The Canyons (film)

Source: Wikipedia, the free encyclopedia.
The Canyons
Theatrical release poster
Directed byPaul Schrader
Written byBret Easton Ellis
Produced byBraxton Pope
Starring
CinematographyJohn DeFazio
Edited byTim Silano
Music by
Production
companies
  • Post Empire Films
  • Sodium Fox
  • Prettybird Pictures
Distributed byIFC Films
Release dates
  • July 29, 2013 (2013-07-29) (
    Lincoln Center
    )
  • August 2, 2013 (2013-08-02) (United States)
Running time
99 minutes
CountryUnited States
LanguageEnglish
Budget$250,000[1]
Box office$265,670

The Canyons is a 2013 American

Bell Lightbox in Toronto and on video on demand platforms.[2]

Plot

Christian is a wealthy young man who produces low budget horror films. At the start of the film, he is having dinner with his girlfriend Tara, his personal assistant Gina and her boyfriend Ryan. Christian has recently secured a leading role for Ryan in one of his films. Christian reveals that he and Tara have an open relationship and use dating apps to find partners for hookups. He says that he trusts Tara never to fall in love with anyone he brings into their bed.

Ryan accuses Gina of wanting to have a four-way with Tara and Christian. Ryan texts an unknown party for a meeting the next day. Ryan's text was sent to Tara, who meets him the next day. Through their conversation, it is revealed that the two are former lovers. Tired of life as a struggling actor, Tara left Ryan to date a string of wealthy men. Tara chides Ryan for texting her, as Christian monitors her texts and calls. Christian visits an actress named Cynthia for casual sex. Christian thinks Tara is cheating on him. Christian follows Tara and sees her with Ryan. Christian then goes to John, one of the film crew members, and pressures him into playing a prank on Ryan: calling him in to tell him that he's about to be fired but can save his job by performing sexual favors.

Returning home, Christian grills Tara on her activities that afternoon. Tara denies being attracted to Ryan or knowing him previously. Meanwhile, Ryan discovers Christian's daily schedule on Gina's computer, noticing regular "yoga sessions" with Cynthia.

Tara receives an anonymous text telling her she might be in trouble. Cynthia is revealed to have been Christian's girlfriend before Tara. Cynthia tells Tara that she needs to leave Christian and admits to sending the anonymous texts. Cynthia reveals that she left Christian after he drugged her, orchestrated a group assault on her and recorded the incident. When confronted, he brutally assaulted her and threatened to release the video if she told anyone about his actions. Tara rejects Cynthia's warnings.

Christian acknowledges dating Cynthia but denies beating her or arranging the assault. Suddenly Christian's phone rings; a dating app friend is about to arrive. Christian offers to cancel but Tara insists they go through with it. Tara and Christian engage in group sex with the couple who arrives at the house.

Meanwhile, it is revealed that Ryan put Cynthia up to warning Tara. While browsing around a record store Ryan realizes he is being stalked. Christian violently assaults Tara, revealing that he knows all about her and Ryan.

Meanwhile, Ryan reveals to Gina that he has been sleeping with Tara. Gina announces she will do whatever it takes to make sure the film gets made but Ryan is fired and banned from the set.

At his therapist's office, Christian rants about his need for control over everything in his life, especially Tara. It is revealed that Christian's therapy sessions with Doctor Campbell (Gus Van Sant) are not voluntary, but rather a condition of the trust fund he lives off.

The film then cuts to Christian and Ryan, each driving through downtown Los Angeles. Christian leaves a message on Ryan's voicemail, mocking Ryan and revealing the details he has managed to obtain about Ryan's life. Christian arrives at Cynthia's house and forces his way in, accusing her of lying in an attempt to break up his relationship with Tara. Cynthia denies this but an enraged Christian stabs her to death.

Returning home, Christian finds Tara packed and ready to leave. Christian apologizes for brutalizing her and agrees to let her leave their relationship on two conditions: 1. She must give him an alibi for his murder of Cynthia and 2. She must never contact Ryan; if she refuses, he will murder Ryan and use his family's wealth and connections to get away with it. Tara agrees and is allowed to leave.

