The Dalek Invasion of Earth
010 – The Dalek Invasion of Earth | |||
---|---|---|---|
Cast | |||
Others
| |||
Production | |||
Directed by | Season 2 | ||
Running time | 6 episodes, 25 minutes each | ||
First broadcast | 21 November 1964 | ||
Last broadcast | 26 December 1964 | ||
Chronology | |||
| |||
The Dalek Invasion of Earth is the second
The serial was commissioned following the success of the Daleks from the
Plot
After the TARDIS materialises, the First Doctor (William Hartnell), Susan Foreman (Carole Ann Ford), Ian Chesterton (William Russell), and Barbara Wright (Jacqueline Hill) surmise that they have landed in London, but find it in ruins. The Doctor and Ian stumble across an army of Robomen as a Dalek rises from the River Thames. The Daleks take the Doctor and Ian onboard their saucer. Resistance members explain that the Daleks invaded Earth in the aftermath of a meteorite bombardment ten years prior.
Barbara and Susan are taken by refugees to a nearby shelter in an abandoned
Dortmun sacrifices himself so that Barbara and Jenny (
Back in London, David begs Susan to stay and marry him. Susan agonises, declaring her love but admitting that she must leave. The Doctor locks the TARDIS doors and bids Susan an emotional farewell, telling her that she deserves a normal life with David. He promises to return one day, and sets the TARDIS in motion. Susan drops her TARDIS key and leaves with David.
Production
Conception and writing
In March 1964, story editor
The Dalek models were refurbished for the serial, adding new eyestalks, a dish receptor, improved bases for movement, and a new pedal mechanism.[a][7] The serial's score was composed by Francis Chagrin. Around 18 minutes of incidental music for the first three episodes was recorded on 10 September 1964 at Maida Vale Studios,[8] and 12 minutes for the final three episodes was recorded by five musicians on 8 October.[9] Chagrin had conceived the music from the serial's final scene some time before production and was "dying to use it".[10]
Casting and characters
On 12 March 1964, trade paper Television Today announced that Carole Ann Ford would depart from her role as Susan at the end of her contract, due to her dissatisfaction with the character's development.[5] Whitaker wanted a strong reason for Susan's departure. To assist the story's development, Ford and Hartnell were invited to stay with Nation and his wife over a weekend in August.[11] In June 1964, head of serials Donald Wilson considered continuing the show without the character of Barbara, and with a younger actress for Susan.[12] Delays by Controller of Programmes Donald Baverstock to renew cast contracts meant that Susan's replacement, then intended to be Jenny (originally known as Saida), could not be introduced in the serial.[13] Director Richard Martin asked Ann Davies, who was cast as Jenny, if she would be available as a regular cast member, but he could not offer the role.[14]
The Dalek Invasion of Earth was the first speaking role of Nicholas Smith, who portrayed Wells. When Smith discovered he was only starring in one episode, he approached Martin; Martin asked him to return in a later episode to lead the human rebellion.[15] Jean Conroy, who played one of the women in the woods in the fifth episode, died in a street accident on 14 November; the episode was broadcast posthumously.[16]
Filming
The Dalek Invasion of Earth was the first major location shoot for Doctor Who. Filming in 35mm began at Trafalgar Square at around 5:30 a.m. on 23 August 1964, consisting of shots of a deserted city.[17] The design team added Dalek markings on landmarks such as Nelson's Column, which police requested they remove.[18] On the same day, filming took place at the statue of the Duke of Cambridge in Whitehall, Westminster Bridge, and the Royal Albert Hall. Martin had an agreement with police to vacate parts of central London for filming. Production resumed two days later on 25 August at the closed Wood Lane tube station.[19] On 27 August, filming took place at Hammersmith Bridge. The location was chosen as it provided easy access to a hospital in case any performers swallowed river water; a taxi remained on standby. Dalek operator Robert Jewell could not gain enough traction to move his Dalek out of the river; the prop was attached to a cable to help. Doctor Who's first filming in a quarry took place on 28 August at Stone, Kent.[20] Peter Hawkins and David Graham recorded Dalek voiceovers on 16 September.[8]
