The Black Windmill

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The Black Windmill
Original film poster
Directed byDon Siegel
Written byClive Egleton (Seven Days to a Killing)
Produced byRichard D. Zanuck
David Brown
Don Siegel
StarringMichael Caine
Donald Pleasence
Delphine Seyrig
Clive Revill
Janet Suzman
CinematographyOusama Rawi
Edited byAntony Gibbs
Music byRoy Budd
Production
company
Distributed byUniversal Pictures
Release dates
  • May 17, 1974 (1974-05-17) (New York[1])
  • July 18, 1974 (1974-07-18) (London)
Running time
106 minutes
CountryUnited Kingdom
LanguageEnglish
Budget$1.5 million[2]

The Black Windmill is a 1974 British spy thriller film directed by Don Siegel and starring Michael Caine, John Vernon, Janet Suzman and Donald Pleasence. It was produced by Richard D. Zanuck and David Brown.

Plot

Two schoolboys are playing with a

trespassing
, and take them to see their commanding officer. It soon becomes apparent that they are not really in the military and the two boys are kidnapped.

In London a British intelligence officer, Major Tarrant, is engaged in an undercover operation to try to infiltrate a gang of

country house, where the head of MI6
Sir Edward Julyan lives, and makes a report about his operation to Julyan and his direct superior, Cedric Harper. While he is there he receives a telephone call from his wife – who tells him their son David has been taken and she has received a strange phone call. Tarrant reacts calmly, revealing to his superiors only that he has a family problem, and is given permission to leave.

Tarrant goes to his wife's home in time to receive a second call from a man identifying himself as Drabble. Drabble demonstrates he knows exactly who Tarrant is and what jobs he does. He instructs him to get Harper to answer the next phone call – making it clear he has Tarrant's son David and is prepared to torture him. Tarrant goes to Harper, and informs him of the situation. Harper agrees to take the phone call and begins to put a surveillance operation into motion – to discover the identity of Drabble. When Drabble gets in touch, he demands that Harper give him £517,057 in uncut diamonds and make a rendezvous in Paris. Harper had recently acquired that exact amount of diamonds to fund another operation he has planned. Harper deduces that Drabble must be acting with information supplied by a member of British intelligence. He immediately begins to suspect Tarrant of staging the kidnapping, and has him placed under observation. Tarrant, meanwhile, has to assign his arms-smuggling case to another officer.

The Drabble gang have placed incriminating evidence into Tarrant's flat, which appears to show a relationship with Celia Burrows, and this is found by Scotland Yard officers conducting a search. This further fuels Harper's belief that Tarrant has in fact arranged the entire kidnapping himself. Harper meets with Tarrant in his office and tells him that he cannot allow the ransom to be met, as the British government does not negotiate with terrorists. Tarrant seemingly accepts this, but when Harper has departed, he breaks into his office and impersonates Harper on a secure telephone – arranging to have the diamonds made available. He then takes them to Paris to make the rendezvous – giving the slip to the tail Harper has placed on him. In Paris he is met by Celia Burrows at the rendezvous. She takes him to a building where it is claimed Tarrant's son is being held.

It soon becomes apparent to Tarrant that Drabble has not got his son there. Instead Drabble makes a

windmills. Once he has got the diamonds the ruthless Drabble murders Celia Burrows, and leaves an unconscious Tarrant lying beside the corpse. Tarrant is arrested by the French police – and handed over to Harper and British intelligence. A rescue is then staged by Drabble gang, freeing Tarrant from Harper's custody, but then trying to murder him. Tarrant manages to escape and head back to England. He realises that Drabble meant to try to silence him for good – therefore protecting whoever in British intelligence was supplying him from information. Tarrant then attempts to flush out the traitor, by pretending to be Drabble and arranging a rendezvous at the two windmills with various senior British officers which he now knows to be the Clayton Windmills near Brighton
.

The man who comes to the rendezvous is Sir Edward Julyan who is ambushed by Tarrant. Under duress he admits that he arranged the whole thing, having been passed over for a promotion and urgently needed large amounts of money to enjoy a comfortable retirement with his free-spending wife. He tries to get Tarrant to accept half the value of the diamonds, but he refuses – and instead demands to know the whereabouts of his son. Julyan tells him that he is being held in the black windmill by Drabble. Tarrant then enters the windmill, kills Drabble and his henchman and then rescues his son, David. The film ends with Tarrant carrying David along the road from the windmill, to the sound of the song "Underneath the spreading chestnut tree" which was heard at the start of the film.

Cast

Production

Writing

The screenplay by Leigh Vance is based on Clive Egleton's 1973 novel Seven Days to a Killing. The story involves a British secret service agent, John Tarrant (Caine), involved in the investigation of an international arms syndicate. Tarrant's son is kidnapped and held to ransom, leading Tarrant to discover that he cannot even rely on the people on his own side.

Filming

The film was made, in part, on location at

Sure
. At the end of the film it is stated that the film was shot on location in England and France and completed at Twickenham Film Studios, Middlesex, England.

Reception

On the website Rotten Tomatoes, the film has a 29% rating.

A review in the

New York Times gave the film a mixed reaction describing it as a "thoroughly professional job" but criticising its lack of invention and the failure of Caine's character to demonstrate any emotion about his son's kidnapping. Donald Pleasence's performance as the fastidious Harper was praised. It concluded "in the age of Watergate, we need nimbler or more fantastic material to engage us — to grab our attention from wondering what may be on the news tonight".[4]

The film opened at the Radio City Music Hall in New York City on 16 May 1974[1] and grossed $151,269 in its opening week.[5]

References

  1. ^ a b The Black Windmill at the American Film Institute Catalog
  2. ^ Aljean Harmetz (4 August 1974). "The dime-store way to make movies-and money". New York Times. p. 202.
  3. ^ Kent Film Office. "Kent Film Office The Black Windmill Article".
  4. ^ "The Black Windmill (1974)". New York Times. Retrieved 14 September 2019.
  5. ^ "Sun Fails, Ups N.Y. Holiday Span; 'Entertainment' $71,164 In Four Days; 'Daisy' OK At $30,000". Variety. 29 May 1974. p. 8.

External links