found, but it appears in a number of droll stories (most prevalent in Northern and Eastern Europe) after the middle of the 19th century. The character types klutz at housework, dumb woman, and unwanted male suitor - all caricatures of human weaknesses - are ridiculed by tarring and feathering. Sometimes the function of tar and feathers is replaced by other substances like eggs and bran, or by being put into fool's motley. In some stories tarred and feathered characters are misrepresented or mistaken for an unknown animal or
Comics
The punishment of tarring and feathering in the
Art
In the 1770s, when tarring and feathering was perceived as a novelty and became increasingly frequent in British America, a number of prints showing this punishment were published in England.[45][33]: 25–28 According to historian Barry Levy these pictures both catered to a sense of thrill, as well as anti-American sentiments. One mezzotint from 1775 also depicted women - "probably seductively and fearfully pornographic," being tarred and feathered before any such a case was actually recorded.[45] Marina Trininc remarked that English prints emphasized the feathers, as e.g. geese symbolized "weak intellects and moral unnaturalness", while the "racialized dimensions of this punishment", the association of the tar with black skin, "were lost in translation across the shores".[33]: 27–28
The neo-expressionist painter Jean-Michel Basquiat exhibited the paintings Black Tar and Feathers, and Untitled (Yellow Tar and Feathers) in 1982, the later a painting that scholar Fred Hoffman interprets as containing "young black heroic figures" and speaking of "a rising above the pain, suffering and degradation associated with the act of being 'tarred and feathered'".[55] In the view of art historian Leonard Emmering, the "blackness of tar is [...] associated with Basquiat's skin color", and his Tar and Feathers painting "refers to the racist practice of tarring and feathering black men."[56]
On stage
Tarring and feathering appeared in several English plays in the 1770s as a novel element used in "a satirical and comedic context". The appearance of a victim of the punishment was also used as a costume in a masked ball and other public appearances of that time.[45] Much later, in Meredith Willson's musical The Music Man (1957), tarring and feathering is demanded as punishment of the main character Harold Hill, con man and Trickster figure, for his scam.[57][58]
Television and film
Tarring and feathering has been depicted in television and film in different functions, for drastic effect, realistically, or in a humorous manner: In the 1972 John Waters "trash cinema" film
A number of the depictions on screen refer to the era of the American Wild West, some in a mythologizing and some in a more realistic manner. In the film Little Big Man (1970), adapted from the 1964 novel by Thomas Berger, con man Meriweather, played by Martin Balsam, and title character Jack Crabbe, played by Dustin Hoffman, are shown being tarred and feathered for selling a phony medicinal elixir. The cruel procedure is used as a tragicomic element illustrating this "revisionist retelling of the Wild West saga", as the leader of the perpetrating mob turns out to be Jack's long lost sister.[71][72][73] In Daniel Knauf's Carnivàle, in an episode called "Lincoln Highway" (2005), Clayton "Jonesy" Jones, the crippled co-manager, is tarred and feathered almost lethally. The procedure here is presented as a deserved punishment for the accidental death of several children at the ferris wheel under Jonsey's responsibility. While anachronistic for the 1930s setting, it is one of a number of references to the American frontier.[74] Similarly, the 2012 film Lawless, set in the 1930s has been considered a "Western-gangster film hybrid".[75] A bootlegger being tarred and feathered was one of the violent images that shaped the impression that the film made.[76][75][77] In the episode "Complications" (2005) - part of the Deadwood TV series - African American character Samuel Fields is tarred and feathered in a racist "eruption of mob violence that acts to express and purge the anger of the town's whites" in scenes clearly depicting the horror of the procedure.[78][79][80] The season 1 episode "God of Chaos" (2011) one of the AMC TV series Hell on Wheels, a character, The Swede, is depicted being tarred and feathered before getting run out of town.[81][82][83][84]
In animation, tarring and feathering has been used for comic effect with no serious or lasting impact on the characters. In the
Marina Trininc observed in 2013 that tarring and feathering has appeared in recent American films and series against the backdrop of terroristic attacks in the US and worldwide.[33]: 158
Video games
In the video game
Music
Tarring and feathering appeared as a topic in music already in the 18th century: A verse from an early (British) version of "
- Yankee Doodle came to town,
- For to buy a firelock,
- We will tar and feather him,
- And so we will John Hancock.