Rehearsals for the first episode began on 14 September in White City, and weekly studio recording began on 18 September in Studio 1 at Riverside Studios. Though smaller overall than Lime Grove Studios, the complex used for previous serials, Riverside offered well-equipped and larger individual studios.[8] During camera rehearsals for the third episode on 2 October, Hartnell injured his back when a prop ramp malfunctioned;[21] when Martin apologised for the incident, Hartnell assured that he would be fine, but producer Verity Lambert insisted that he take several days to rest.[22] Following discussions between Hartnell's solicitors and the BBC's, the BBC denied liability and paid for an X-ray. Hartnell was given a week off to recover, and the fourth episode underwent minor rewrites; Edmund Warwick doubled for Hartnell as The Doctor in the episode.[9] The final episode was recorded on 23 October, marking a year of production since the filming of the show's first serial;[23] recording was delayed by half an hour due to some technical facilities being used by coverage of the 1964 Summer Olympics.[9] The production crew anticipated the final episode to be one of the most technically complex. The recording suffered some camera and sound issues, causing Hartnell to stumble some speeches. Hartnell omitted two lines from the Doctor's closing speech to Susan.[b] Ford recorded footage of the cast between camera rehearsals on her personal 8 mm film camera.[23]
Reception
Broadcast and ratings
Episode | Title | Run time | Original air date | UK viewers (millions) | Appreciation Index |
---|---|---|---|---|---|
1 | "World's End" | 23:42 | 21 November 1964 | 11.4 | 63 |
2 | "The Daleks" | 24:19 | 28 November 1964 | 12.4 | 59 |
3 | "Day of Reckoning" | 26:50 | 5 December 1964 | 11.9 | 59 |
4 | "The End of Tomorrow" | 23:23 | 12 December 1964 | 11.9 | 59 |
5 | "The Waking Ally" | 24:29 | 19 December 1964 | 11.4 | 58 |
6 | "Flashpoint" | 25:21 | 26 December 1964 | 12.4 | 60 |
The Dalek Invasion of Earth was successful among viewers, with an additional four million viewers over the previous serial:
Critical response
At the BBC Programme Review Board after the broadcast of the first episode in November 1964, director of television Kenneth Adam called it "interesting".[25] The Audience Research Report was higher than usual, with praise for the production and atmosphere; the primary complaint was the lack of Daleks, and some viewers felt it was too gruesome for children.[27] The Review Board described the third episode as "outstanding".[31] The following week, executives of the Board felt that the show's quality was consistently high. Adam indicated that Director-General Hugh Greene was eager to see the Daleks return in future stories.[32] T. C. Worsley of the Financial Times praised the serial for creating a universal image for the Daleks. On 27 May 1965, critic Frederick Laws wrote that he had banned his children from watching Doctor Who due to the ending of the serial's first episode.[33]
Retrospective reviews of the serial were generally positive. In The Discontinuity Guide (1995), Paul Cornell, Martin Day, and Keith Topping praised the exterior sequences of the Daleks, though noted the less impressive production of the Slyther.[34] In The Television Companion (1998), David J. Howe and Stephen James Walker described the serial as "one of the series' all-time greats", with impressive scripting and location filming despite some clumsy direction; they also praised the "poignant and moving" final scene.[35] In A Critical History of Doctor Who (1999), John Kenneth Muir found the serial to be one of Doctor Who's darkest, and praised the location shooting and the characterisation of Susan, though noted some sexism in the Doctor's final remarks and criticised some "positively amateurish" special effects.[36]
In 2008, Mark Braxton of Radio Times praised the supporting cast, location filming, and emotional ending, but noted the continuity errors concerning the Daleks and the production shortcomings as a result of the serial's ambition.[30] In a 2011 review, The A.V. Club's Christopher Bahn criticised the serial's slow pacing and the uninteresting concept of the Robomen, and noted that Susan's departure lacked dramatic impact because the Doctor chose for her; however, he praised the first episode and its cliffhanger, and the characterisation of the Doctor.[1] In 2010, Charlie Jane Anders of io9 listed the first episode's cliffhanger as one of the greatest in the show's history.[2] The Dalek Invasion of Earth was voted the best First Doctor story by Doctor Who Magazine readers in 2020; writer Nick Setchfield cited the atmosphere, character, and narrative as its greatest elements, and the first episode's cliffhanger and Susan's departure among its best moments.[3]
Commercial releases
ISBN 0-491-02124-0 | |
The serial was released as a double-tape pack by
Film adaptation
In 1966, the serial was adapted as a film,
Notes
- ^ Dalek designer Raymond Cusick had proposed the addition of a pedal mechanism for the original design the previous year.[7]
- ^ The two lines omitted by Hartnell include one earlier in the speech: "Work hard both of you. Be gentle with her David and show her that life on Earth with love and understanding can be a great adventure." The second line was meant to end the speech: "And remember love is the most precious jewel of all."[24]
References
- ^ a b Bahn, Christopher (6 November 2011). "Doctor Who (Classic): "The Dalek Invasion Of Earth"". The A.V. Club. Onion, Inc. Archived from the original on 19 September 2017. Retrieved 19 September 2020.
