On the Consolation of Philosophy

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The Consolation of Philosophy
Publication date
524
Published in English
Mid-14th century (Middle English)
082.1
Original text
The Consolation of Philosophy at Latin Wikisource
TranslationThe Consolation of Philosophy at Wikisource

On the Consolation of Philosophy (

Medieval and early Renaissance Christianity.[2][3]

Description

On the Consolation of Philosophy was written in AD 523 during a one-year imprisonment Boethius served while awaiting trial—and eventual execution—for the alleged crime of

Rome, holding the prestigious office of magister officiorum, and was brought down by treachery. This experience inspired the text, which reflects on how evil can exist in a world governed by God (the problem of theodicy), and how happiness is still attainable amidst fickle fortune, while also considering the nature of happiness and God. In 1891, the academic Hugh Fraser Stewart described the work as "by far the most interesting example of prison literature the world has ever seen."[4]

Boethius writes the book as a conversation between himself and a female personification of philosophy, referred to as "Lady Philosophy". Philosophy consoles Boethius by discussing the transitory nature of wealth, fame, and power ("no man can ever truly be secure until he has been forsaken by Fortune"), and the ultimate superiority of things of the mind, which she calls the "one true good". She contends that happiness comes from within, and that virtue is all that one truly has because it is not imperiled by the vicissitudes of fortune.

Boethius engages with the nature of predestination and free will, the problem of evil and the "problem of desert",[5] human nature, virtue, and justice. He speaks about the nature of free will and determinism when he asks whether God knows and sees all, or does man have free will. On human nature, Boethius says that humans are essentially good, and only when they give in to "wickedness" do they "sink to the level of being an animal." On justice, he says criminals are not to be abused, but rather treated with sympathy and respect, using the analogy of doctor and patient to illustrate the ideal relationship between prosecutor and criminal.

Outline

On the Consolation of Philosophy is laid out as follows:

  • Book I: Boethius laments his imprisonment before he is visited by Philosophy, personified as a woman.
  • Book II: Philosophy illustrates the capricious nature of Fate by discussing the "wheel of Fortune"; she further argues that true happiness lies in the pursuit of wisdom.
  • Book III: Building on the ideas laid out in the previous book, Philosophy explains how wisdom has a divine source; she also demonstrates how many earthly goods (e.g., wealth, beauty) are fleeting at best.
  • Book IV: Philosophy and Boethius discuss the nature of good and evil, with Philosophy offering several explanations concerned with evil events and why the wicked can never attain true happiness.
  • Book V: Boethius asks Philosophy about the role Chance plays in the order of everything. Philosophy argues that Chance is guided by Providence. Boethius then asks Philosophy about the compatibility of an omniscient God and free will.

Interpretation

In the Consolation, Boethius answered religious questions without reference to Christianity, relying solely on natural philosophy and the Classical

Greek tradition. He believed in the correspondence between faith and reason. The truths found in Christianity would be no different from the truths found in philosophy.[6] In the words of Henry Chadwick, "If the Consolation contains nothing distinctively Christian, it is also relevant that it contains nothing specifically pagan either...[it] is a work written by a Platonist who is also a Christian."[7]

Boethius repeats the Macrobius model of the Earth in the center of a spherical cosmos.[8]

The philosophical message of the book fits well with the religious piety of the Middle Ages. Boethius encouraged readers not to pursue worldly goods such as money and power, but to seek internalized virtues. Evil had a purpose, to provide a lesson to help change for good; while suffering from evil was seen as virtuous. Because God ruled the universe through Love, prayer to God and the application of Love would lead to true happiness.[9] The Middle Ages, with their vivid sense of an overruling fate, found in Boethius an interpretation of life closely akin to the spirit of Christianity. The Consolation stands, by its note of fatalism and its affinities with the Christian doctrine of humility, midway between the pagan philosophy of Seneca the Younger and the later Christian philosophy of consolation represented by Thomas à Kempis.[10]

The book is heavily influenced by

Neoplatonic[citation needed][11]
and Christian ethical messages, although current scholarly research is still far from clear exactly why and how the work became so vastly popular in the Middle Ages.

Influence

Lady Fortune with the Wheel of Fortune in a medieval manuscript of a work by Boccaccio

From the

Carolingian epoch[12] to the end of the Middle Ages and beyond, The Consolation of Philosophy was one of the most popular and influential philosophical works, read by statesmen, poets, historians, philosophers, and theologians. It is through Boethius that much of the thought of the Classical period was made available to the Western Medieval world. It has often been said Boethius was the "last of the Romans and the first of the Scholastics".[3]

Translations into the

Old English), Jean de Meun (Old French), Geoffrey Chaucer (Middle English), Queen Elizabeth I (Early Modern English) and Notker Labeo (Old High German).[13][14][15][16][17] Boethius's Consolation of Philosophy was translated into Italian by Alberto della Piagentina (1332), Anselmo Tanso (Milan, 1520), Lodovico Domenichi (Florence, 1550), Benedetto Varchi (Florence, 1551), Cosimo Bartoli (Florence, 1551) and Tommaso Tamburini
(Palermo, 1657).

