Terpsicore

Source: Wikipedia, the free encyclopedia.

Colin de Blamont, first presented in Paris in 1723. The work featured the celebrated French dancer Marie Sallé as well as stars of Handel's Italian operas and was a success with audiences of the day.[1][2][3]

Performance history

Il pastor fido, a

King's Theatre in the Haymarket. It eventually became so successful that Handel chose the piece a few months later to open his first season at his new artistic home, Covent Garden Theatre. A new prologue, Terpsichore, was added to showcase the talents of internationally famous dancer, Marie Sallé. She later also appeared as a dancer in Handel's operas Alcina and Ariodante.[1]

As with all Baroque

Château de Versailles Spectacles, France, in 2013.[5][6]

Roles

Marie Sallé
Role Voice type Premiere Cast, 9 November 1734
Apollo mezzo-soprano castrato Giovanni Carestini
muse
of lyric poetry
soprano Anna Maria Strada
Terpsichore, muse of dancing dancer Marie Sallé[7]

Synopsis

Erato, muse of lyric poetry, and her followers, call on Apollo, who descends from heaven with some of the Muses. They summon Terpsicore, who gives a demonstration of the power of dance, illustrating diverse emotions through use of movement. Solo singers and chorus join together to praise the virtuous deeds of wise men that are going to be celebrated in the ensuing opera.[1][7]

Context and analysis

A picture of the theatre at Covent Garden where Terpsicore was first performed

The German-born Handel, after spending some of his early career composing operas and other pieces in Italy, settled in London, where in 1711 he had brought Italian opera for the first time with his opera Rinaldo. A tremendous success, Rinaldo created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers. Handel had composed numerous Italian operas for London, with varying degrees of success; some were enormously popular. At the end of the 1734 season, the lease Handel had on the King's Theatre in the Haymarket expired and he found another base for his operatic activity in the new theatre built by John Rich in Covent Garden. Il Pastor Fido, with the newly composed prologue Terpsichore, opened his new season there. It is the only example of a Handel opera with a prologue, and is patterned on the similar extended prologues in the works of Jean-Philippe Rameau, blending operatic arias, choruses, and dancing.[1][2][8] The work opens with a chorus, followed by a bravura aria each for Apollo and Erato. Terpsicore demonstrates the power of dance in a series of contrasted dance movements, interspersed with duets and solos from the singers. The work concludes with vocal soloists, chorus and dancers joining in a praise of virtue and wisdom.[7]

Terpsicore is scored for two recorders, two oboes, bassoon, two horns, strings, organ, theorbo and continuo (cello, theorbo, harpsichord).

Recording

Katalin Farkas, soprano, Derek Lee Ragin, counter-tenor, Capella Savaria, conductor Nicholas McGegan. Recorded 1993.CD:Hungaroton Cat:31193

References

Notes

  1. ^ a b c d "List of Handel's works". Gfhandel.org. Handel Institute. Archived from the original on 14 July 2014. Retrieved 19 June 2014.
  2. ^ a b c "Il Pastor Fido". Handelhouse.org. Handel House Museum. Archived from the original on 14 July 2014. Retrieved 19 June 2014.
  3. .
  4. ^ "Handel:A Biographical Introduction". Handel Institute. Archived from the original on 2 September 2012. Retrieved 30 May 2014.
  5. ^ "Handel' Terpiscore-Ballet". Teatrumanoel.com.mt. Retrieved 19 June 2014.
  6. ^ "Terpsicore". Chateauversailles-spectacles.fr. Retrieved 19 June 2014.
  7. ^ a b c "Persons of the prologue" (PDF). Imslp.org. Georg Friedrich Händels Werke. Band 84. Retrieved 19 June 2014.
  8. ^ "Terpsicore and Oreste". Handelhouse.org. Handel House Museum. Retrieved 19 June 2014.

External links