Teenage Whore
"Teenage Whore" | ||||
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Los Angeles, California, U.S. | ||||
Length | 2:59 | |||
Label | City Slang | |||
Songwriter(s) |
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Producer(s) | ||||
Hole singles chronology | ||||
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"Teenage Whore" is a song by American
Recorded in March 1991 during the studio sessions for Pretty on the Inside, the track featured production by
History
Recording and composition
"Teenage Whore" was written by bassist
The musical composition of "Teenage Whore" follows the status quo of Pretty on the Inside, which is most often noted for its extreme abrasiveness,
Release
"Teenage Whore" was issued as a single through Hole's European label, City Slang, in September 1991 to promote Pretty on the Inside, and entered the UK Indie Chart at number 1.[1][10] The song later appeared on the soundtrack of the 1994 film S.F.W..[11] By September 17, 1991, it was at number 2 on the UK Indie Chart, after "Head Like a Hole" by Nine Inch Nails.[12]
The single was available on 7" vinyl on pink, clear and transparent green vinyls, with "Drown Soda" as a b-side, and on 12" vinyl and compact disc with "Drown Soda" and "Burn Black" as b-sides (both of which had been recorded during alternate recording sessions, at Fun City Studio in New York City, and Radio Tokyo in Los Angeles, respectively).[b] This marked the band's first CD release, as all of their prior singles had been released solely on vinyl.[c]
"Burn Black" had previously been issued as a b-side on the band's previous single, "
Critical reception
Music columnist Everett True referred to "Teenage Whore" as "the most unsettling thing I've heard since Patti Smith uncovered "Piss Factory" ... only it's way more personal."[14] In the 1995 book The Sex Revolts: Gender, Rebellion, and Rock 'n' Roll, music scholars Simon Reynolds and Joy Press reflected on the track, writing: ""Teenage Whore" turns the lowliest member of rock society, the groupie, into the ultimate (anti) heroine. Love rasps out an unclassifiable alloy of growling defiance and retching disgust, while Hole's torturous music grinds out her humiliation and hatred with a creakiness that betrays how long this howl has been lurking in the back of the throat."[15] Cultural theorist Jan Jagodzinski also reads the song as the narrative of a groupie and representing a "desublimated ugly aesthetic of the abjected mother."[16] In The Rough Guide to Rock, the song is noted as "coercing the listener into Love's anguish" as well as representing the band's early stylistic choices and aesthetic, characterized by "drone" and featuring "poetic turns of phrase."[17]
In popular culture
The song was later featured on the official soundtrack of the film S.F.W. (1994).[11] Comedian Jen Kirkman references the song in her book I Know What I'm Doing–and Other Lies I Tell Myself: Dispatches from a Life Under Construction (2016).[18]
Track listing
All songs written by
German 7" single (SLANG 013)
German 12" single (SLANG 011)
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German CD single (SLANG 013)
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Credits and personnel
Hole
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Technical
Art direction
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Charts
Chart (1991) | Peak position |
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UK Indie Chart[1]
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1 |
Notes
- ^ The single debuted at number one on the UK Indie Chart on September 28, 1991; the charts are run on a weekly basis, placing the release of the CD single in the United Kingdom on September 24, 1991.
- ^ Liner notes from the 1991 City Slang Teenage Whore single (SLANG 011/013) list the following recording locations on the back cover sleeve:
- "Teenage Whore" recorded at Music Box Studios in Hollywood, California
- "Drown Soda" recorded at Fun City Studio in New York City, New York
- "Burn Black" recorded at Radio Tokyo in Los Angeles, California
- Sub Pop(SP093).
References
- ^ a b c d "Indie Charts: September 28, 1991". The ITV Chart Show. September 28, 1991. Channel 4.
- ^ a b Ditmore 2006, p. 410.
- ^ Lankford 2009, p. 77.
- ^ Love, Courtney (1995). "Flipside Interview from issue #68, September/October 1990". The First Session (Media notes). Hole. Sympathy for the Record Industry, Flipside Magazine.
- ^ "Love's Labor". Spin: 90. March 2004.
- ^ Love, Courtney (January 1991). "Spotlight: Hole". Much Music (Canada).
It's a lot of violent stuff on top, but there's a lot of melody underneath it. You know, we made this record, and all of a sudden people are like, "It's so extreme, it's so violent", but we didn't really know. We just thought we were making a pop record with an edge ... we live in LA, the metal capital, so there's really nobody that relates to us.
- ^ Von Furth, Daisy (October 1991). "Hole Lotta Love". Spin. No. Oct. 1991. p. 32.
- ^ Whiteley 2000, p. 208.
- ^ "Frontman". Musician (195–99). Amordian Press: 162. 1995.
- ^ "Hole". The Official Charts Company. Retrieved February 21, 2011.
- ^ a b "S.F.W. – Original Soundtrack". Allmusic. Retrieved December 22, 2016.
- ^ "Hit Charts". Chatham Standard. September 17, 1991. p. 21 – via Newspapers.com.
- ^ Azerrad 2002, p. 446.
- ^ True 2001, p. 229.
- ^ Reynolds & Press 1995, p. 261.
- ^ Jagodzinski 2005, p. 202.
- ^ Buckley 2003, p. 499.
- ^ Kirkman 2016, p. 71.
Sources
- ISBN 978-0-316-78753-6.
- Buckley, Peter, ed. (2003). The Rough Guide Rock: The Definitive Guide to More than 1200 Artists and Bands (3 ed.). Rough Guides. ISBN 978-1-84353-105-0.
- Ditmore, Melissa Hope, ed. (2006). Encyclopedia of Prostitution and Sex Work. Vol. 1. Greenwood. ISBN 978-0-313-32968-5.
- Jagodzinski, Jan (2005). Music in Youth Culture: A Lacanian Approach. Palgrave Macmillan. ISBN 978-1-4039-6530-1.
- ISBN 978-1-4767-7027-7.
- Lankford, Ronald D. Jr. (2009). Women Singer-Songwriters in Rock: A Populist Rebellion in the 1990s. Lanham: Scarecrow Press. OCLC 759928007.
- Reynolds, Simon; Press, Joy (1995). "Open Your Heart: Confessions and Catharsis from Janis Joplin to Courtney Love". The Sex Revolts: Gender, Rebellion, and Rock 'n' Roll. ISBN 978-0-674-80273-5.
The Sex Revolts: Gender, Rebellion, and Rock 'n' Roll.
- True, Everett (2001). Live Through This: American Rock Music in the Nineties. Virgin. ISBN 978-0-7535-0558-8.
- Warner, Jay (2008). Notable Moments of Women in Music. Hal Leonard. ISBN 978-1-4234-2951-7.
- Whiteley, Sheila (2000). Women and Popular Music: Sexuality, Identity and Subjectivity. Routledge. ISBN 978-0-415-21190-1.