Term (architecture)

Source: Wikipedia, the free encyclopedia.
Terminal Figure: Sphinx with crescent in her hair, Jean Mignon, 1540s
Terminal figures (4, 6 and 9, to be strict) copied from French and Antwerp 16th-century Mannerist pattern books.

In

herm, which has a head and shoulders only,[1]
but the two words may be used rather loosely and interchangeably.

The god Terminus was the Etruscan and Roman deity of boundaries, and classical sources say that boundary markers often took the form of a half-figure of the god on a pillar, though ancient survivals in this form are extremely rare.

In the architecture and the painted architectural decoration of the European

Bacchantes
especially, and they may be draped with garlands of fruit and flowers.

Term figures were a particularly characteristic feature of the 16th-century style in furniture and carved interior decoration that is called

Mannerist
creations, many of the forms dip in and out of architectural and anatomical shapes.

References

  1. ^ Lucie-Smith, 213
  • Cyril M. Harris (1977). Illustrated Dictionary of Historic Architecture. Courier Dover Publications, ; p. 528

External links