Thirty-Eight Snub
"Thirty-Eight Snub" | |
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Breaking Bad episode | |
Episode no. | Season 4 Episode 2 |
Directed by | Michelle MacLaren |
Written by | George Mastras |
Cinematography by | Michael Slovis |
Editing by | Kelley Dixon |
Original air date | July 24, 2011 |
Running time | 46 minutes |
Guest appearances | |
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"Thirty-Eight Snub" is the second episode of the
Written by
Jesse's party scenes, which symbolized the character's internal guilt and fragile state of mind, included background songs by rapper
Plot
While cooking meth at the lab, Walt waits for Gus to arrive so he can kill him. Instead, Victor's replacement Tyrus arrives with Mike, and Mike informs Walt he will never see Gus in person again. That night, Walt drives to Gus' house, but before he can approach, he receives a call from Mike,[1] who says simply, "Go home, Walter." The next day, Walt approaches Mike at the bar, and Mike says he observed Walter tailing him there. Mike reveals that in the lab, he could tell Walt was carrying the pistol. Walt suggests Mike and he are in the same danger because Gus could easily kill Mike the same way he killed Victor. Walt asks Mike to put him in a room with Gus so Walt can kill him. Mike punches Walt, knocks him to the floor, kicks him several times, then leaves the bar.
Skyler calls Walt to inquire about buying the car wash where he once worked, which they plan to use as a front business for Walt's drug money. Walt fails to act, so Skyler does her own detailed research about the business's expenses and revenues. She later approaches Bogdan about buying it, but he angrily rejects her and condemns Walt for insulting him when Walt quit working there.
Marie struggles with Hank's deepening depression as he continues his post-shooting physical therapy. The bedridden and bitter Hank constantly ignores or insults Marie and even after he celebrates a successful session with his physical therapist, he refuses to share the excitement with Marie.
After three straight days of partying, Badger and Skinny Pete are exhausted and go home, as do all the other partiers at Jesse's house. Alone with his thoughts, a depressed Jesse breaks down while sitting less than an inch away from his sound system's speakers, which are turned to high volume.
Production
"Thirty-Eight Snub" was written by
Jim Beaver made an appearance on "Thirty-Eight Snub" as Lawson, the gun vendor from the opening scene.
The motel room that Cranston and Beaver appear in was a set constructed by Breaking Bad production designer Mark Freeborn and construction coordinator William Gilpin.[16] Director Michelle MacLaren wanted a genuine "rundown motel feel", but believed it would be too difficult to film in an actual motel room because it would be too small for the cast and crew to fit inside.[17] Instead, the set was designed so that several of the walls could be removed to make space for the cameras and crew. This allowed greater flexibility in shooting and camera angles, and the walls could be placed back into position if they were needed for the background of a shot.[18] The first shot of the episode includes Walter speaking directly into the camera, and it quickly revealed he is speaking into a mirror in the motel room. MacLaren filmed the shot so it would be deliberately disorienting and unclear to the viewer where Walter was until the camera movement revealed the motel room.[19] New York magazine writer Logan Hill interpreted Walter's speaking into the mirror as a symbol for self-reflection: "He stares at a mirror reflection of himself, studying his own image, wondering if the Walt other people see gives any hint of what he’s carrying inside."[20]
The scene when Walter approaches Gus' house with plans to kill him ends with an extremely high crane shot of Walter standing alone in the middle of the street. MacLaren wanted that shot to be extremely effective because she believed it conveyed Walter's helplessness, insignificance and lack of experience. Although the normal crane used for such overhead shots in Breaking Bad was only 30 feet tall, MacLaren rented a 180-foot-tall crane specifically for that shot. Since the crew had only about four hours to shoot before losing the night-time hours, the crane shot was the first one they filmed. It was shot by camera operators Andrew Voegeli, with dolly grip David Jaxx Nagro and gaffer Steven Litecky.[21] Later, for the scene when Walter meets with Mike at a bar, MacLaren backlit Walter as he entered so only his silhouette would be visible when he entered.[22] When the shots of Mike punching Walter was originally filmed, the staging involved Mike standing up, then Walter standing up, then Mike suddenly punching him. Vince Gilligan edited the scene to have Mike simply punch Walter instead to make the action faster and more surprising.[23] The scene was arranged by stunt coordinator Al Goto,[24] and actors Bryan Cranston and Jonathan Banks performed the stunts themselves.[25] Mike kicks Walter several times after he falls, and Goto placed a large sandbag against Cranston's torso for Banks to kick during those scenes.[26]
