Théâtre de la Ville

Coordinates: 48°51′26″N 02°20′53″E / 48.85722°N 2.34806°E / 48.85722; 2.34806
Source: Wikipedia, the free encyclopedia.
(Redirected from
Théâtre des Nations
)

Théâtre de la Ville
Façade on the Place du Châtelet
Map
Former names
  • Théâtre Lyrique Impérial (1862)[3]
  • Théâtre Lyrique (1870–71)[3]
  • Théâtre Lyrique-Dramatique (1874)[2]
  • Théâtre Historique (1876)[4]
  • Théâtre des Nations (1879)[5]
  • Théâtre Lyrique (1887)[6]
  • Théâtre Sarah-Bernhardt (1898)[6] or 1899[7]
  • Théâtre de la Cité (1941)[8]
  • Théâtre Sarah-Bernhardt (1947)[8]
  • Théâtre des Nations (1957)[8]
  • Théâtre de la Ville (1968)[6]
Address2 Place du Châtelet,
4th arrondissement
Paris
Coordinates48°51′26″N 02°20′53″E / 48.85722°N 2.34806°E / 48.85722; 2.34806
Capacity1,750 (1868)[1]
1,600 (1874)[2]
Construction
Opened30 October 1862
21 May 1871 (destroyed by fire)
6 November 1874 (reopened)[2]
ArchitectGabriel Davioud
Website
www.theatredelaville-paris.com

The Théâtre de la Ville (meaning the City Theatre) is one of the two

Baron Haussmann at Place du Châtelet, Paris, the other being the Théâtre du Châtelet. It is located at 2, place du Châtelet in the 4th arrondissement
.

Included among its many previous names are Théâtre Lyrique, Théâtre des Nations, and Théâtre Sarah-Bernhardt.

Théâtre Lyrique

The theatre, which until the fall of

Les Troyens à Carthage (1863), Gounod's Mireille (1864), Bizet's La jolie fille de Perth (1867), and Gounod's Roméo et Juliette (1867). Carvalho also presented the first performance of Verdi's revised and expanded version of Macbeth (in French) in 1865.[3] Jules Pasdeloup took over as director in 1868 and gave the first Paris performances of Wagner's Rienzi in 1869.[10] The Théâtre Lyrique on the Place du Châtelet was nearly completely destroyed by fire on 21 May 1871 during the recapturing of Paris by the forces of the Adolphe Thiers at the end of Paris Commune, and the Théâtre Lyrique opera company went bankrupt not long after.[11]

Théâtre Historique and Théâtre des Nations

The theatre was rebuilt in 1874 on the same plans and was at first called the Théâtre Lyrique-Dramatique,

Fidès Devriès as Salomé, Guglielmina Tremelli as Hérodiade, Jean de Reszke as Jean, Maurel as Hérode, Édouard de Reszke as Phanuel, and Giuseppe Villani as Vitellius. In the tenth and final performance of Erodiade on 13 March three De Reszkes could be heard, as Josephine de Reszke sang Salomé.[12]

Opéra-Comique

In 1887 the Opéra-Comique moved into the theatre after its previous home, the second Salle Favart, had been destroyed by fire. The name Théâtre Lyrique was restored, and the Opéra-Comique continued to perform in the theatre until 1898, when it returned to the newly built, third Salle Favart. During the company's sojourn on the Place du Châtelet, it presented several operas by Massenet, including the premieres of Esclarmonde (1889) and Sapho (1897), as well as the first Paris performances of Werther (6 January 1893) and La Navarraise (3 October 1895).[6][13]

Théâtre Sarah-Bernhardt

Sarah Bernhardt as Hamlet (1899)

In 1899 the theatre was renamed Théâtre Sarah-Bernhardt after the renowned actress

Duke of Reichstadt). Another well known breeches part was the title role of Marcel Schwob's adaptation of Hamlet. After her death in 1923 the theatre continued under her son Maurice for several years, until his death in 1928.[7]

The theatre kept the name Sarah Bernhardt until the

better source needed
]

Diaghilev's

Le Fils prodigue (21 May 1929).[6][14]

Théâtre des Nations

The theatre was once again renamed as the Théâtre des Nations in 1957.[8]

Théâtre de la Ville

The theatre first acquired the name Théâtre de la Ville in 1968.

Anne Teresa De Keersmaeker, Jan Fabre, Sankai Juku, Sidi Larbi Cherkaoui, Merce Cunningham and Carolyn Carlson
.

References

Notes

  1. ^ Galignani's New Paris Guide for 1868, p. 470.
  2. ^ a b c d Almanach des Spectacles, année 1874 p. 87 Archived 29 May 2021 at the Wayback Machine.
  3. ^ a b c Walsh 1981, pp. 149–239, 316–321.
  4. ^ Almanach des Spectacles, année 1876 p. 75 Archived 28 May 2021 at the Wayback Machine.
  5. ^ a b Lecomte 1905, p. 38 Archived 29 May 2021 at the Wayback Machine (Théâtre Lyrique-Dramatique), p. 32 Archived 28 May 2021 at the Wayback Machine (Théâtre Historique), p. 43 Archived 29 May 2021 at the Wayback Machine (Théâtre des Nations).
  6. ^ a b c d e f Simeone 2000, p. 203.
  7. ^ a b c McCormick 1995.
  8. ^ a b c d e f Based on the corresponding article in the French Wikipédia (version 12 juin 2012 à 11:13).
  9. ^ Walsh 1981, pp. 149–150.
  10. ^ Walsh 1981, pp. 241–267, 321–322.
  11. ^ Walsh 1981, pp. 274–275.
  12. ^ Irvine 1994, p. 139.
  13. ^ Wild & Charlton 2003, pp. 97, 339.
  14. Gallica
    .

Sources

  • Banham, Martin (1995). The Cambridge Guide to the Theatre. Cambridge: Cambridge University Press.
    ISBN 9780521434379
    .
  • Irvine, Demar (1994). Massenet: A Chronicle of His Life and Times. Portland, Oregon: Amadeus Press.
    ISBN 9780931340635
    .
  • Lecomte, Louis-Henry (1905). Histoire des théâtres 1402–1904. Notice préliminaire. Paris: Daragon. View at Google Books.
  • McCormick, John (1995). "Bernhardt, Sarah" in Banham 1995, pp. 98–99.
  • Simeone, Nigel (2000). Paris – A Musical Gazetteer. New Haven: Yale University Press.
    ISBN 978-0-300-08053-7
    .
  • ISBN 978-0-7145-3659-0
    .
  • Wild, Nicole; Charlton, David (2005). Théâtre de l'Opéra-Comique Paris: répertoire 1762-1972. Sprimont, Belgium: Editions Mardaga.
    ISBN 978-2-87009-898-1
    .

External links

Wikimedia Commons has media related to Théâtre de la Ville.
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