The Great Gatsby: Music from Baz Luhrmann's Film
The Great Gatsby: Music from Baz Luhrmann's Film | |
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Soundtrack album by various artists | |
Released | May 6, 2013 |
Recorded | 2012–13 |
Genre | |
Length | 56:56 |
Label | Interscope |
Producer |
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Singles from The Great Gatsby: Music from Baz Luhrmann's Film | |
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The Great Gatsby: Music from Baz Luhrmann's Film (also known as Music from Baz Luhrmann's Film The Great Gatsby) is the
The album received a mixed response, with the selection of songs and singers dividing critics. It peaked at number one on the U.S. Billboard 200 chart and appeared on several national record charts. The album has received three gold certifications from the Australian Recording Industry Association, the Polish Society of the Phonographic Industry, and the Recording Industry Association of America. The album spawned three singles: "Young and Beautiful", "A Little Party Never Killed Nobody (All We Got)", and "Bang Bang".
Background
Jay-Z served as an executive producer for both the album and the film.[3][4] The album's artwork features a small circular icon with "JZ" inside it, directly below the album's title. He worked with film director Baz Luhrmann for two years to transform the Jazz Age theme of F. Scott Fitzgerald's novel into the musical equivalents of blended hip-hop, traditional jazz and other contemporary genres.[1] On his approach to the project, Luhrmann said: "The question for me in approaching Gatsby was how to elicit from our audience the same level of excitement and pop cultural immediacy toward the world that Fitzgerald did for his audience? And in our age, the energy of jazz is caught in the energy of hip-hop."[5] Luhrmann also stated that Jeymes Samuel was one of the individuals he worked with on the soundtrack. He served as the film's executive music consultant. He further described his collaborations with the producers of the album during an interview with MTV saying, "[Jeymes is] a really great friend of [Jay's] and just a unique human being. He defines energy; he defines spirit and he's a pop cultural genius. And I worked with Anton Monsted ... a great little team."[6] The duo also worked with composer Craig Armstrong, who scored Luhrmann's films Romeo + Juliet (1996) and Moulin Rouge! (2001),[4] and executive music supervisor Anton Monsted.[7]
Production
The soundtrack contains both new music and cover versions. Fergie, Lana Del Rey, Florence and the Machine, Jay-Z,[8] the xx, and will.i.am contributed original songs.[4][5] Covers include Amy Winehouse's "Back to Black" by Beyoncé and André 3000,[9] Roxy Music's "Love Is the Drug" by Bryan Ferry with the Bryan Ferry Orchestra, Beyoncé's "Crazy in Love" by Emeli Sandé and the Bryan Ferry Orchestra, and U2's "Love Is Blindness" by Jack White. Del Rey said of her experience contributing to the project: "It was an honor to work with Baz Luhrmann on his amazing adaptation of one of the most extraordinary books ever written. The movie is highly glamorous and exciting; Rick Nowels and I were thrilled to write the song for the film."[10]
On April 2, 2013, Amy Winehouse's father used his
Music and lyrics
While we acknowledge, as Fitzgerald phrased it, ‘the Jazz Age,’ and this is the period represented on screen, we — our audience — are living in ‘the Hip-Hop Age’ and want our viewers to feel the impact of modern-day music the way Fitzgerald did for the readers of his novel at the time of its publication.
Baz Luhrmann on the music's theme[15]
The Daily Telegraph described the film's music as a "decidedly modern mix of 21st century rap, rock and pop".[3] Jody Rosen of Rolling Stone commented that the album's songs have "a consistent mood of noirish, doomed romance".[16] Several songs feature influences from electronic music which was also present on the soundtrack for Luhrmann's Romeo + Juliet.[17] Other musical elements featured on the album include electronica, hip-hop, and rock music with jazz-age sounds.[18] Kathy McCabe of Australia's The Daily Telegraph noted the inclusion of "orchestral flourishes" in most of the songs.[19] Instrumentally, horn-driven sounds with loping bass beats and house music synths are used in the songs.[20]
The songs' themes include partying, murder, and heartache help to drive "the story's point home – illusionary love, the excess of the leisure classes, [and] the curse of money" as noted by Cristina Jaleru of the Associated Press.[18] Entertainment Weekly's Adam Carlson concluded that the soundtrack's songs reflected that it is set nearly a century in the past. He noted that it contains "all honking brass and a preference for tempos that slide up the scale like liquor, getting hot just as they hit the chorus".[21] Logan Smithson of the webzine PopMatters commented that an important function of a soundtrack is, "[...] to maintain a cohesive sound: a general theme to piece the tracks together and make it sound like a single piece of work rather than a collection of songs." He felt that the soundtrack accomplished this feat although the artists come from a mixture of genres and backgrounds.[22] He further noted, "The Great Gatsby Soundtrack does its job of capturing the sound of the Roaring '20s. A fusion of horns brings the era to life with a modern twist. Jazzy melodies are captured by the Bryan Ferry Orchestra. Some songs certainly have a neo-soul vibe going, reminiscent of the late Amy Winehouse."[22]
Songs
The opening song, "100$ Bill" by Jay-Z contains a
"
