Monty Python's Flying Circus
Monty Python's Flying Circus | |
---|---|
Genre | Sketch comedy Surreal humour Satire Black comedy |
Created by | Graham Chapman John Cleese Eric Idle Terry Jones Michael Palin Terry Gilliam |
Written by | |
Directed by | |
Starring | Graham Chapman John Cleese Eric Idle Terry Jones Michael Palin Terry Gilliam Carol Cleveland |
Theme music composer | John Philip Sousa |
Opening theme | "The Liberty Bell" recorded by Band of the Grenadier Guards |
Composers | Neil Innes Fred Tomlinson Singers |
Country of origin | United Kingdom |
No. of series | 4 |
No. of episodes | 45 (list of episodes) |
Production | |
Producers | John Howard Davies (series 1) Ian MacNaughton |
Cinematography | James Balfour Alan Featherstone |
Animator | Terry Gilliam |
Editors | Ray Millichope Robert C. Dearberg |
Running time | approx. 25–30 minutes |
Production company | BBC |
Original release | |
Network | BBC1 (1969–1973) BBC2 (1974) |
Release | 5 October 1969 5 December 1974 | –
Related | |
Monty Python's Fliegender Zirkus And Now for Something Completely Different |
Monty Python's Flying Circus (also known as simply Monty Python) is a British
The series stands out for its use of absurd situations, mixed with risqué and innuendo-laden humour, sight gags, and observational sketches without punchlines. Live-action segments were broken up with animations by Gilliam, often merging with the live action to form segues. The overall format used for the series followed and elaborated upon the style used by Spike Milligan in his groundbreaking series Q..., rather than the traditional sketch show format. The Pythons play the majority of the series's characters themselves, along with supporting cast members including Carol Cleveland (referred to by the team as the unofficial "Seventh Python"), Connie Booth (Cleese's first wife), series producer Ian MacNaughton, Ian Davidson, musician Neil Innes, and Fred Tomlinson and the Fred Tomlinson Singers for musical numbers.[1][2]
The programme came about as the six Pythons, having met each other through university and in various radio and television programmes in the 1960s, sought to make a new sketch comedy show unlike anything else on British television at the time. Much of the humour in the series' various episodes and sketches targets the idiosyncrasies of British life, especially that of professionals, as well as aspects of politics. Their comedy is often pointedly intellectual, with numerous erudite references to philosophers and literary figures and their works. The team intended their humour to be impossible to categorise, and succeeded so completely that the adjective "Pythonesque" was invented to define it and, later, similar material. However, their humour was not always seen as appropriate for television by the BBC, leading to some censorship during the third series. Cleese left the show following that series, and the remaining Pythons completed a final, shortened fourth series before ending the show.
The show became very popular in the United Kingdom, and after initially failing to draw an audience in the United States, gained American popularity after PBS member stations began airing it in 1974. The programme's success on both sides of the Atlantic led to the Pythons going on live tours and creating three additional films, while the individual Pythons flourished in solo careers. Monty Python's Flying Circus has become an influential work on comedy as well as in popular culture. The programming language Python was named by Guido van Rossum after the show, and the word spam, for junk email, took its name from a word used in a Monty Python sketch.
Premise
Monty Python's Flying Circus is a sketch comedy show, though it does not adhere to any regular format. The sketches include live-action skits performed by Graham Chapman, John Cleese, Eric Idle, Terry Jones, Michael Palin, and Terry Gilliam, along with animations created by Gilliam, frequently used as linking devices or interstitial between skits. During the first three series, Cleese would be dressed in a tuxedo and introduce the show with the phrase "And Now for Something Completely Different." Afterwards, a long-haired man (called the It's man) played by Michael Palin would run all the way to the camera and say "It's.." which would start the show proper. The show's introductory theme, which varied with each series, was also based on Gilliam's animations and was accompanied by a rendition of "The Liberty Bell" march by John Philip Sousa, as performed by the Band of the Grenadier Guards. The march was first published in 1893;[3] Gilliam chose it as the show's theme because it had fallen into the public domain under the terms of the Berne Convention and United States copyright law, and could thus be used without royalty payments.[4]
Title
The title Monty Python's Flying Circus was partly the result of the group's reputation at the BBC.
The words "Monty Python" were added because they claimed it sounded like a really bad theatrical agent, the sort of person who would have brought them together, with
The BBC had rejected some other names put forward by the group, including Whither Canada?, The Nose Show, Ow! It's Colin Plint!, A Horse, a Spoon and a Basin, The Toad Elevating Moment and Owl Stretching Time.[6] Several of these titles were later used for individual episodes.
Recurring characters
Compared with many other sketch comedy shows, Flying Circus had fewer recurring characters, many of whom were involved only in titles and linking sequences. Continuity for many of these recurring characters was frequently non-existent from sketch to sketch, with sometimes even the most basic information (such as a character's name) being changed from one appearance to the next.
