The Battle of China

Source: Wikipedia, the free encyclopedia.
The Battle of China
Film
Directed by
Robert Flaherty
Edited byWilliam Hornbeck
Distributed byWar Activities Committee of the Motion Pictures Industry
Release date
  • 1944 (1944)
Running time
65 minutes
CountryUnited States
LanguageEnglish

The Battle of China (1944) was the sixth film of Frank Capra's Why We Fight propaganda film series.[1]

Summary

Following its introductory credits, which are displayed to the

Republic of China under Sun Yat-sen with the militarized modernization of the Empire of Japan, whose invasions of China are explained with reference to the Tanaka Memorial
, which has since been largely discredited:

It is claimed that Japan moved gradually to avoid external interference but accelerated its actions in response to the Republic of China's growing unity and development. Contrary to many modern timelines of the war, the film downplays

Rape of Nanjing
(then called "Nanking") that is said to have been smuggled out of occupied China by a hospital worker. The death toll is said to be unprecedented, but its figure of 40,000 is far lower than most modern estimates.

The

immolation of Changsha, but the Japanese bombing of Chongqing
(then called "Chungking") is dwelt on.

The expansion of the National Revolutionary Army is described, including footage of their drills and of a young girl training with a machine gun. The "Flying Tigers" are mentioned, along with their record of 20 kills for each lost plane, only as a supportive group of volunteers and without attempts to downplay China's own mobilization and efforts at self-defence.

"You will notice this map of Jap conquests does not look like the military maps you have seen in the previous films..."
"By all military standards, it should have looked like this. ... But the Japanese were still learning that the occupation of Chinese cities and control of Chinese rivers and rail-roads still was far from meaning the subjugation of China."

The Japanese, often referenced as "Japs" and less often as "Nips", blockade and occupation of China's ports is discussed, and the rebuilding of China's destroyed rail system is called the work of "slave labor". The "New China", which refers to the

Longhai Railways at Zhengzhou (then called "Chengchow") is shown having been prevented by the induced flooding of the Yellow River, but the immense death count involved is quickly passed over as another example of trading space for time. The guerrilla warfare
behind Japanese lines is lionized and treated as nearly unique in the war.

Bogged down but freed from worry of Soviet interference by

loss of the Burma Road
.

The worsening situation then serves to make the film's extended treatment of the

US Congress
,

We in China want a better world not for ourselves alone ... but for all mankind. And we must have it.

Congress responds with a standing ovation. The montage of the marching armies of China are shown while a Chinese chorus sings "

George Marshall's admonition: "The victory of the democracies can only be complete with the utter defeat of the war machines of Germany and Japan." A large V is displayed over the ringing Liberty Bell
.

Maps

British India
.

The introductory maps shown in the film show "

is discussed but never treated as actually separate from China. The borders of the outer territories follow the claims of the
Burmese state of Kachin
.

Further, throughout the film,

Taiwan itself is treated as accepted territory of the Empire of Japan
and not an occupied area of Chinese territory.

International use

The Australian armed services also used the American information film, ending with an extended scrolling text describing the film as "the story of what might have happened in Australia". The language is somewhat stronger than the American version, calling Japan "the yellow flood", "the octopus", and "the little yellow men"; the Germans "Hitler's barbarians"; and Saburō Kurusu "slimy".[2]

See also

References

External links