Ungodly Hour
Ungodly Hour | ||||
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home studio (Los Angeles) | ||||
Genre | ||||
Length | 37:17 | |||
Label | ||||
Producer |
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Chloe x Halle chronology | ||||
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Singles from Ungodly Hour | ||||
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Ungodly Hour is the second
Upon its release, Ungodly Hour received widespread acclaim from
Background and recording
In March 2018, Chloe x Halle released their debut studio album,
Recording sessions for Ungodly Hour concluded in October 2019, and filming of its music videos concluded in November.[5] The duo made use of mood boards during the brainstorming phase of their creative process.[6] The duo co-wrote all thirteen of the tracks on Ungodly Hour, with Chloe helping produce ten of those tracks.[7][1] Chloe told Women's Wear Daily, "It was really collaborative. But we still executive produced it. We had our hands in everything on this album."[1] They also revealed to NPR that creative control was paramount in their work ethic for the album.[7]
Composition
Ungodly Hour is an
Concept and themes
Most tracks on Ungodly Hour are about "navigating messy situations — sometimes ones that you have caused."[3] The concept of the album has a constant message of being completely unapologetic about one's true self.[16] The thirty-second album opener "Intro" contains the lyric "Don't ever ask for permission, ask for forgiveness", before immediately leading into the track "Forgive Me". This song in particular pushes the aforementioned message, and also drives a "sorry, not sorry" attitude while giving "a proverbial middle finger up to the lovers they've spurned".[8] The track "Baby Girl" was noted by critics for its female empowerment elements and for "reconciling the vulnerability of womanhood with the angst of their younger, more impressionable selves."[17][8][18]
In an interview with Zane Lowe for Apple Music on BBC Radio 1, Chloe said that the duo "really just wanted to show how we could pair [their] musicianship with a few bops and letting people enjoy themselves." The duo developed the title Ungodly Hour while writing the lead single "Do It".[19] Halle revealed that they gave the record this name because "it's okay to not be perfect all the time. We wanted to challenge the idea of us being these perfect angels that everybody has this image of us in their head."[20] In another interview with NPR, Halle also said she felt that "during [the 'ungodly hour'], there can be a lot of things going on through your head" and that a person may think of all the insecurities or ups and downs they may have in life, hence why in the title track they sing the lyric: "When you decide you like yourself, and you need someone in your life, love me at the ungodly hour. Love me at my best and my worst."[7]
Release and promotion
On December 4, 2019, the duo announced the name of the album and performed the unreleased songs "Do It" and "ROYL" during a standalone performance at
On February 24, 2021, Chloe x Halle went on The Tonight Show Starring Jimmy Fallon to announce the release of the Ungodly Hour (Chrome Edition). A music video for the album's title track was released on the same evening.[35] The reissue was released on February 26, 2021, alongside a first time vinyl release and includes two new songs.[36][37]
Live performances
Throughout 2020, Chloe x Halle engaged in a number of performances to promote the album and its tracks. On June 16, 2020, the duo performed "Do It" on the
Critical reception
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.5/10[58] |
Metacritic | 81/100[59] |
Review scores | |
Source | Rating |
AllMusic | [12] |
Clash | 8.0/10[8] |
The Daily Telegraph | [60] |
Entertainment Weekly | B+[14] |
The Guardian | [61] |
The Line of Best Fit | 9.0/10[10] |
Our Culture Mag | [62] |
Pitchfork | 7.7/10[63] |
Rolling Stone | [64] |
The album received critical acclaim, with critics praising their vocal delivery, artistic growth, maturity, and the album's cohesiveness. At
Shahzaib Hussain of
Comparing the album to the act's previous release, Andy Kellman from AllMusic claimed "the Baileys' second album is really a refinement of and progression from The Kids Are Alright. Its pop-R&B foundation is a little slicker, still tricked out with the occasional trap-styled production techniques—probing bass, rattling percussion—twisted just enough to not sound overdone."[12]
Year-end lists
Ungodly Hour appeared on many year-end best-of lists of 2020 ranked by critics and publications.