"Crazy in Love", credited to Beyoncé, Shawn Carter (Jay-Z), Rich Harrison, and Eugene Record, originally appeared on her 2003 album Dangerously in Love.[5][40] It was chosen for inclusion on the album as it reminded the Luhrmann of a character from the novel and it was a blend of modern and traditional music complete with a jazz band and Sandé's vocals.[6] The version included on the album is a swing and soul mash-up.[41][42] The song "Together" by the xx contains skeletal electro-pop elements and a slow atmosphere,[43][44] as well as a dark and insistent backing, metronomic beat, and breathy, deep vocals which climax with an orchestral swell.[19] Thomas Corner of the Chicago Sun-Times, notes that "[it] evokes the narrative's palpable desperation in its hushed tone and nagging heart-monitor beat."[45] "Hearts a Mess" first appeared on Gotye's second studio album, Like Drawing Blood (2006).[46] It is a "neo-lounge ballad" "with the same clunking, treated backbone used in Gotye's song 'Somebody That I Used to Know'".[16][25][38] Lucy Jones of NME notes it is instrumentally complete with "strings, martial beats", horns and Wouter "Wally" De Backer's vocals".[25][38] According to Philip Cosores of Paste magazine, three of Gotye's vocal styles are featured in the song, "the hushed and earnest songwriter, the Sting-esque frontman with remarkable range to handle the chorus, and then the human and battered character of the song's latter moments".[38]
"Love Is Blindness" was originally written by
Release and promotion
On April 4, 2013, Interscope and Warner Brothers announced the album's track listing.[7] The same day, a new trailer for the film featured previews of three songs from the soundtrack: "Back to Black", "Over the Love", and "Young and Beautiful".[1][15] One MTV contributor wrote that the trailer spotlights the relationship between two of the film's characters, "but it's really only here to show off the movie's soundtrack".[51] A six-minute sampler of the soundtrack, which contained snippets of the songs, excluding "Back to Black" and "100$ Bill", was released on April 16, 2013, on YouTube.[41][43][52] The whole album was made available for streaming through NPR on May 2, 2013.[21][53] It was released through Interscope Records on May 6, 2013.[54]
Beyoncé and André 3000's cover of "Back to Black" was premiered by Mark Ronson on his
Pre-orders for
On April 23, 2013, "Young and Beautiful" by Lana Del Rey was released and served as the lead single for the soundtrack.
Commercial performance
Although it was predicted by Billboard that the album would debut at number two on the Billboard 200 chart with first week sales of over 100,000 copies,
The soundtrack has received three certifications from different countries. In Australia, the Australian Recording Industry Association gave the album a Gold certificate for selling more than 35,000 copies in the country.[82] In Poland, the Polish Society of the Phonographic Industry gave the album a Gold certificate for selling more than 10,000 copies in the country.[83] In the United States, the Recording Industry Association of America gave the album a Gold certificate for selling more than 500,000 copies in the country.[84]
Critical reception
Aggregate scores | |
---|---|
Source | Rating |
Pitchfork Media | 4.0/10[87] |
PopMatters | 6/10[22] |
Rolling Stone | [16] |
Slant Magazine | [88] |
USA Today | [42] |
The soundtrack received a generally favorable reception. Prior to the album's release, The Philadelphia Inquirer complimented Jay-Z for assembling a talented and diverse musical roster.[89] R. Kurt Osenlud of Slant Magazine wrote that the album was "easily the most anticipated album of its kind in years" and described its sound as an "extraordinary melding of vintage and contemporary sounds". Osenlud also commented that the soundtrack was a "literate answer to the mash-up, another hip and highbrow upgrade in both sights and sounds" for the composer Craig Armstrong.[39]
At
While the album did receive positive reviews, there were also mixed ones. Elysa Gardner of
Drew McWeeny of
Track listing
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "$100 Bill" ( Crazy in Love" (Emeli Sandé and the Bryan Ferry Orchestra) | Beyoncé Knowles, Shawn Carter, Eugene Record, Rich Harrison | Jon Brion | 3:08 |
10. | "Together" (The xx) | Jamie Smith, Oliver Sim, Romy Madley Croft | Smith | 5:25 |
11. | "Hearts a Mess" (Gotye) | Walter De Backer, Irving Burgie, William Attaway | Gotye | 6:04 |
12. | "Love Is Blindness" (Jack White) | Paul Hewson, David Evans, Adam Clayton, Larry Mullen Jr. | White | 3:18 |
13. | "Into the Past" (Nero) | Joseph Ray, Daniel Stephens, Alana Watson, Craig Armstrong | Stephens, Ray | 5:17 |
14. | "Kill and Run" (Sia) | Sia Furler, Chris Braide | Braide, Oliver Kraus | 3:35 |
Total length: | 56:56 |
2:59 | ||||
20. | "Young and Beautiful" (DH Orchestral Version) | Lana Del Rey | 3:51 | |
---|---|---|---|---|
21. | "Gatsby Believed in the Green Light" (Dialogue) | Tobey Maguire, Craig Armstrong | 3:52 | |
Total length: | 1:12:34 |
Personnel
Credits for Music from Baz Luhrmann's Film The Great Gatsby adapted from Allmusic.[94]
- André 3000 – primary artist
- Beyoncé – primary artist
- The Bryan Ferry Orchestra – primary artist
- Lana Del Rey – primary artist
- Fergie – primary artist
- Bryan Ferry – primary artist
- Florence and the Machine – primary artist
- GoonRock – primary artist
- Gotye – primary artist
- Jay-Z – primary artist
- Nero – primary artist
- Coco O. – primary artist
- Q-Tip – primary artist
- Emeli Sandé – primary artist
- Sia – primary artist
- Jack White – primary artist
- will.i.am – primary artist
- The xx – primary artist
Charts
Weekly charts
|
End-of-year charts
|
Certifications
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA)[125] | Platinum | 70,000^ |
Poland (ZPAV)[126] | Gold | 10,000* |
United Kingdom (BPI)[127] | Gold | 100,000* |
United States (RIAA)[129] | Gold | 610,000[128] |
* Sales figures based on certification alone. |
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