Triton (mythology)

Source: Wikipedia, the free encyclopedia.
Triton
Attic black-figure hydria, depicting Triton fought by Heracles.
AbodeSea
SymbolConch shell
Personal information
ParentsPoseidon and Amphitrite
SiblingsRhodos, Benthesikyme, and several paternal half-siblings
ConsortLibya
ChildrenTriteia, Pallas, Calliste

Triton (

conch shell he would blow like a trumpet.[citation needed
]

Triton is usually represented as a merman, with the upper body of a human and the tailed lower body of a fish. At some time during the Greek and Roman era, Triton(s) became a generic term for a merman (mermen) in art and literature. In English literature, Triton is portrayed as the messenger or herald for the god Poseidon.

Triton of

Apollonius Rhodius, he married the Oceanid of the said region, Libya
.

Sea god

Triton was the son of Poseidon and Amphitrite according to Hesiod's Theogony.[1][2] He was the ruler (possessor) of the depths of the sea,[1] who is either "dreadful" or "mighty" (δεινός) according to the epithet given him by Hesiod.[1][3]

Triton dwelt with his parents in underwater golden palaces.[1] Poseidon's golden palace was located at Aegae on Euboea in one passage of Homer's Iliad 12.21.[4][5][6][a]

Unlike his father Poseidon who is always fully anthropomorphic in ancient art (this has only changed in modern popular culture), Triton's lower half is that of a fish, while the top half is presented in a human figure.

Triton blowing a conch. Statue at Wasserspiele Hellbrunn, Hellbrunn Palace, Salzburg, Austria

Triton in later times became associated with possessing a conch shell,[7] which he blew like a trumpet to calm or raise the waves.[9] He was "trumpeter and bugler" to Oceanus and Poseidon.[10] Its sound was so cacophonous that when loudly blown, it put the giants to flight, who imagined it to be the roar of a dark wild beast.[11]

The original Greek Triton only sometimes bore a trident.[12] In literature, Triton carries a trident in Accius's Medea fragment.[13][14][b]

Triton is "sea-hued" according to

Doris) of being this blue color, with green (viridis) hair,[20][21] as well describing the steed Triton rides as cerulean.[23]

Libyan lake god

Relief of Triton from a pillar in the Odeon of Agrippa in the Ancient Agora of Athens, Greece.

There is also Triton, the god of Lake Tritonis of Ancient Libya encountered by the Argonauts. This Triton is treated as a separate deity in some references.[24][7] He had a different parentage, as his father was Poseidon but his mother Europa according to the Greek writers of this episode.[26]

This Triton first appeared in the guise of Eurypylus before eventually revealing his divine nature.[27] This local deity has thus been euhemeristically rationalized as "then ruler over Libya" by Diodorus Siculus.[28]

Triton-Eurypylus welcomed the Argonauts with a guest-gift of a clod of earth which was a pledge that the Greeks would be granted the land of

Mediterranean.[27][29]

One of the works which recounts this adventure is Apollonius of Rhodes' Argonautica (3rd century BC), the first work in written literature that describes a Triton as "fish-tailed".[30]

Triton with men and heroes

Attic black-figure hydria attributed to the Rycroft Painter, dating c. 520c. 510 BCE, depicting Heracles wrestling Triton, Eskenazi Museum of Art

In Virgil's Aeneid, book 6, it is told that Triton killed Misenus, son of Aeolus, by drowning him after he challenged the gods to play as well as he did.[31][7]

Iconography of Triton duels

Pseudo-Apollodorus, Bibliotheca).[34] "Old Man of the Sea" is a generic term applicable to Nereus, who was also frequently depicted as half-fishlike.[34][35] One explanation is that some vase painters developed the convention of depicting Nereus as a fully human form, so that Triton had to be substituted in the depiction of the sea-monster wrestling Herakles. And Nereus appears as a spectator in some examples of this motif.[36]

In the red-figure period, the Triton-Herakles theme became completely outmoded, supplanted by such scenes as Theseus's adventures in Poseidon's golden mansion, embellished with the presence of Triton.[32] Again, extant literature describing the adventure omits any mention of Triton,[37] but placement of Triton in the scene is not implausible.[32]

Further genealogy

A pair of gold armbands, with a triton and tritoness respectively.
Gold armband with a bearded triton
A pair of gold armbands, with a triton and tritoness respectively (left). The bearded triton band in detail (right). Both figures are holding a putto (perhaps Eros).

