Thalassa

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Hatay Archaeological Museum

Thalassa (

Pre-Greek origin.[3]

Mythology

According to a scholion on

The Roman mythographer

Dies (Day), and thus the sister of Terra (Earth) and Caelus (Sky).[9] With her male counterpart Pontus, she spawns the species of fish.[10]

Literature

Thalassa defends herself in Aesop's fable, "The Farmer and the Sea"

Two rather similar fables are recorded by Babrius. In one, numbered 168 in the Perry Index, a farmer witnesses a shipwreck and reproaches the sea for being “an enemy of mankind”. Assuming the form of a woman, she answers by blaming the winds for her turbulence. Otherwise, “I am gentler than that dry land of yours.”[11] In the other, a survivor from a shipwreck accuses the sea of treachery and receives the same excuse. But for the winds, “by nature I am as calm and safe as the land.”[12]

In yet another fable, Perry’s number 412 and only recorded by Syntipas, the rivers complain to the sea that their sweet water is turned undrinkably salty by contact with her. The sea replies that if they know as much, they should avoid such contact. The commentary suggests that the tale may be applied to people who criticize someone inappropriately even though they may actually be helping them.[13]

In the 2nd century CE, Lucian represented Thalassa in a comic dialogue with Xanthus, the god of the River Scamander, who had been attacked by a rival Greek deity for complaining that his course was being choked with dead bodies during the Trojan War. In this case he had been badly scorched and asks her to soothe his wounds.[14]

Art

Illustration of coral with the goddess at the base, from a 6th-century medical discourse

While the sea-divinities Tethys and Oceanus were formerly represented in Roman-era mosaics, they were replaced at a later period by the figure of Thalassa, especially in

Western Asia. There she was depicted as a woman clothed in bands of seaweed and half submerged in the sea, with the crab-claw horns that were formerly an attribute of Oceanus now transferred to her head. In one hand she holds a ship's oar, and in the other a dolphin.[15]

In 2011, Swoon created a site-specific installation depicting the goddess in the atrium of the New Orleans Museum of Art.[16] In fall 2016, the installation was erected once more in the atrium of the Detroit Institute of Arts.

Notes

  1. ^ Beekes, s.v. Θάλασσα, p. 530.
  2. ^ Silva, pp. 71 ff.; Beekes, s.v. Θάλασσα, p. 530.
  3. ^ Beekes, s.v. Θάλασσα, p. 530.
  4. ^ Ion of Chios, fr. 741 Campbell [= fr. 741 PMG = Scholia on Apollonius of Rhodes, 1.1165c (Wendel, p. 106)]; BNJ, commentary on 3 F43, commentary on 424 F5.
  5. ^ Diodorus Siculus, 5.55.1, 5.55.4.
  6. ^ Morand, p. 338, table 2; Athanassakis and Wolkow, p. 114.
  7. ^ Morand, p. 332, table 1; Orphic Hymn to the Sea (22), 7 (Athanassakis and Wolkow, p. 22).
  8. ^ Oxford Classical Dictionary, s.v. Pontus, p. 1220.
  9. Fabulae Theogony 2 (Smith and Trzaskoma, p. 95; Latin text
    ).
  10. Fabulae Theogony 5 (Smith and Trzaskoma, p. 95; Latin text
    ).
  11. ^ Babrius II.22
  12. ^ Babrius I.71
  13. ^ Aesopica
  14. ^ Lucian, Confabulations of the Marine Deities XI (pp. 355–6).
  15. ^ Eraslan, pp. 5–7.
  16. ^ "Swoon: THALASSA (The Great Hall Project)". Retrieved 2013-04-16.

References

External links