The Last Waltz
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The Last Waltz | |
---|---|
Directed by | Martin Scorsese |
Produced by | |
Starring | |
Cinematography | Michael Chapman |
Edited by |
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Music by | The Band (with special guests) |
Distributed by | United Artists |
Release date |
|
Running time | 116 minutes[1] |
Country | United States |
Language | English |
Box office | $340,687 (original release) |
The Last Waltz was a concert by the Canadian-American rock group The Band, held on American Thanksgiving Day, November 25, 1976, at Winterland Ballroom in San Francisco. The Last Waltz was advertised as The Band's "farewell concert appearance",[2] and the concert had The Band joined by more than a dozen special guests, including their previous employers Ronnie Hawkins and Bob Dylan, as well as Paul Butterfield, Bobby Charles, Eric Clapton, Neil Diamond, Emmylou Harris, Dr. John, Joni Mitchell, Van Morrison, Ringo Starr, Muddy Waters, Ronnie Wood, and Neil Young. The musical director for the concert was The Band's original record producer, John Simon.
The concert was produced and managed by Bill Graham and was filmed by director Martin Scorsese, who made it into a documentary of the same title, released in 1978. Jonathan Taplin, who was The Band's tour manager from 1969 to 1972 and later produced Scorsese's film Mean Streets, suggested that Scorsese would be the ideal director for the project, and Rock Brynner introduced Robbie Robertson and Scorsese. Taplin served as executive producer. The film features concert performances, intermittent song renditions shot on a studio soundstage, and interviews by Scorsese with members of The Band. The soundtrack and DVD were later released.
The Last Waltz is hailed as one of the greatest documentary concert films ever made. In 2019, the film was selected by the Library of Congress for preservation in the United States National Film Registry for being "culturally, historically, or aesthetically significant".[3][4][5]
Plot
Beginning with a
Various other artists perform with The Band:
The film begins with The Band performing the last song of the evening, their
The live songs are interspersed with studio segments and interviews conducted by director Martin Scorsese in which the Band's members reminisce about the group's history. Robertson talks about Hudson joining the band on the condition that the other members pay him $10 a week each for music lessons. The classically trained Hudson could then tell his parents that he was a music teacher instead of merely a rock-and-roll musician. Robertson also describes the surreal experience of playing in a burnt-out nightclub owned by Jack Ruby.
Manuel recalls that some of the early names for The Band included "The Honkies", and "The Crackers". Because they were simply referred to as "the band" by Dylan and their friends and neighbors in Woodstock, New York, they figured that was just what they would call themselves.
Danko is seen giving Scorsese a tour of The Band's Shangri-La studio, and he plays a recording of "Sip the Wine", a track from his then-forthcoming 1977 solo album Rick Danko.
A recurring theme brought up in the interviews with Robertson is that the concert marks an end of an era for The Band, that after 16 years on the road, the time had come for a change. "That's what The Last Waltz is - 16 years on the road. The numbers start to scare you," Robertson tells Scorsese. "I mean, I couldn't live with 20 years on the road. I don't think I could even discuss it."[6]
Origins
The idea for a farewell concert came about early in 1976 after Richard Manuel was seriously injured in a boating accident.
I had become suspicious of the road. Look at what happened to this guy. Look at what happened to them. These people who got crazy when they got on the road. This was not a healthy thing. I was telling the guys in The Band, "I like the music we make together. But I don't want to go out there with it anymore. . . . We're not learning from it. We're not growing from it.[8]
Though the other band members did not agree with Robertson's decision, the concert was set at Bill Graham's Winterland Ballroom, where The Band had made its debut as a group in 1969.[9] Originally, The Band was to perform on its own, but then the notion of inviting Ronnie Hawkins and Bob Dylan was hatched and the guest list grew to include other performers. Robertson wanted to invite people who had been a strong influence on their music, people who represented various music styles, including New Orleans rock and roll, English blues, and Chicago blues.[8] When he called Bill Graham, he said he wanted the concert to be a kind of celebration, the end of a chapter.[8]
With only six weeks before the planned date, Robertson called director Martin Scorsese, who he knew loved rock music and had worked at the
Concert
Promoted and organized by Bill Graham, whose home turf was Winterland and who had a long association with The Band, the concert was an elaborate affair, with over 300 workers.