The most frequently returning characters on the show include:
- The "It's" Man (Palin), a Robinson Crusoe-type castaway with torn clothes and a long, unkempt beard who would appear at the beginning of the programme. Often he is seen performing a long or dangerous task, such as falling off a tall, jagged cliff or running through a mine field a long distance towards the camera before introducing the show by just saying, "It's..." before being abruptly cut off by the opening titles and Terry Gilliam's animation sprouting the words 'Monty Python's Flying Circus'. It's was an early candidate for the title of the series.
- A BBC dinner jacket (Cleese), seated at a desk, often in highly incongruous locations, such as a forest or a beach. His line, "And now for something completely different", was used variously as a lead-in to the opening titles and a simple way to link sketches. Though Cleese is best known for it, Idle first introduced the phrase in Episode 2, where he introduced a man with three buttocks. It eventually became the show's catchphraseand served as the title for the troupe's first movie. In Series 3 the line was shortened to simply: "And now..." and was often combined with the "It's" man in introducing the episodes.
- The working-classholidaymaker). Gumbys always stand in a hunched, square posture, holding their arms stiffly at their sides with their balled hands curled inwards. They speak slowly in loud, throaty voices punctuated by frequent grunts and groans, display a poor understanding of everything they encounter, and have a fondness for pointless violence. All of them are surnamed Gumby: D.P. Gumby, R.S. Gumby, etc. Even though all Pythons played Gumbys in the show's run, the character is most closely associated with Michael Palin.
- The Knight with a Raw Chicken (Gilliam), who would hit characters over the head with the chicken when they said something particularly silly. The knight was a regular during the first series and made another appearance in the third.
- A nude Sale of the Century or as yet another way to introduce the opening titles. This character was addressed as "Onan" by Palin's host character in the ersatz game show sketch "Blackmail". He wore only a tie and a white shirt collar.
- The "Pepper Pots" are screeching middle-aged, lower-middle class housewives, played by the Pythons in frocks and frumpy hats, and engage in surreal and inconsequential conversation. "The Pepper Pots" was the in-house name that the Pythons used to identify these characters, who were never identified as such on-screen. On the rare occasion these women were named, it was often for comic effect, featuring such names as Mrs. Scum, Mrs. Non-Gorilla, Mrs. Thing, Mrs. Entity, or the duo Mrs. Premise and Mrs. Conclusion. "Pepper pot" refers to what the Pythons believed was the typical body shape of middle-class, British housewives, as explained by John Cleese in How to Irritate People.[8] Terry Jonesis perhaps most closely associated with the Pepper Pots, but all the Pythons were frequent in performing the drag characters.
- Brief black-and-white Women's Institute meeting and was sometimes presented with a colour tint.[9]
Other characters appearing multiple times include:
- "The Colonel" (Chapman), a British Army officer who interrupts sketches that are "too silly" or that contain material he finds offensive. The Colonel also appears when non-BBC broadcast repeats need to be cut off for time constraints in syndication.
- Arthur Pewtey (Palin), a socially inept, extremely dull man who appears most notably in the "Ministry of Silly Walks" sketches. His sketches all take the form of an office appointment with an authority figure (usually played by Cleese), which are used to parody the officious side of the British establishment by having the professional employed in the most bizarre field of expertise. The spelling of Pewtey's surname is changed, sometimes being spelled "Putey".
- The Reverend Arthur Belling is the vicar of St Loony-Up-The-Cream-Bun-and-Jam, known for his deranged behaviour. In one sketch (within Series 2, played by Chapman), he makes an appeal to the insane people of the world to drive sane people insane. In another sketch (within Series 3, played by Palin), which is among the pantheon of fan favourites[citation needed], the vicar politely joins a honeymooning couple at an outdoor café, repeatedly insisting he does not wish to disturb them; he then sits down, opens a suitcase full of props, and calmly proceeds to smash plates on the table, shake a baby doll in their faces, bounce a rubber crab from a ping-pong paddle, and spray shaving cream all over his face, all whilst loudly chanting nonsense syllables. Rev. Belling's odd version of 'not being disturbing' serves to convert the couple to his bizarre sect of Christianity.
- A somewhat disreputable shopkeeper, played by Palin, is a staple of many a two-person sketch (notably "Dead Parrot Sketch" and "Cheese Shop"). He often speaks with a strong Cockney accent, and has no consistent name.
- Mr. Badger (Idle), a Scotsman whose specialty was interrupting sketches ('I won't ruin your sketch, for a pound'). He was once interviewed, in a sketch opposite Cleese, regarding his interpretation of the Magna Carta, which Badger believes was actually a piece of chewing gum on a bedspread in Dorset. He has also been seen as an aeroplane hijacker whose demands grow increasingly strange.
- Pac-a-Mac. His most famous appearance is in the "Dead Parrot sketch". His name is only mentioned once on-screen, during the "Fish Licence" sketch, but his attire (together with Cleese's distinctive, nasal performance) distinguishes him as a recognisable character who makes multiple appearances throughout the first two series. An audio re-recording of "Fish Licence" also reveals that he has multiple pets of wildly differing species, all of them named "Eric".
- Arthur Nudge, a well-dressed mustachioed man, referred to in the published scripts as "Mr. Nudge" (Idle), who pointedly annoys uptight characters (usually Jones). He is characterised by his constant nudging gestures and cheeky innuendo. His most famous appearance is in his initial sketch, "Nudge Nudge", though he appears in several later sketches too, including "The Visitors", where he claimed his name was Arthur Name.
