Turquoise
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Turquoise | ||
---|---|---|
Specific gravity 2.6–2.9 | | |
Optical properties | Biaxial (+) | |
Refractive index | nα = 1.610 nβ = 1.615 nγ = 1.650 | |
Birefringence | +0.040 | |
Pleochroism | Weak | |
Fusibility | Fusible in heated HCl | |
Solubility | Soluble in HCl | |
References | [2][3][4] |
Turquoise is an opaque, blue-to-green mineral that is a hydrous phosphate of copper and aluminium, with the chemical formula CuAl6(PO4)4(OH)8·4H2O. It is rare and valuable in finer grades and has been prized as a gemstone for millennia due to its hue.
Like most other opaque gems, turquoise has been devalued by the introduction of treatments, imitations, and synthetics into the market. The robin egg blue or sky blue color of the Persian turquoise mined near the modern city of Nishapur, Iran, has been used as a guiding reference for evaluating turquoise quality.[5]
Names
The word turquoise dates to the 17th century and is derived from the
Properties
The finest of turquoise reaches a maximum
The refractive index of turquoise varies from 1.61 to 1.65 on the three crystal axes, with birefringence 0.040, biaxial positive, as measured from rare single crystals.[2]
Crushed turquoise is soluble in hot hydrochloric acid.[11] Its streak is white to greenish to blue, and its fracture is smooth to conchoidal.[4] Despite its low hardness relative to other gems, turquoise takes a good polish. Turquoise may also be peppered with flecks of pyrite or interspersed with dark, spidery limonite veining.
Turquoise is nearly always cryptocrystalline and massive and assumes no definite external shape. Crystals, even at the microscopic scale, are rare. Typically the form is a vein or fracture filling, nodular, or botryoidal in habit.[2] Stalactite forms have been reported. Turquoise may also pseudomorphously replace feldspar, apatite, other minerals, or even fossils. Odontolite is fossil bone or ivory that has historically been thought to have been altered by turquoise or similar phosphate minerals such as the iron phosphate vivianite. Intergrowth with other secondary copper minerals such as chrysocolla is also common. Turquoise is distinguished from chrysocolla, the only common mineral with similar properties, by its greater hardness.[2]
Turquoise forms a complete solid solution series with chalcosiderite, CuFe6(PO4)4(OH)8·4H2O, in which ferric iron replaces aluminium.[2]
Formation
Turquoise deposits probably form in more than one way.
Turquoise is a
Turquoise in the
Turquoise deposits are widespread in North America. Some deposits, such as those of Saguache and Conejos Counties in Colorado[17] or the Cerrillos Hills in New Mexico,[18][19] are typical supergene deposits formed from copper porphyries. The deposits in Cochise County, Arizona, are found in Cambrian quartzites and geologically young granites and go down at least as deep as 54 meters (177 ft).[17]
Occurrence
Turquoise was among the first gems to be mined, and many historic sites have been depleted, though some are still worked to this day. These are all small-scale operations, often seasonal owing to the limited scope and remoteness of the deposits. Most are worked by hand with little or no mechanization. However, turquoise is often recovered as a byproduct of large-scale copper mining operations, especially in the United States.[citation needed]
Deposits typically take the form of small veins in partially decomposed volcanic rock in arid climates.[2]
Iran
Iran has been an important source of turquoise for at least 2,000 years. It was initially named by Iranians "pērōzah" meaning "victory", and later the Arabs called it "fayrūzah", which is pronounced in Modern Persian as "fīrūzeh". In Iranian architecture, the blue turquoise was used to cover the domes of palaces because its intense blue colour was also a symbol of heaven on earth.[6][20][21]
This deposit is blue naturally and turns green when heated due to dehydration. It is restricted to a mine-riddled region in
Sinai
Since at least the First Dynasty (3000 BCE) in ancient Egypt, and possibly before then, turquoise was used by the Egyptians and was mined by them in the Sinai Peninsula. This region was known as the Country of Turquoise by the native Monitu. There are six mines in the peninsula, all on its southwest coast, covering an area of some 650 km2 (250 sq mi). The two most important of these mines, from a historical perspective, are Serabit el-Khadim and Wadi Maghareh, believed to be among the oldest of known mines. The former mine is situated about 4 kilometres from an ancient temple dedicated to the deity Hathor.