Publication | List | Rank | Ref. |
---|---|---|---|
The A.V. Club | The 20 best albums of 2020 | 5
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Billboard | The 10 Best R&B Albums of 2020 | 5
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The 50 Best Albums of 2020 | 17
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Clash | Clash Albums Of The Year 2020 | 1
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The Guardian | The 50 best albums of 2020 | 12
|
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The Line of Best Fit | The Best Albums of 2020 Ranked | 9
|
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NPR | The 50 Best Albums of 2020 | 23
|
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Pitchfork | The 50 Best Albums of 2020 | 28
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Rated R&B | The 30 Best R&B Albums of 2020 | 3
|
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Rolling Stone | The 50 Best Albums of 2020 | 19
|
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Time | The 10 Best Albums of 2020 | 2
|
Awards and nominations
At the 63rd Annual Grammy Awards, Ungodly Hour and its tracks received three nominations: The album was nominated for Best Progressive R&B Album, its lead single, "Do It", was nominated for Best R&B Song, while "Wonder What She Thinks of Me" was nominated for Best Traditional R&B Performance.[75][76]
Year | Award | Category | Result | Ref. |
---|---|---|---|---|
2020 | Soul Train Music Awards | Album of the Year | Nominated | |
2021 | Grammy Awards | Best Progressive R&B Album | Nominated | |
BET Awards | Album of the Year | Nominated |
Commercial performance
Ungodly Hour debuted at number 16 on the
Track listing
No. | Title | Lyrics | Music | Producer(s) | Length |
---|---|---|---|---|---|
1. | "Intro" |
| 3:04 | ||
9. | "Overwhelmed" |
|
| C. Bailey | 0:52 |
10. | "Lonely" |
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|
| 3:15 |
11. | "Don't Make It Harder on Me" |
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|
| 3:35 |
12. | "Wonder What She Thinks of Me" |
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| 3:32 |
13. | "ROYL" |
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| 3:25 | |
Total length: | 37:17 |
No. | Title | Lyrics | Music | Producer(s) | Length |
---|---|---|---|---|---|
14. | "Hazy" |
|
| C. Bailey | 3:23 |
15. | "80/20" |
|
|
| 2:48 |
Total length: | 43:29 |
Notes
Credits and personnel
Instrumentation
- Adrienne Woods – strings (tracks 1–2, and 12)
- Bianca McClure – strings (tracks 1–2, and 12)
- Chelsea Stevens – strings (tracks 1–2, and 12)
- Derek Dixie – strings (tracks 1–2, and 12)
- Marta Honer – strings (tracks 1–2, and 12)
- Rhea Hosanny – strings (tracks 1–2, and 12)
- Stephanie Matthews – strings (tracks 1–2, and 12)
- Stephanie Yu – strings (tracks 1–2, and 12)
Production
- Beyoncé Knowles-Carter– executive production
- production(tracks 10, 12–13)
- Chloe Bailey – production (tracks 1–3, 5, 9, 14–15), co-production (track 8)
- Andrew Makadsi – creative director
- Ricky Lawson – Parkwood project manager
- Jake One – production (track 2)
- Sounwave – production (track 2)
- Scott Storch – production (tracks 4 and 10)
- Halle Bailey – production (track 6)
- Disclosure – production (track 6)
- Gitty – production (tracks 7 and 11)
- Nasri– production (tracks 7 and 11)
- Mike Will Made It – production (track 8)
- Pluss– production (track 8)
- Royal Z – production (track 8)
- Boi-1da – production (track 13)
- Jahaan Sweet – production (track 13)
- Vinylz – production (track 13)
- Bregma – production (track 15)
- Asoteric – co-production (track 4)
- Avedon – co-production (tracks 4 and 10)
- Wallis Lane – co-production (track 10)
Technical
- Dale Becker – mastering (all tracks)
- Tony Maserati – mixing(tracks 1–7, 10, 11, and 13)
- Jaycen Joshua – mixing (track 8)
- Tyler Scott – mixing (tracks 9, 12, 14, and 15)
- Daniel Pampuri – engineering(tracks 1, 2, 12, and 13)
- Alex Meskvdi – recording (tracks 1 and 2)
- Chloe Bailey – recording (tracks 1–7, 9, and 11–15)
- Todd Robinson – recording (track 4)
- Gitty – recording (track 7)
- Guy Lawrence – recording (track 6)
- Mike Homer – recording (track 8)
- Nathaniel Alford – recording (track 8)
- Randy Lanphear – recording (track 8)
- Nasri – recording (track 11)
- Matt Jacobson – recording (track 15)
- Halle Bailey – recording (tracks 14 and 15), engineering assistance (tracks 1–13)
- Andrea Roberts – engineering assistance (tracks 1, 2, and 12)
- Miles Comaskey – engineering assistance (tracks 1–3, and 6, 7, and 9)
- Najeeb Jones – engineering assistance (tracks 4, 5, and 10–13)
- Thomas Cooper – engineering assistance (track 4)
- DJ Riggins – engineering assistance (track 8)
- Jacob Richards – engineering assistance (track 8)
- Mike Seaberg – engineering assistance (track 8)
- Matt McCobben – engineering assistance (track 13)
- John Lowell Anderson – engineering assistance (tracks 14 and 15)
Charts
Chart (2020) | Peak position |
---|---|
Belgian Albums (Ultratop Flanders)[83] | 160 |
Canadian Albums (Billboard)[84] | 71 |
French Albums ( SNEP)[85]
|
200 |
UK Albums (OCC)[86] | 80 |
11 | |
US Billboard 200[88] | 16 |
US Top R&B/Hip-Hop Albums (Billboard)[89] | 11 |
Release history
Region | Date | Format(s) | Version | Label | Ref. |
---|---|---|---|---|---|
Various | June 12, 2020 | Standard | [90] | ||
February 26, 2021 |
|
Chrome Edition | [35] |
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