The Wolverine (film)
The Wolverine | |
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Directed by | James Mangold |
Screenplay by | |
Based on | Frank Miller |
Produced by |
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Starring | |
Cinematography | Ross Emery |
Edited by | Michael McCusker |
Music by | Marco Beltrami |
Production companies | |
Distributed by | 20th Century Fox |
Release date |
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Running time | 126 minutes[1] |
Countries |
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Languages |
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Budget | $100–132 million[7][8][9] |
Box office | $414.8 million[10] |
The Wolverine is a 2013
The film's development began in 2009 after the release of X-Men Origins: Wolverine.
The Wolverine was released by
An unrated extended cut of the film referred to as the "Unleashed Extended Edition" was released on Blu-ray, featuring more blood and violence, extended action scenes, as well as additional footage during moments of character interaction.[11] A third film titled Logan was released on March 3, 2017.
Plot
In August 1945,
In the present day, Logan lives as a hermit in the Yukon, tormented by hallucinations of Jean Grey, whom he was forced to kill to save the world.[b] He is located by Yukio, a mutant with the ability to foresee people's deaths, on behalf of Ichirō, now the CEO of a technology zaibatsu. Ichirō, who is dying of cancer, wants Logan to accompany Yukio to Japan so that he may repay his life debt. In Tokyo, Logan meets Ichirō's son Shingen and granddaughter Mariko. There, Ichirō offers to transfer Logan's healing abilities into his own body, thus saving Ichirō's life and alleviating Logan of his near-immortality, which Logan views as a curse. Believing he is acting on his friend's best interests however, Logan refuses and prepares to leave the following day. That night, Ichirō's physician Dr. Green introduces something into Logan's body, but Logan dismisses it as a dream.
The next morning, Yukio informs Logan that Ichirō has died. At the funeral, Yakuza gangsters attempt to kidnap Mariko, but Logan and Mariko escape together into the urban sprawl of Tokyo. Logan is shot and his wounds do not heal as quickly as they should. After fighting off more Yakuza on a bullet train, Logan and Mariko hide in a local love hotel. Meanwhile, Ichirō's bodyguard Harada meets with Dr. Green who, after demonstrating her mutant powers on him, demands he find Logan and Mariko. Logan and Mariko travel to Ichirō's house in Nagasaki, and the two slowly fall in love. In Tokyo, Yukio has a vision of Logan dying, and goes to warn him. Before Yukio arrives, Mariko is captured by the Yakuza. After interrogating one of the kidnappers, Logan and Yukio confront Mariko's fiancé, corrupt Minister of Justice Noburo Mori. Mori confesses that he conspired with Shingen to have the Yakuza kidnap Mariko because Ichirō left control of the company to Mariko, and not Shingen.
Mariko is brought before Shingen at Ichirō's estate when ninjas led by Harada attack and whisk her away. Logan and Yukio arrive later and, using Ichirō's X-ray machine, discover a robotic parasite attached to Logan's heart, suppressing his healing ability. Logan cuts himself open and extracts the device. During the operation, Shingen attacks but Yukio holds him off long enough for Logan to recover and kill him. Logan follows Mariko's trail to the village of Ichirō's birth, where he is captured by Harada's ninjas. Logan is placed in a machine by Dr. Green, who reveals her plans to extract his healing factor and introduces him to the Silver Samurai, an electromechanical suit of Japanese armour with energized katanas made of adamantium. Mariko escapes from Harada, who believes he is acting in Mariko's interests, and manages to free Logan from the machine. Harada sees the error of his ways and is killed by the Silver Samurai while helping Logan escape.
Meanwhile, Yukio arrives and kills Dr. Green. As Logan fights the Silver Samurai, the Silver Samurai severs Logan's adamantium claws and begins to extract his healing abilities, revealing himself to be Ichirō, who had faked his death. Ichirō regains his youth, but Mariko intervenes and stabs Ichirō with Logan's severed claws. Logan regenerates his bone claws and kills Ichirō. Logan collapses and has one final hallucination of Jean, in which he decides to finally let her go. Mariko becomes CEO of Yashida Industries and bids farewell to Logan as he prepares to leave Japan. Yukio vows to stay by Logan's side as his bodyguard, and they depart to places unknown.