Found within the Consolation are themes that have echoed throughout the Western canon: the female figure of wisdom that informs Dante, the ascent through the layered universe that is shared with Milton, the reconciliation of opposing forces that find their way into Chaucer in The Knight's Tale, and the Wheel of Fortune so popular throughout the Middle Ages.

Citations from it occur frequently in Dante's Divina Commedia. Of Boethius, Dante remarked: "The blessed soul who exposes the deceptive world to anyone who gives ear to him."[18]

Boethian influence can be found nearly everywhere in

The Parliament of Fowls and some of the shorter poems, such as Truth, The Former Age and Lak of Stedfastnesse. Chaucer translated the work in his Boece
.

The Italian composer Luigi Dallapiccola used some of the text in his choral work Canti di prigionia (1938). The Australian composer Peter Sculthorpe quoted parts of it in his opera or music theatre work Rites of Passage (1972–73), which was commissioned for the opening of the Sydney Opera House but was not ready in time.

Frodo, Treebeard, and Elrond.[19]

Miniatures of Boethius teaching and in prison from a 1385 Italian manuscript

Boethius and Consolatio Philosophiae are cited frequently by the main character Ignatius J. Reilly in the Pulitzer Prize-winning A Confederacy of Dunces (1980).

It is a

platonic dialogue
, and lyrical poetry.

Edward Gibbon described the work as "a golden volume not unworthy of the leisure of Plato or Tully."[20]

In the 20th century, there were close to four hundred manuscripts still surviving, a testament to its popularity.[21]

Of the work, C. S. Lewis wrote: "To acquire a taste for it is almost to become naturalised in the Middle Ages."[22]

Reconstruction of lost songs

Hundreds of Latin songs were recorded in neumes from the ninth century through to the thirteenth century, including settings of the poetic passages from Boethius's The Consolation of Philosophy. The music of this song repertory had long been considered irretrievably lost because the notational signs indicated only melodic outlines, relying on now-lapsed oral traditions to fill in the missing details. However, research conducted by Sam Barrett at the University of Cambridge,[23] extended in collaboration with medieval music ensemble Sequentia, has shown that principles of musical setting for this period can be identified, providing crucial information to enable modern realisations.[24] Sequentia performed the world premiere of the reconstructed songs from Boethius's The Consolation of Philosophy at Pembroke College, Cambridge, in April 2016, bringing to life music not heard in over 1,000 years; a number of the songs were subsequently recorded on the CD Boethius: Songs of Consolation. Metra from 11th-Century Canterbury (Glossa, 2018). The detective story behind the recovery of these lost songs is told in a documentary film, and a website launched by the University of Cambridge in 2018 provides further details of the reconstruction process, bringing together manuscripts, reconstructions, and video resources.[25]

See also

References

  1. ^ Knowles, David (1967). "Boethius, Anicius Manlius Severinus", The Encyclopedia of Philosophy, Paul Edwards, v. 1, p. 329.
  2. ^ The Consolation of Philosophy (Oxford World's Classics), Introduction (2000)
  3. ^
    The Divine Comedy
    ) (see also below).
  4. ^ Stewart, Hugh Fraser (1891). Boethius, An Essay. Edinburgh: William Blackwood and Sons. p. 109. Retrieved 1 August 2022.
  5. .
  6. ^ Chadwick, Henry (1998). "Boethius, Anicius Manlius Severinus (c.480-525/6)". In Craig, Edward (ed.). Routledge Encyclopedia of Philosophy. Routledge. The Opuscula sacra regard faith and reason as independent but parallel and compatible ways of attaining to higher metaphysical truths, and the independent validity of logical reasoning is also an underlying presupposition throughout De consolatione.
  7. ^ S.C. McCluskey, Astronomies and Cultures in Early Medieval Europe, (Cambridge: Cambridge Univ. Pr., 1998), pp. 114, 123.
  8. ^ Sanderson Beck (1996).
  9. ^ a b Ward, A. W.; Waller, A. R., eds. (1907). "VI. Alfred and the Old English Prose of his Reign, §5. De Consolatione Philosophiae". The Cambridge History of English and American Literature: From the Beginnings to the Cycles of Romance. Cambridge University Press.
  10. .
  11. .
  12. .
  13. .
  14. ^ "The National Archives - Homepage". Retrieved 18 February 2019.
  15. JSTOR 2864168
    .
  16. ^ Notker (Labeo) (1986). Boethius, "De consolatione philosophiae": Consolation, Book I and II (in Latin). M. Niemeyer.
  17. ^ Dante The Divine Comedy. "Blessed souls" inhabit Dante's Paradise, and appear as flames. (see the note above).
  18. , (1983).
  19. The Decline and Fall of the Roman Empire
  20. .
  21. , pg. 75
  22. ^ Barrett, Sam (2013). The Melodic Tradition of Boethius' "De consolatine philosophiae" in the Middle Ages. Kassel: Bärenreiter.
  23. ^ "First performance in 1,000 years: 'lost' songs from the Middle Ages are brought back to life". University of Cambridge. 23 April 2016. Retrieved 18 February 2023.
  24. ^ "Restoring Lost Songs: Boethius' Consolation of Philosophy".

Sources

External links