Triple Concerto, BWV 1044
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The Triple Concerto,
BWV 527
, or on earlier lost models for these compositions.
History
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Bach based the Triple Concerto on two earlier compositions. The outer movements of BWV 1044 are based on a lost model which was also a model for the
Regarding the origin of the models for BWV 1044, BWV 894 was copied by
Johann Nikolaus Mempell (mid-18th century).[1][9] In 1970 Hans Eppstein argued that the lost model for BWV 894 may have been a keyboard concerto, but this cannot be demonstrated conclusively.[1] The middle movement of the Third Sonata (BWV 527/2) was based on an earlier model which predated the earliest version of the sonata's first movement, probably composed during the 1720s.[7] Dietrich Kilian, editor of the New Bach Edition volume which contains the Triple Concerto, assumes that Bach composed the concerto after 1726 (most likely in his later years).[10][11]
Movements and scoring
This section possibly contains original research. (November 2016) |
Bach scored the concerto for the same instruments as his fifth concertino without the ripieno instruments.[15]
The concerto has three movements:[11][6]
- (No tempo indication, usually interpreted as Allegro) – based on BWV 894/1
The outer movements were developed from the harpsichord piece with added tutti sections.[17] The middle movement was expanded from the organ piece to four voices.[6][15]
Reception
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BWV 1006/1 into the opening sinfonia of the cantata Wir danken dir, Gott, wir danken dir, BWV 29.[23]
References
- ^ a b c d Schulenberg 2006, pp. 145–146
- ^ a b c Spitta 1899 Vol. 1, p. 420
- ^ a b BDW 01226
- ^ Spitta 1899 Vol. 3, pp. 142–146
- ^ BWV2a (1998), pp. 311–312
- ^ a b c d Rust 1869, p. XXI (Preface)
- ^ a b Dirksen 2010, p. 22 (Introduction)
- ^ D-LEb Peters Ms. R 9 (Depositum im Bach-Archiv) and D-B Mus. ms. Bach P 801, Fascicle 4 at Bach Digital website
- ^ D-B Mus. ms. Bach P 804, Fascicle 29 and D-B Mus. ms. Bach P 1084 at Bach Digital website
- ^ Kilian 1986, p. 105ff.; Kilian 1989, p. 43ff.
- ^ a b BWV2a (1998) p. 425
- ^ (manuscript) Mus.ms. Bach St 134
- ^ a b (score edition) Rust 1869
- ^ Douglas 1997, p. 1
- ^ a b Douglas 1997, pp. 2–10
- ^ Abravaya 2006, p. 61–64
- ^ Douglas 1997, pp. 4–28
- ^ (score edition) Bach 1848
- ^ Hofmeister 1848, p. 151
- ^ Schneider 1907, p. 106
- ^ Kretzschmar 1899
- ^ Terry 1920, p 233
- ^ Spitta 1899 Vol. 2, p. 450
Sources
Manuscripts
- Johann Sebastian Bach (composer); RISM 467301119), c.1750–1760
- Johann Sebastian Bach (composer); RISM 467301037), 1750–1753
Score editions
- Johann Sebastian Bach. Concerto per Cembalo con Violine e Flauto obligati e con ripieno di 2 Violini, Viola, Violoncello e Contrabasso. Mainz/Antwerp/Brussels: Schott, 1848
- Pieter Dirksen (editor). Johann Sebastian Bach: Complete Organ Works - Breitkopf Urtext, New Edition in 10 Volumes, Volume 5: Sonatas / Trios / Concertos - with CD-ROM: Organ Works Based on Compositions by Bach and Others. Breitkopf & Härtel, 2010.
- Dietrich Kilian (editor). Vol. 7: Six Sonatas and various Single Works, Score of Series IV: Organ Works of the New Bach Edition. Kassel: Bärenreiter, 1984; 22013.
- Dietrich Kilian (editor). Vol. 3: Concertos for Violin, for two Violins, for Harpsichord, Flute and Violin, Score of Series VII: Orchestral Works of the New Bach Edition. Kassel: Bärenreiter, 1986.
- Bach-Gesellschaft Ausgabe, Volume XV: Orgelwerke. Band 1. Breitkopf & Härtel, 1867.
- Bach-Gesellschaft Ausgabe, Volume XVII: Kammermusik. Band 2. Breitkopf & Härtel, 1869.
Other
- Abravaya, Ido (2006), On Bach's Rhythm and Tempo (PDF), Bochumer Arbeiten zur Musikwissenschaft, vol. 4, ISBN 3761816022
- David James Douglas. Inquiry into J.S. Bach’s method of reworking in his composition of the concerto for keyboard, flute and violin, BWV 1044, and its chronology. Vancouver: University of British Columbia, 1997 (thesis)
- Ad. Hofmeister. Musikalisch-literarischer Monatsbericht neuer Musikalien, musikalischer Schriften und Abbildungen für das Jahr 1848. Leipzig: Whistling, 1848.
- Dietrich Kilian. Vol. 7: Six Sonatas and various Single Works, Critical Commentary of Series IV: Organ Works of the New Bach Edition. Kassel: Bärenreiter, 1988.
- Dietrich Kilian. Vol. 3: Concertos for Violin, for two Violins, for Harpsichord, Flute and Violin, Critical Commentary of Series VII: Orchestral Works of the New Bach Edition. Kassel: Bärenreiter, 1989.
- Bach-Gesellschaft Ausgabe, Volume XLVI: Schlußband: Bericht und Verzeichnisse. Breitkopf & Härtel, 1899.
- ISBN 9780198028550
- Max Schneider. "Verzeichnis der bis zum Jahre 1851 gedruckten (und der geschrieben im Handel gewesenen) Werke von Johann Sebastian Bach", pp. 84–113 in Neue Bachgesellschaft VII (3) Bach-Jahrbuch 1906. 1907.
- David Schulenberg. The Keyboard Music of J.S. Bach. Taylor & Francis, 2006. ISBN 9780415974004
- Philipp Spitta. Johann Sebastian Bach, Erster Band (Book I–IV). Leipzig: Breitkopf & Härtel, 1873 (31921)
- Philipp Spitta. Johann Sebastian Bach, Zweiter Band (Book V–VI). Leipzig: Breitkopf & Härtel, 1880 (31921)
- Novello & Co, 1899
- Charles Sanford Terry. Johann Sebastian Bach: His Life, Art, and Work Translated from the German of Johann Nikolaus Forkel with Notes and Appendices. New York: Harcourt, Brace and Howe, 1920
External links
Wikimedia Commons has media related to BWV 1044 – Triple Concerto for flute, violin and harpsichord in A minor.