- ^ a b Anders, Charlie Jane (31 August 2010). "Greatest Doctor Who cliffhangers of all time!". io9. Gawker Media. Archived from the original on 2 September 2010. Retrieved 19 September 2020.
- ^ a b Setchfield 2020, p. 49.
- ^ Wright 2017, p. 16.
- ^ a b Wright 2017, p. 17.
- ^ Wright 2017, p. 28.
- ^ a b Wright 2017, p. 24.
- ^ a b c Wright 2017, p. 29.
- ^ a b c Wright 2017, p. 32.
- 2 Entertain. Event occurs at 23:10.
- ^ Wright 2017, p. 19.
- ^ Wright 2017, p. 18.
- ^ Wright 2017, pp. 23–24.
- ^ Finklestone 2003, 06:21.
- 2 Entertain.
- ^ Wright 2017, p. 33.
- ^ Wright 2017, p. 25.
- ^ Wright 2017, pp. 25–26.
- ^ Wright 2017, p. 26.
- ^ Wright 2017, p. 27.
- ^ Wright 2017, p. 31.
- 2 Entertain. Event occurs at 2:52.
- ^ a b Wright 2017, p. 34.
- ^ Wright 2017, pp. 34–35.
- ^ a b c Wright 2017, p. 38.
- ^ a b c Wright 2017, p. 44.
- ^ a b Wright 2017, p. 42.
- ^ Howe & Walker 1998, p. 67.
- ^ Muir 1999, p. 99.
- ^ a b Braxton, Mark (20 November 2008). "The Dalek Invasion of Earth". Radio Times. BBC Magazines. Archived from the original on 19 September 2020. Retrieved 19 September 2020.
- ^ Wright 2017, p. 39.
- ^ Wright 2017, p. 41.
- ^ Wright 2017, p. 43.
- ^ Cornell, Day & Topping 1995.
- ^ Howe & Walker 1998, pp. 65–67.
- ^ Muir 1999, p. 98–99.
- ^ a b Wright 2017, p. 45.
- ^ Wright 2017, p. 46.
- ^ Jeffery, Morgan (16 August 2022). "Doctor Who's Maureen O'Brien reprises Vicki role after almost 60 years". Radio Times. Immediate Media Company. Archived from the original on 16 August 2022. Retrieved 11 September 2022.
- ^ "The Collection: Season 2". The TARDIS Library. Archived from the original on 14 November 2022. Retrieved 8 December 2022.
- ^ Ainsworth 2015, p. 158.
Bibliography
- Ainsworth, John, ed. (2015). "100,000 BC and The Mutants (aka The Daleks)". Doctor Who: The Complete History. 1 (4). London: ISSN 2057-6048.
- ISBN 0-426-20442-5.
- ISBN 978-1-845-83156-1.
- ISBN 978-0-786-40442-1.
- Setchfield, Nick (July 2020). Barnes, Alan (ed.). "The World Cup of the First Doctor". ISSN 0957-9818.
- Wright, Mark, ed. (2017). "The Dalek Invasion of Earth, The Rescue, The Romans and The Web Planet". Doctor Who: The Complete History. 4 (61). London: ISSN 2057-6048.