Triton was the father of a daughter named Pallas and foster parent to the goddess Athena, according to Pseudo-Apollodorus's Bibliotheca.[c][39] Elsewhere in the Bibliotheca, there appears a different Pallas (Giant), a male figure overcome by Athena.[d][40]

Athena bears the epithet Tritogeneia (Τριτογένεια) "Triton-born"[42] and while this is suggestive of Triton's daughter being Athena,[43] the appellation is otherwise explainable in several ways, e.g., as Athena's birth (from Zeus's head) taking place at the River Triton or Lake Tritonis.[44]

Triton also had a daughter named Triteia. According to Pausanias writing in the 2nd century CE, one origin story of the city of Triteia held that this was an eponymous city after Triteia, founded by her and Ares's son, named Melanippus ("Black Horse").[45]

Tritons

Tritoness bronze applique, Greek, 2nd century BC, Cleveland Museum of Art

At some time during the Greco-Roman period, "Tritons", in the plural, came to be used a generic term for mermen.[2]

Hellenistic and Roman art

Greek pottery depicting a half-human, half-fish being bearing an inscription of "Triton" is popular by the 6th century BC.[30] It has also been hypothesized that by this time "Triton" has become a generic term for a merman.[46][e]

Furthermore, Tritons in groups or multitudes began to be depicted in

Classical Greek art by around the 4th century BC.[f][47] Among these is the work by Greek sculptor Scopas (d. 350 BC) which was later removed to Rome.[48] The sirens of Homer's Odyssey were sometimes being depicted, not as human-headed birds but as tritonesses by around this time, as seen in a bowl dated to the 3rd century BC,[g] and this is explained as a conflation with Odysseus's Scylla and Charybdis episode.[49][50]

Though not a contemporaneous inscription or commentary, Pliny (d. 79 CE) commented on the work that "there are Nereids riding on dolphins… and also Tritons" in this sculpture.[51]

In later Greek periods into the Roman period Tritons were depicted as

Byzantine period (12th century); "Centaur-Triton" is another word for a Triton with horse-legs.[8][53]

Triton with wings instead of forelegs
Triton with wings instead of forelegs. Bas-Relief. Glyptothek Munich 239.
Triton with clawed feet.
Triton with clawed feet. Sketch of relief sculpture. Glyptothek Munich 115.[54][55]
Triton half-man, half-lobster.
Triton half-man, half-lobster. Herculanum fresco, formerly held at Museo di Portici.[56]
Double-tailed Triton
Triton with two fish-tails. Altar of Domitius Ahenobarbus. Glyptothek Munich.

Besides examples in which the horse-like forelimbs have been replaced by wings,

Herculanum has been mentioned.[57][56]

Double-tailed tritons began to be depicted by the late 2nd century BC, such as in the Altar of Domitius Ahenobarbus. Rumpf thought that might be the earliest example of a "Triton with two fish-tails (Triton mit zwei Fischschwänzen)".[58] However the double-tailed tritonesses in Damophon's sculptures at Lycosura predates it, and even this is doubted to be the first example.[59] Lattimore believed the two-tailed triton should be dated to the 4th century BC, and speculated that Skopas was the one to devise it.[60][62]

As aforementioned, there is the female version of the half-human, half-fishlike being, sometimes called a "tritoness"[63] or a "female triton".[64]

Literature in the Roman period

Cameo of Augustus in a quadriga drawn by tritons (Kunsthistorisches Museum)

The first literary attestation of Tritons (

Valerius Flaccus wrote in Argonautica that there was a huge Triton at each side of Neptune's chariot, holding the reins of horses.[66][22] And Statius (1st century) makes a Triton figurehead adorn the prow of the Argo.[68]

Trions and nereids appear as marine retinues (

Latin: marinum obsequium) to the goddess Venus in Apuleius's Metamorphoses, or "The Golden Ass".[69]

Pausanias

Tritons (Greek: Τρίτωνες, romanizedTrítōnes) were described in detail in the 2nd century CE by Pausanias (ix. 21).[70][8]

The Tritons have the following appearance. On their heads they grow hair like that of marsh frogs (Greek: βατράχιον, plants of the Ranunculus or buttercup genus[i]) not only in color, but in the impossibility of separating one hair from another. The rest of their body is rough with fine scales just as is the shark. Under their ears they have gills and a man's nose; but the mouth is broader and the teeth are those of a beast. Their eyes seem to me blue,[j] and they have hands, fingers, and nails like the shells of the murex. Under the breast and belly is a tail like a dolphin's instead of feet.

