On the Consolation of Philosophy
Fate, Christian theology | |
Publication date | 524 |
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Published in English | Mid-14th century (Middle English) |
082.1 | |
Original text | The Consolation of Philosophy at Latin Wikisource |
Translation | The Consolation of Philosophy at Wikisource |
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Neoplatonism |
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On the Consolation of Philosophy (
Description
On the Consolation of Philosophy was written in AD 523 during a one-year imprisonment Boethius served while awaiting trial—and eventual execution—for the alleged crime of
Boethius writes the book as a conversation between himself and a female personification of philosophy, referred to as "Lady Philosophy". Philosophy consoles Boethius by discussing the transitory nature of wealth, fame, and power ("no man can ever truly be secure until he has been forsaken by Fortune"), and the ultimate superiority of things of the mind, which she calls the "one true good". She contends that happiness comes from within, and that virtue is all that one truly has because it is not imperiled by the vicissitudes of fortune.
Boethius engages with the nature of predestination and free will, the problem of evil and the "problem of desert",[5] human nature, virtue, and justice. He speaks about the nature of free will and determinism when he asks whether God knows and sees all, or does man have free will. On human nature, Boethius says that humans are essentially good, and only when they give in to "wickedness" do they "sink to the level of being an animal." On justice, he says criminals are not to be abused, but rather treated with sympathy and respect, using the analogy of doctor and patient to illustrate the ideal relationship between prosecutor and criminal.
Outline
On the Consolation of Philosophy is laid out as follows:
- Book I: Boethius laments his imprisonment before he is visited by Philosophy, personified as a woman.
- Book II: Philosophy illustrates the capricious nature of Fate by discussing the "wheel of Fortune"; she further argues that true happiness lies in the pursuit of wisdom.
- Book III: Building on the ideas laid out in the previous book, Philosophy explains how wisdom has a divine source; she also demonstrates how many earthly goods (e.g., wealth, beauty) are fleeting at best.
- Book IV: Philosophy and Boethius discuss the nature of good and evil, with Philosophy offering several explanations concerned with evil events and why the wicked can never attain true happiness.
- Book V: Boethius asks Philosophy about the role Chance plays in the order of everything. Philosophy argues that Chance is guided by Providence. Boethius then asks Philosophy about the compatibility of an omniscient God and free will.
Interpretation
In the Consolation, Boethius answered religious questions without reference to Christianity, relying solely on natural philosophy and the Classical
Boethius repeats the Macrobius model of the Earth in the center of a spherical cosmos.[8]
The philosophical message of the book fits well with the religious piety of the Middle Ages. Boethius encouraged readers not to pursue worldly goods such as money and power, but to seek internalized virtues. Evil had a purpose, to provide a lesson to help change for good; while suffering from evil was seen as virtuous. Because God ruled the universe through Love, prayer to God and the application of Love would lead to true happiness.[9] The Middle Ages, with their vivid sense of an overruling fate, found in Boethius an interpretation of life closely akin to the spirit of Christianity. The Consolation stands, by its note of fatalism and its affinities with the Christian doctrine of humility, midway between the pagan philosophy of Seneca the Younger and the later Christian philosophy of consolation represented by Thomas à Kempis.[10]
The book is heavily influenced by
Influence
From the
Translations into the
Found within the Consolation are themes that have echoed throughout the Western canon: the female figure of wisdom that informs Dante, the ascent through the layered universe that is shared with Milton, the reconciliation of opposing forces that find their way into Chaucer in The Knight's Tale, and the Wheel of Fortune so popular throughout the Middle Ages.
Citations from it occur frequently in Dante's Divina Commedia. Of Boethius, Dante remarked: "The blessed soul who exposes the deceptive world to anyone who gives ear to him."[18]
Boethian influence can be found nearly everywhere in
The Italian composer Luigi Dallapiccola used some of the text in his choral work Canti di prigionia (1938). The Australian composer Peter Sculthorpe quoted parts of it in his opera or music theatre work Rites of Passage (1972–73), which was commissioned for the opening of the Sydney Opera House but was not ready in time.
Boethius and Consolatio Philosophiae are cited frequently by the main character Ignatius J. Reilly in the Pulitzer Prize-winning A Confederacy of Dunces (1980).
It is a
Edward Gibbon described the work as "a golden volume not unworthy of the leisure of Plato or Tully."[20]
In the 20th century, there were close to four hundred manuscripts still surviving, a testament to its popularity.[21]
Of the work, C. S. Lewis wrote: "To acquire a taste for it is almost to become naturalised in the Middle Ages."[22]
Reconstruction of lost songs
Hundreds of Latin songs were recorded in neumes from the ninth century through to the thirteenth century, including settings of the poetic passages from Boethius's The Consolation of Philosophy. The music of this song repertory had long been considered irretrievably lost because the notational signs indicated only melodic outlines, relying on now-lapsed oral traditions to fill in the missing details. However, research conducted by Sam Barrett at the University of Cambridge,[23] extended in collaboration with medieval music ensemble Sequentia, has shown that principles of musical setting for this period can be identified, providing crucial information to enable modern realisations.[24] Sequentia performed the world premiere of the reconstructed songs from Boethius's The Consolation of Philosophy at Pembroke College, Cambridge, in April 2016, bringing to life music not heard in over 1,000 years; a number of the songs were subsequently recorded on the CD Boethius: Songs of Consolation. Metra from 11th-Century Canterbury (Glossa, 2018). The detective story behind the recovery of these lost songs is told in a documentary film, and a website launched by the University of Cambridge in 2018 provides further details of the reconstruction process, bringing together manuscripts, reconstructions, and video resources.[25]
See also
- Allegory in the Middle Ages
- Consolatio
- Girdle book
- Metres of Boethius
- Prosimetrum
- Stoicism
- The Wheel of Fortune
References
- ^ Knowles, David (1967). "Boethius, Anicius Manlius Severinus", The Encyclopedia of Philosophy, Paul Edwards, v. 1, p. 329.
