The Captive (1915 film)

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The Captive
Front of a pamphlet for the film
Directed byCecil B. DeMille
Written byCecil B. DeMille
Jeanie MacPherson
Story byCecil B. DeMille
Produced byCecil B. DeMille
Jesse L. Lasky
StarringBlanche Sweet
CinematographyAlvin Wyckoff
Edited byCecil B. DeMille
Production
company
Jesse Lasky Feature Plays
Distributed byParamount Pictures
Release date
  • April 22, 1915 (1915-04-22)
Running time
50 minutes
CountryUnited States
LanguagesSilent
English intertitles
Budget$12,153.54[1]
Box office$56,074.88[1][2]
The Captive (1915) by Cecil B. DeMille

The Captive is an American

House Peters
who stars as Mahmud Hassan. The film details the romantic war-era plight of Sonia and her lover Mahmud.

Plot

A 1915 news article about the film

The Captive chronicles the life of a young woman named Sonia Martinovitch (

House Peters) lives in a lavish palace. Marko is killed in the Battle of Lüleburgaz
, leaving Martinovich and Milo helpless. Subsequently, Hassan is taken prisoner, and assigned to the Martinovich's farm to help with the chores Sonia is unable to complete without her brother.

At first, Sonia holds Hassan captive with the use of her bullwhip[6] and forces him to get water, bake, and plow the fields. Hassan begins to befriend young Milo to alleviate his humiliation and suffering.[6] Gradually, Sonia warms up to him and they fall deeply in love.

The war wages on, and the Ottomans recapture the village where Sonia, Hassan and Milo live. A drunken officer (William Elmer) tries to force himself on Martinovich, but she refuses. Fueled by love, Hassan intervenes, despite the fact that the officer is Turkish. When the Ottoman army is driven out of the village, Hassan returns home to find that he has been stripped of his title, his land has been taken, and he has been banished from his homeland, all for thwarting the drunken officer's attack on Sonia. Meanwhile, at the farm, a pack of unruly scavengers have burned the Martinovich family's modest house, forcing them to abandon their home. The siblings meet Hassan on the road, and the lovebirds and Milo walk off to begin a new life together.[7]

A film review

Cast

Notable people

The Famous Players–Lasky Corporation

The director,

Famous Players–Lasky Corporation, dubbed “the world’s greatest motion picture enterprise, … [for] it is the organization which has made the motion picture”,[8] its membership included President Adolph Zukor, First Vice President Jesse L. Lasky, Director-General Cecil B. DeMille, Vice Presidents Frank A. Garbott and Walter E. Greene, Treasurer Arthur S. Friend, and Secretary Elek J. Ludvigh. Together, they churned out 731 feature films, and 363 single-reel shorts in conjunction with Paramount. They did this between the years of 1916 and 1919. Blanche Sweet starred in 19 of the films produced by this organization.[8]

Blanche Sweet

House Peters, as they worked together on another film called Warrens of Virginia.[10] Warrens of Virginia was directed and produced by the same team.[10] Additionally, Motion Picture News claimed that “Blanche Sweet has scored the greatest success of her entire career in the photodramatization.” The sets and scenes were described as “elaborate … [and] produced with extreme realism.” [10] DeMille's obsession with realism backfired when an extra, Charles Chandler, was shot and killed by a gun used as a prop on set. Later on, Blanche Sweet confessed that DeMille encouraged extras to use real bullets instead of blanks to create more realistic battle scenes.[4]

Sweet was not a fan of DeMille off screen. She starred in two feature films with DeMille (The Captive and Warrens of Virginia) and had a negative experience during both. She described her time with DeMille as “‘... a terrible time’ ... [she] was terrified of him.” [11] Sweet felt he was strange, but DeMille spun the story to make it sound like he was the one terrified of her. Although Sweet and DeMille didn’t quite click, she had a much better experience with his brother, William C. DeMille, “who, ‘had a more subtle way of doing things.’” [11] She worked with William on three films, The Ragamuffin, The Blacklist, and The Sowers. These films were all released in 1916.[11] DeMille then continued on to direct 70 more films throughout his career.[4]

Cecil B. DeMille

Universal for going over schedule on one of her short productions.” [4] MacPherson and DeMille worked well together, mostly due to their love of melodrama. In this example of their work, it is apparent that The Captive was designed with the intention of reusing costumes from an earlier film called The Unafraid. Both films share the same Eastern European setting and both leading ladies fall in love with their enemies.[4]

Preservation status

The film was thought to be

35 mm copy is now held.[12][13]

See also

References

  1. ^ .
  2. ^ "De Mille's Costs-Gross". Variety. March 21, 1928. p. 5. Retrieved March 20, 2023.
  3. ^ "Motion Picture News - Lantern: Search, Visualize & Explore the Media History Digital Library". lantern.mediahist.org. Retrieved November 19, 2015.
  4. ^ a b c d e f g Birchard, Robert (2004). Cecil B. DeMille's Hollywood. Lexington, Kentucky: University Press of Kentucky. pp. 44–46.
  5. ^ DeMille, Cecil B. (April 22, 1915), The Captive, retrieved October 4, 2016
  6. ^ a b "Motion Picture News - Lantern: Search, Visualize & Explore the Media History Digital Library". lantern.mediahist.org. Retrieved November 19, 2015.
  7. ^ "The Captive (1915) - Overview - TCM.com". Turner Classic Movies. Retrieved November 19, 2015.
  8. ^ a b The Story of The Famous Players–Lasky Corporation. New York: Paramount-Artcraft Motion Pictures. 1919.
  9. ^ "Motion Picture News - Lantern: Search, Visualize & Explore the Media History Digital Library". lantern.mediahist.org. Retrieved November 19, 2015.
  10. ^ a b c "Motion Picture News - Lantern: Search, Visualize & Explore the Media History Digital Library". lantern.mediahist.org. Retrieved November 19, 2015.
  11. ^ a b c Slide, Anthony (2010). Silent Players a Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses. Lexington, Kentucky: University Press of Kentucky.
  12. ^ Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress, (<-book title) p.26 c.1978 by the American Film Institute
  13. ^ "American Silent Feature Film Database: The Captive". Library of Congress. Retrieved March 30, 2024.

External links