The Testament of Cresseid
The Testament of Cresseid is a
Narrative outline
As Cresseid joins the lepers to go out begging, Troilus and the garrison of Troy happen to pass by. She lifts her eyes to his, but since she is blind she cannot recognise him. Troilus, similarly unable to recognise the disfigured Cresseid, yet being reminded of her, without quite knowing why, is spontaneously moved to give up to her all the wealth he has about him at that moment (his belt, a full purse of gold, and jewels) before riding off, almost fainting for grief when he reaches Troy. The lepers are astounded at the unexpected show of beneficence and when Cresseid asks of her benefactor's identity and is told, she, like Troilus, too is overcome with emotion. She berates herself for her treatment of him and renounces her previously 'selfish' complaints, before sitting down to write her testament, or will, dying soon after.
Henryson's portrayal of Cresseid's 'disgrace' and ultimately tragic end, through the narrator of the poem, is observed with a largely rigorous objectivity. Where the narrator comes to judge, rather than reinforcing the institutional admonishment of a 'shocked' or disapproving society, he 'confesses' to his natural pity for Cresseid's misfortune, against the standard view of 'false womanhood' which she was taken in his day to represent. This is perhaps all the more expressive for having been apparently withheld or 'repressed' within the
Yit nevertheless, quhat ever men deme or say
In scornefull langage of thy brukkilnes,
I sall excuse als far furth as I may
Thy womanheid, thy wisdome and fairnes,
The quhilk fortoun hes put to sic distres
As hir pleisit, and nathing throw the gilt
Of the, throw wickit langage to be spilt!
Characters
- Cresseid, daughter of Calchas, who is punished for breaking her vow of love to Troilus
- Troilus, one of the sons of Trojan king Priam, and former lover of Cresseid
- Calchas, Cresseid's loving father. In the Testament, he is a priest of Venus and Cupid.
- The gods .
Structure
- Throughout the poem, Henryson makes use of the rhyme royal, a rhyme scheme introduced and popularised by Geoffrey Chaucer, and set out as follows- ABABBCC. The stanzas are generally seven lines each in length, and in iambic pentameter. However, in the section in which Cresseid laments her fate from the leper colony (a Complaint), the stanzas are nine lines in length, and with the rhyme scheme AABAABBAB
Notes
- ^ Kindrick, Robert L. "The Testament of Cresseid: Introduction". TEAMS Texts. University of Rochester. Retrieved 12 May 2013.
- ^ "Clapper". Dictionaries of the Scots Language. Retrieved 1 October 2021.
References
Modern edition
- The Poems of Robert Henryson. Ed. Robert L. Kindrick. Kalamazoo, Michigan: Medieval Institute Publications, 1997. Electronic Access.
- The Testament of Cresseid and Seven Fables. Robert Henryson. Translated by Seamus Heaney. Bloomsbury House, London: Faber and Faber Ltd, 2009
Further reading
- Gray, Douglas. Robert Henryson. English Writers of the Late Middle Ages, no. 9. Brookfield, Vermont: Variorum, 1996.
- Kindrick, Robert L. "Monarchs and Monarchy in the Poetry of Henryson and Dunbar." In Actes du 2e Colloque de Langue et de Littérature Ecossaisses. Eds. Jean-Jacques Blanchot and Claude Graf. Strasbourg: Université de Strasbourg, 1979. pp. 307–25.
- McDiarmid, Matthew P. "Robert Henryson in his Poems." In Bards and Makars. Eds. Adam J. Aitken, Matthew P. McDiarmid, and Derick S. Thompson. Glasgow: University of Glasgow, 1977. pp. 27–40.
- Patterson, Lee W. "Christian and Pagan in The Testament of Cresseid." Philological Quarterly 52 (1973), 696–714.
- Ridley, Florence. "A Plea for Middle Scots." In The Learned and the Lewed. Ed. Larry D. Benson. Cambridge: Harvard University Press, 1974. pp. 175–96.
- Rowland, Beryl. "The 'seiknes incurabill' in Henryson's Testament of Cresseid." English Language Notes 1 (1964), 175–77.
- Spearing, A. C. "The Testament of Cresseid and the High Concise Style." In Criticism and Medieval Poetry. London: E. Arnold, 1964. pp. 118–44.
- Stephenson, William. "The Acrostic “Fictio” in Robert Henryson's The Testament of Cresseid (Lines 58–63)," Chaucer Review, 92.2 (1994), 163–75.
- Utz, Richard. "Writing Alternative Worlds: Rituals of Authorship and Authority in Late Medieval Theological and Literary Discourse." In Creations: Medieval Rituals, the Arts, and the Concept of Creation. Eds. Nils Holger Petersen, et al. Turnhout: Brepols, 2007. pp. 121–38.
- Whiting, B. J. "A Probable Allusion to Henryson's 'Testament of Cresseid.' " Modern Language Review 40 (1945), 46–47.