The Alteration

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The Alteration is a 1976

In his biography of Kingsley Amis, Richard Bradford devotes a chapter to The Alteration, its origins and context within the author's life. In 1973, Amis had heard a reproduction of the voice of Alessandro Moreschi, the last known European castrato. Amis disagreed with the proposition that Moreschi's performance could be considered "great art", because Moreschi had been castrated, and "true" art centred on the celebration of human sexuality.

Bradford argues that this was a matter of considerable importance for Amis himself, as he may have been suffering from

England dominates the British Isles with Ireland being called "West-England" and Scotland being annexed to England as "North-England". Instead of parliamentary democracy, the English Isles are administered by a Convocation of clergy accountable to the Catholic hierarchy. The rule of the Church is absolute and totalitarian, controlled by the Holy Office, a sort of KGB or Gestapo equivalent. (Monsignors Henricus and Laurentius – Heinrich Himmler and Lavrentiy Beria – are mentioned in passing.)

The state of the world is illustrated in a description of national, clerical and royal figures at the funeral of Stephen III, late King of England, which opens the book. There is reference to the Kings of Portugal, Sweden, Naples and Lithuania, which suggests that no Italian nation-state exists in this history due to the temporal strength of the Papacy. The Crown Prince of Muscovy is also mentioned, suggesting that Tsarism holds sway, and the Dauphin leads one to conclude that the French monarchy is also still in existence. Germany is a nation-state, known as Almaigne and ruled by an Emperor, although it may not have exactly the same national boundaries. The "Vicar General" of the "Emperor Patriarch" of Candia suggests that the Greek Orthodox Church survives as a separate ecclesiastical jurisdiction, albeit exiled from its native Greece (which is still under Ottoman domination) and with its headquarters in Crete. Finally, this opening section cites the "Viceroys" of India, Brazil and New Spain, suggesting that colonialism and direct imperialism are still realities here.

A Christian/

"Science" is literally a dirty word, and while "invention" is not, the scope of inventors is severely limited. Electricity has been banned; the only form of internal combustion engine permitted is the Diesel, which works without a spark. Some of the incidental pleasure of the book is in the "alternative technology" reminiscent of Amis's friend and fellow-author Harry Harrison, such as the high-speed train that takes characters from London to Rome in just seven hours, via Thomas Sopwith's Channel Bridge. Airships feature as a mode of transportation connecting Europe with Africa and North America, with heavier-than-air vehicles being exclusive to New England.

Allusion to known historical figures include the political scene in Britain in the 1970s, and may reflect Amis's increasingly conservative attitudes.^{[citation needed]} For example, Lord Stansgate (Tony Benn) presides over the Holy Office, and Officers Paul Foot and Corin Redgrave are two of its feared operatives. Pope John XXIV is a thinly disguised Harold Wilson and his Secretary of State is Enrico Berlinguer. Other references are more obscure; opera-lovers with a good knowledge of Latin will, however, be able to identify the two castrati from the Vatican, Federicus Mirabilis and Lupigradus Viaventosa, as the German singers Fritz Wunderlich and Wolfgang Windgassen, both recently deceased when Amis was writing.

Alternative parallel-world novels within The Alteration

Just as

Galliard, an alternative-universe counterpart to Keith Roberts's Pavane, is also mentioned in this tribute to the subgenre. (The Galliard and the Pavane were both forms of Renaissance dance.)

References