- Biggles (Chapman, and in one instance Jones), a World War I pilot. Derived from the famous series of fiction stories by W. E. Johns.
- Luigi Vercotti (Palin), a protection of his Army base.
- The Spanish Inquisition would burst into a previously unrelated sketch whenever their name was mentioned. Their catchphrase was 'Nobody expects the Spanish Inquisition!' They consist of Cardinal Ximinez (Palin), Cardinal Fang (Gilliam), and Cardinal Biggles (Jones). They premiered in series two and Ximinez had a cameo in "The Buzz Aldrin Show".
- Frenchmen: Cleese and Palin would sometimes dress in stereotypical French garb, e.g. striped shirt, tight pants, Ministry of Silly Walks sketch as the developers of "La Marche Futile". They also make an appearance in Monty Python and the Holy Grail.
- The Compère (Palin), a sleazy nightclub emcee in a red jacket. He linked sketches by introducing them as nightclub acts, and was occasionally seen after the sketch, passing comment on it. In one link, he was the victim of the Knight with a Raw Chicken.
- Spiny Norman, a Gilliam animation of a giant hedgehog. He is introduced in Episode 1 of Series 2 in "Piranha Brothers" as an hallucination experienced by Dinsdale Piranha when he is depressed. Later, Spiny Norman appears randomly in the background of animated cityscapes, shouting 'Dinsdale!'
- Cardinal Richelieu (Palin) is impersonated by someone or is impersonating someone else. He is first seen as a witness in court, but he turns out to be Ron Higgins, a professional Cardinal Richelieu impersonator. He is later seen during the "Historical Impersonations" sketch as himself impersonating Petula Clark.
- Ken Shabby (Palin), an unkempt, disgusting man who cleaned public lavatories, appeared in his own sketch in the first series, attempting to get approval from another man (Chapman) to marry his daughter (Booth). In the second series, he appeared in several vox populi segments. He later founded his own religion (as part of the "Crackpot Religions" sketch) and called himself Archbishop Shabby.
- Raymond Luxury-Yacht (Chapman) is described as one of Britain's leading skin specialists. He wears an enormous fake nose made of polystyrene. He proudly proclaims that his name "is spelled 'Raymond Luxury-Yach-t', but it is pronounced 'Throat-Wobbler Mangrove'".
- A Madman (Chapman) Often appears in vox pops segments. He wears a bowler hat and has a bushy moustache. He will always rant and ramble about his life whenever he appears and will occasionally foam at the mouth and fall over backwards. He appears in "The Naked Ant", "The Buzz Aldrin Show" and "It's a Living".
Other returning characters include a married couple, often mentioned but never seen,
Some of the Pythons' real-life targets recurred more frequently than others.
Series overview
There were a total of 45 episodes of Monty Python's Flying Circus made across four series.
Series | Episodes | Originally aired | ||
---|---|---|---|---|
First aired | Last aired | |||
1 | 13 | 5 October 1969 | 11 January 1970 | |
2 | 13 | 15 September 1970 | 22 December 1970 | |
3 | 13 | 19 October 1972 | 18 January 1973 | |
Specials | 2 | 3 January 1972 | 18 December 1972 | |
4 | 6 | 31 October 1974 | 5 December 1974 |
Monty Python's Fliegender Zirkus
Two episodes were produced in German for WDR (Westdeutscher Rundfunk), both titled Monty Python's Fliegender Zirkus, the literal German translation of the English title. While visiting the UK in the early 1970s, German entertainer and TV producer Alfred Biolek caught notice of the Pythons. Excited by their innovative, absurd sketches, he invited them to Germany in 1971 and 1972 to write and act in two special German episodes.
The first episode, advertised as Monty Python's Fliegender Zirkus: Blödeln für Deutschland ("Monty Python's Flying Circus: Clowning Around for Germany"), was produced in 1971 and performed in German. The second episode, advertised as Monty Python's Fliegender Zirkus: Blödeln auf die feine englische Art ("Monty Python's Flying Circus: Clowning Around in the Distinguished English Way"), produced in 1972, was recorded in English and dubbed into German for its broadcast in Germany. The original English recording was transmitted by the BBC in October 1973.
Development
Prior to the show, the six main cast members had met each other as part of various comedy shows: Jones and Palin were members of
Casting
Although there were few recurring characters, and the six cast members played many diverse roles, each perfected some character traits.
Chapman
Cleese
Cleese often played foreigners with ridiculous accents, especially Frenchmen, most of the time with Palin. Sometimes this extended to the use of actual French or German (such as "The Funniest Joke in the World", "Mr. Hilter", or "La Marche Futile" at the end of "The Ministry of Silly Walks"), but still with a very heavy accent (or impossible to understand, as for example Hilter's speech).