The Band started its concert at around 9:00 pm, opening with "Up on Cripple Creek". This was followed by eleven more of The Band's most popular songs, including "
They were then joined by a succession of guest artists, starting with Ronnie Hawkins. As the Hawks, The Band served as Hawkins' backing band in the early 1960s. Dr. John took a seat at the piano for his signature song, "Such a Night". He then switched to guitar and joined Bobby Charles on "Down South in New Orleans".
A
Neil Young followed, singing "Helpless" with backing vocals by Joni Mitchell, who remained off stage. According to Robertson's commentary on The Last Waltz DVD, this was so her later appearance in the show would have more of an impact. Mitchell came on after Young and sang three songs, two with the backing of Dr. John on congas.
Neil Diamond was next, introducing his "Dry Your Eyes" by saying, "I'm only gonna do one song, but I'm gonna do it good." Robertson had produced Diamond's album Beautiful Noise the same year and co-wrote "Dry Your Eyes", which during the concert he hailed as a "great song".[13]
Van Morrison then performed two songs, a special arrangement of "Tura Lura Lural (That's an Irish Lullaby)" as a duet with Richard Manuel and his own show-stopper, "Caravan".
Canadians Young and Mitchell were then invited back out to help the Band perform "Acadian Driftwood", an ode to the Acadians of Canadian history. The Band then performed a short set of some more of its songs before Bob Dylan came on stage to lead his former backing band through four songs.
The Band and all its guests, with the addition of Ringo Starr on drums and Ronnie Wood on guitar, then sang "I Shall Be Released" as a closing number. Dylan, who wrote the song, and Manuel, whose falsetto rendition had made the song famous on Music from Big Pink, shared lead vocals, although Manuel cannot be clearly seen in the film and switched between his normal and falsetto voices between verses.
Two loose jam sessions then formed. "Jam #1" featured the Band minus Richard Manuel playing with Neil Young, Ronnie Wood, and Eric Clapton on guitar, Dr. John on piano, Paul Butterfield on harmonica, and Ringo Starr on drums. It was followed by "Jam #2" with the same personnel minus Robertson and Danko. Stephen Stills, who showed up late, took a guitar solo and Carl Radle joined on bass.
The Band then came out at around 2:15 am to perform an encore, "Don't Do It". It was the last time the group performed under the name "The Band" with its classic lineup. The five joined on stage at a Rick Danko concert in 1978. The Band reformed without Robertson in 1980 and headlined at The Roxy in Los Angeles with Scottish group Blue supporting, guests were Dr. John and Joe Cocker. Rick Danko later performed at various Los Angeles venues along with Blue, and at his invitation, they recorded their LA Sessions album at Shangri-La Studios.
Film production
Concert filming
Robertson initially wanted to record the concert on
The cameras were operated by several cinematographers:
John Simon, who ran the rehearsals for the show, would give Scorsese details as to who sang what and who soloed when for each song. Scorsese meticulously
Notably omitted from the film is
Unexpected negotiations with Dylan
While Bob Dylan had agreed to perform at the concert, which was being filmed, he decided during the intermission that he did not want his own performance filmed after all. He feared it might detract from his film Renaldo and Clara, which he directed during the Rolling Thunder Revue tour, which ended months earlier.[18] However, Warner Bros. had agreed to finance Last Waltz only if Dylan would appear in it.
