The Eyre Affair

The Eyre Affair is the

As the story begins, Thursday is promoted to assist in the capture of a wanted terrorist, Acheron Hades, her former university professor who has become a mysterious criminal mastermind. Thursday is the only living person who can recognize him, and nearly captures him during a stakeout, but Hades possesses several superhuman abilities, such as mental manipulation and extreme durability, and uses those powers to withstand her gunfire. He evades capture and kills Thursday's entire team. During the capture attempt she is shot, but a copy of Jane Eyre stops Hades's bullet. A mysterious stranger aids her until the paramedics arrive, leaving behind a handkerchief monogrammed with the letters "E.F.R." and a 19th-century style jacket. Next recognizes these items as belonging to Edward Fairfax Rochester, a fictional character from Jane Eyre. During a flashback to her childhood, Thursday remembers a seemingly supernatural event, whereby she was able to physically enter the world of the novel and briefly became acquainted with Rochester.

While recovering in hospital, she learns that, after fleeing the scene, Hades was seemingly killed in a car accident. She also meets a time-traveling future version of herself, who warns her that Hades survived the accident, and instructs her to take a LiteraTec job in her home town of Swindon. She takes the job, and while visiting her family there, she discovers that her brilliant Uncle Mycroft and Aunt Polly have created the Prose Portal, a device that allows people to enter works of fiction. At home, she renews an acquaintance with her ex-fiancé Parke-Laine. She also meets, and is forced to work with, a high-ranking Goliath operative named Jack Schitt, who is similarly investigating Hades.

Hades, meanwhile, steals the original manuscript of Charles Dickens's Martin Chuzzlewit. He also kidnaps Mycroft, Polly, and the Prose Portal in order to blackmail the literary world; any changes made to the plot of a novel's original manuscript will change all other copies. To demonstrate his demands are serious, Hades kills Mr Quaverley, a minor character from the original manuscript of Martin Chuzzlewit. When his demands are not met, he stages a theft of the original manuscript of Jane Eyre and kidnaps Jane for another ransom demand. This causes the text of all copies of the Jane Eyre novel to abruptly end at the moment of Jane's kidnapping, roughly halfway through the book.

Next and Jack Schitt independently trace Hades to Wales. She rescues Mycroft and the Prose Portal, and returns Jane to the novel. However, she finds Aunt Polly stuck in one of Wordsworth's poems, and learns that Hades has gone into the original text of Jane Eyre carrying the scrap of paper on which Polly is imprisoned. Next pursues Hades. After several weeks in the novel (which pass in the outside world much more quickly, as the book rewrites itself after Jane is returned) and much trouble, she succeeds in killing Hades and recovering the poem with Polly in it. In the process, Thornfield Hall is burned, Rochester's mad wife Bertha falls to her death, and Rochester is grievously injured. Thursday also discovers that the characters in the book must continually relive their lives, with full knowledge of how events turn out, and are unable to alter any of them. Thus, Rochester must repeatedly suffer the devastating loss of Jane when she runs away from him upon discovering his secret marriage. Thursday, who has befriended Rochester, resolves to change the ending of the book to a happy one. She changes events to reunite Jane and Rochester (in other words, she alters the ending to match the actual ending to Jane Eyre).

Returning to her own world, Next uses the Prose Portal to release her Aunt Polly, while Jack Schitt reveals that his interest is in the device. Goliath had never been able to perfect STONK as a feasible weapon. Therefore, with their deadline to deliver the weapons to the military, he had resolved to extract working STONKs from the weapon's manual, itself a work of fiction, as the weapons don't work. Thursday reluctantly agrees to let Schitt use the portal for this endeavor, but switches the book connected to the portal to be the text of Edgar Allan Poe's "The Raven". When the portal opens, she pushes Schitt inside, and traps him there, while Mycroft destroys the portal.

Using her new celebrity status, Next enters a televised debate between supporters and opponents of the continuation of the Crimean War. Supporters of the war assume that Goliath's plasma rifles will be sufficient to guarantee victory. But in the debate, Next publicly reveals that the plasma rifles do not work. This forces England to rethink its position, which leads to peace negotiations and an end to the war.

Next shows up at the church where Parke-Laine is about to be married to another woman, but Rochester's lawyer interrupts the wedding to reveal that the bride is already married. Next and Parke-Laine are reconciled and marry instead. Next's father, a renegade agent from SpecOps-12, the ChronoGuard, turns up to dispense some fatherly advice to his daughter. The novel ends with Next facing an uncertain future at work: public reaction to the new ending for Jane Eyre is positive, but there are other repercussions, including Goliath's fury.

Reception

The book was generally acclaimed, with critics calling it "playfully irreverent",^[4] "delightfully daft",^[5] "whoppingly imaginative",^[6] and "a work of ... startling originality".^[5]

The "

Reviewers have compared Fforde to other authors, including Woody Allen,^[8][11] Sara Paretsky,^[7] and Connie Willis.^[10] One critic wondered if Fforde was more "Monty Python crossed with Terry Pratchett, or J. K. Rowling mixed with Douglas Adams."^[3] The novel was praised for its fast-paced action,^[7][11] wordplay,^[7][12] and "off-centre humour".^[3]

Mary Hamilton of The Guardian described the experience as

"the page opens like a trapdoor and you simply fall through. The Eyre Affair takes that feeling, the moment you lose the sense of yourself and become engrossed in the story, and creates high adventure and wild drama around the porous boundaries between fiction and real life."^[13]

Some reviewers criticised the novel for "convoluted"^[6] plots and "dangling details",^[11] as well as inconsistent dialogue that "can veer from wittily wicked to non-sequitur",^[7] and minor characters who "drift in and out of scenes".^[6][11]

References