United Artists Records

Source: Wikipedia, the free encyclopedia.
United Artists Records
Parent company
Founded1957; 67 years ago (1957)
FounderMax E. Youngstein
DefunctSeptember 1980; 43 years ago (1980-09)
StatusDefunct (absorbed into EMI)
Distributor(s)Self-distributed
GenreVarious
Country of originUnited States
LocationNew York City, New York, U.S.
Los Angeles, California, U.S.

United Artists Records was an American record label founded by Max E. Youngstein of United Artists[1] in 1957 to issue movie soundtracks.[2] The label expanded into other genres, such as easy listening, jazz, pop, and R&B.

History

Genres

In 1959, United Artists released Forest of the Amazons, a cantata by Brazilian composer

Symphony of the Air. Brazilian soprano Bidu Sayão
was the featured soloist on the unusual recording, which was released on both LP and reel-to-reel tape.

United Artists releases included soundtracks and cover versions from the James Bond movies, It's a Mad, Mad, Mad, Mad World (1963), A Hard Day's Night starring the Beatles (1964), The Greatest Story Ever Told (1965), A Funny Thing Happened on the Way to the Forum (1966), Fiddler on the Roof (1971), and Man of La Mancha (1972). The soundtrack album of United Artists's West Side Story (1961) was released by Columbia Records, which had also released the Broadway cast album. Also, the American version of the soundtrack album of United Artists's Help! (1965), also starring the Beatles, was released on Capitol Records.

As

Universal Music and EMI. As owner of Columbia and RCA Victor, Sony released the West Side Story original cast album and film soundtrack on CD. Sony has owned most of Mancini's soundtrack albums since its music division's merger with BMG
in 2004.

An earlier version of the United Artists Records logo used from 1960 through 1968

The label produced rock and roll and R&B hits from 1959 and into the 1960s by

Motown acts with United Artists, including Marv Johnson and Eddie Holland in 1959. Jerry Leiber and Mike Stoller were hired to produce artists signed to the label after they left Atlantic. These included the Exciters, Bobby Goldsboro, Jay and the Americans, the Clovers, and Mike Clifford. United Artists covered folk music when it added Gordon Lightfoot to its roster and easy listening with the addition of piano duo Ferrante & Teicher
.

United Artists' involvement with jazz was significant. The company hired Alan Douglas in 1960 to run its jazz division.[3] Other producers were George Wein, Jack Lewis, and Tom Wilson. United Artists released jazz albums by Count Basie, Art Blakey, Ruby Braff, Betty Carter, Teddy Charles, Kenny Dorham, Mose Allison, Duke Ellington, Art Farmer, Bud Freeman, Curtis Fuller, Benny Golson, Billie Holiday, Milt Jackson, Dave Lambert, Booker Little, Howard McGhee, Gerry Mulligan, Oliver Nelson, Herb Pomeroy, Bill Potts, Zoot Sims, Rex Stewart, Billy Strayhorn, and the Modern Jazz Quartet.[4]

In 1966, the Solid State division was begun, recording several albums by The Thad Jones/Mel Lewis Orchestra.[4] Other subsidiary labels were Unart, Ascot, United Artists Jazz, Musicor (United Artists was half owner of the company from 1960 to 1964 before selling in 1965[5] Ultra Audio (an audiophile label),[6] and Veep. Unart was created in 1958 and was in operation until 1959, producing singles by vocal groups, then was recreated in 1967 for budget albums.

In 1966 United Artists acquired the masters of Sue Records, an R&B and soul record label in New York City which produced Ike & Tina Turner, Baby Washington, and jazz organist Jimmy McGriff. Some material produced by Sue was reissued on Unart.

United Artists produced a series of children's records under the "Tale Spinners for Children" name throughout the 1960s. These were album-length adaptations of classic fairy tales and children's stories done in an audio drama format.

Other UA labels

United Artists Special Projects were budget records designed for product and movie tie-ins. Examples are The Incredible World of James Bond, an album sold by Pepsi Cola and Frito Lay of cover version themes and original soundtrack music of the first three James Bond films, and Music from Marlboro Country, various cover versions of the theme to The Magnificent Seven and original soundtrack music from Elmer Bernstein's Return of the Seven that was sold by Philip Morris
as a tie-in to its Marlboro cigarette brand.

Merger

United Artists Records used this logo from 1968 to 1971 when it was co-owned with Liberty Records.

In 1969, United Artists merged with co-owned Liberty Records and its subsidiary, Imperial Records. In 1971, Liberty/UA Records dropped the Liberty name in favor of United Artists.[7]

Mainstream pop acts were signed to the label, among them

War. The label attempted to update the style of 1950s rock group Bill Haley & His Comets with a 1968 single. After UA bought Mediarts Records, the roster grew to include Don McLean, Merrilee Rush, Paul Anka, Chris Rea, Dusty Springfield, Bill Conti, Northern Calloway, Johnny Rivers, Ike & Tina Turner, Gerry Rafferty, and Crystal Gayle. Later, through a distribution deal with Jet Records, Electric Light Orchestra was signed. UA also distributed the otherwise-independent Grateful Dead Records
in the early-to-mid 1970s.