The party scenes at Jesse's house sought to illustrate Jesse's internal guilt and self-hatred for having murdered
Mastras had Jesse buy a Roomba because he believed it was appropriate for Jesse's frame of mind: "You don't need it, it's kind of inane. ... He's just trying to fill his world with noise and with these things."[32] During the final shot of the episode, a steadicam shot filmed by Andrew Voegeli,[33] Jesse turns his stereo system all the way up and leans directly against the pulsating speaker to try to shut out his pain. MacLaren wanted the speakers to pulse, but they could not actually play loud music without harming actor Aaron Paul. The special effects crew unsuccessfully tried several methods to make the speakers pulse, such as shaking them and pulling on strings, but they did not appear realistic.[34] It was achieved after MacLaren visited a local stereo store and an employee provided her a bass tester which would run the stereo system with no noise, but cause the speakers to pulse as if music was playing. That employee was hired to come on the set and run the system, and the lights and pulsing were timed to match music which was later dubbed in.[35]
Cultural references
Among the songs played by Jesse on his new sound system are "Money" by
Reception
Ratings
In its original American broadcast, "Thirty-Eight Snub" was seen by an estimated 1.97 million household viewers, according to
Reviews
If
The Good, The Bad, and the Ugly. Those tense silences before Walt drew his gun were straight out of Fistful of Dollars. So much of it felt like a Western, right down to the High Noonstandoff, with our hero casting a long shadow, and pulling down the brim of his hat as he approached his archenemy.
– Melissa Maerz, Entertainment Weekly[11]
Entertainment Weekly writer Melissa Maerz compared the direction in "Thirty-Eight Snub" to the film-making of Sergio Leone, particularly in its "extreme close-ups", "tense silences" and the "saloon fight" between Walter and Mike.[11] Time magazine writer James Poniewozik said the filming techniques used in Jesse's party – "which starts off like a rap video then turns into some kind of distorted, jumpy tweak-vision" – effectively conveyed Jesse's frame of mind. He also liked the way the script conveyed Marie's "increasing isolation" in dealing with Hank.[40] Alan Sepinwall of HitFix called the episode a "terrific, unsettling hour" and particularly complimented director Michelle MacLaren and cinematographer Michael Slovis, especially for shooting Jesse's party scenes "in a way that let you experience the chaos just as Jesse was trying to". Sepinwall strongly praised Aaron Paul, who he said "keeps finding new layers of Jesse, and new talents to show them with".[5] New York magazine writer Logan Hill praised the film noir elements in the episode's photography, and said the opening scene, with Walter staring into the mirror asking, "So, how's it look?", refers to the season's ongoing theme of internal self-reflection and surveillance.[20] Los Angeles Times writer Emily VanDerWerff said while the episode didn't advance the plot very far, it included a great deal of internal development among the characters, which she called "an interesting new dynamic for the show to explore". She also called Jesse's emotional breakdown at the end "easily the most chilling thing so far this season".[41]
Paste magazine writer Brent Koepp called it "another incredible episode" and said the impending conflict between Walter and Gus "has the makings of one of television's finest showdowns". He also said the script made good use of the supporting characters, and that the growing distance between Hank and Marie was particularly well handled.[42] Matt Seitz of Salon.com compared "Thirty-Eight Snub" to excellent third season episodes that had "very few scenes and sequences but luxuriated in them, allowing the characters (and the viewer) time to experience the tiny eddies and currents of the moment". He also called an overhead shot of Walter standing outside Gus' house alone "one of the best shots in the show's history".[2] Tim Surette of TV.com especially praised the scene with Walter approaching Gus' house, writing: "Breaking Bad has always been good at creating an air of tension, but now it seems as though the series has mastered it. He also said Paul's acting during Jesse's emotional breakdown "ripped my heart out and shredded it to pieces".[12] The Hollywood Reporter writer Tim Goodman said the photography and direction during Jesse's party scenes were masterful: "Here we are four seasons into Breaking Bad and I shouldn't still be amazed at the innovated visuals or perfectly honed sense of sound. These are masters at work, people."[43] Slate writers Jessica Grose and June Thomas both enjoyed the episode, although they found Walter's character increasingly difficult to sympathize with. Both praised the scene when Mike attacked Walter, while Grose especially enjoyed Aaron Paul's performance and Skyler's subplot.[6]
Matt Richenthal of TV Fanatic complimented the opening scene with the gun purchase, which he called "reminiscent of season one, when the show took the slow, fascinating steps that no other program would touch". He also complimented the episodes for taking the viewers "inside the minds" of Walter and Jesse.
