Timberlake Wertenbaker
Timberlake Wertenbaker | |
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Born | Librettist |
Nationality | British, American |
Genre | Modern theatre, original works and translations |
Timberlake Wertenbaker[1] is a British-based playwright, screenplay writer, and translator who has written plays for the Royal Court, the Royal Shakespeare Company and others. She has been described in The Washington Post as "the doyenne of political theatre of the 1980s and 1990s".[2][3]
Wertenbaker's best-known work is
Biography
Wertenbaker was born in New York City to Charles Wertenbaker, a journalist, and Lael Wertenbaker, a writer.[4][5] Much of her childhood was spent in the Basque Country in the small French fishing village of Ciboure.[4] She has been described as possessing a "characteristic reticence"; she has indicated that this may spring partly from her upbringing in Ciboure: "One thing they would tell you as a child was never to say anything because you might be betraying someone who had done something politically or whatever. So I was inculcated with this idea of emotional privacy."[6]
Wertenbaker was the resident writer for
Central topics in her work are the efforts of individuals, particularly women: pursuing quests, seeking change, breaking boundaries, and constructing or challenging gender roles. A central technique is the revisioning of actual or imaginary lives from the past, sometimes remote in place as well as in time. There is a further recurring theme in her work: displacement. In her plays, characters are often removed from the familiarity of home and are forced to live in new cultures, sometimes defined by national boundaries, other times by cultural and class divisions. From this central theme emerge related themes, including isolation, dispossession, and the problem of forging an identity within a new cultural milieu. In her work, individuals often seem to assume roles, as if identity were a matter of persons performing themselves. Wertenbaker's work also demonstrates a keen awareness that communication occurs through language that often inadequately expresses experience.
In 1997, the British Library acquired Wertenbaker's archive consisting of manuscripts, correspondence and papers relating to her writings.[8] Wertenbaker has a home in north London, where she lives with her husband, the writer John Man.
Honours and awards
- 1985 Plays and Players Most Promising Playwright Award for The Grace of Mary Traverse
- 1988 Evening Standard Awardfor Most Promising Playwright, Our Country's Good
- 1988 Laurence Olivier/BBC Award for Best New Play, Our Country's Good
- 1989 Eileen Anderson Central TelevisionDrama Award for The Love of the Nightingale
- 1989 Whiting Award for Drama
- 1990 Drama Critics' Circle Award for Best New Foreign Play (New York), Our Country's Good
- 1991 Critics' Circle Theatre Awardsfor Best West End Play (London), Three Birds Alighting on a Field
- 1992 Susan Smith Blackburn Prize for Three Birds Alighting on a Field
- 1992 Writers' Guild Award (Best West End Play) for Three Birds Alighting on a Field
- 2016 Writers' Guild Award (Best New Play) for "Jefferson's Garden"
Wertenbaker was made a
Works
Plays
Wertenbaker has written plays for the Royal Court, the RSC and other theatre companies:
- This Is No Place for Tallulah Bankhead (1978)
- The Third (1980)
- Second Sentence (1980)
- Case to Answer (1980)
- Breaking Through (1980)
- New Anatomies (1981)
- Inside Out (1982)
- Home Leave (1982)
- Abel’s Sister (1984)
- The Grace of Mary Traverse (1985)
- Our Country's Good (1988)
- The Love of the Nightingale (1989)
- Three Birds Alighting on a Field (1991)
- The Break of Day (1995)
- After Darwin (1998)
- Dianeira (radio, 1999)
- The Ash Girl (adaptation of "Cinderella", 2000)
- Credible Witness (2001)
- Galileo's Daughter (2004)
- Scenes of Seduction (radio, 2005)
- Divine Intervention (2006)
- Arden City (for the National Theatre Connections program, 2008)
- The Line (2009)
- Our Ajax (Southwark Playhouse, produced by Karl Sydow and Supporting Wall, 2013)
- The Ant and the Cicada (2014)
- Jefferson's Garden (2015)
- Winter Hill' (Octagon Theatre Bolton, 2017)
- Who Are You? (2021)[10]
- Pity the Monster (Jermyn Street Theatre as part of 15 Heroines) (2020)
Translations and adaptations
Her translations and adaptations include several plays by Marivaux (Shared Experience, Radio 3), Sophocles’ Theban Plays (RSC), Euripides’ Hecuba (ACT, San Francisco), Eduardo de Filippo, Gabriela Preissová’s Jenůfa (Arcola), and Racine (Phèdre, Britannicus).
- Mephisto by Ariane Mnouchkine (1986)
- Léocadia by Jean Anouilh (1987)
- False Admissions; Successful Strategies; La Dispute: Three Plays by Marivaux(1989)
- The Thebans by Sophocles (1992)
- Filumena by Eduardo De Filippo (1998)
- Hecuba[11] by Euripides (2001) (radio)
- Jenůfa by Gabriela Preissová (2007)
- Hippolytus by Euripides (2009)
- Phèdre by Jean Racine (2009)
- Elektra by Sophocles (2010 & 2012)
- Antigone by Sophocles (2011)
- Britannicus by Jean Racine (2011)
- Little brother. An odyssey to Europe by Ibrahima Balde and Amets Arzallus Antia (2019)
- Jules and Jim, adapted from Henri-Pierre Roché's novel (2023)
- The Mongol Khan (2023)[12]
References
- ^ Timberlake Wertenbaker at the Orlando Project, Cambridge University Press
- ^ a b Washington Post, "Grappling with Jefferson’s legacy: ‘A playwright doesn’t like nice people’", January 24, 2018
- ^ "Timberlake Wertenbaker". Faber & Faber. Archived from the original on 26 April 2013. Retrieved 11 August 2017.
- ^ a b Thorpe, Vanessa (29 April 2017). "Timberlake Wertenbaker: 'I got to feel that nobody wanted me'". Retrieved 14 December 2021.
Grew up in the village of Ciboure in the French Basque country.
- ^ New York Times, "Lael Wertenbaker, 87, Author Who Wrote of Husband's Death", 1997
- ^ The Guardian, "It's All So Public", 30 June 2004
- ^ "Timberlake Wertenbaker". Literature Matters. British Council. Archived from the original on 13 March 2016.
- ^ Timberlake Wertenbaker Papers, archives and manuscripts catalogue, the British Library. Retrieved 27 May 2020
- ^ British Council: Literature, "Timberlake Wertenbaker"
- ^ Alex, Michael (29 October 2021). "Call the Midwife's Georgie Glen: 'I feel helpless in the fight against climate change - and I'm not alone!'". The Courier. Retrieved 27 November 2022.
- ^ The Hecuba, 2001 radio play
- ^ Mesure, Susie (18 November 2023). "The West End's controversial new musical – that's already been shut down in China". The Telegraph. Retrieved 19 November 2023.