Pausanias was basing his descriptions on a headless Triton exhibited in Tanagra and another curiosity in Rome. These Tritons were preserved mummies or taxidermied real animals or humans (or fabrication made to appear as such).[72][73] The Tanagran Triton was seen by Aelian who described it as an embalmed or stuffed mummy (Greek: τάριχος).[74] While Pausanias related a legend around the Tanagran Triton that its head was cut off, J. G. Frazer conjectured that such a cover story had to be invented after a sea mammal's carcass with a severed or severely mutilated head was passed off as a Triton.[73][k]

Renaissance

Gianlorenzo Bernini, Rome

Triton was referred to as "trumpeter of Neptune (Neptuni tubicen)" in

Konrad Gesner's book (1558).[78]

Triton makes appearance in

Faerie Queene, Triton blew "his trompet shrill before" Neptune and Amphitrite.[79][80] And in Milton (1637), "Lycidas" v. 89, "The Herald of the Sea" refers to Triton.[81]

Triton Fountain (1642–43) in Bernini Square, Rome.[84][85] There is differing opinion on what earlier works he may have drawn from near-contemporary works or examples from antiquity. He may have been influenced by Battista di Domenico Lorenzi's Alpheus and Arethusa (1568–70) or his Triton blowing the conch (late 1570s),[86] or Stoldo Lorenzi's Neptune fountain.[87] But Rudolf Wittkower has cautioned against exaggerating the influences of Florentine fountains.[87] It has been pointed out that Bernini had access to the Papal collection[l] of genuine Greco-Roman sculptures, and worked with restoring ancient fragments,[90] although it is unclear if any Triton was among these. It is within the realm of possibilities that Bernini might have used as his model the ancient Altar of Domitius Ahenobarbus, which does include Triton in its composition.[91] The Triton of this altar, the Stoldo Lorenzi Triton and the Bernini Triton are all double-tailed, like a pair of human legs.[92]

A Triton blowing on a conch on this title page of Alexander Justice, Samuel Pepys and Josiah Burchett: A general treatise of the dominion of the sea, 1710

Romantic era

In Wordsworth's sonnet "The World Is Too Much with Us" (c. 1802, published 1807), the poet regrets the prosaic humdrum modern world, yearning for

glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.

Mascot

There are numerous universities, colleges, and high schools and businesses that use Triton as their mascot. These include the following:

Many club sports teams, especially swimming leagues, use the symbol of Triton.

  • Drew Marine, a leading maritime company, also uses the symbol

Eponyms

The largest moon of the planet

Triton (gastropod)
.

The name Triton is associated in modern industry with tough hard-wearing machines such as the

Ford Triton engine and Mitsubishi Triton
pickup truck.

The

US Navy nuclear-powered submarine to have two reactors. She was decommissioned in 1969 and languished awaiting scrapping until 2007, which began at Puget Sound Naval Shipyard
, and was completed as of 30 November 2009.

Explanatory notes

  1. ^ Homer Iliad 8.203 also mentions "Aegaea" but this refers to Aegae (Achaea).[6]
  2. ^ A triton (see §Tritons below) and merman are synonymous in heraldry,[15] and the figure may often carry a trident.[16]
  3. ^ In this story, Pallas was inadvertently killed by Athena during sparring, and the goddess subsequently took a wooden figurine of Pallas and wrapped the Aegis (goat-skin) around it, thus creating the palladium.
  4. DGRBM "Pallas (5)".[41][40]
  5. ^ As aforementioned, "Triton" is the most common label, but "Nereus", and "Old Man of the Sea" are found as inscriptions in six century pottery depicting the motif of Herakles wrestling a sea-monster.[34]
  6. ^ Excepting Etruscan art, which has older examples.
  7. ^ Mold-made Megarian bowl from Cistern on Areopagus. Excavation of the Athenian Agora, catalogued P 18,640.
  8. ^ Among the relief groups in the Pergamon Altar.
  9. ^ Translated as "parsley which grows in marshes" by Taylor.[71]
  10. Liddle-Scott-Jones, "γλαυκός
    ".
  11. Satyrs and Centaur "relicts", i.e., creatures purported to exist and exhibited in Greek and Roman times.[75]
  12. Urban VIII (elected 1623) became his great patron.[89]