The turquoise is found in
United States
The
The turquoise occurs as vein or seam fillings, and as compact nuggets; these are mostly small in size. While quite fine material is sometimes found, rivalling Iranian material in both colour and durability, most American turquoise is of a low grade (called "chalk turquoise"); high
Arizona is currently the most important producer of turquoise by value.[8] Several mines exist in the state, two of them famous for their unique colour and quality and considered the best in the industry: the Sleeping Beauty Mine in Globe ceased turquoise mining in August 2012. The mine chose to send all ore to the crusher and to concentrate on copper production due to the rising price of copper on the world market. The price of natural untreated Sleeping Beauty turquoise has risen dramatically since the mine's closing. The Kingman Mine as of 2015 still operates alongside a copper mine outside of the city. Other mines include the Blue Bird mine, Castle Dome, and Ithaca Peak, but they are mostly inactive due to the high cost of operations and federal regulations. The Phelps Dodge Lavender Pit mine at Bisbee ceased operations in 1974 and never had a turquoise contractor. All Bisbee turquoise was "lunch pail" mined. It came out of the copper ore mine in miners' lunch pails. Morenci and Turquoise Peak are either inactive or depleted.
In 1912, the first deposit of distinct, single-crystal turquoise was discovered at Lynch Station in Campbell County, Virginia. The crystals, forming a druse over the mother rock, are very small; 1 mm (0.04 in) is considered large. Until the 1980s Virginia was widely thought to be the only source of distinct crystals; there are now at least 27 other localities.[citation needed]
In an attempt to recoup profits and meet demand, some American turquoise is treated or enhanced to a certain degree. These treatments include innocuous waxing and more controversial procedures, such as dyeing and impregnation (see Treatments). There are some American mines which produce materials of high enough quality that no treatment or alterations are required. Any such treatments which have been performed should be disclosed to the buyer on sale of the material.
Other sources
Turquoise prehistoric artifacts (beads) are known since the fifth millennium BCE from sites in the
Other notable localities include:
History of use
The pastel shades of turquoise have endeared it to many great cultures of antiquity: it has adorned the rulers of
The Aztecs viewed turquoise as an embodiment of fire and gave it properties such as heat and smokiness. They inlaid turquoise, together with
In Persia, turquoise was the de facto national stone for millennia, extensively used to decorate objects (from
Cabochons of imported turquoise, along with coral, was (and still is) used extensively in the silver and gold jewellery of Tibet and Mongolia, where a greener hue is said to be preferred. Most of the pieces made today, with turquoise usually roughly polished into irregular cabochons set simply in silver, are meant for inexpensive export to Western markets and are probably not accurate representations of the original style.
The
The
Cultural associations
In many cultures of the Old and New Worlds, this gemstone has been esteemed for thousands of years as a holy stone, a bringer of good fortune or a talisman.[citation needed] The oldest evidence for this claim was found in Ancient Egypt, where grave furnishings with turquoise inlay were discovered, dating from approximately 3000 BCE.[citation needed] In the ancient Persian Empire, the sky-blue gemstones were earlier worn round the neck or wrist as protection against unnatural death. If they changed colour, the wearer was thought to have reason to fear the approach of doom.[citation needed] Meanwhile, it has been discovered that the turquoise certainly can change colour, but that this is not necessarily a sign of impending danger. The change can be caused by the light, or by a chemical reaction brought about by cosmetics, dust or the acidity of the skin.[28]
The goddess Hathor was associated with turquoise, as she was the patroness of Serabit el-Khadim, where it was mined. Her titles included "Lady of Turquoise", "Mistress of Turquoise", and "Lady of Turquoise Country".[29]
In Western culture, turquoise is also the traditional
Imitations
The Egyptians were the first to produce an artificial imitation of turquoise, in the glazed earthenware product
The most common imitation of turquoise encountered today is dyed howlite and magnesite, both white in their natural states, and the former also having natural (and convincing) black veining similar to that of turquoise. Dyed chalcedony, jasper, and marble is less common, and much less convincing. Other natural materials occasionally confused with or used in lieu of turquoise include: variscite and faustite;[8] chrysocolla (especially when impregnating quartz); lazulite; smithsonite; hemimorphite; wardite; and a fossil bone or tooth called odontolite or "bone turquoise", coloured blue naturally by the mineral vivianite. While rarely encountered today, odontolite was once mined in large quantities—specifically for its use as a substitute for turquoise—in southern France.