The film ends with a flash forward to several months in the future. Tara is living in Dubai and having lunch with a friend. The friend asks about Gina's film and her relationship with Christian. Tara says she left the project when she and Christian broke up. Tara insists she is on good terms with Christian. The friend leaves to use the restroom, where she makes a phone call. She reports that Tara is doing well but clearly lying about being friends with Christian and about being happy in her new life. The final shot shows who is on the other end of the call: Ryan, alone in an empty room.

Cast

Development

Production and marketing

Braxton Pope, Bret Easton Ellis and Paul Schrader were originally involved in a film project, Bait. When the project lost its financing, Pope, Ellis, and Schrader decided they wanted to make a lower-scale film. Ellis was in charge of writing the script. After it was completed, Pope suggested raising money via Kickstarter.[3] Throughout May–June 2012, the film raised $159,015, with a goal of $100,000 in funding.[4] The budget for the film was $250,000 and the actors were reportedly paid $100 a day.[1] Schrader talked about how it affected his artistic options, saying, "if you've made enough films you really know what you need money for and what you don't need money for. There's virtually nothing on the cutting-room floor for this film – you shoot straight to the bone."[5]

On July 13, it was announced that Brendan Canning would be scoring the film.[6] On July 18, 2012, the official press release for the movie was published on the Facebook page of The Canyons.[7] On July 24, 2012, it was announced that American Apparel would be supplying the cast with wardrobe and was planning to issue logo T-shirts based on Ellis, The Canyons, and Schrader.[8]

The first teaser was released on YouTube on June 16, 2012.[9] On October 8, a "retro style" teaser trailer was released.[10] IndieWire called The Canyons one of the "50 Indie Films We Want To See In 2013" in January 2013.[11] On August 2, 2013, rapper Kanye West released a new version of the trailer; he worked with Nate Brown on the re-editing and created new music with Noah Goldstein.[12]

Following the film's release, Schrader accused Lohan of not supporting the film, saying she had pulled out of interviews and never showed up for promotional photo sessions.[13] In the docu-series Lindsay, which chronicles (in eight one-hour episodes) Lindsay Lohan's return from her sixth stay in rehab for addiction and her attempts to revitalize her career, she claimed that she did not end up promoting The Canyons, specifically its Venice Film Festival screening, because it would have placed her in a situation that compromised her sobriety.[14]

Casting

Casting of The Canyons was operated through the casting website Let It Cast, where an audition scene was made available for download and actors were encouraged to film their own video auditions. As Pope and Ellis explained in a video on Let It Cast,[15] the motivation to cast in this fashion was to facilitate submissions from talented actors who might not otherwise be seen given the time constraints of the traditional casting process, as well as to open a direct channel to actors whose talent agents might complicate the process. Paul Schrader wrote a full account[16] of the process of casting the seven actors cast through their Let It Cast auditions. Lead actors Lindsay Lohan and James Deen were cast independently of this process.

Although Schrader, Ellis, and Pope initially favored French actress Leslie Coutterand[17] (who auditioned through Let It Cast), the role of Tara ultimately went to Lohan. When Pope approached Lohan's manager about the possibility of Lohan playing the role of Cynthia, Lohan responded that she wanted to play the lead.[3][18] Two weeks later, she screen tested and was cast. Pope said, "She's very charismatic and she has a lot of acting skills...So for this part, we felt that she was really the right actor for a host of different reasons."[19] Fleur Saville was also considered for the role of Tara.