In 2019, The Ringer ranked "Thirty-Eight Snub" 58th out of the 62 total Breaking Bad episodes.[48]
References
- ^ Review: 'Breaking Bad' - 'Thirty-Eight Snub': Death by stereo! hitfix.com
- ^ a b Seitz, Matt (July 25, 2011). "Breaking Bad 4x2: 'Thirty-eight Snub'". Salon.com. Retrieved July 25, 2011.
- ^ a b MacLaren, Michelle (July 25, 2011). Breaking Bad Insider 402 (Audio commentary) (Podcast). Breaking Bad Insider Podcast. Event occurs at 29:46–30:05.
- ^ Dixon, Kelley (August 2, 2011). Breaking Bad Insider 403 (Audio commentary) (Podcast). Breaking Bad Insider Podcast. Event occurs at 6:00–6:15.
- ^ Hitfix. Retrieved April 3, 2013.
- ^ a b c Grose, Jessica; Thomas, June (July 24, 2011). "Breaking Bad, Season 4, Episode 2, "Thirty-Eight Snub"". Slate. Archived from the original on July 28, 2011. Retrieved July 28, 2011.
- ^ a b c d Maurer, Mark (July 24, 2011). "'Breaking Bad' recap, 'Thirty-Eight Snub': Loaded". The Star-Ledger. Retrieved July 28, 2011.
- Blackbook. Retrieved July 28, 2011.
- ^ Gilligan, Vince (July 25, 2011). Breaking Bad Insider 402 (Audio commentary) (Podcast). Breaking Bad Insider Podcast. Event occurs at 13:52–15:22.
- ^ Gilligan 402, 10:45–1050
- ^ a b c Maerz, Melissa (July 25, 2011). "'Breaking Bad' recap: The Wild West". Entertainment Weekly. Archived from the original on October 12, 2011. Retrieved July 28, 2011.
- ^ a b c d Surette, Tim (July 25, 2011). "Breaking Bad: Men and Their Toys". TV.com. Retrieved July 28, 2011.
- ^ Gilligan 402, 1:23–1:36
- ^ MacLaren, 1:54–2:04
- ^ Mastras, 2:35–2:52
- ^ Gilligan 402, 3:28–3:38
- ^ MacLaren, 4:18–4:38
- ^ MacLaren, 4:57–5:11
- ^ MacLaren, 3:38–4:10
- ^ a b Hill, Logan (July 25, 2011). "Breaking Bad Recap: Turn It Up!". New York. Retrieved July 28, 2011.
- ^ MacLaren, 36:06–39:37
- ^ MacLaren, 46:08–46:26
- ^ Cranston, Bryan (August 2, 2011). Breaking Bad Insider 403 (Audio commentary) (Podcast). Breaking Bad Insider Podcast. Event occurs at 1:36–1:51.
