The Boy in the Striped Pyjamas (film)
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Directed by | Mark Herman | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Written by | Mark Herman | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Based on | The Boy in the Striped Pyjamas by John Boyne | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Produced by | David Heyman | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Cinematography | Benoît Delhomme | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Edited by | Michael Ellis | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Music by | James Horner | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Running time | 94 minutes | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Language | English | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Budget | $12.5 million Nazi-occupied Poland, the film follows the son of a Schutzstaffel officer who befriends a Jewish prisoner of his age.
It was released in the United Kingdom on 12 September 2008. It received generally positive reviews from critics for being touching but was panned by scholars for misrepresenting elements of the Holocaust. PlotBruno, an eight-year-old German boy living in Berlin, is uprooted to rural occupied Poland with his family after his father Ralf, an SS officer, is promoted. Bruno notices an extermination camp near the back garden from his bedroom window, but believes it to be a farm; his mother Elsa forbids him from going in the back garden. Ralf organises Herr Liszt, a private tutor, to teach Nazi propaganda and antisemitism to indoctrinate Bruno and his sister, Gretel. This combined with Gretel's crush on Lieutenant Kurt Kotler, a young colleague of her father's, makes Gretel fanatical in her support for the Nazi agenda. Bruno struggles to adjust to the rhetoric in the teaching after Pavel, a doctor-turned-family slave, comes to Bruno's aid after he sustains a minor injury. Bruno sneaks into the woods, arriving at a barbed wire fence surrounding the camp. He befriends Shmuel, another eight-year-old boy. Both boys are completely unaware of the true nature of the camp; Bruno believes the striped uniforms that Shmuel, Pavel, and the other prisoners wear are pyjamas, while Shmuel believes he is only there temporarily and that his grandparents died from an illness on the journey to the camp. Bruno meets Shmuel regularly, sneaking him food, and learns that Shmuel is a Jew who was brought to the camp with his parents. Elsa inadvertently discovers from Kurt that the smell from the camp is in fact burning prisoners; she angrily confronts her husband. Later that night, Kurt reveals his father left Germany for Switzerland to avoid national service and is berated by Ralf; embarrassed, Kurt viciously beats Pavel for spilling a glass of wine. Bruno sees Shmuel working in his home, and offers him cake. Kurt finds Bruno and Shmuel socialising and berates Shmuel. After seeing him eating, Shmuel informs Kurt that Bruno offered the cake, which Bruno fearfully denies. Bruno tries to apologise to Shmuel later, but he doesn't reappear at the fence for several days. Later, Bruno clandestinely watches his father and other officers reviewing a propaganda film depicting the camp's conditions as positive. Ralf informs his family that Kurt was transferred to the Eastern Front; angered, Elsa reveals the reason for his transfer was because Kurt did not initially alert the authorities about his father. Bruno continues returning to the fence and eventually, Shmuel reappears, but with visible injuries. Bruno apologises and Shmuel forgives him. In Berlin, Ralf's mother Nathalie – who disapproves of the Nazi regime – is killed by an Allied bombing raid. At the funeral, Elsa tries to remove a wreath from the Führer out of respect for Nathalie and her beliefs, but Ralf stops her, causing them to fall out after the service. Back home, Elsa informs Ralf she doesn't want the children living in the vicinity of the camp. In turn, Ralf then tells Bruno and Gretel their mother is taking them to live with their extended family until the war is over. Bruno visits Shmuel before he leaves, and learns Shmuel's father has disappeared after being transferred to a different work gang; Bruno decides to help Shmuel find him. Shmuel provides Bruno with a prisoner's striped outfit and a cap to cover his unshaven head, and Bruno digs under the fence to join Shmuel, but the boys are suddenly rounded up by the guards. Gretel and Elsa learn of Bruno's disappearance, and burst into Ralf's meeting to alert him. A search is launched and a dog tracks Bruno's scent to his discarded clothing. Ralf enters the camp as the prisoners are sent to a gas chamber, where pesticide pellets are poured from a hole in the ceiling, filling the chamber with toxic gas. Bruno dies in the chamber along with Shmuel, leaving Ralf, Elsa, and Gretel distraught. Cast
ProductionFilmingFilming occurred during 29 April 2007 to 7 July 2007, in Kerepesi Cemetery in Budapest, Sacelláry Castle in Budafok and several other areas of Budapest. Interiors were filmed at Fót Studios, Budapest.[4] Post-production was completed in London.[5] The total cost of the production was approximately $12.4 million.[2]
Soundtrack
The Boy in the Striped Pyjamas: Original Motion Picture Soundtrack is the licensed soundtrack album to the film. The score was composed by James Horner. It was released through Hollywood Records in 2008. Track list
ReceptionBox officeThe film opening on 12 September 2008 in the United Kingdom with $253,085 at the box office in 17 theatres. It later opened for a limited time on 26 November 2008 in North America. The Boy in the Striped Pyjamas grossed a worldwide total of $44.1 million.[2] Critical responseThe Boy in the Striped Pyjamas has a 64% approval rating on Rotten Tomatoes, based on 142 reviews, with an average rating of 6.30/10. The site's critical consensus reads, "A touching and haunting family film that deals with the Holocaust in an arresting and unusual manner, and packs a brutal final punch of a twist."[6] On Metacritic, the film has a normalised score of 55 out of 100, based on 28 critics, indicating "mixed or average reviews".[7] James Christopher, of The Times, referred to the film as "a hugely affecting film. Important, too".[8] Manohla Dargis, of The New York Times, said the film "trivialized, glossed over, kitsched up, commercially exploited and hijacked [the Holocaust] for a tragedy about a Nazi family".[9] In the Chicago Sun-Times, Roger Ebert gave the film three and a half stars out of four and said that it is not simply a reconstruction of Germany during the war, but is "about a value system that survives like a virus".[10] Kelly Jane Torrance in the Scholarly receptionScholars have criticised the film, saying that it obscures the historical facts about the Holocaust and creates a Centre for Holocaust Education at University College London found that The Boy in the Striped Pyjamas "is having a significant, and significantly problematic impact on the way young people attempt to make sense of this complex past". However, a more recent study found that the film's reception is strongly based on the viewers' previous knowledge and beliefs.[19] : 173
Research by Holocaust educator Michael Gray found that more than three-quarters of British schoolchildren (ages 13–14) in his sample had engaged with The Boy in the Striped Pyjamas, significantly more than Accolades
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