Early on, the filmmakers considered casting Sean Brosnan as Christian, but later decided they wanted to cast someone "more edgy and unexpected". Ellis had mentioned several times that he had Deen in mind for Christian's role and when he, Pope and Deen met, Deen was promised a screen test. Schrader was reluctant at first, thinking it unlikely he would cast Deen due to his background in porn.[20] Although surprised by Deen's acting abilities and charisma, Schrader was still reluctant to cast him; but, with Ellis and Pope, was intrigued by the idea of casting Lohan and Deen in the leads. Alex Meraz and Daren Kagasoff were also considered for the role, among others.[21]

Funk was cast as Ryan. Other actors who had been considered for Ryan's role included gay porn star

Sean Paul Lockhart, Alex Ashbaugh, who was cast in a different role, Zach Roerig, and Chris Schellenger, who was also given a different, smaller role in the film.[21] Gina was cast through Let It Cast, with the goal being finding the best counterpoint to Lohan, in physical appearance and personality. After many auditions, Brooks was cast. Spencer Grammer and Jessica Morris were considered, among others.[21] Cynthia was originally called Lindsay, but the character's name was changed so she wouldn't be confused with Lohan. She was also cast through Let It Cast, and the primary criterion for the actress was to balance Lohan and Brooks.[21] Houston's audition was sent in early and remained a favorite. Other actresses who had been considered included Fleur Saville and Cameron Richardson.[21] In tertiary roles, Boeven was cast as John, and Aquitaine was cast as Randall. Philip Pavel, who was cast as Erik, had also been considered, among others.[21] Caitlin's character was originally supposed to be cast through Let It Cast, but was ultimately cast through mobli due to Pope's preference. Lauren Schacher was cast.[21][22]

Director Gus Van Sant's casting in the role of Christian's psychotherapist was reported in July 2012.[7][23] Schrader originally wanted to cast Willem Dafoe as the therapist: "Willem Dafoe wasn't in town, and I asked somebody else, and they were working. So I turned to Braxton and said, 'What friends do you have?'"[24]

When asked about casting The Canyons, Ellis stated: "Dealing with the casting of The Canyons was a great, liberating process—for both the production team and for actors in general. We used Let It Cast and saw some amazing actors that we will definitely keep in mind for future projects. The way the entire cast came together so quickly was a thrill and everyone who landed their roles deserved them. Using social media as a way to help build a film is really like riding the wave into the future." Pope said, "Nothing about this film was orchestrated in a traditional way. We wanted to actively embrace all the digital and social media tools at our disposal and give the film real cinematic value—The Canyons is the result of a forward thinking experiment with a terrific cast." Schrader said: "Bret Easton Ellis' characters are beautiful people doing bad things in nice rooms. Lindsay Lohan and James Deen not only have the acting talent; they also have that screen quality that keeps you watching their every move."[7]

Filming and editing

Beverly Grove
neighborhood of Los Angeles.

Schrader says about filming The Canyons: "...we're making art out of the remains of our empire. The junk that's left over. And this idea of a film that was crowdfunded, cast online, with one actor from a celebrity culture, one actor from adult-film culture, a writer and director who have gotten beat up in the past—felt like a post-Empire thing. And then everything I was afraid of with Lindsay and James started to become a positive. I was afraid we wouldn't be taken seriously and people would think it was a joke. My son and daughter didn't want me to do it. That just shows you how conservative young kids are."[26]

The rough cut of the film was 1 hour 44 minutes long.[27] Initial edits of the film were disappointing; the film was said to "drag".[18] Ellis, Schrader and Pope had a disagreement over the final cut of the film. After Schrader showed Steven Soderbergh the rough cut of the film, Soderbergh offered to cut it within three days. Schrader declined, telling The New York Times: "The idea of 72 hours is a joke, it would take him 72 hours to look at all the footage. And you know what Soderbergh would do if another director offered to cut his film? [Puts up two middle fingers] That's what Soderbergh would do."[18] Pope stated he and Ellis "were excited" about Soderbergh's offer but it was ultimately Schrader's decision.[28] Ellis is quoted as saying: "The film is so languorous. It's an hour 30, and it seems like it's three hours long. I saw this as a pranky noirish thriller, but Schrader turned it into, well, a Schrader film."[29]

On Ellis' Podcast, he claims to now have a new appreciation of the film, saying he had trouble at first accepting Schrader's vision of his material, but in the end, has come to an understanding over his reservations during the creative process. He also openly praises Lohan's performance, calling it "searing," and blames the film's perceived 'failures' on Lohan's reputation in the media, which has nothing to do about the film's quality or her performance in the film. He continued with saying he believes The Canyons to have ended up as being a success both creatively and financially for all those involved. He concludes with saying he is very proud of the final product.[30]