References

Citations
  1. ^
  2. ^
    ISBN 9-781-5760-7226-4. {{cite book}}: |work= ignored (help
    )
  3. ^ Mommsen (2014), pp. 53, 55.
  4. ^ Homer. Iliad. Vol. 13.21. (text@Perseus Project)
  5. ^ a b "Dictionary of Greek and Roman Geography (1854), AEGAE". www.perseus.tufts.edu.
  6. ^ .
  7. ^ a b c d Public Domain Smith, William, ed. (1870). "Triton (1)". Dictionary of Greek and Roman Biography and Mythology.
  8. ^ Ovid, Metamorphoses 1.333 apud DGRBM[8]
  9. ^ .
  10. ^ Ashton, John (1890). Curious Creatures in Zoology. London: John C. Nimmo. p. 210.
  11. .
  12. .
  13. ^ Moule, Thomas (1842). Heraldry of Fish: Notices of the Principal Families Bearing Fish in Their Arms. J. Van Voorst. p. 218.
  14. Eve, George W. (1907). "Heraldic birds and other figures"
    . Heraldry as Art: An Account of Its Development and Practice, Chiefly in England. Batsford. p. 95.
  15. ISBN 978-0-199-53737-2. {{cite book}}: |work= ignored (help
    )
  16. ISBN 978-1-603-84497-0. {{cite book}}: |work= ignored (help
    )
  17. ^ Ovid, Metamorphoses 1.332
  18. ^ Ovid, Metamorphoses 2.8
  19. ISBN 0-393-07243-6. {{cite book}}: |work= ignored (help
    )
  20. ^ .
  21. ^ Ovid, Heroides 7.49–50: "caeruleis Triton per mare curret equis".[10][22]
  22. ^ Public Domain Smith, William, ed. (1870). "Triton (2)". Dictionary of Greek and Roman Biography and Mythology.
  23. ^ Jackson, Steven (1987), "Apollonius' Argonautica: Euphemus, a Clod and a Tripod" (PDF), Illinois Classical Studies, vol. 12, no. 1, The American School of Classical Studies at Athens, pp. 23–30
  24. ^ Pindar, Pythian 4. 45, Apollonius Argonautica I.179181). Jackson (1987), pp. 27, 28[25]
  25. ^
    Apollonius Rhodius
    , Argonautica, iv. 1552ff; .
  26. ^ Diodorus iv.56.6.
  27. ^ Jackson (1987), p. 23.
  28. ^ a b Lattimore (1976), p. 56.
  29. ^ Virgil, Aeneid 6.164 ff..
  30. ^ a b c Mommsen (2014), pp. 55.
  31. .
  32. ^ .
  33. ^ Pulliam, Susan Elizabeth (1977). Problems of Metamorphosis in Greek Black-figure Vase-painting (Thesis). University of California, Berkeley. p. 6–8.
  34. ^ Padgett, J. Michael (1988). The painted past: 28 Attic vases, 6th and 5th centuries B.C., from the Museum of Fine Arts, Boston. Utah Museum of Fine Arts, University of Utah. p. 19.
  35. Poeticon astronomicon 2.5, Pausanias 1. 17.3, apud Mommsen (2014)
    , pp. 55
  36. .
  37. .
  38. ^ a b c Public Domain Smith, William, ed. (1870). "Pallas (3)". Dictionary of Greek and Roman Biography and Mythology.
  39. ^ Public Domain Smith, William, ed. (1870). "Pallas (5)". Dictionary of Greek and Roman Biography and Mythology.
  40. ISBN 978-1-585-10603-5. {{cite book}}: |work= ignored (help
    )
  41. ^ Connelly claims this is so in some sources.
  42. .
  43. Jones, William Henry Samuel
    . Harvard University Press. Retrieved 2019-09-02.
  44. ^ Lattimore (1976), p. 56: "By the sixth century, to judge from inscriptions on vases, 'Triton' was the most popular designation for the merman".
  45. ^ Lattimore (1976), p. 30: "The next stage—pluralization of Triton (originally a god) ... is not attested before the fourth century except in Etruscan art."
  46. ^
    College Art Association of America
    . p. 29. In literature, Tritons in the plural are first mentioned by Vergil, Aeneid, V, 824. But in Greek art they were already known from the group made by Scopas and brought from Asia Minor to the temple of Domitius in the Circus of Flaminius at Rome.