- ^ The Consolation of Philosophy (Oxford World's Classics), Introduction (2000)
- ^ The Divine Comedy) (see also below).
- ^ Stewart, Hugh Fraser (1891). Boethius, An Essay. Edinburgh: William Blackwood and Sons. p. 109. Retrieved 1 August 2022.
- ISBN 9780199661848.
- ^ Chadwick, Henry (1998). "Boethius, Anicius Manlius Severinus (c.480-525/6)". In Craig, Edward (ed.). Routledge Encyclopedia of Philosophy. Routledge.
The Opuscula sacra regard faith and reason as independent but parallel and compatible ways of attaining to higher metaphysical truths, and the independent validity of logical reasoning is also an underlying presupposition throughout De consolatione.
- ISBN 0-19-826549-2
- ^ S.C. McCluskey, Astronomies and Cultures in Early Medieval Europe, (Cambridge: Cambridge Univ. Pr., 1998), pp. 114, 123.
- ^ Sanderson Beck (1996).
- ^ a b Ward, A. W.; Waller, A. R., eds. (1907). "VI. Alfred and the Old English Prose of his Reign, §5. De Consolatione Philosophiae". The Cambridge History of English and American Literature: From the Beginnings to the Cycles of Romance. Cambridge University Press.
- ISBN 9780195134070.
- ISSN 0080-4401.
- ISBN 9789004183544.
- ISSN 1055-7660.
- ^ "The National Archives - Homepage". Retrieved 18 February 2019.
- JSTOR 2864168.
- ^ Notker (Labeo) (1986). Boethius, "De consolatione philosophiae": Consolation, Book I and II (in Latin). M. Niemeyer.
- ^ Dante The Divine Comedy. "Blessed souls" inhabit Dante's Paradise, and appear as flames. (see the note above).
- ISBN 0-395-33973-1, (1983).
- The Decline and Fall of the Roman Empire
- ISBN 0815628250.
- ISBN 0-521-47735-2, pg. 75
- ^ Barrett, Sam (2013). The Melodic Tradition of Boethius' "De consolatine philosophiae" in the Middle Ages. Kassel: Bärenreiter.
- ^ "First performance in 1,000 years: 'lost' songs from the Middle Ages are brought back to life". University of Cambridge. 23 April 2016. Retrieved 18 February 2023.
- ^ "Restoring Lost Songs: Boethius' Consolation of Philosophy".
Sources
- ISBN 9780198718314.
- Boethius, The Consolation of Philosophy.
- Trans. Joel C. Relihan, (Hackett Publishing), 2001. ISBN 0-87220-583-5
- Trans. P. G. Walsh, (Oxford World's Classics), 2001. ISBN 0-19-283883-0
- Trans. Richard H. Green, (Library of the Liberal Arts), 1962. ISBN 0-02-346450-X
- Trans. ISBN 0-14-044780-6
- Trans. Joel C. Relihan, (Hackett Publishing), 2001.
- Cochrane, Charles Norris., Christianity and Classical Culture, 1940, ISBN 978-0865974135.
- ISBN 0-19-826549-2
- Herbermann, Charles, ed. (1913). Catholic Encyclopedia. New York: Robert Appleton Company.. .
- ISBN 0-521-47735-2.
- Relihan, Joel C., Ancient Menippean Satire, 1993, ISBN 978-0801845246
- Relihan, Joel C., The Prisoner's Philosophy: Life and Death in Boethius's Consolation, 2007, ISBN 978-0872205833.
- Sanderson Beck, The Consolation of Boethius an analysis and commentary. 1996.
- The Cambridge History of English and American Literature, Volume I Ch.6.5: De Consolatione Philosophiae, 1907–1921.
External links
- On the Consolation of Philosophy at Standard Ebooks
- Consolatio Philosophiae from Project Gutenberg, HTML conversion, originally translated by H. R. James, London 1897.
- Consolatio Philosophiae in the original Latin with English comments at the University of Georgetown
- First Performance in 1000 years: lost songs from the Middle Ages are brought back to life
- Medieval translations into Old English by Alfred the Great, Old High German by Notker Labeo, Middle (originally Old) French by Jean de Meun, and Middle English by Geoffrey Chaucer
- The Consolation of Philosophy public domain audiobook at LibriVox
- The Consolation of Philosophy, many translations and commentaries from Internet Archive
- The Consolation of Philosophy, Translated by: W.V. Cooper : J.M. Dent and Company London 1902 The Temple Classics, edited by Israel Golancz M.A. Online reading and multiple ebook formats at Ex-classics.