In England,

the Buzzcocks, the Stranglers and 999. He also licensed UK releases for several influential German bands during the early 70s, the best known of which were Can, Neu! and Amon Düül II. Lauder left UA in late 1977 to help found Radar Records
.

The label's most commercially successful artist was country artist Kenny Rogers who signed to UA in the mid-1970s, enjoying a long string of hit singles and albums.

In the mid-to-late 1970s the company was known as United Artists Music and Records Group (UAMARG).

Sale to EMI

In 1978, UA executives Artie Mogull and Jerry Rubinstein bought the record company from Transamerica with a loan from

CBS Records, with the Jet back catalog transferring to CBS distribution as well.[8][9] UA dumped many ELO albums into the cutout market, which CBS was unable to prevent.[10] However, CBS reissues of early ELO albums through Out of the Blue (1977) contained copyright notices for United Artists Music and Records Group. Unable to generate enough income to cover the loan, Liberty/United Records was sold to EMI in 1979 for $3 million and assumed liabilities of $32 million.[11]

EMI dropped the United Artists name in 1980 and revived the Liberty label for releases by artists who had been signed to UA.[12] This incarnation of Liberty Records operated between 1980 and about 1986, when it was deactivated and its artists assigned to other EMI labels.

Many albums from the United Artists Records catalog were reissued on Liberty during these years. Two significant exceptions were a couple of Beatles albums not previously controlled by EMI in the United States: the

Let It Be (1970). The Let It Be album was actually released by Apple Records in both the UK and the US but because the movie had been distributed by United Artists Pictures, in America the album was distributed by United Artists rather than EMI.[13] Both previously non-EMI Beatles albums were reissued on the Capitol
label, which already controlled the rest of the Beatles' catalog in the United States.

UAR today

When producer Jerry Weintraub was enlisted to revive the United Artists movie studio in 1986, he attempted to revive the United Artists Records label as well. However, only one album was released: the soundtrack for The Karate Kid Part II, a film Weintraub had produced for Columbia Pictures before being hired at UA. A single from the movie's soundtrack, Mancrab's "Fish for Life," was also released on United Artists Records.[14]

The United Artists catalog is controlled by Capitol Records, now part of

MGM Music.[17] The catalog of most British acts who were signed to the British branch of UA Records is today controlled by the Parlophone unit of Warner Music Group,[18] with North American distribution by Rhino Entertainment. One exception is the band The Vapors, whose rights to their UA/Liberty recordings are owned by RT Industries, which acquired them from WMG in 2018. However, Warner's services division Alternative Distribution Alliance serves as RT's distributor.[19]

Roster

See also

References

  1. ^ Freudenheim, Milt (11 July 1997). "Max Youngstein, 84; Helped Run United Artists". The New York Times. Retrieved 23 September 2017.
  2. ^ "UA Sets Up Own Diskery Label". Billboard. Nielsen Business Media. 14 October 1957. Retrieved 7 January 2012.
  3. ^ Pouncey, Edwin (July 1997). "The Man Who Sold the Underworld". The Wire. p. 27.
  4. ^ .
  5. ^ Callahan, Mike; Edwards, Dave; Eyries, Patrice (26 November 2006). "The Musicor Records Story". www.bsnpubs.com. Retrieved 23 September 2017.
  6. ^ "United Artists Album Discography (Ultra Audio Series)". Bsnpubs.com. 27 October 2008. Retrieved 7 January 2012.
  7. ^ "UA Corp Absorbs Lines; UA Records Sole Disk Co". Billboard. Nielsen Business Media. 23 January 1971. Retrieved 23 September 2017.
  8. ^ "ELO 'Out Of Blue' Hassle Heating Up". Billboard. Nielsen Business Media. 10 February 1979. Retrieved 16 September 2018 – via Google Books.
  9. ^ "Jet In Global Pact". Billboard. Nielsen Business Media. 1 July 1978. Retrieved 7 January 2012.
  10. ^ "Cutout Material Is Plentiful at NARM". Billboard. Nielsen Business Media. 7 April 1979. Retrieved 7 January 2012.
  11. ^ "UA Acquisition Adds Clout for Cap-EMI". Billboard. Nielsen Business Media. 17 February 1979. Retrieved 7 January 2012.
  12. ^ "Liberty 'New' Name Of UA". Billboard. Nielsen Business Media. 6 September 1980. p. 5. Retrieved 7 January 2012.
  13. ^ "Beatlemania Returning As 'Let It Be' Clicking". Billboard. Nielsen Business Media. 6 June 1970. Retrieved 7 January 2012.
  14. ^ "Mancrab - Fish For Life". 45cat. Retrieved 30 April 2016.
  15. .
  16. ^ "The MGM Records Story". bsnpubs.com. Retrieved 25 March 2016.
  17. ^ "Rocky [Original Motion Picture Score]: Bill Conti: Music". Amazon. 1976. Retrieved 7 January 2012.
  18. ^ "Warner Music Group Integrates Parlophone Roster, Including Coldplay, David Guetta and Pink Floyd". The Hollywood Reporter. 19 December 2013. Retrieved 9 July 2016.
  19. ^ "Independent label RT Industries launches with divestments from Warner". Music Business Worldwide. 17 April 2018.