Levon Helm said that Scorsese "went nuts" upon hearing that Dylan changed his mind, while "Robbie became totally pale."[19] More than a million dollars would have been lost without Dylan's performance in the film, said Helm.[19] Jonathan Taplin, the Band's manager and producer of the film, was also beside himself, knowing that he had no influence over Dylan. He, along with Robertson and Scorsese, then went to Graham: "Bill, you're going to have to go and talk to Bob."[8] They knew that Graham had worked with Dylan before, such as during Graham's SNACK Benefit Concert a year earlier. They wanted Graham to explain to Dylan how dire the situation was, said Helm.[19]
As Graham walked toward Dylan's dressing room, he tried to reassure them, "Don't worry, I'm gonna make it happen."[19] As they waited, there were frantic backstage negotiations between Graham and Dylan, recalls Helm:[20]
Man, they were all biting their nails. I think Bill really pleaded with Bob for us, for the sake of the history of it all. He was in there for a couple of minutes, but it seemed like an hour. No one could believe this. With about five minutes left, word came down that the last two songs in Bob's part of the show could be filmed, and only the last two. Bill Graham saved their asses that night.[19][21]
Robertson also assured Dylan that the concert film's release would be delayed until after his film.[8] Taplin later said that "Bill did the greatest thing that night. In a sense, he really saved the day for us."[8]
At one point during Dylan's performance, Robertson states that Lou Kemp, a close friend of Dylan, said "We're not filming this." And Bill just said, "Get out of here, or I'll kill you."[18] Graham told him "This is history, don't mess with it!" Kemp backed off.[8] To add to the confusion, Scorsese said that when Dylan got on stage, the sound was so loud he did not know what to shoot: "Fortunately, we got our cues right and we shot the two songs that were used in the film."[22]
According to Kemp, "More or less, Bob got his way. I think they shot a little more than he wanted but they didn't shoot as much as they wanted. As it ended up, everybody came out whole.[8] Robertson was also satisfied:
Oh, we'll go through all this bullshit and in the end, we'll shoot it. I knew the game very well. Thank God for Bill Graham. In the end, it was shot. And it looked staggering. He looked amazing in the film, Bobby Dylan. Almost like a Christ figure. A Christ in a white hat. I mean, what more could you ask for?[8]
Drug use
Scorsese has said that during this period, he was using
Post-concert production
Following the concert, Scorsese filmed for several days on an MGM studio soundstage, with the Band, the Staple Singers and Emmylou Harris. The Band's performance of "The Weight" with the Staple Singers was included in the film instead of the concert version. The Band and Harris performed "Evangeline", which was also included in the film. Interviews with group members were conducted by Scorsese at the Band's Shangri-La Studio in Malibu, California. Additionally, Robertson composed "The Last Waltz Suite", parts of which were used as a film score. Finally, according to musical director John Simon, during post-production, the live recording was altered to clean up "playing mistakes, out-of-tune singing, bad horn-balance in the remote truck. Only Levon's part was retained in its entirety."[26]
Due to Scorsese's commitments on New York, New York and another documentary, American Boy: A Profile of Steven Prince, the film's release was delayed until 1978.
During the editing process, Scorsese and Robertson became friends, and frequently collaborated on further projects, with Robertson acting as music producer and consultant on
Reception
Critical reception
More than being a collection of impressively filmed and virtuosically mixed 'live' songs, "The Last Waltz" ranks as probably the finest record of a rock concert ever put on film.
Hartford Courant[29]
The film has been hailed critically, listed among the greatest concert films. On review aggregator Rotten Tomatoes, the film holds an approval rating of 98% based on 50 reviews, with an average rating of 8.50/10. The website's critical consensus reads, "Among one of, if not the best rock movie ever made, The Last Waltz is a revealing, electrifying view of the classic band at their height."[30] Chicago Tribune film critic Michael Wilmington calls it "the greatest rock concert movie ever made – and maybe the best rock movie, period".[31] Terry Lawson of the Detroit Free Press comments that "This is one of the great movie experiences."[25] Total Film considers it "the greatest concert film ever shot".[32] Janet Maslin of The New York Times gave it a negative review, stating that it "articulates so little of the end-of-an-era feeling it hints at ... that it's impossible to view the Last Waltz as anything but an also-ran."[15] However, The New York Times in 2003 placed the film on its Best 1000 Movies Ever list,[33] while Rolling Stone called it the "Greatest Concert Movie of All Time".[34]
Music critic
Criticism by Levon Helm
Helm was also dissatisfied with Manuel and Hudson's minimal screen time and the fact most of the band members never received any money for the various home videos, DVDs and soundtracks released by Warner Bros. after the project.[19]
Appreciation by Robbie Robertson
We saluted one another like we had just pulled off one of the best musical celebrations in rock 'n' roll history. It really, really does not get any better than this.
Robbie Robertson[37]
Robertson said he was relieved when the concert ended, as he was constantly worried that something would go wrong, as it did when Dylan suddenly backed out of being filmed. To all the people involved, he said "Thank God we got through it."[8] He recalls that all the cameramen were hugging one another, feeling they had succeeded in capturing a unique rock concert on film.