More recently it has been used in the title of several works: The second track of the cult British Indie band
Tarring and feathering is featured within the lyrics of songs such as in the Merle Haggard hit "(My Friends Are Gonna Be) Strangers" (1964). In lyrics by Liz Anderson, there is a line saying "he "should be taken out, tarred and feathered" for his foolishness" of trusting the woman who would betray and leave him. Haggard's biographer David Cantwell found that the performance influenced how this image was perceived: In a version by Roy Drusky it comes off "as self-effacing", but when "Haggard sings the line, it's as if he's identifying exactly the punishment he deserves."[103] To be tarred and feathered is mentioned in the chorus of the song "To Kingdom Come", from The Band's album Music from Big Pink (1968), as one of the fates to be feared.[104][105] The 1996 R.E.M. song "Be Mine" contains the lyric "I'll ply the tar out of your feathers," purportedly a reference to tarring and feathering.[106] In satirist Tom Lehrer's album An Evening Wasted with Tom Lehrer (1959), his introduction to the song We Will All Go Together When We Go mentions an acquaintance of his who was "financially independent having inherited his father's tar-and-feather business".[107][108]
Depicting artists being tarred and feathered has also been used as a means of promoting music: The avant-garde electronic music artist Fad Gadget (Frank Tovey) often performed on stage while tarred and feathered. He was photographed in tar and feathers for the cover of his album Gag (1984). Artist Martynka Wawrzyniak described the function of this device as allowing "you to step outside of your comfort zone and do something different".[109][110][111] Tovey himself "interpreted the shock value of his presentations as 'commercial suicide'" as they were "challenging, or degrading to the pop star ideal". Popular music scholar Giuseppe Zevolli saw this as the artist "exploring the link between his role as a performer and the power of media to influence their audiences."[111] The Hives band members were likewise depicted on the album cover of Tarred and Feathered, presented in newspaper style, and subtitled "Cheating with other people's songs!", as the EP contained only songs covered from other artists.[99]
Metaphorical uses
The image of the tarred-and-feathered outlaw remains a metaphor for public humiliation many years after the practice had become uncommon,[1][2][38] such as in this example from Dark Summer by Iris Johansen: "But you'd tar and feather me if I made the wrong decision for these guys."[112] Perhaps the earliest instance of such metaphorical use appears in a letter by Benjamin Franklin from 1778.[33]: 38–39
In more recent years, tarring and feathering can refer to cancel culture, or mass vendetta campaigns on social media.[53]
Influence
Archaeologist
See also
- Category:Tarring and feathering in the United States
- Charivari – European and North American folk custom designed to shame a community member
- Extrajudicial punishment – Punishment carried out without legal processes or a trial
- Public humiliation – Form of punishment whose main feature is dishonoring or disgracing a person
- Riding the rail – Punishment mostly prevalent in the United States
- Vigilante– Civilian who undertakes law enforcement without legal authority
References
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To criticize severely and devastatingly; excoriate.
("to excoriate" [i.e. "to flay"] being itself a similar type of metaphor). - ^ a b c Chisholm 1911.
- ^ Tha Avalon Project documents Accessed on 23rd June 2015
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many effective scenes and a few stunning ones, like the tarring and feathering of a young loyalist named Thomas Brown, who later founds the military unit called the Florida Rangers.
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Though it was a small consolation when the women of Freak Show tarred and feathered him.
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Penny [...] gets retribution by tarring and feathering her father with the freaks
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Penny eagerly dumps hot tar on him and [Maggie] tries to get them to reconsider. Somehow it works, and Penny agrees to set him free. But they've already tarred and feathered him! He's already melting! Amazon Eve already ripped off his face skin
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He is very confident about getting whatever he thinks people ought to be able to get in college [...]. This attitude is contrary to his handicap of being an obvious nerd, yet Lewis holds to it to the point of being tarred and feathered.
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The episode does contain some hilarious scenes, like Dennis and Mac getting tarred and feathered for acting like British Noblemen.
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Mac and Dennis try to infiltrate the loyalist forces disguised as fops, only to be tarred and feathered by colonials who assume they are sodomites.
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There are some extremely violent, er, touches: [...] another tarred and feathered until he resembles a molting vulture.
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it's the violent images that linger: a man tarred and feathered and dumped on the porch
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including a gruesome shot of a tarred and feathered bootlegger
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the resemblance to Shakespeare's playwriting is strong. [...] Ironies abound. [...] Samuel Fields gets tarred and feathered.