Gilliam
Many Python sketches were linked together by the
The surreal nature of the series allowed Gilliam's animation to go off on bizarre, imaginative tangents, features that were impossible to produce live-action at the time. Some running gags derived from these animations were a giant
Notable Gilliam sequences for the show include Conrad Poohs and his Dancing Teeth, the rampage of the cancerous black spot, The Killer Cars and a giant cat that stomps its way through London, destroying everything in its path.
Initially only hired to be the animator of the series, Gilliam was not thought of (even by himself) as an on-screen performer at first, being American and not very good at the deep and sometimes exaggerated English accent of his fellows. The others felt they owed him something and so he sometimes appeared before the camera, usually in the parts that no one else wanted to play, generally because they required a lot of make-up or involved uncomfortable costumes.[17] The most recurrent of these was The-Knight-Who-Hits-People-With-A-Chicken, a knight in armour who would walk on-set and hit another character on the head with a plucked chicken either to end a sketch or when they said something really corny. Some of Gilliam's other on-screen portrayals included:
- A man with a stoat through his head
- Cardinal Fang in "The Spanish Inquisition"
- A dandy wearing only a mask, bikini underwear and a cape, in "The Visitors"
- A hotel clerk in "The Cycling Tour" episode
- A trouser-less man with a multi coloured wig and a Goat on a lead asking for "Mrs. Rogers" at the start of the New Gas Cooker sketch.
- A fat and appallingly flatulent young man obsessed with (and covered in) baked beans in the "Most Awful Family In Britain" sketch.
- A wheelchair using security guard, sporting an enormous sword through his head.
- Percy Bysshe Shelley in the "Michael Ellis" episode
Gilliam soon became distinguished as the go-to member for the most obscenely grotesque characters. This carried over into the Holy Grail film, where Gilliam played King Arthur's hunchbacked page 'Patsy' and the bridgekeeper at the Bridge of Death as well as the 'deaf and mad' jailer in Life of Brian. It has also been claimed that he was originally asked by Terry Jones to play Mr. Creosote in The Meaning of Life, but turned it down.
Idle
Because he was not from an already-established writing partnership prior to Python, Idle wrote his sketches alone.[20]
Jones
Although all of the Pythons played women,
Palin
Palin also often plays heavy-accented foreigners, mostly French ("La marche futile") or German ("Hitler in Minehead"), usually alongside Cleese. In one of the last episodes, he delivers a full speech, first in English, then in French, then in heavily accented German.
Of all the Pythons, Palin played the fewest female roles.[citation needed] Among his portrayals of women are Queen Victoria in the "Michael Ellis" episode, Debbie Katzenberg the American in Monty Python's The Meaning of Life, a rural idiot's wife in the "Idiot in rural society" sketch, and an implausible English housewife who is married to Jean-Paul Sartre.
Production
The first five episodes of the series were produced by John Howard Davies, with Davies serving as studio director, and Ian MacNaughton acting as location director. From the sixth episode onwards, MacNaughton became the producer and sole director on the series. Other regular team members included Hazel Pethig (costumes), Madelaine Gaffney (makeup) and John Horton (video effects designer). Maggie Weston, who worked on both makeup and design, married Gilliam in 1973 and they remain together. The series was primarily filmed in London studios and nearby locations, although location shooting to take in beaches and villages included filming in Somerset, Norwich and the island of Jersey.
Pre-production of the series had started by April 1969. Documents from the BBC showed that the viability of the show had been threatened around this time when Cleese reminded the BBC that he was still under contract from David Frost's David Paradine Productions, who wanted to co-produce the show. The BBC memos indicated the potential of holding off the show until 1971, when Cleese's contract with Paradine expired, but ultimately the situation was resolved, though the details of these negotiations have been lost.[21]
Broadcast
Original broadcast
The first episode aired on the BBC on Sunday, 5 October 1969, at 10:50 p.m.[21] The BBC had to reassure some of its workers (who were considering going on strike and who thought the show was replacing a late-night, religious/devotional programme) by asserting that it was using the alternative programming to give clergymen time off on their busiest day.[21] The first episode did not fare well in terms of audience, capturing only about 3% of the total UK population, roughly 1.5 million, compared to Dad's Army that had 22% on the Thursday of that same week. In addition to the lowest audience figures for shows during that week, the first episode has had the lowest Appreciation Index for any of the BBC's light entertainment programmes.[22][21] While public reception improved over the course of the first series, certain BBC executives had already conceived a dislike for the show, with some BBC documents describing the show as "disgusting and nihilistic".[22] Some within the BBC had been more upbeat on how the first series had turned out and had congratulated the group accordingly, but a more general dislike for the show had already made an impact on the troupe, with Cleese announcing that he would be unlikely to continue to participate after the making of the second series.[22] Separately, the BBC had to re-edit several of the first series' episodes to remove the personal address and phone number for David Frost that the troupe had included in some sketches.[23]
The second series, while more popular than the first, further strained relations between the troupe and the BBC. Two of the sketches from the series finale "Royal Episode 13" were called out by BBC executives in a December 1970 meeting: "The Queen Will be Watching" in which the troupe mocks
Cleese remained for the third series but left afterwards. Cleese cited that he was no longer interested in the show, believing most of the material was rehashes of prior skits.[24] He also found it more difficult to work with Chapman, who was struggling with alcoholism.[25] The remaining Pythons, however, went on to produce a shortened fourth series, of which only six episodes were made prior to their decision to end the show prematurely, the final episode being broadcast on 5 December 1974.