  47. .
  48. ^ Pliny (1962). Natural History Volume X: Book XXXVI . Loeb Classical Library 419. Translated by D. E. Eichholz. Harvard University Press. pp. 20–21 – via Wikisource.
  49. ^ Rumpf, Andreas (1939) Die Meerwesen, Reprint (1969), p. 105 and note 140, apud Lattimore (1976), p. 44, note 84.
  50. ^
    JSTOR 147913
  51. ^ a b Roscher, Wilhelm Heinrich (1890), "Ichthyokentauren", Ausführliches Lexikon der griechischen und römischen Mythologie (in German), vol. 2, B. G. Teubner, pp. 91–94, archived from the original on 2008-01-12
  52. ^ a b Overbeck, Johannes Adolf (1878), Griechische Kunstmythologie, vol. 2, pp. 356–357
  53. ^ a b Froehner, Wilhelm, 1834-1925 (1878), "5. Mercure, Jupiter, Cérès", Notice de la sculpture antique du Musée Impérial du Louvre (in French), De Mourges, pp. 24–25{{citation}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  54. Clarac, Frédéric de (1841), Musée de sculpture antique et moderne
    (in French), vol. 2, Imprimerie royale et impériale, pp. 190–191
  55. ^ Rumpf, Andreas (1939), Die Meerwesen, Reprint (1969), p. 105 (?) apud Lattimore (1976), p. 56
  56. ^ Picard, Charles (1948), Manuel d'archéologie grecque: sculpture, p. 684 apud Lattimore (1976), p. 56
  57. ^ Lattimore (1976), pp. 60–61.
  58. JSTOR 504508
  59. ^ Skopa's sculpture is long lost. Cf. A. F. Stewart's remark that hypotheses on a lost work causes Lattimore to adopt an equivocal ("might-have-beens"), though Lattimore is uniquely resolute on the "conclusion [that] the double-tailed Triton was probably Skopas's creation (p. 61)".[61]
  60. ^ Lattimore (1976), p. 61.
  61. .
  62. ^ P. Vergilius Maro. Aeneid V. 824. Translated by John Dryden.
  63. ISBN 978-0-199-21949-0. {{cite book}}: |work= ignored (help
    )
  64. ^ Kleywegt (2005), p. 175.
  65. ^ Thebaid 5.371f.[67]
  66. .. Text and translation to 4.31–7, pp. 44–45; endnotes pp. 125–126.
  67. William Henry Samuel Jones
    . Harvard University Press. Retrieved 2019-09-02.
  68. ^ Pausanias (1824) [1794]. The Description of Greece. Vol. 3. Translated by Thomas Taylor (2 ed.). R. Priestley. p. 40.
  69. ^ Mayor (2011), p. 232.
  70. ^ .
  71. ^ Aelian, De Natura Animalium, xiii, 21, apud Frazer[73]
  72. ^ Mayor (2011), p. 236.
  73. ^ Landinus, Christophorus (1508). Tertius & Quartus in Publij Virgilij Maronis Allegorias. Schurer. p. H iiii. {{cite book}}: |work= ignored (help)
  74. ^ Nizolius, Marius (1551) [1535], "Triton", Dictionarium Seu Thesaurus Latinae Linguae, Ex Sirenis Officina, p. 507
  75. Gesner, Konrad (1558). Historiae animalium (1604 ed.). Lib. IIII, p. 1197. Lib. IV, p. 1001
    .
  76. ^ a b Norton, Daniel Silas (1952). Classical Myths in English Literature. Rinehart & Company. pp. 335–336.
  77. ^ Spenser, Edmund (1845). Faerie Queene 4.11.12. Henry Washbourne. p. 232. {{cite book}}: |work= ignored (help)
  78. ISBN 978-1-405-12926-8. {{cite book}}: |work= ignored (help
    )
  79. .
  80. ISBN 978-1-588-39472-9.{{cite book}}: CS1 maint: multiple names: authors list (link
    )
  81. ^ Wilkins (2000), p. 406, n84
  82. ^ Wilkins (2000), p. 390 and n24; p. 405, n 82.
  83. ^ .
  84. ^ Barrow (2018), p. 165.
  85. ^ Wilkins (2000), p. 393.
  86. ^ Barrow (2018), pp. 165–166.
  87. ^ Barrow (2018), pp. 174–175.
  88. ^ Barrow (2018), p. 175.
Bibliography

External links