He also thanked Graham for producing the concert at Winterland, where the Band had its debut in 1969:
I remember seeing Bill and I was thinking, "God, you did it, Bill. Well, everybody did it." But Bill did it. We did it in his home. Like, "Whose house are we going to shoot at? Bill's house." Because it was his house, I felt in my heart like he had really done this thing. . . He was proud of it. and I was proud of him for being proud of it.[8]
Home video releases
For the concert's 25th anniversary in 2002, the film was
The DVD features a commentary track by Robertson and Scorsese, a featurette, Revisiting The Last Waltz, and a gallery of images from the concert, the studio filming and the film premiere. A bonus scene is footage of "Jam #2", which is cut short because they had run out of replacement sound synchronizers for the cameras after ten hours of continuous filming.
The original 2002 DVD release was packaged as a "special edition". In addition to the extra features on the disc, the
In 2006, The Last Waltz was among the first eight titles released in
On March 29, 2022, The Criterion Collection released a new 4K digital restoration, supervised and approved by Scorsese, with Dolby Vision HDR and a 5.1 surround DTS-HD Master Audio soundtrack, supervised and approved by Robertson.[40]
Albums
The
In 2002, a four-CD
The soundtrack recordings underwent post-concert production featuring heavy use of
Performances
Song | Artist(s) | Concert | Film | 1978 album | 2002 album |
---|---|---|---|---|---|
"Up on Cripple Creek" | The Band | 1 | 3 | 2 | 2 |
"The Shape I'm In" | The Band | 2 | 4 | 14 | 3 |
"It Makes No Difference" | The Band | 3 | 6 | 8 | 4 |
"Life Is a Carnival" | The Band | 4 | — | 19 | 6 |
"This Wheel's on Fire" | The Band | 5 | — | — | 10 |
" W.S. Walcott Medicine Show "
|
The Band | 6 | — | — | 26 |
"Georgia on My Mind" | The Band with John Simon | 7 | — | — | — |
"Ophelia" | The Band | 8 | 20 | 16 | 18 |
"King Harvest (Has Surely Come)" | The Band | 9 | — | — | — |
"The Night They Drove Old Dixie Down" | The Band | 10 | 12 | 10 | 29 |
"Stage Fright" | The Band | 11 | 10 | 5 | 14 |
"Rag Mama Rag" | The Band | 12 | — | — | 15 |
"Who Do You Love?" | Ronnie Hawkins | 13 | 5 | 3 | 5 |
"Such a Night" | Dr. John | 14 | 8 | 9 | 7 |
"Down South in New Orleans" | Bobby Charles and Dr. John | 15 | — | 15 | 9 |
"Mystery Train" | Paul Butterfield | 16 | 15 | 11 | 11 |
"Caldonia" | Muddy Waters with Pinetop Perkins, Bob Margolin and Paul Butterfield | 17 | — | — | 12 |
"Mannish Boy" | Muddy Waters with Pinetop Perkins, Bob Margolin and Paul Butterfield | 18 | 16 | 12 | 13 |
"All Our Past Times" | Eric Clapton | 19 | — | — | 16 |
" Further on Up the Road "
|
Eric Clapton | 20 | 17 | 13 | 17 |
"Helpless" | Neil Young with Joni Mitchell | 21 | 9 | 4 | 19 |
"Four Strong Winds" | Neil Young | 22 | — | — | 20 |
"Coyote" | Joni Mitchell | 23 | 14 | 6 | 21 |
"Shadows and Light" | Joni Mitchell | 24 | — | — | 22 |
"Furry Sings the Blues" | Joni Mitchell | 25 | — | — | 23 |
"Dry Your Eyes" | Neil Diamond with Dennis St. John | 26 | 13 | 7 | 25 |
"Tura Lura Lural (That's an Irish Lullaby)" | Van Morrison with John Simon | 27 | — | 17 | 27 |
"Caravan" | Van Morrison | 28 | 21 | 18 | 28 |
"Acadian Driftwood" | The Band, Neil Young and Joni Mitchell | 29 | — | — | 24 |
Poem | Emmett Grogan | 30 | — | — | — |
Poem | Bill "Sweet William" Fritsch (Hells Angels) | 31 | — | — | — |
"JOY!" | Lenore Kandel | 32 | — | — | — |
Introduction to The Canterbury Tales in Chaucerian dialect | Michael McClure | 33 | 7 | — | — |