Lost sketches
The first cut that the BBC forced on the show was the removal of David Frost's phone number from re-airings of the second episode of the first season, "Sex and Violence", in the sketch "The Mouse Problem". The Pythons had slipped in a real contact number for David Frost to the initial airing, which resulted in numerous viewers bothering him.
Some material originally recorded went missing later, such as the use of the word "masturbating" in the "Summarize Proust" sketch (which was muted during the first airing, and later cut out entirely) or "What a silly bunt" in the Travel Agent sketch (which featured a character [Idle] who has a speech impediment that makes him pronounce "C"s as "B"s),[26] which was cut before the sketch ever went to air. However, when this sketch was included in the album Monty Python's Previous Record and the Live at the Hollywood Bowl film, the line remained intact. Both sketches were included in the Danish DR K re-airing of all episodes ("Episode 31", aired 1 November 2018, 6:50 pm).[27]
Some sketches were deleted in their entirety and later recovered. One such sketch is the "Party Political Broadcast (Choreographed)", where a
Another lost sketch is the "Satan" animation following the "Crackpot Religion" piece and the "Cartoon Religion Ltd" animation, and preceding the "
At least two references to cancer were censored, both during the second series. In the sixth episode ("It's A Living" or "School Prizes"), Carol Cleveland's narration of a Gilliam cartoon suddenly has a male voice dub 'gangrene' over the word cancer (although this word was used unedited when the animation appeared in the movie And Now for Something Completely Different; the 2006 special Terry Gilliam's Personal Best uses this audio to restore the censored line). Another reference was removed from the sketch "Conquistador Coffee Campaign", in the eleventh episode "How Not to Be Seen", although a reference to leprosy remained intact. This line has also been recovered from the same 16 mm film print as the above-mentioned "Satan" animation.
A sketch from Episode 7 of Series 2 (subtitled 'The Attila the Hun Show') featured a parody of Michael Miles, the 1960s TV game show host (played by Cleese), and was introduced as 'Spot The Braincell'. This sketch was deleted shortly afterwards from a repeat broadcast as a mark of respect following Miles' death in February 1971. Also, the controversial "Undertaker" sketch from Episode 13 of the same series was removed by the BBC after negative reviewer response. Both of these sketches have been restored to the official tapes, although the only source for the Undertaker sketch was an NTSC copy of the episode, duplicated before the cut had been made.
Animation in episode 9 of series 3 was cut out following the initial broadcast. The animation was a parody of a German commercial, and the original owners complained about the music use, so the BBC simply removed part of the animation, and replaced the music with a song from a Python album. Terry Gilliam later complained about the cut, thinking it was because producer Ian McNaughton "just didn't get what it was and he cut it. That was a big mistake."[31]
Music copyright issues have resulted in at least two cuts. In episode 209, Graham Chapman as a Pepperpot sings "
A Region 2 DVD release of Series 1–4 was released by Sony Pictures Home Entertainment in 2007. This included certain things which had been cut from the US A&E releases, including the "masturbation" line, but failed to reinstate most of the long-lost sketches and edits. A Blu-ray release of the series featuring every episode restored to its original uncut broadcast length was released by Network for the show's 50th anniversary in 2019.[33]
Rediscovered sketch Ursula Hitler, once deemed impossible to find, was re-released with the 50th anniversary sets in 2019. Also some of the extra American broadcast material, for instance the original parody of "Tonight" from West Side Story in the bus conductor sketch from season 3 episode 4, were included as deleted scenes.[34]
American television
At the time of the original broadcasting of Monty Python in the United Kingdom, the BBC used
The Python's first film, And Now for Something Completely Different, a selection of skits from the show released in the UK in 1971 and in the United States in 1972, was not a hit in the USA.[35] During their first North American tour in 1973, the Pythons performed twice on US television, firstly on The Tonight Show, hosted by Joey Bishop, and then on The Midnight Special. The group spoke of how badly the first appearance went down with the audience; Idle described The Tonight Show performance: "We did thirty minutes [thirty minutes' worth of material] in fifteen minutes to no laughs whatsoever. We ran out onto the green grass in Burbank and we lay down and laughed for 15 minutes because it was the funniest thing ever. In America they didn't know what on earth we were talking about."[37]
Despite the poor reception on their live appearances on American television, the Pythons' American manager, Nancy Lewis, began to push the show herself into the States. In 1974, the PBS member station KERA in Dallas was the first television station in the United States to broadcast episodes of Monty Python's Flying Circus, and is often credited with introducing the programme to American audiences.[38] Many other PBS stations acquired the show, and by 1975, it was often the most popular show on these stations.[35] And Now for Something Completely Different was re-released to American theaters in 1974 and had a much better box office take that time. That would also set the stage for the Pythons' next film, Monty Python and the Holy Grail, released near simultaneously in the UK and the United States in April 1975, to also perform well in American theaters.[37][39] The popularity of Monty Python's Flying Circus helped to open the door for other British television series to make their way into the United States via PBS and its member stations.[40] One notable American fan of Monty Python was singer Elvis Presley. Billy Smith, Presley's cousin noted that during the last few months of Elvis' life in 1977, when Elvis was addicted to prescription drugs and mainly confined to his bedroom at his mansion Graceland, Elvis would sit at his room and chat with Smith for hours about various topics including among other things, Presley's favourite Monty Python sketches.[41]
With the rise in American popularity, the
The show also aired on MTV in 1988.[43] Monty Python was part of a two-hour comedy block on Sunday nights that also included another BBC series, The Young Ones.
