The Mock Tempest
The Mock Tempest, or the Enchanted Castle is a
Background
The first
The Plot
Duffet's Mock Tempest is set not in any exotic location, but securely in the London familiar to its audience, specifically the lower reaches of contemporaneous London society. The storm that opens the play, in both the Shakespeare and Dryden–Davenant versions, is replaced in Duffet's by a riot in a brothel. Mother Stephania, a bawd, leads her cohort of pimps, prostitutes, and aristocratic customers in a valiant but vain effort to drive off an assault from the town's apprentices. [For the long-running conflict between London 'prentices and sex-trade workers, see:
The parody goes on to mangle the romances of Prospero's two daughters (called Dorinda and Miranda, in Dryden and Davenant's adaptation). Dryden and Davenant made Miranda and Dorinda ignorant of the opposite sex; Duffet's "Dorinda and Miranda" are very familiar with men, but get confused by the concept of a "husband":
- Dorinda: Husband, what's that?
- Miranda: Why that's a thing like a man (for aught I know) with a great pair of horns upon his head, and my father said 'twas made for women, look ye.
- Dorinda: What, must we ride to water upon't, sister?
- Miranda: No, no, it must be our slave, and give us golden clothes, pray, that other men may lie with us in a civil way, and then it must father our children and keep them.
- Dorinda: And when we are so old and ugly that nobody else will lie with us, must it lie with us itself?
- Miranda: Aye, that it must, sister.
Along the way, Duffet mocks Davenant's musical adaptation of
The last act of Duffet's play features a parody of Ariel's song "Where the bee sucks, there suck I" from the final scene of The Tempest. Duffet's version is "Where good ale is, there suck I". The parody version was sung by Betty Mackerel, an orange vender who was promoted to the stage.
The Mock Tempest may have been revived in 1682.[8]
A modern version
A modern adaptation of The Mock Tempest was mounted by Shakespeare Santa Cruz in 2007.[9]
References
- ^ Ronald Eugene DiLorenzo, ed., Three Burlesque Plays of Thomas Duffett, Iowa City, University of Iowa Press, 1972.
- ^ George Robert Guffey, ed., After The Tempest, William Andrews Clark Memorial Library, University of California, 1969.
- ^ Marianne Szlyk, "Applying a Theatrical Abrasive: Staging Thomas Duffett's The Mock Tempest at the King's Company's 'Plain Built House'," Sun Yat-sen Journal of Humanities, Winter 2005, pp. 21–46.
- ^ Michael West, "Dryden's Mac Flecknoe and the Example of Duffet's Burlesque Dramas," Studies in English Literature, 1500–1900, Vol. 18 No. 3 (Summer 1978), pp. 457–64; see p. 459.
- ^ Gerard Langbaine, An Account of the English Dramatick Poets, London, 1691; pp. 177–8.
- ^ Frederick James Furnivall, Some 300 Fresh Allusions to Shakspere from 1594 to 1694 A. D., London, The New Shakspere Society/N. Trübner, 1886; pp. 242–5.
- ^ Barbara A. Murray, Restoration Shakespeare, Teaneck, NJ, Fairleigh Dickinson University Press, 2001; pp. 95–8; see p. 96.
- ^ Murray, p. 95.
- ^ "The Mock Tempest stage show". Retrieved 29 September 2008.