In a mid-credits scene, Logan returns to the United States two years later and is approached at the airport by
Cast
- Logan: A mutant, whose prodigious healing abilities and adamantium infused skeleton combine to make him virtually immortal.[14]
- Tao Okamoto as Mariko: Ichirō's granddaughter, whose life becomes threatened as a result of her grandfather's will.
- Hiroyuki Sanada as Shingen: Ichirō's son[19] as well as Mariko's father and corporate rival,[15] who is proficient in kendo.[20]
- Svetlana Khodchenkova as Viper: A mutant working for Yashida who can expel toxins from her mouth.[21][22]
- Brian Tee as Noburo: A corrupt minister of justice, who is engaged to Mariko.[23]
- Yashida: Shingen's father,[19] Mariko's grandfather and the founder of Yashida Industries, a powerful technology zaibatsu. Yashida is based on the comic characters Silver Samurai and Ogun.
- Ken Yamamura portrays a young Yashida in the film's opening scene during the atomic bombing of Nagasaki.[15]
- Will Yun Lee as Harada: A former lover of Mariko and head of the Black Ninja Clan, sworn to protect the Yashida family.[24][23]
- Jean Grey: A mutant, former member and former medical doctor of the X-Men who was killed by Logan.[25]
Archive audio of
Development
"There are so many areas of that Japanese story, I love the idea of this kind of anarchic character, the outsider, being in this world—I can see it aesthetically, too—full of honor and tradition and customs and someone who's really anti-all of that, and trying to negotiate his way. The idea of the samurai, too—and the tradition there. It's really great. In the comic book, he gets his ass kicked by a couple of samurai—not even mutants. He's shocked by that at first".
—Hugh Jackman[26]
In September 2007,
Christopher McQuarrie, who went uncredited for his work on X-Men, was hired to write the screenplay for the Wolverine sequel in August 2009.[34] According to Shuler-Donner, the sequel would focus on the relationship between Wolverine and Mariko, the daughter of a Japanese crime lord, and what happens to him in Japan. Wolverine would have a different fighting style due to Mariko's father having "this stick-like weapon. There'll be samurai, ninja, katana blades, different forms of martial arts—mano-a-mano, extreme fighting". She continued: "We want to make it authentic so I think it's very likely we'll be shooting in Japan. I think it's likely the characters will speak English rather than Japanese with subtitles".[35] In January 2010, at the People's Choice Awards, Jackman stated that the film would start shooting sometime in 2011,[36] and in March 2010, McQuarrie declared that the screenplay was finished for production to start in January the following year.[37] Sources indicated Darren Aronofsky was in negotiations to direct the film[38] after Bryan Singer turned down the offer.[39]
Pre-production
"If you have a hero who can't be hurt, there's only one way to create stakes or jeopardy, and that's to put people he cares about in harm's way. And, not unlike the amnesia thing, that can get tired really fast... I think there's so much to mine in Logan without robbing him of self-knowledge. What I wanted to present to the audience was, what is it like to feel a prisoner in a life you cannot escape? You accumulate pain and loss, and keep that with you as you keep on going".
—James Mangold[40]
In October 2010, Jackman confirmed that Aronofsky would direct the film.[41] Jackman commented that with Aronofsky directing, Wolverine 2 will not be "usual" stating, "This is, hopefully for me, going to be out of the box. It's going to be the best one, I hope... Well, I would say that, but I really do feel that, and I feel this is going to be very different. This is Wolverine. This is not Popeye. He's kind of dark... But, you know, this is a change of pace. Chris McQuarrie, who wrote The Usual Suspects, has written the script, so that'll give you a good clue. [Aronofsky's] going to make it fantastic. There's going to be some meat on the bones. There will be something to think about as you leave the theater, for sure".[41] The film was scheduled to begin principal photography in March 2011 in New York City before the production moves to Japan for the bulk of shooting.[42]
While Jackman in 2008 had characterized the film as "a sequel to Origins",
In March 2011, Aronofsky bowed out of directing the film, saying in a statement, "As I talked more about the film with my collaborators at Fox, it became clear that the production of The Wolverine would keep me out of the country for almost a year... I was not comfortable being away from my family for that length of time. I am sad that I won't be able to see the project through, as it is a terrific script and I was very much looking forward to working with my friend, Hugh Jackman, again".[46] Fox also decided to be "in no rush" to start the production due to the damage incurred in Japan by the 2011 Tōhoku earthquake and tsunami.[47] Despite this, Jackman said the project was moving ahead. "It's too early to call on Japan, I'm not sure where they're at. So now we're finding another director, but Fox is very anxious to make the movie and we're moving ahead full steam to find another director".[48]
In May 2011, Fox had a list of eight candidates to replace Aronofsky, including directors
In August 2011,
In July 2012, actors
In terms of his character, Jackman views Wolverine as "the ultimate outsider" and that "the great battle, I always thought with Wolverine, is the battle within himself".[63] Regarding Logan's struggle with extreme longevity, Jackman said, "He realizes everyone he loves dies, and his whole life is full of pain. So it's better that he just escapes. He can't die really. He just wants to get away from everything".[21] Jackman stated that he ate six meals a day in preparation for the role.[41] Jackman contacted Dwayne Johnson for some tips on bulking up for the film, suggesting that he gain a pound a week by eating 6,000 calories a day for six months which consisted of "an awful lot of chicken, steak and brown rice".