In April 2006, Monty Python's Flying Circus returned to non-cable American television directly through PBS. In connection with this, PBS commissioned
Subsequent projects
Live shows with original cast
The members of Monty Python embarked on a series of stage shows during and after the television series. These mostly consisted of sketches from the series, though they also revived material which predated it. One such sketch was the
Recordings of four of these stage shows have subsequently appeared as separate works:
- Monty Python Live at Drury Lane(aka Monty Python Live at the Theatre Royal, Drury Lane), released in the UK in 1974 as their fifth record album
- Monty Python Live at City Center, performed in New York City and released as a record in 1976 in the US
- Monty Python Live at the Hollywood Bowl, recorded in Los Angeles in 1980 and released as a film in 1982
- Monty Python Live (Mostly): One Down, Five to Go, the troupe's reunion / farewell show, ran for 10 shows at The O2 Arena in London in July 2014. The final performance on 20 July was live streamed to cinemas worldwide. A re-edited version was later released on Blu-ray, DVD and double Compact Disc; the CD version is exclusive to the deluxe version of the release which contains all 3 formats on four discs housed in a 60-page hardback book.
Graham Chapman and Michael Palin also performed on stage at the
French adaptation
In 2005, a troupe of actors headed by Rémy Renoux translated and "adapted" a stage version of Monty Python's Flying Circus into French. Usually the original actors defended their material very closely, but given in this case the "adaptation" and also the translation into French (with subtitles), the group supported this production. The adapted material largely adhered to the original text, primarily deviating when it came to ending a sketch, something the Python members themselves changed many times over the course of their stage performances.[45][46] Language differences also occur in the lyrics of several songs. For example, "Sit on My Face" (which translated into French would be "Asseyez-vous sur mon visage") becomes "cum in my mouth".[47]
Reception
Initial reviews
After the broadcast of the first episode, British newspapers printed brief reviews of the new program. Reviewers had mixed opinions. One wrote that the show was "absurd and frivolous", and that it did not "offer anything very new or exciting".[48] Another described the show as "enjoyably Goonish", saying that not all of the material was "scintillating" but that "there was enough packed into the 30 minutes to raise a few laughs."[49] The Reading Evening Post's columnist was more enthusiastic, calling the show "much-needed comedy" and noting that "The real laughs, for me, came from the crazy cartoon and photo-montage work". [50]
As the series continued, reviews became more positive. After the third episode, the Guardian's television columnist described the show as "undoubtedly the high spot of a lot of viewers' weekend", saying the humour was "whacky rather than satiric."[51] A week later, the Observer's reviewer gave the series a "strong recommendation", saying "The material, despite a tendency to prolong a good idea beyond its natural length, is of a high standard, but what lifts the show out of an honourable rut is its extraordinary use of animated cartoons."[52] However this positive view was by no means unanimous. An Evening Standard reviewer complained that "last week it almost crushed my enthusiasm and loyalty forever by transmitting a number of dismal skits that were little more than broad, obvious slapstick."[53]
Awards and honours
Year | Award | Category | Nominee(s) | Result |
---|---|---|---|---|
1970 | BAFTA TV Award |
Special Award | Monty Python's Flying Circus For the production, writing and performances. |
Won |
Terry Gilliam For the graphics. |
Won | |||
Best Light Entertainment | John Howard Davies Ian MacNaughton |
Nominated | ||
Best Light Entertainment Personality | John Cleese | Nominated | ||
Best Script | Writing Team | Nominated | ||
1971 | Best Light Entertainment Performance | John Cleese | Nominated | |
Best Light Entertainment Production | Ian MacNaughton | Nominated | ||
1973 | Best Light Entertainment Performance | Monty Python | Nominated | |
Best Light Entertainment Programme | Ian MacNaughton | Won | ||
1975 | Best Light Entertainment Programme | Ian MacNaughton | Nominated | |
2008 | Online Film & Television Association Awards | OFTA TV Hall of Fame | Monty Python's Flying Circus | Won |
Recorded in 1998 as Monty Python Live at Aspen, the group received the American Film Institute Star Award.
Monty Python's Flying Circus placed fifth on a list of the BFI TV 100, drawn up by the British Film Institute in 2000, and voted for by industry professionals.
