Tilaka
In
Tilakas come in an assortment of styles or shapes and are adorned using various material such as "ash from sacrificial fire or cow dung, sandalwood paste, turmeric, clay, charcoal or red lead."[5][6][7]
Variations and meaning
Different Hindu denominations use different materials and shapes to make the tilaka.[6]
Traditionally, a staunch Vaishnavite would mark twelve parts of the body with tilakas and other symbols, but the most prominent tilaka is displayed on the forehead. The Vaishnava tilaka, also known as
According to Dr. Vijay Prakash Sharma, the known styles include:[8] Vijayshree – white tilaka urdhva pundra with a white line in the middle,[8] founded by Swami Balanand of Jaipur; Bendi tilaka – white tilaka urdhva pundra with a white round mark in the middle,[9]
Additional styles include: Vallabha Sampradaya Tilaka, Sri Tilaka of Rewasa Gaddi, Ramacharandas Tilaka, Srijiwarama tilaka, Sri Janakraja Kishori Sharan Rasik Aliji tilaka, Sri Rupkalajee tilaka, Rupsarasji tilaka, Ramasakheeji tilaka, Kamanendu Mani tilaka, Karunasindhuji tilaka, Swaminarayana Tilaka, Nimbarka tilaka, and Madhva tilaka.[10]
The
Shaivite tilakas
The Tripundra or Rudra-tilaka is the other major tilaka variant, often worn by the followers of Shiva.[13][14] It consists of three horizontal bands across the forehead with a single vertical band or circle in the middle. This is traditionally done with sacred ash from sacrificial fires, also known as vibhuti. The use of vibhuti is symbolic of detachment to the world or renunciation.[15] This variant is the more ancient of the two and shares many common aspects with similar markings worn across the world.[3]
Chapter 2 of the Kalagni Rudra Upanishad, a Shaiva traditional text, explains the three lines of a Tilaka as a reminder of various triads: three sacred fires, three syllables in Om, three gunas, three worlds, three types of atman (self), three powers in oneself, first three Vedas, three times of extraction of the Vedic drink Soma.[16][17]
- The first line is equated to Garhapatya (the sacred fire in a household kitchen), the A syllable of Om, the
- The second streak of ash is a reminder of Dakshinagni (the holy fire lighted in the South for ancestors), the sound U of Om,
- The third streak is the Ahavaniya (the fire used for Homa), the M syllable in Om, the Tamas guna, Svarga – heaven, the Paramatman – the highest self (the ultimate reality of Brahman), Jnana – the power of knowledge, the Samaveda, Soma extraction at dusk, and Shiva.[16][17]
These lines, represent Shiva's threefold power of will (icchāśakti), knowledge (jñānaśakti), and action (kriyāśakti).[18] The Tripuṇḍra described in this and other Shaiva texts also symbolises Shiva's trident (trishula) and the divine triad of Brahma, Vishnu, and Shiva.[18]
Other Hindu denominations
Followers of Ganapatya use red sandal paste (rakta candana).[20]
Other traditions
Jains wear the tilaka to mark the forehead of Jaina images with sandalwood paste, during puja ceremonies.[21] It may also be used, for the same reason, to mark idols at the start of a puja (worship), to mark a rock or tree before it is cut or removed from its original place for artisan work, or to mark a new piece of property.[4][22]
Relationship to bindi
Although bindi is related to tilaka there are a few notable differences. Bindi is a dot worn mainly by married Hindu women on the forehead and generally red in color, symbolizing good fortune. Today, it can be found in an assortment of colors, shapes, materials and mainly worn for decorative purposes.[23][24]
See also
- Ash Wednesday – a forehead marking tradition in Christianity
- Bindi – a cosmetic item of decoration for women in South Asia
- Fascinator – a cosmetic item worn near the forehead, an alternative to a hat
- Third eye
- Urdhva Pundra
- Vibhuti – Sacred ash made of burnt wood, burnt cow dung, or from the cremation of bodies.
References
- ^ ISBN 978-1-134-59322-4.
- S2CID 258804155.
- ^ ISBN 978-0-8239-3180-4.
- ^ ISBN 978-0190262631, pp. 100-112, 327
- ^ "Tilak | Hindu symbolism". Britannica. Retrieved 2023-07-04.
- ^ a b Makhan Jha, Anthropology of ancient Hindu kingdoms: a study in civilizational perspective, p. 126
- ^ ISBN 978-81-7017-397-7.
- ^ a b Vijay Prakash Sharma, p. 72.
- ^ Vijay Prakash Sharma, p. 73.
- ^ Vijay Prakash Sharma, p. 75.
- ^ Sunder Hattangadi (2000), Vasudeva Upanishad Archived 2016-02-08 at the Wayback Machine, Sama Veda, SanskritDocuments Archives
- ISBN 978-0195369229, pp. 90-95
- ^ Deussen 1997, pp. 789–790.
- ^ Klostermaier 1984, pp. 131, 371.
- ^ Narayanan, Vasudha (29 May 2018). "Tilak and Other Forehead Marks". Brill’s Encyclopedia of Hinduism Online. Retrieved November 24, 2023.
- ^ a b c d Deussen 1997, p. 790.
- ^ a b c d Nene 1999.
- ^ ISBN 978-9004178960, pp. 182-183
- ^ Commissioner, India Census (1902). Census of India, 1901. Printed at the Government central Press. p. 83.
- ISBN 0-7914-2440-5.
- ISBN 978-8120807754, pp. 221-222
- JSTOR 3087578.
- ISBN 978-1-59884-618-8.
- ISBN 978-1-61069-945-7.
Bibliography
- Deussen, Paul (1997). Sixty Upanishads of the Veda. Motilal Banarsidass. ISBN 978-81-208-1467-7.
- Entwistle, A. W. (1981). Vaishnava tilakas: Sectarian marks worn by worshippers of Vishnu (IAVRI bulletin). International Association of the Vrindaban Research Institute.
- Klostermaier, Klaus K. (1984). Mythologies and Philosophies of Salvation in the Theistic Traditions of India. Wilfrid Laurier Univ. Press. ISBN 978-0-88920-158-3.
- Nene, Roopa (1999). "कालाग्निरुद्रोपनिषत् (Kalagnirudra Upanishad)" (PDF) (in Sanskrit). Retrieved 28 January 2016.
- Vijay Prakash Sharma. The sadhus and Indian civilisation.[full citation needed]
Further reading
- Mittal, Sushil; Thursby, Gene R. (2006). Religions of South Asia: An Introduction. Taylor & Francis, United Kingdom. ISBN 0-415-22390-3. pp. 73.
External links
- How to put on Tilak, Hare Krishna Temple
- Tilaka : Hindu marks on the forehead, Priyabala Shah