In August 2012, Guillermo del Toro revealed he had been interested in directing the film, as the Japanese arc was his favorite Wolverine story. After meeting with Jim Gianopulos and Jackman, del Toro passed, deciding he did not wish to spend two to three years of his life working on the movie.[64]
Filming
On a production budget of $120 million,[8] principal photography began on July 30, 2012.[65] Shuler Donner had to be absent through most of the production due to breast cancer, with her treatment ending just before post-production begun.[66][67] Some of the earliest scenes were shot at the Bonna Point Reserve in Kurnell, New South Wales, which doubled as a Japanese prisoner-of-war camp.[65] Filming there ended on August 2, 2012, with production scheduled to continue around Sydney followed by a few weeks in Japan before wrapping up in mid-November.[68] On August 3, 2012, production moved to Picton, which doubled as a town in Canada's Yukon region.[69] Mangold would say that the lack of the Japanese film commission was why the film wasn't entirely in Japan.[70]
On August 25, 2012, Mangold said that production moved to Tokyo and began shooting.[71] On September 4, 2012, filming took place outside Fukuyama Station in Fukuyama, Hiroshima.[72] Filming in Tomonoura, a port in the Ichichi ward of Fukuyama, concluded on September 11, 2012.[73]
On October 8, 2012, production returned to Sydney with filming on Erskine Street near
Reshoots took place in Montréal, including the credits scene where Magneto and Professor X warn Wolverine of a new threat.[82] Said scene was contributed by Bryan Singer and Simon Kinberg, writers of X-Men: Days of Future Past, as a way to "reintroduce Patrick Stewart into the universe" and set up their film.[83] Mangold stated that while production of The Wolverine started before Days of Future Past and thus the film was mostly focused on being a self-contained story, he was able to collaborate with Singer to "make things groove together".[84]
Post-production
In October 2012, it was reported that The Wolverine would be converted to
In order to recreate the atomic bombing of Nagasaki, RSP studied natural phenomena such as volcanoes, instead of relying on archived footage of atomic blasts, and recreated the effects digitally. They also replaced the Sydney cityscape on the horizon with views of Nagasaki. The walking bear featured in the Yukon scenes was created with computer graphics by Weta Digital, while Make-Up Effects Group built a 12-foot-tall
For a fight scene taking place on top of a speeding bullet train, the actors and stunt performers filmed on wires above a set piece surrounded by a
The Silver Samurai, rendered by Weta Digital, was based on a model that had been 3D printed and chrome painted using electrolysis. Stunt performer Shane Rangi, wearing a motion capture suit, stood on stilts while filming as the Silver Samurai. Rangi's performance was then used to animate the digital character. Hill said the main challenge was creating the Silver Samurai's highly reflective surface, "He's pretty much chrome. We were worried that he was going to look incredibly digital and that it was going to be very hard to make him look solid and real and not just like a mirrored surface".[87]
The original assembly cut of the film ran around two hours and 35 minutes.[88] The mid-credit scene was written by Simon Kinberg and shot by the X-Men: Days of Future Past crew, though Mangold directed the scene.[89]
Music
In September 2012, Marco Beltrami, who previously scored James Mangold's film 3:10 to Yuma (2007), announced that he had signed on to score The Wolverine.[90] Following Mangold's noir and Spaghetti Western inspirations for the film, Beltrami explained, "I think I do every movie as a western whether it is or not, so there's definitely some of the spaghetti western influence on my music throughout the score, and I guess throughout a lot of my work. I wouldn't say there was a particular movie that influenced me more than something else. There was nothing that I was trying to mimic or anything."[91] On associating sounds with the film's primary location, Beltrami said, "I think the last thing that Jim [Mangold] and I wanted to do was Japanese music associated with Japanese places. There's a reference; I do use Japanese instruments, [but] not really in a traditional way."[92] The score was performed by an 85-piece ensemble of the Hollywood Studio Symphony at the Newman Scoring Stage located at 20th Century Fox Studios.[93] The album was released by Sony Classical Records on July 23, 2013.