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MOST HORRIFYING: SAMUEL FIELD'S TAR AND FEATHERING
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The most terrifying Bad Guy of all is a former Andersonville prisoner-of-war (Christopher Heyerdahl) [...] even after he is tarred and feathered for his abuses of power, he lurks around Hell on Wheels
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Gunderson, otherwise known as "The Swede," has been left carrying the dead bodies out of town after he was tarred-and-feathered and ran out on a rail
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The business of The Swede (Christopher Heyerdahl), the camp's former head of security, getting tarred and feathered and knocked down to glorified janitor status is nearly as frustrating.
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all the craziness going on around him—big dance, fireworks, Swede being tarred and feathered
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The other performers attack him on this way out and turn him into a tarred-and-feathered freak.
- ^ "Great reveals in 'Simpsons' history". New York Daily News. 29 September 2015.
[...] the real Skinner returns to Springfield, but he wears out his welcome and is tarred and feathered out of town.
- Looper. Retrieved 13 January 2023.walking down the hall covered in feathers and tar like it was the most natural thing in the world.
[...] and then we saw Grandpa
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One dangling monkey pirate grabs Guybrush [...] dangling him by the ponytail and dipping him in tar [...]. Another monkey takes out a pillow and rips it on Guybrush, now all covered with feathers.
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I was first exposed to Cardiacs' oddly compelling world when the video to 'Tarred And Feathered' aired on The Tube on April 17, 1987.
- ^ Mnemonic (17 April 2014). "Readers recommend: eccentric songs – results". The Guardian. Retrieved 25 May 2023.
- ^ Lake, Daniel (25 February 2023). "Watch Members of Napalm Death, Voivod, Municipal Waste, Child Bite & Yakuza Cover Cardiacs". Decibel. Retrieved 25 May 2023.
[...] record their version of a 1987 freakazoid song by English rock band Cardiacs. In its original incarnation, "Tarred and Feathered" was hilarious and intricate and unhinged.
- ^ ISBN 9782378482169.
- ^ Miller, Andrew (24 August 2005). "Music News: Every Time I Die - Gutter Phenomenon (Ferret)". Cleveland Scene. Retrieved 5 June 2023.
Except for one lamentable lapse (an incongruously peppy "whoa-oh" chant during the otherwise explosive "Guitarred and Feathered"), Gutter Phenomenon maintains the intensity throughout
- ISBN 9780958268400.
- ^ "Gutter Phenomenon". Blabbermouth.net. 29 August 2005. Retrieved 12 May 2023.
- ISBN 9781477325698.
- ^ Deriso, Nick (4 July 2013). "The Band, "To Kingdom Come" from 'Music from Big Pink' (1968): Across the Great Divide". Something Else!. Retrieved 9 May 2023.
When they enter the final stanza (howling "tarred and feathered, yeah!") [...] In many ways, it is here that the legend of Big Pink begins to pick up steam.
- ISBN 9780698166684.
- ^ "R.E.M. – Be Mine". Genius. 9 September 1996. Retrieved 13 May 2023.
- ^ "An Evening Wasted With Tom Lehrer". Northern Kentucky University. Retrieved 13 May 2023.
- ^ "Human Rights Music Bibliography by Artist- Folk". Human Rights Library. University of Minnesota. Retrieved 24 May 2023.
- ^ Cusack, Jenny (2 March 2012). "FG.Ft: Remembering Frank Tovey". Dazed. Retrieved 2 April 2023.
Martynka Wawrzyniak: I tarred and feathered Fad Gadget's "Gag" vinyl record. Frank Tovey was known for performing tarred and feathered.
- ISBN 9781501340659.
- ^ ISBN 978-1-5013-4060-4.
- ISBN 978-0312368081.
- ISBN 978-3-7749-3978-3.
Attribution
- public domain: Chisholm, Hugh, ed. (1911). "Tarring and Feathering". Encyclopædia Britannica. Vol. 26 (11th ed.). Cambridge University Press. This article incorporates text from a publication now in the
External links
- Text of law of Richard I Archived August 20, 2016, at the Wayback Machine
- "Has anyone actually ever been tarred and feathered?" at The Straight Dope
- Richard L. Bushman, ISBN 1-4000-4270-4