These fakes are detected by gemologists using a number of tests, relying primarily on non-destructive, close examination of surface structure under magnification; a featureless, pale blue background peppered by flecks or spots of whitish material is the typical surface appearance of natural turquoise, while manufactured imitations will appear radically different in both colour (usually a uniform dark blue) and texture (usually granular or sugary). Glass and plastic will have a much greater translucency, with bubbles or flow lines often visible just below the surface. Staining between grain boundaries may be visible in dyed imitations.
Some destructive tests may be necessary; for example, the application of diluted
Treatments
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Turquoise is treated to enhance both its colour and durability (increased hardness and decreased porosity). As is so often the case with any precious stones, full disclosure about treatment is frequently not given. Gemologists can detect these treatments using a variety of testing methods, some of which are destructive, such as the use of a heated probe applied to an inconspicuous spot, which will reveal oil, wax or plastic treatment.
Waxing and oiling
Historically, light waxing and oiling were the first treatments used in ancient times, providing a wetting effect, thereby enhancing the colour and lustre. This treatment is more or less acceptable by tradition, especially because treated turquoise is usually of a higher grade to begin with. Oiled and waxed stones are prone to "sweating" under even gentle heat or if exposed to too much sun, and they may develop a white surface film or bloom over time. (With some skill, oil and wax treatments can be restored.)
Backing
Since finer turquoise is often found as thin seams, it may be glued to a base of stronger foreign material for reinforcement. These stones are termed "backed", and it is standard practice that all thinly cut turquoise in the Southwestern United States is backed. Native indigenous peoples of this region, because of their considerable use and wearing of turquoise, have found that backing increases the durability of thinly cut slabs and cabochons of turquoise. They observe that if the stone is not backed it will often crack. Backing of turquoise is not widely known outside of the Native American and Southwestern United States jewellery trade. Backing does not diminish the value of high quality turquoise, and indeed the process is expected for most thinly cut American commercial gemstones.[citation needed]
Zachery treatment
A proprietary process was created by electrical engineer and turquoise dealer James E. Zachery in the 1980s to improve the stability of medium to high-grade turquoise. The process can be applied in several ways: either through deep penetration on rough turquoise to decrease porosity, by shallow treatment of finished turquoise to enhance color, or both. The treatment can enhance color and improve the turquoise's ability to take a polish. Such treated turquoise can be distinguished in some cases from natural turquoise, without destruction, by energy-dispersive X-ray spectroscopy, which can detect its elevated potassium levels. In some instances, such as with already high-quality, low-porosity turquoise that is treated only for porosity, the treatment is undetectable.[33][34]
Dyeing
The use of Prussian blue and other dyes (often in conjunction with bonding treatments) to "enhance” its appearance, make uniform or completely change the colour, is regarded as fraudulent by some purists,[35] especially since some dyes may fade or rub off on the wearer. Dyes have also been used to darken the veins of turquoise.
Stabilization
Material treated with plastic or water glass is termed "bonded" or "stabilized" turquoise. This process consists of pressure impregnation of otherwise unsaleable chalky American material by
The epoxy binding technique was first developed in the 1950s and has been attributed to Colbaugh Processing of Arizona, a company that still operates today.