Release
Theatrical
The Wolverine was released on July 3, 2013, in various international markets, and in the United States two days later.[94] The film was titled Wolverine: Immortal in Brazil and Spanish-language markets.[95][96] The film premiered in Japan on September 13, 2013, under the title Wolverine: Samurai (ウルヴァリン: SAMURAI, Uruvarin Samurai).[97]
Marketing
On October 29, 2012, director James Mangold and actor Jackman hosted a live chat from the set of the film. The chat took place on the official website and the official YouTube account of the film.[98]
The first American trailer and international trailer of The Wolverine were released on March 27, 2013.
The third American trailer was released on May 21, 2013,[103] and then on June 13, 2013, the second international trailer was released.[104]
On July 20, 2013, 20th Century Fox presented The Wolverine along with Dawn of the Planet of the Apes and X-Men: Days of Future Past to the 2013 San Diego Comic-Con with Jackman and Mangold in attendance to present new footage of the film.[105]
20th Century Fox partnered with automotive company
Home media
The Wolverine was released on
Reception
Box office
Along with the improvements in critical reception, The Wolverine outgrossed Origins in total box office, though earned less domestically. The film closed in US theaters on December 5, 2013, grossing $132,556,852 in North America (as opposed to $179,883,157 for the earlier film) and $282,271,394 in other territories (as opposed to the earlier film's $193,179,707), for a worldwide total of $414,828,246.[10] The film earned $139.6 million on its worldwide opening weekend.[113] When compared to the rest of the X-Men film franchise, The Wolverine has garnered somewhat mixed results in terms of box office success. While its domestic gross is greater than the production budget, it is still lower than the other five films of the franchise, with its domestic box office total being roughly $45.1 million less than the franchise's average. However, its overseas total currently exceeds the franchise's average by roughly $75.7 million and is significantly more than any of the other X-Men films. With a worldwide total of roughly $414.8 million, The Wolverine was at that time the third-highest-grossing film.[114]
In North America, the film opened at the top of the box office on its opening day, with $20.7 million, with $4 million coming from Thursday late-night showings.[115][116] It held on to the number one spot through its first weekend, with $53,113,752, which was the lowest opening of the series until 2019's Dark Phoenix was released.[117]
Outside North America, the film topped the box office on its opening weekend with $86.5 million from 100 countries. The film achieved the highest opening of the franchise, passing X-Men: The Last Stand's $76.2 million opening.[117][118]
Critical response
The review aggregator website Rotten Tomatoes reported a 71% approval rating with an average rating of 6.3/10 based on 262 reviews. The website's consensus reads, "Although its final act succumbs to the usual cartoonish antics, The Wolverine is one superhero movie that manages to stay true to the comics while keeping casual viewers entertained."[119] On Metacritic, the film has a score of 61 out of 100, based on reviews from 46 critics, indicating "generally favorable reviews".[120] Audiences polled by CinemaScore gave the film an average grade of "A−", on a scale from A+ to F.[121]
Richard Roeper of the Chicago Sun-Times gave it a grade of "B+", praising Jackman's performance as "strong, solid entertainment" and "a serious, sometimes dark and deliberately paced story."[122] Christy Lemire, writing for the website of Roger Ebert, said that the film "features some breathtakingly suspenseful action sequences, exquisite production and costume design and colorful characters, some of whom register more powerfully than others."[123] Variety film critic Peter Debruge called the film "an entertaining and surprisingly existential digression from his usual X-Men exploits. Though Wolvie comes across a bit world-weary and battle-worn by now, Jackman is in top form, taking the opportunity to test the character's physical and emotional extremes. Fans might've preferred bigger action or more effects, but Mangold does them one better, recovering the soul of a character whose near-immortality made him tiresome."