"Get Yer Cut Throat Off My Knife"/"Revolutionary Letter #4"/"The Fire Guardian" | Diane di Prima | 34 | — | — | — |
"Transgressing the Real" | Robert Duncan | 35 | — | — | — |
Poem | "Freewheeling" Frank Reynolds (Hells Angels) | 36 | — | — | — |
"Loud Prayer" | Lawrence Ferlinghetti | 37 | 22 | — | — |
"Genetic Method"/"Chest Fever" | The Band | 38 | 19 | — | 30 |
"The Last Waltz Suite: Evangeline" (concert version) | The Band with John Simon | 39 | — | — | — |
"The Weight" (concert version) | The Band | 40 | — | — | 8 |
"Baby, Let Me Follow You Down" | Bob Dylan | 41 | — | 20 | 31 |
" Hazel "
|
Bob Dylan | 42 | — | — | 32 |
"I Don't Believe You (She Acts Like We Never Have Met)" | Bob Dylan | 43 | — | 21 | 33 |
"Forever Young" | Bob Dylan | 44 | 23 | 22 | 34 |
"Baby, Let Me Follow You Down" (reprise) | Bob Dylan | 45 | 24 | 23 | 35 |
"I Shall Be Released" | Bob Dylan and The Band, with guests (including Ronnie Wood and Ringo Starr) | 46 | 25 | 24 | 36 |
"Jam #1" | Neil Young, Ronnie Wood, Eric Clapton, Robbie Robertson, Paul Butterfield, Dr. John, Garth Hudson, Rick Danko, Ringo Starr, and Levon Helm | 47 | — | — | 37 |
"Jam #2" | Neil Young, Ronnie Wood, Eric Clapton, Stephen Stills, Paul Butterfield, Dr. John, Garth Hudson, Carl Radle, Ringo Starr and Levon Helm | 48 | — | — | 38 |
"Don't Do It" | The Band | 49 | 1 | — | 39 |
"Greensleeves"[42] | The Band | 50 | — | — | 40 |
"Theme from The Last Waltz" (studio)[43] | The Band | — | 2 | 1 | 1 |
"The Weight" (studio version) | The Band and The Staple Singers | — | 11 | 29 | 44 |
"Evangeline" (studio version) | The Band and Emmylou Harris | — | 18 | 27 | 42 |
Performers
The Band
Horn section
Other musicians
|
Guests
|
Charts
Chart | Peak |
---|---|
German Music DVD ( Media Control)[44]
|
66 |
Swedish Music DVD (Sverigetopplistan)[45] | 2 |
UK Music Video DVD (OCC)[46] | 1 |
Certifications
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI)[47] | 3× Platinum | 150,000* |
* Sales figures based on certification alone. |
Notes
Fricke, David (November 2001). The Last Waltz (liner notes). The Band. Warner Bros. Retrieved July 7, 2019.
References
- ^ "The Last Waltz (U)". British Board of Film Classification. May 9, 1978. Retrieved November 25, 2016.
- ^ Concert poster on the first page of the 2002 album booklet and in the DVD photo gallery states: "The Band in their farewell concert appearance."
- ^ Chow, Andrew R. (December 11, 2019). "See the 25 New Additions to the National Film Registry, From Purple Rain to Clerks". Time. New York, NY. Retrieved December 11, 2019.
- ^ "Women Rule 2019 National Film Registry". Library of Congress. Retrieved November 23, 2020.
- ^ "Complete National Film Registry Listing". Library of Congress. Retrieved November 23, 2020.
- ^ The Last Waltz, directed by Martin Scorsese, April 2012
- ^ Fricke, The Last Waltz liner notes, 2001, page 17
- ^ ISBN 0306813491
- ^ Fricke, The Last Waltz liner notes, 2001, pages 25–27
- ^ * [1] October 31, 1976 San Francisco Chronicle
- [2] November 26, 1976 San Francisco Chronicle
- [3] November 28, 1976 San Francisco Chronicle
- [4] November 24, 1976 San Francisco Chronicle
- [5] November 24, 1976 San Francisco Chronicle
- [6]
- ^ https://www.sfgate.com/entertainment/article/The-funny-business-Punch-Line-celebrates-25-2554395.php
- ^
- ^ "Neil Diamond, Rock and Roll Hall of Fame Inductee, Says He Feels 'Very Lucky' | Music News". Rolling Stone. December 14, 2010. Retrieved September 15, 2013.
- ^ a b c Scorsese, Martin (2002). The Last Waltz Revisited (DVD featurette). MGM/United Artists.