Reconstitution
Perhaps the most extreme of treatments is "reconstitution", wherein fragments of fine turquoise material, too small to be used individually, are powdered and then bonded with resin to form a solid mass. Very often the material sold as "reconstituted turquoise" is artificial, with little or no natural stone, made entirely from resins and dyes. In the trade reconstituted turquoise is often called "block turquoise" or simply "block".
Valuation and care
Hardness and richness of colour are two of the major factors in determining the value of turquoise; while colour is a matter of individual taste, generally speaking, the most desirable is a strong sky to robin egg blue (in reference to the eggs of the American robin).[24] Whatever the colour, for many applications, turquoise should not be soft or chalky; even if treated, such lesser material (to which most turquoise belongs) is liable to fade or discolour over time and will not hold up to normal use in jewellery.
The mother rock or matrix in which turquoise is found can often be seen as splotches or a network of brown or black veins running through the stone in a netted pattern;
Turquoise is treated in many different ways, some more permanent and radical than others. Controversy exists as to whether some of these treatments should be acceptable, but one can be more or less forgiven universally: This is the light waxing or oiling applied to most gem turquoise to improve its colour and lustre; if the material is of high quality to begin with, very little of the wax or oil is absorbed and the turquoise therefore does not rely on this impermanent treatment for its beauty. All other factors being equal, untreated turquoise will always command a higher price. Bonded and reconstituted material is worth considerably less.
Being a phosphate mineral, turquoise is inherently fragile and sensitive to solvents; perfume and other cosmetics will attack the finish and may alter the colour of turquoise gems, as will skin oils, as will most commercial jewellery cleaning fluids. Prolonged exposure to direct sunlight may also discolour or dehydrate turquoise. Care should therefore be taken when wearing such jewels: cosmetics, including sunscreen and hair spray, should be applied before putting on turquoise jewellery, and they should not be worn to a beach or other sun-bathed environment. After use, turquoise should be gently cleaned with a soft cloth to avoid a buildup of residue, and should be stored in its own container to avoid scratching by harder gems. Turquoise can also be adversely affected if stored in an airtight container. [citation needed]
See also
- Bisbee Blue – Turquoise from copper mines near Bisbee, Arizona, with a deep blue color
- Lapis lazuli – Metamorphic rock containing lazurite, prized for its intense blue color, with a deep blue color
- Lazurite – Alumino-silicate mineral whose blue colour is due to a sulfide species and not copper, with a deep blue color
- List of minerals
- Variscite – Hydrated aluminium phosphate of pale green color due to trivalent chromium (Cr3+
)
References
- S2CID 235729616.
- ^ ISBN 978-0-471-80580-9.
- ^ a b c Turquoise, Mindat.org, retrieved 2006-10-04. "Turquoise: Turquoise mineral information and data". Archived from the original on 2006-11-12. Retrieved 2006-10-04.
{{cite web}}
: CS1 maint: bot: original URL status unknown (link). - ^ ISBN 978-0-9622097-3-4. Archived(PDF) from the original on 2012-02-11.
- ^ "Turquoise Quality Factors". Gemological Institute of America.
- ^ ISSN 0043-8243.
- ^ a b Palache, C.; Berman, H.; Frondel, C. (1951). Dana's System of Mineralogy. Vol. II (7th ed.). Wiley. pp. 946–951.
- ^ a b c d Turquoise Archived 2007-05-20 at the Wayback Machine. minerals.usgs.gov
- ^ "Turquoise - Etymology, origin and meaning of turquoise by etymonline". Online Etymology Dictionary (Etymonline). Online Etymology Dictionary. Archived from the original on 2021-12-08. Retrieved 8 December 2021.
- ^ "Turquoise R050554". RRUFF Project. Archived from the original on 2017-05-02. Retrieved 2017-10-19.
