Unit still photographer

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Film still from the 1938 film Bringing Up Baby featuring Katharine Hepburn and Cary Grant

A unit still photographer, or simply a still photographer creates film stills and still photographic images specifically for use in the marketing industry and for the publicity of feature films in the motion picture industry and network television productions.[1][2][3] In addition to creating photographs for the promotion of a film, the still photographer contributes daily to the filming process by creating set stills (or plate shots). With these, the photographer is careful to record all details of the cast wardrobe, set appearance and background.

British Film Industry.[4][5]

Uses in the industry

Due to their relatively low quality, it is not practical to use individual frames from film or recorded video material for still photographs.[citation needed][6] High resolution images are needed for theatrical release posters, DVD box artworks, official website photos, billboards, bus stop adverts, point-of-purchase displays, key art image sets released to the press and media, and other printed and online collateral materials.

Unit still photographers are also responsible for creating "photo

props" and "set dressing images", the photos and images used on-camera to create various illusions such as forensic photos, crime drama booking photos, character driver's licenses, passport
and I.D. photos, on-screen family photos, surveillance photos, computer screen displays, and any other image a producer may require in the course of a production.

In North America in particular, and some international locations, a unit still photographer must be a member of IATSE Local 600 International Cinematographers Guild[citation needed] in order to perform services on union productions and union studio lots and locations. The most prestigious of these unit still photographers are members of The Society of Motion Picture Still Photographers, an organization which promotes the work of those within the industry.

In the past, the director, costumer or the director of photography may have referred to these still images for continuity purposes, as the unit stills photographer was the only crew member permitted to take still photographs on set. With the introduction of instant cameras such as the Polaroid, and subsequent digital photo cameras, this job of taking continuity images has now fallen to the continuity and script supervisor.[7]

While often perceived as a "glamour" job for photographers, the reality is often long hours (70-plus hours per week) in remote locations under difficult and often extreme conditions.[citation needed] The unit still photographer often coordinates with the unit publicist but physically works in close proximity to the film's camera crew, director and actors, and also in close proximity to the film's boom microphone operator. Unit still photographers go to great lengths to muffle the sound of their camera's motor drive and shutter to avoid distracting the actors, and to remain inaudible on the film's recorded dialogue soundtrack.[citation needed]

Typically, this is accomplished using a

LCD display for reviewing the images will also be obscured in the closed position.[citation needed] This requires the photographer to make control selections in advance and use those settings until the take in progress has been "cut", making adjustments only between takes or set-ups. Unit still photographers in this field typically produce over 2000 marketable images per week for their major-studio clients.[citation needed
]

Since 2010, high-end

mobile apps on smartphones and tablet computers, using the built-in 2-way Wi-Fi radio-controlled interface between the tablet and the DSLR camera, and offer internal active noise reduction technologies, have increased the ability of the unit still photographer to work quietly on the set.[citation needed
]

Notable still photographers

References

Further reading

External links