Twelve Microtonal Etudes for Electronic Music Media
Twelve Microtonal Etudes for Electronic Music Media,
In the late 1970s, Blackwood won a grant from the National Endowment for the Humanities to investigate the harmonic and modal properties of microtonal tunings. The project culminated in the Microtonal Etudes, composed as illustrations of the tonal possibilities of all the equal tunings from 13 to 24 notes to the octave.[2] He was intrigued by "finding conventional harmonic progressions" in unconventional tunings.[3] "What I was particularly interested in was chord progressions that would give a sensation either of modal coherence or else of tonality. That is to say you can actually identify subdominants, dominants, tonics, and keys."[4]
Blackwood likened the task to writing a "sequel" to The Well-Tempered Clavier.
The Twelve Microtonal Etudes were re-released on compact disc in 1994,
Orchestral Arrangement by Matthew Sheeran
In January 2024, an acoustic performance of the Twelve Microtonal Etudes on real orchestral instruments, titled "Acoustic Microtonal," was released by Matthew Sheeran (brother to singer-songwriter
Sources
- ^ Douglas Keislar; Easley Blackwood; John Eaton; Lou Harrison; Ben Johnston; Joel Mandelbaum; William Schottstaedt (Winter 1991). "Six American Composers on Nonstandard Tunnings, p. 190, Perspectives of New Music, vol. 29, no. 1, pp. 176–211.
- ^ a b Microtonal Compositions – Easley Blackwood (Media notes). Cedille Records. 1994. CDR 90000 018.
- ISBN 9780542998478.
- ^ "Easley Blackwood: The Composer in Conversation with Bruce Duffie", BruceDuffie.com
- ^ Acoustic Microtonal (Media notes). Cedille Records. 2023.
Further reading
- Blackwood, Easley (1985). The Structure of Recognizable Diatonic Tunings. Princeton University Press. ISBN 9780691091297.