- ^ ISBN 0442276249.
- . Retrieved 13 August 2022.
- ISBN 9781789692815. Retrieved 13 August 2022.
- ^ Dietrich, R. V. (2004). "Turquoise". University of Central Michigan. Archived from the original on December 20, 2004. Retrieved November 20, 2004.
- .
- ^ "Hydrothermal Alteration". Geology Science. 2020. Retrieved 11 November 2020.
- ^ S2CID 241236951.
- CiteSeerX 10.1.1.505.2557. Retrieved 9 June 2020.
- ^ "Turquoise Mining History: Cerrillos Hills". www.cerrilloshills.org. Retrieved 2023-09-27.
- ^ Farmani, Anousheh (2015) "Precious and semi-precious minerals and their roots in ancient Persian texts", Second International Congress of Science and Earth, Tehran [1]
- ISBN 9789644260315.
- ^ Minerals of Nevada. Special Publication 31. Nevada Bureau of Mines. pp. 78–81, 443–445.
- ^ Kostov, R. I.; Chapman, J.; Gaydarska, B.; Petrov, I.; Raduntcheva, A. (2007). "Turquoise – archaeomineralogical evidences from the Orlovo prehistoric site (Haskovo district, Southern Bulgaria)". Geology and Mineral Resources. 14 (7–8): 17–22.
- ^ a b Watson, Martin. "Turquoise – The Gemstone of Tibet". Archived from the original on March 19, 2007. Retrieved 2007-06-01.
- ISBN 9780292760882.)
{{cite book}}
: CS1 maint: location missing publisher (link - ^ "China Exhibition". Washington, DC: National Gallery of Art. 1999. Archived from the original on 2006-09-30. Retrieved 2006-09-23.
- ^ "How turquoise became synonymous with New Mexico". Travel. 2022-02-03. Archived from the original on February 3, 2022. Retrieved 2023-09-27.
- ^ Shepardson, Mathew. "Does Turquoise Change Color?". T. Skies. Archived from the original on 11 March 2018. Retrieved 11 March 2018.
- ^ The Supreme Council of Antiquities (2007). Bulletin of the Egyptian Museum. p. 24.
- ISBN 978-1423650898. Retrieved 11 November 2020.)
{{cite book}}
: CS1 maint: location missing publisher (link - ^ Sharing the Art of New Mexico. Collector's Guide. Vol. 17. 2003. p. 184.
- ^ Lowry 2018, p. 34.
- . Retrieved 14 May 2022.
- .
- ^ a b Harriss, Joseph A. "Tantalizing Turquoise". Archived from the original on 2008-02-01. Retrieved 2007-06-01.
Further reading
- British Museum (2000). "Aztec turquoise mosaics". www.thebritishmuseum.ac.uk. Archived from the original on March 11, 2007. Retrieved November 15, 2004.
- King, J.C.H., Max Carocci, Caroline Cartwright (2012). Turquoise in Mexico and North America: Science, Conservation, Culture and Collections. British Museum, London, UK.
{{cite book}}
: CS1 maint: multiple names: authors list (link) - Pogue, J. E. (1915). The Turquoise: A study of its history, mineralogy, geology, ethnology, archaeology, mythology, folklore, and technology. Glorieta, NM: National Academy of Sciences, The Rio Grande Press. ISBN 0-87380-056-7.
- Schadt, H. (1996). Goldsmith's Art: 5000 Years of Jewelry and Hollowware. Stuttgart & New York, NY: Arnoldsche Art Publisher. ISBN 3-925369-54-6.
- Schumann, W. (2000). Gemstones of the World (revised ed.). Sterling Publishing. ISBN 0-8069-9461-4.
- Webster, R. (2000). Gems: Their Sources, Descriptions and Identification (5th ed.). Great Britain: Butterworth-Heinemann. pp. 254–263. ISBN 0-7506-1674-1.
External links
- Media related to Turquoise (mineral) at Wikimedia Commons