[124] James Buchanan of TV Guide.com gave it 3 out of 4 stars, calling it "A rare comic-to-film adaptation that doesn't sacrifice substance for the sake of thrilling action."[125] Scott Collura of IGN praised the film giving it an 8.5 out of 10[126] and stated, "The Wolverine is a stand alone adventure for the classic character that reminds us that there's more to this genre than universe-building and crossovers. ... [The] story paints a deep and compelling portrait of Logan, a haunted character that Jackman still finds new ways to play all these years later."[127] Peter Travers of Rolling Stone felt that despite the film's final act "sink[ing] into CGI shit", Jackman's performance "still has the juice" and Mangold's directing "shows style and snap."[128]
Henry Barnes of The Guardian gave the film a negative review, giving it 2 out of 5 stars and stating, "Hugh Jackman's sixth time out in the claws and hair combo is looking increasingly wearied, as the backstory gets more complicated and the action gets duller and flatter."[129] Joe Neumaier of the New York Daily News offered a similar view, saying "Hugh Jackman has the role of the mutant superhero down pat, but the rest of the film is the same old slice and dice."[130]
A common critique towards the film were aspects of the final act, particular in regard to the climactic fight with Silver Samurai and the Viper character. When promoting Logan, Mangold acknowledged the criticism, remarking that while The Wolverine was meant as a small scale, more intimate film, the studio wanted "big, CG action" to stay afloat with the other big blockbusters that came out that year such as Thor: The Dark World (2013) and Man of Steel (2013).[131]
Legacy
Following the release of The Wolverine 20th Century Fox had begun negotiations with both Jackman and Mangold to return for another Wolverine movie. Mangold was scheduled to write the treatment, with Lauren Shuler Donner returning to produce.[132] On March 20, 2014, Fox announced that the sequel would be released March 3, 2017.[133]
In retrospective reviews, several film critics such as Matthew Razak from Flixter, Alex Wench from Inverse (website), and Matthew Mosley from Collider have stated that The Wolverine is the most underrated superhero movie of all time, while also noting its later influence and similarities with Logan.[134][135][136] Wench from Inverse (website) wrote "what they ended up getting is a film that stands as one of the most contemplative superhero movies ever made. The film digs deep into the mind of Wolverine, giving Jackman the chance to put his investment in the character on full display. In that way, The Wolverine ends up being the perfect lead-in to 2017's Logan, a film that not only sees Mangold and Jackman working together again but also revisiting and perfecting everything they did and didn't do right in their previous collaboration."[137]
In a ranking of the
Accolades
Year | Award / Film Festival | Category | Recipients | Result | Ref. |
---|---|---|---|---|---|
2013 | Hollywood Film Awards | Hollywood Movie Award | James Mangold | Nominated | [139] |
2014 | People's Choice Awards | Favorite Action Movie | The Wolverine | Nominated | [140] |
Favorite Movie Actor | Hugh Jackman (also for Prisoners) | Nominated | |||
Screen Actors Guild Awards | Outstanding Performance by a Stunt Ensemble in a Motion Picture | The Wolverine | Nominated | [141] | |
Kids' Choice Awards | Favorite Male Buttkicker | Hugh Jackman | Nominated | [142] | |
Saturn Awards | Best Comic-To-Film Motion Picture | The Wolverine | Nominated | [143] |
Sequel
By October 2013, 20th Century Fox had begun negotiations with both Jackman and Mangold to return for a previously untitled installment. Mangold was scheduled to write the treatment, with Lauren Shuler Donner returning to produce.
Notes
- ^ Sources differ regarding the country or countries of origin of The Wolverine. Some indicate that the United States is the sole country of origin,[2][3][4] while others list it as a co-production of the United States and Great Britain.[5][6]
- ^ As depicted in the 2006 film X-Men: The Last Stand
- ^ Later depicted in the 2014 film X-Men: Days of Future Past[12][13]
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Further reading
- Gray, Simon. "Rapturous Action". ISSN 0002-7928. Hollywood: California. ASC Holding Corp. Pages 56–65. Behind-the-scenes article on The Wolverine focusing on the film's camera work, lighting, etc. 9 pages, 17 color photos.