Release

The film was not accepted by the

Bell Lightbox in Toronto, and on video on demand platforms.[2] It was shown in the out of competition section at the 70th Venice International Film Festival.[33][34] The film was also featured on the cover of the July/August 2013 (Volume 49/Number 4) issue of Film Comment Magazine, featuring a full centerpiece article[35] on the film's production.[36] The issue featured an article, by Schrader, on the hardships and merits of working with Lindsay Lohan.[37]

The Canyons was given an R rating for "strong sexual content including graphic nudity, language throughout, a bloody crime scene, and brief drug use".[38][39]

Critical response

Contemporary

The

weighted mean rating out of 100 to reviews from mainstream critics, the film received an average score of 36, based on 30 reviews, indicating "generally unfavorable reviews".[41]

Linda Barnard of the Toronto Star gave the film one out of four stars, calling it "a howlingly bad soap-opera-meets-soft-core-porn mash-up".[42] Writing for The Village Voice, Stephanie Zacharek praised Lohan's performance, likening her Tara character to "a nectarine on the far side of ripening, and this isn't a story about innocence lost—she sold that off long ago. But there's a dreaminess about her that could never crystallize into hardness." Zacharek also wrote that the "nuts and bolts of the plot are the least interesting things" about the film.[43]

While the negative response to the film was overwhelming, The Canyons also received some praise. In a glowing review, Richard Brody wrote in The New Yorker that movie "isn’t a study in character but a view of the world; it’s a masterful setting of mood", praising Deen for doing "terrific job exuding a sense of imperious entitlement" and saying that Lohan's "performance itself is electrifyingly alive".[44] Jason Shawhan's Nashville Scene review claimed "Lohan tears into this role with fierce energy, walking the fine line between dominance and desperation."[45] Kent Jones highly praised the film in Film Comment as "a visually and tonally precise, acid-etched horror story of souls wandering through a hyper-materialist hell, with a fearless and, I think, stunning performance by Lindsay Lohan at its center. On another level, it’s an inspiration and an example to us all: it’s difficult for me to imagine another filmmaker of Paul Schrader’s stature diving into the world of crowd-sourced moviemaking, let alone with such fervor, dedication and rigor."[26]

Retrospective

In 2022, Aryan Tauqeer Khawaja reassessed The Canyons in Little White Lies, stating that the "much-derided" project is "a sharper take on performance than it first appears", concluding that the film "asserts there's always someone else pulling the strings, making it impossible to extricate oneself from the erosion of self enabled by late capitalism."[46] In the years following its release, The Canyons received screenings suggestive of a "midnight movie" following, a classification disputed by The Big Ships's Fred Barrett, who observed the film "isn't so-bad-it's-good, it isn't even bad. It's a strange, austere study of postmodernity [...] It's a film that's easy to misunderstand and even easier to dislike but, then again, so much interesting and worthwhile art is."[47] In November 2022, Schrader wrote: "I have an enduring fondness for this film which got caught in the cultural meatgrinder ten years back," claiming that contemporary film critics had "reviewed the phenomenon and not the film."[48] A couple of years prior, Metrograph hosted a screening of the movie followed by a Q&A session with Schrader and Alex Ross Perry,[49][50] who had previously described The Canyons as "anthropologically fascinating and comprehensive in showing me this ugly side of a horrible culture that I secretly enjoy driving past and looking at."[51]

Vulture's Roxana Hadadi reexamined the movie and called Lohan's performance "the best part" of it and a "persuasive comeback attempt all its own" in retrospect, with "her aura of lived-in disappointment" giving The Canyons "an advantageous cynicism about Hollywood and who survives there."[52] In 2023, Men's Health named the film as one of the 35 greatest erotic thrillers of all time, noting that "while the film is flawed, Lohan is its light [and] delivers one of her career-best performances, indicating that the genre suits her smokey voice and allure."[53] Jim Hemphill also wrote a critical reassessment of the movie for IndieWire, acknowledging its qualities as "an anthropological study and poison pen letter to Hollywood" and stated it "gave Schrader new life as a filmmaker."[54]