- ^ a b Maslin, Janet (April 26, 1978). "Scorsese and the Band: Final Fling". The New York Times. Retrieved January 8, 2007.
- ^ Guida, Gerry (October 17, 2020). "A Cinematographer Career: Conversation with Hiro Narita, ASC". Artdigiland. Retrieved February 2, 2024.
- ^ Fricke, The Last Waltz liner notes, 2001, page 49
- ^ a b Fricke, The Last Waltz liner notes, 2001, page 53
- ^ ISBN 978-1-55652-405-9.
- ^ a b c d Selvin, Joel (April 22, 2002). "The day the music lived". San Francisco Chronicle. Retrieved January 6, 2013.
- ^ "8. Bob Dylan Attempted to Back Out at the Last Minute" Mental Floss, April 27, 2016
- ^ Scorsese on Scorsese, ed. Ian Christie, p.73; Faber & Faber, 1989
- ^ Ross, Peter (January 9, 2005). "Wise Guy". Sunday Herald. Archived from the original on January 26, 2006. Retrieved January 7, 2007.
- ^ Stanton, Chris (January 5, 2021). "I Think About This Legendary Neil Young Story a Lot". The Cut. Retrieved March 29, 2024.
- ^ a b Lawson, Terry (April 26, 2002). "'The Last Waltz' rekindles Band fervor". Detroit Free Press. Archived from the original on August 25, 2003. Retrieved January 8, 2007.
- ^ DeRiso, Nick (January 29, 2014). "Something Else! Interview: John Simon on the Band, fixing the Last Waltz and taking credit". Something Else!. Retrieved January 30, 2014.
- ^ "Robbie Robertson Regrets Nothing". Rolling Stone. Issue 1128. April 14, 2011
- ^ "Robbie Robertson". Rotten Tomatoes. Retrieved August 10, 2023.
- ^ "Scorsese's 'Last Waltz'", Hartford Courant, June 16, 1978
- ^ "The Last Waltz". Rotten Tomatoes. Retrieved January 8, 2007.
- ^ Wilmington, Michael (April 18, 2002). "Movie review, 'The Last Waltz'". Chicago Tribune. Archived from the original on October 13, 2008. Retrieved January 7, 2007.
- ^ "DVD Reviews: The Last Waltz". Total Film. Retrieved January 7, 2007.
- ^ The Best 1,000 Movies Ever Made. The New York Times via Internet Archive. Published April 29, 2003. Retrieved June 12, 2008.
- ^ "Why the Band's 'The Last Waltz' Is the Greatest Concert Movie of All Time", Rolling Stone, November 25, 2020
- ^ Christgau, Robert. "Robert Christgau Consumer Guide: The Band". Retrieved January 7, 2007.
- ^ Ebert, Roger (April 19, 2002). "The Last Waltz". Chicago Sun-Times.
- ISBN 9780307889782
- ^ "The Last Waltz (2002)". Box Office Mojo. Retrieved January 7, 2007.
- Condé Nast. Retrieved March 7, 2011.
- ^ "The Last Waltz". December 15, 2021.
- ^ a b Katz, Jonathan; Warschawski, Dror. "The 4 audio versions of The Last Waltz". Halden, Norway: Østfold University College. Retrieved January 7, 2007.
- ^ Cesari, Luigi. "The Band Session Discography". The Band website. Retrieved October 12, 2013.
- ^ Warschawski, Dror and Jonathan Katz. "LP, CD and DVD Versions of the Last Waltz". The Band website. Retrieved July 27, 2012.
- GfK Entertainment(in German). Steffen Hung (Hung Medien). Retrieved August 21, 2015.
- ^ "Sveriges Officiella Topplista". Sverigetopplistan Chart (in Swedish). sverigetopplistan.se. Retrieved August 21, 2015. Note: Search for "The Band", then press "Sök" and look for "THE LAST WALTZ", press "VISA" to see the chart positions.
- ^ "Official Music Video Chart Top 50". The Official Charts Company. officialcharts.com. Retrieved August 21, 2015.
- ^ "British video certifications – Various Artists – The Last Waltz". British Phonographic Industry. Retrieved August 21, 2015. Select videos in the Format field. Select Platinum in the Certification field. Type The Last Waltz in the "Search BPI Awards" field and then press Enter.