In a list of the 50 Greatest British Sketches released by Channel 4 in 2005, five Monty Python sketches made the list:[54]
- #2 – Dead Parrot
- #12 – The Spanish Inquisition
- #15 – Ministry of Silly Walks
- #31 – Nudge Nudge
- #49 – The Lumberjack Song
In 2004[55] and 2007, Monty Python's Flying Circus was ranked #5 and #6 on TV Guide's Top Cult Shows Ever.[56]
Time magazine included the show on its 2007 list of the "100 Best TV Shows of All Time".[57]
In 2013, the programme was ranked #58 on TV Guide's list of the 60 Best Series of All Time,[58] while the Writers Guild of America ranked it #79 – along with Upstairs, Downstairs, Star Trek: The Next Generation and Alfred Hitchcock Presents – on their list of the 101 Best Written TV Series.[59]
Legacy
Douglas Adams, creator of The Hitchhiker's Guide to the Galaxy and co-writer of the "Patient Abuse" sketch, once said "I loved Monty Python's Flying Circus. For years I wanted to be John Cleese, I was most disappointed when I found out the job had been taken."[60]
Lorne Michaels counts the show as a major influence on his Saturday Night Live sketches.[61] Cleese and Palin re-enacted the Dead Parrot sketch on SNL in 1997.
The show was a major influence on the Danish cult sketch show Casper & Mandrilaftalen (1999)[62] and Cleese starred in its 50th episode.[63][64]
In computing, the term
See also
References
Notes
- ^ "Fred Tomlinson, singer on Monty Python – obituary". The Daily Telegraph. 2 August 2016. Archived from the original on 12 January 2022. Retrieved 15 August 2016.
- New York Times. Retrieved 15 August 2016.
- ^ All Music Guide to Classical Music: The Definitive Guide to Classical Music. San Francisco, CA: Backbeat Books, 2005. Retrieved February 11, 2018
- ^ Clark, Philip. "Monty Python: Sousa, two-sheds and musical subversions," The Guardian, Friday, July 11, 2014. Retrieved February 12, 2018
- Jagdgeschwader 1.
- ^ ISBN 978-0-312-38488-3.
- ^ "Live At Aspen". YouTube. Retrieved 10 January 2013.[dead YouTube link]
- ^ Larsen 2008, p. 13.
- ^ Larsen 2008, p. 292.
- ^ Larsen 2008, p. 288.
- ^ "Terry Gilliam Reveals the Secrets of Monty Python Animations: A 1974 How-To Guide". Open Culture. Retrieved 18 August 2019.
- ^ Sketches "An Appeal from the Vicar of St. Loony-up-the-Cream-Bun-and-Jam", "The One-Man Wrestling Match", "Johann Gambolputty..." and "Argument Clinic"
- ISBN 9780879104320.
- ISBN 0-679-72647-0.
- ISBN 9781683350026.
- ^ Terry Gilliam in an interview in The Comics Journal #182.
- ISBN 9781578066247.
- ^ Chapman, et. al., p. 14
- ^ Palin, Michael (2006). Diaries 1969–1979: The Python Years. London, England: Weidenfeld & Nicolson. p. 473.
- ISBN 9781615923656.
- ^ a b c d Lawson, Mark (7 October 2019). "Monty Python: BBC archive reveals the secrets behind the sketches". The Irish Times. Retrieved 7 October 2019.
- ^ a b c d Verkaik, Robert (1 June 2009). "BBC bosses almost lost faith in 'disgusting' Monty Python". The Independent. Retrieved 7 October 2019.
- ^ a b c d Hastings, Chris (10 December 2006). "What the BBC really thought of Monty Python". The Telegraph. Retrieved 7 October 2019.
- ISBN 0-75285-293-0.
- ^ Ouzounian, Richard (16 July 2006). "Python still has legs". Toronto Star. Archived from the original on 29 September 2007.
- ^ "Travel Agent / Watney's Red Barrell". www.orangecow.org. Archived from the original on 24 September 2009. Retrieved 13 July 2009.
- ^ "Monty Python's Flying Circus (27)".
- ^ Monty Python (18 December 1971). "Monty Python – political choreographer". Spiny Norman. Retrieved 17 June 2013.[dead YouTube link]
- ^ Monty Python (18 December 1971). "Lost Sketch- Choreographed Party Political Broadcast from WTTW-11". Lost Sketch- Choreographed Party Political Broadcast – Monty Python's Flying Circus WTTW Channel. MontyPythoNET. Retrieved 23 January 2012.[dead YouTube link]
- ^ "DVD Talk Review: The Complete Monty Python's Flying Circus – Collectors Edition Megaset". 18 November 2008.
- ^ "Edit News: Monty Python's Flying Circus". Some Of The Corpses Are Amusing.
- ^ Wurm, Gerald. "Monty Python's Flying Circus (Comparison: Old DVDs (Sony / A&E) - Blu-ray (Network)) - Movie-Censorship.com". www.movie-censorship.com. Retrieved 11 September 2023.
- ^ "Monty Python's Flying Circus".
- ^ Cult, We Are (21 October 2019). "Monty Python's Flying Circus Special Features Revealed! » We Are Cult". We Are Cult. Retrieved 17 May 2022.
- ^ a b c d Hertzberg, Hendrik (29 March 1976). "Naughty Bits". The New Yorker. Retrieved 17 March 2020.