Accolades

The Canyons was screened as a part of the 14th Melbourne Underground Film Festival and won four awards:

  • Best Female Actor for Lindsay Lohan
  • Best Screenplay for Bret Easton Ellis
  • Best Foreign Director for Paul Schrader
  • Best Foreign Film[55]

Home media

The Canyons made its DVD

MPAA
gave an R Rating in the United States.

Box office

Debuting only at the IFC Center in the U.S., the film earned $13,351 by the end of its opening weekend.[62] On video on demand and iTunes, the film was said to do "extremely well".[63] The film has grossed a total of $56,825 in United States and $265,670 all around the world.[62] IFC Films has not released the Video on Demand profits of the film, but Bret Easton Ellis, on his Podcast, claimed "The Canyons was, something like, the number one Video on Demand film IFC released last year. The film has made a profit."[30]

Soundtrack

The Canyons (Original Motion Picture Soundtrack)
synthpop, rock
Length43:44
LabelSQE Music
ProducerBrendan Canning with Me&John

The soundtrack was made by Brendan Canning with Me&John and features songs by Gold Zebra, A Place to Bury Strangers, and the Dum Dum Girls. It was released on July 30, 2013.[64]

  1. "Canyons Theme"
  2. "Without the Night" (featuring Adaline)
  3. "No More Sympathy" (featuring Rob James)
  4. "Back Home to Michigan"
  5. "Son of Perdition"
  6. "Teil Cock"
  7. "Love, French, Better" - Gold Zebra
  8. "Soon to Be"
  9. "Fear" - A Place to Bury Strangers
  10. "This Isn't Good for You"
  11. "Driving Sines"
  12. "Goddamn So High" (featuring Adaline)
  13. "My Preacher's Daughter" (featuring Adaline)
  14. "Coming Down" - Dum Dum Girls