- ^ Cranston, 43:48–43:58
- ^ MacLaren, 44:28–44:45
- ^ Cranston, 45:32–45:45
- ^ a b Cranston, Bryan (August 2, 2011). Breaking Bad Insider 403 (Audio commentary) (Podcast). Breaking Bad Insider Podcast. Event occurs at 21:47–22:00.
- ^ VanDerWerff, Emily (October 10, 2011). "Vince Gilligan walks us through season four of Breaking Bad (part 1 of 4)". The A.V. Club. Archived from the original on October 12, 2011. Retrieved October 10, 2011.
- ^ Breaking Bad Insider Podcast Season 4 Episode 3. Movies Breaker. August 27, 2021. Event occurs at 31:04–31:52. Retrieved September 28, 2022.
- ^ Golubic, Thomas (August 2, 2011). Breaking Bad Insider 403 (Audio commentary) (Podcast). Breaking Bad Insider Podcast. Event occurs at 23:32–24:45.
- ^ Mastras, George (July 25, 2011). Breaking Bad Insider 402 (Audio commentary) (Podcast). Breaking Bad Insider Podcast. Event occurs at 27:05–27:20.
- ^ Mastras, 27:50–28:27
- ^ MacLaren, 32:50–32:55
- ^ MacLaren, 29:15–29:46
- ^ Mastras, 30:05–31:37
- ^ a b McQuinn, Craig (July 25, 2011). "Breaking Bad Recap (Season 4, Episode 2): 'Thirty-Eight Snub'". The Faster Times. Retrieved July 28, 2011.
- ^ a b Seidman, Robert (July 26, 2011). "Sunday Cable Ratings: 'True Blood' Rises, 'Falling Skies' Steady + Kardashians, 'Entourage,' 'Breaking Bad,' 'Leverage,' 'The Glades' & Much More". TV by the Numbers. Archived from the original on July 22, 2011. Retrieved July 29, 2011.
- ^ Kepler, Adam W. (July 25, 2011). "CBS Wins Sunday Night With Familiar Shows". The New York Times. Archived from the original on December 19, 2011. Retrieved August 2, 2011.
- ^ Seidman, Robert (July 19, 2011). "Sunday Cable Ratings: 'True Blood' Slips , 'Falling Skies' Steady + 'Breaking Bad,' 'Leverage,' 'In Plain Sight,' 'The Glades' & More". TV by the Numbers. Archived from the original on July 22, 2011. Retrieved July 19, 2011.
- ^ Poniewozik, James (July 25, 2011). "Breaking Bad Watch: Self-Defense". Time. Retrieved July 28, 2011.
- ^ VanDerWerff, Emily (July 25, 2011). "'Breaking Bad' recap: A man works". Los Angeles Times. Archived from the original on November 4, 2012. Retrieved September 16, 2019.
- ^ Koepp, Brent (July 26, 2011). "Breaking Bad Review:Episode 4.2". Paste. Archived from the original on August 10, 2011. Retrieved August 2, 2011.
- ^ Goodman, Tim (July 25, 2011). "'Breaking Bad' Spoiled Bastard: Season 4, Episode 2: 'Thirty-Eight Snub'". The Hollywood Reporter. Archived from the original on August 5, 2011. Retrieved August 2, 2011.
- ^ Richenthal, Matt (July 24, 2011). "Breaking Bad Review: Now What?". TV Fanatic. Archived from the original on June 4, 2012. Retrieved July 28, 2011.
- ^ Arbeiter, Michael (July 25, 2011). "'Breaking Bad' Recap: Thirty-Eight Snub". Hollywood.com. Retrieved July 25, 2011.
- ^ Williott, Carl (July 25, 2011). "'Breaking Bad': It's not a lie if you believe it". CNN. Archived from the original on March 4, 2016. Retrieved August 1, 2011.
- CraveOnline. Archived from the originalon August 13, 2011. Retrieved August 2, 2011.
- ^ Chris Almeida (September 30, 2019). "The Ringer's Definitive 'Breaking Bad' Episodes Ranking". The Ringer.
External links
- "Thirty-Eight Snub" at the official Breaking Bad site
- "Thirty-Eight Snub" at IMDb