- ^ Jamie Bradburn, with reference to Toronto Star article of 2 February 1971 (20 September 2011). "Vintage Toronto Ads: Jack of Hearts' Flying Circus". St. Joseph Media.
{{cite web}}
: CS1 maint: numeric names: authors list (link) - ^ a b Teodorczuk, Tom (25 April 2015). "John Oliver Hears Monty Python's Many Secrets". The Daily Beast. The Daily Beast Company LLC. Retrieved 7 October 2019.
- ^ Peppard, Alan (25 August 2011). "Alan Peppard: Bob Wilson hailed in KERA documentary". The Dallas Morning News. Archived from the original on 19 May 2014. Retrieved 25 January 2013.
- ^ "40 years of 'Holy Grail': The best of Monty Python". CNN. 9 April 2015.
- ISBN 978-1-57500-050-3. Retrieved 29 September 2010.
- ISBN 978-0-316-33297-2.
- ^ Gilliam v. American Broadcasting Companies, Inc., 538 F.2d 14 (2d Cir. 1976)
- ^ MTV Monty Python Warning. YouTube. 31 May 2007. Archived from the original on 20 December 2021.
- ^ Monty Pythons Flying Circus. | Vintagerock's Weblog.
- ^ Thomas, Rebecca (3 August 2003). "Monty Python learns French". BBC Online News. BBC. Archived from the original on 6 August 2003. Retrieved 4 January 2010.
- ^ Davis, Clive (31 January 2005). "Monty Python's Flying Circus – At Last, in French". The Times Online. Retrieved 4 January 2010.
- ^ Logan, Brian (4 August 2003). "Ce perroquet est mort: Monty Python in French? Brian Logan meets the team behind a world first". The Times. London. p. 18. Accessed through ProQuest, 1 March 2012.
- ^ K.A.B. (6 October 1969). "Who do they think can watch?". Coventry Evening Telegraph. p. 3. Retrieved 12 November 2022.
- ^ T.J.D. (6 October 1969). "Play that needed a touch of Hitchcock". Leicester Mercury. p. 8.
- ^ Slater, Ralph (6 October 1969). "At last! A few laughs". Evening Post. p. 2.
- ^ Reynolds, Stanley (20 October 1969). "Comedy and not so funny". The Guardian. p. 6.
- ^ Melly, George (26 October 1969). "Watching the bits and pieces". The Observer. p. 33.
- ^ Shulman, Milton (5 November 1969). "Whatever happened to Monty Python? Well, I'm glad you asked that question..." Evening Standard. p. 21.
- ^ "Channel 4's 50 Greatest Comedy Sketches". Channel4.com. Archived from the original on 27 June 2009. Retrieved 14 July 2009.
- ^ "25 Top Cult Shows Ever!". TV Guide Magazine Group. 30 May 2004.
- ^ TV Guide Names the Top Cult Shows Ever – Today's News: Our Take TV Guide: 29 June 2007
- ^ "The 100 Best TV Shows of All-TIME". TIME. 6 September 2007. Archived from the original on 11 September 2007. Retrieved 14 July 2009.
- ^ "TV Guide Magazine's 60 Best Series of All Time". TV Guide. 23 December 2013.
- ^ "101 Best Written TV Series". Writers Guild of America West. 2 June 2013.
- ^ "Douglas Adams – Biography – IMdb". IMDb.
- ^ "Lorne Michaels – Biography – IMDb". IMDb.
- ^ Hansen, Helle Kastholm (2 April 2017). "LARS HJORTSHØJ: Mine børn sætter mig på plads". Ekstra Bladet (in Danish). JP/Politikens Hus. p. 16 (4th section). Archived from the original on 1 May 2017.
- ^ "Casper & mandrilaftalen". Casper & Mandrilaftalen (DK, 1999). Archived from the original on October 7, 2017.
- ^ "K'nyt: Cleese i Mandrillen". Dagbladet Information (in Danish). 4 September 1999. p. 9 (1st section).
I aftes, fredag, optrådte den store engelske komiker John Cleese som gæst i 'Casper og Mandrilaftalen'.
- ^ "General Python FAQ — Python 2.7.10 documentation". python.org.
Bibliography
- Landy, Marcia (2005). Monty Python's Flying Circus. Wayne State University Press. ISBN 0-8143-3103-3.
- Larsen, Darl (2008). Monty Python's Flying Circus: An Utterly Complete, Thoroughly Unillustrated, Absolutely Unauthorized Guide to Possibly All the References From Arthur "Two Sheds" Jackson to Zambesi. Scarecrow Press. ISBN 9780810861312.
- Larsen, Darl. Monty Python's Flying Circus: An Utterly Complete, Thoroughly Unillustrated, Absolutely Unauthorized Guide to Possibly All the References From Arthur "Two Sheds" Jackson to Zambesi, Volumes 1 and 2. Scarecrow Press, 2013. ISBN 9781589798076(vol. 2)
External links
- Official website
- Monty Python's Flying Circus at IMDb
- Museum of Broadcast Television Archived 4 April 2006 at the Wayback Machine
- British Film Institute Screen Online
- Monty Python's Flying Circus – Nostalgia Central