References

  1. ^ a b Welch, Michael Patrick (February 27, 2013). "Living Inside 'The Canyons'". VICE. Retrieved March 1, 2013.
  2. ^ a b Kilday, Gregg (August 2, 2013). "Lindsay Lohan's 'The Canyons' Aims for VOD Success". The Hollywood Reporter. Retrieved August 2, 2013.
  3. ^ a b c Pope, Braxton (August 1, 2013). "In Lindsay's Stardust Orbit". Vanity Fair. Retrieved August 2, 2013.
  4. ^ "The Canyons on Kickstarter.com". Retrieved July 7, 2012
  5. ^ Wigon, Zachary (July 30, 2013). "Interview: Paul Schrader on 'The Canyons' and Dying Film Culture". Tribeca. Retrieved August 15, 2019.
  6. ^ Jagernauth, Kevin (July 13, 2012). "Exclusive: Broken Social Scene Co-Founder Brendan Canning Scoring Paul Schrader's 'The Canyons'". Indiewire. Archived from the original on December 16, 2013. Retrieved July 18, 2012.
  7. ^ a b c ""The Canyons" Press Release". Retrieved July 20, 2012
  8. ^ "American Apparel, a clothing manufacturer which makes clothes exclusively in the US, has generously supplied us with wardrobe. Saturday Bret, Braxton and I visited their downtown LA factory. Here's Bret on the street outside. They plan to issue logo T-shirts based on BEE, The Canyons and myself. Paul S.". Retrieved July 25, 2012
  9. YouTube
    . Retrieved July 7, 2012
  10. YouTube
    . Retrieved October 11, 2012
  11. ^ Indiewire (January 4, 2013). "The 50 Indie Films We Want To See In 2013". IndieWire. SnagFilms. Retrieved January 7, 2013.
  12. ^ Vena, Jocelyn (August 5, 2013). "Kanye West Puts Dramatic Twist On 'The Canyons' Trailer: Watch!". MTV. Retrieved August 2, 2013.
  13. ^ The Canyons director slams Lindsay Lohan. 3 News NZ. 26 September 2013.
  14. ^ Lindsay. Oprah.com. Retrieved on May 22, 2014.
  15. ^ The Canyons: presentation video Archived September 27, 2013, at archive.today letitcast.com, last retrieved October 3, 2013
  16. ^ Behind the scenes: Casting The Canyons Facebook, last retrieved October 3, 2013
  17. ^ "Bret Easton Ellis" Twitter. Retrieved July 18, 2012
  18. ^ a b c d e Stephen Rodrick (January 10, 2013). "Here Is What Happens When You Cast Lindsay Lohan in Your Movie". The New York Times Magazine. Retrieved January 10, 2013.
  19. ^ Vena, Jocelyn (June 14, 2012). "Lindsay Lohan Has 'Real Talent,' 'Canyons' Producer Says". MTV. Retrieved August 12, 2012.
  20. ^ Carlson, Erin (May 4, 2012). "Bret Easton Ellis Is Using Kickstarter to Finance 'The Canyons' Indie". The Hollywood Reporter. Retrieved July 7, 2012.
  21. ^ a b c d e f g "Behind The Scenes: Casting The Canyons". Retrieved July 20, 2012
  22. ^ "Check out this sneak preview of an article in GQ on James Deen and The Canyons.". Retrieved July 7, 2012 [clarification needed]
  23. ^ "In today's The Canyons shoot Gus Van Sant played James Den's psychiatrist. Read into that what you will.". Facebook. Retrieved August 7, 2012
  24. ^ Brown, Emma (July 30, 2013). "Into the Canyons". Interview. Retrieved September 1, 2020.
  25. ^ Johnson, Zach (June 13, 2012). "Lindsay Lohan, Porn Star James Deen Costarring in The Canyons". Us Weekly. Retrieved July 7, 2012.
  26. ^ a b c Film Society to Debut Paul Schrader's "The Canyons" | Filmlinc.com | Film Society of Lincoln Center. Filmlinc.com. Retrieved on 2014-05-22.
  27. ^ "Rough Cut.". Facebook. Retrieved August 29, 2012
  28. ^ Pope, Braxton (August 2, 2013). "What It Was Like to Make the Canyons with Lindsay Lohan, a Producer's Tale". Vanity Fair. Retrieved September 1, 2013.
  29. ^ Child, Ben (January 24, 2013). "SXSW follows Sundance in rejecting Lindsay Lohan's The Canyons". guardian.co.uk. London: Guardian News and Media. Retrieved January 30, 2013.
  30. ^ a b Bret Easton Ellis Podcast. Podcastone.com. Retrieved on 2014-05-22.
  31. ^ Ginsberg, Merle; Baum, Gary (January 23, 2013). "SXSW Rejected Lindsay Lohan's 'Canyons' Over 'Quality Issues'". The Hollywood Reporter. Lynne Segall. Retrieved January 30, 2013.
  32. ^ Lindsay Lohan's The Canyons Finally Finds Distributor Cinema Blend. 15 February 2013
  33. ^ "Out of Competition". labiennale. Archived from the original on July 28, 2013. Retrieved July 26, 2013.
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  35. ^ "The Noise Factor". Film Comment. Retrieved on 2014-05-22.
  36. ^ Film Comment. Film Comment. Retrieved on 2014-05-22.
  37. ^ "Shooting Stars". Film Comment. Retrieved on 2014-05-22.
  38. ^ The Canyons Trailer, News, Videos, and Reviews. ComingSoon.net. Retrieved on 2014-05-22.
  39. ^ "The Canyon (2013) Parents Guide". IMDb. IMDb. Retrieved 13 October 2017.
  40. ^ "The Canyons (2013)". Rotten Tomatoes. Flixster. Retrieved April 11, 2021.
  41. CBS Interactive
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  42. ^ Barnard, Linda (August 1, 2013). "Lindsay Lohan's The Canyons a career-killing dive: review". Toronto Star. Retrieved August 4, 2013.
  43. ^ "The Canyons Is Vital, Messy, and Alive With Regret" The Village Voice, July 31, 2013. Retrieved on August 2, 2013
  44. ^ Paul Schrader's "The Canyons". The New Yorker. Retrieved on 2014-05-22.
  45. ^ Why the Lindsay Lohan VOD vehicle The Canyons is the most interesting American movie of the moment | Reviews. Nashville Scene. Retrieved on 2014-05-22.
  46. ^ Tauqeer Khawaja, Aryan (November 8, 2022). "Why I love The Canyons". Little White Lies. Retrieved August 5, 2023.
  47. ^ Barrett, Fred (October 14, 2022). "The Canyons: Simulacra". The Big Ship. Retrieved August 5, 2023.
  48. Facebook
  49. ^ Barfield, Charles (January 13, 2020). "'Man In A Room': Criterion Channel Says Alex Ross Perry's Doc About Paul Schrader Will Stream Later This Month". Theplaylist.net. Retrieved August 5, 2023.
  50. ^ Dale, Austin (January 29, 2020). "Paul Schrader". Metrograph. Retrieved August 5, 2023.
  51. ^ Safdie, Josh (June 9, 2015). "Josh Safdie (Heaven Knows What) and Alex Ross Perry (Listen Up Philip) Talk Doug Ellin's Entourage". Talkhouse. Retrieved August 5, 2023.
  52. ^ Hadadi, Roxana (December 21, 2022). "Paul Schrader's 'The Canyons' and Lindsay Lohan's Greatness". Vulture. Retrieved August 5, 2023.
  53. ^ Wittmer, Carrie (January 5, 2023). "The 35 Greatest Erotic Thrillers of All Time". Men's Health. Retrieved August 5, 2023.
  54. ^ Hemphill, Jim (August 28, 2023). "10 Years Later, Lindsay Lohan Drama 'The Canyons' Is Better than You Think". IndieWire. Retrieved September 11, 2023.
  55. ^ The 14th Melbourne Underground Film Festival Awards. Facebook.com (2013-09-14). Retrieved on 2014-05-22.
  56. ^ The Canyons (Unrated Director's Cut): Lindsay Lohan, James Deen, Nolan Funk, Amanda Brooks, Tenille Houston, Gus Van Sant, Paul Schrader, Braxton Pope, Bret Easton Ellis: Movies & TV. Amazon.com. Retrieved on 2014-05-22.
  57. ^ The Canyons (Unrated Director's Cut) [Blu-ray]: Lindsay Lohan, James Deen, Nolan Funk, Amanda Brooks, Tenille Houston, Gus Van Sant, Paul Schrader, Braxton Pope, Bret Easton Ellis: Movies & TV. Amazon.com. Retrieved on 2014-05-22.
  58. ^ Film Aficionado. Filmaf.com. Retrieved on 2014-05-22.
  59. ^ Bret Easton Ellis (@BretEastonEllis) op Twitter. Twitter.com. Retrieved on 2014-05-22.
  60. ^ The Canyons (@TheCanyonsFilm) op Twitter. Twitter.com. Retrieved on 2014-05-22.
  61. ^ The Canyons (Theatrical Cut): Lindsay Lohan, James Deen, Nolan Funk, Amanda Brooks, Tenille Houston, Gus Van Sant, Paul Schrader, Braxton Pope, Bret Easton Ellis: Movies & TV. Amazon.com. Retrieved on 2014-05-22.
  62. ^ a b "The Canyons (2013)". Box Office Mojo. Retrieved August 23, 2015.
  63. ^ Kaufman, Amy (August 4, 2013). "Lindsay Lohan's 'Canyons' tanks at New York City theater". Los Angeles Times. Retrieved August 5, 2013.
  64. ^ The Canyons (Original Motion Picture Soundtrack): Various artists: MP3 Downloads. Amazon.com (2013-07-30). Retrieved on 2014-05-22.

External links

Retrieved from "https://en.wikipedia.org/w/index.php?title=The_Canyons_(film)&oldid=1194003778"