Up the Hill Backwards
"Up the Hill Backwards" | ||||
---|---|---|---|---|
Single by David Bowie | ||||
from the album Scary Monsters (and Super Creeps) | ||||
B-side | "Crystal Japan" | |||
Released | March 1981 | |||
Recorded | February–April 1980 | |||
Studio |
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Genre | R&B | |||
Length | 3:13 | |||
Label | RCA | |||
Songwriter(s) | David Bowie | |||
Producer(s) | ||||
David Bowie singles chronology | ||||
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"Up the Hill Backwards" is a song by the English musician David Bowie, released on his 1980 album Scary Monsters (and Super Creeps). It was later issued by RCA Records as the fourth and final single from the album in March 1981. Originally written under the title "Cameras in Brooklyn", the song was recorded between February and April 1980 at the Power Station in New York City and Good Earth Studios in London. The recording features backing vocalists, guitar contributions from Robert Fripp and acoustic guitar played by co-producer Tony Visconti. Lyrically, the song concerns the struggles of facing a crisis, partially influenced by Bowie's divorce from his wife Angie. Musically, the song contains numerous time signature changes and a Bo Diddley-inspired beat.
The song has received positive reviews from music critics and biographers, with most praising its unusual composition. Because of this, however, the song stalled as a single, peaking at No. 32 in the UK and No. 49 in Canada. Bowie never performed "Up the Hill Backwards" live in its entirety during his concert tours, although the first verse was performed during the openings of the 1987 Glass Spider Tour. The song has appeared on compilation albums, while a demo has appeared on bootlegs. Mojo magazine later listed it as Bowie's 24th greatest song in 2015.
Recording
David Bowie originally wrote "Up the Hill Backwards" under the title "Cameras in Brooklyn". It was recorded during the sessions for Scary Monsters (and Super Creeps) (1980) at New York City's Power Station in February 1980. The backing tracks for the song were completed here. The lineup consisted of Bowie, drummer Dennis Davis, rhythm guitarist Carlos Alomar and bassist George Murray, with lead guitar played by King Crimson guitarist Robert Fripp and Roy Bittan, a member of Bruce Springsteen's E Street Band, on piano. Co-producer Tony Visconti contributed acoustic guitar and backing vocals while Lynn Maitland and Chris Porter sang backing vocals.[1][2] Chuck Hammer, who recorded guitar synthesiser parts for "Ashes to Ashes" and "Teenage Wildlife", recorded a part for "Up the Hill Backwards", although this was replaced by Fripp.[3] Decades later, Hammer stated, "[It's] too bad, [as they were] perhaps the most exploratory of all the tracks recorded."[1]
Instead of improvising lyrics and music as he had with prior releases, Bowie informed Visconti he wanted to take time composing and developing the lyrics and melodies.[4] As such, Bowie's vocals were not recorded until April 1980 at London's Good Earth Studios, Visconti's own studio at the time.[1] Visconti later recalled: "We asked a casual friend, Lynn Maitland, to join David and I singing a group vocal for this song. [...] [It was] another big departure for David, since he doesn't sing solo on this."[5] Indeed, Bowie sings in unison with Visconti, Porter and Maitland, which biographer Chris O'Leary feels "gives strength and reassurance".[1]
Composition
The lyrics of "Up the Hill Backwards" deal with the struggle of facing a crisis.[6] Bowie misquotes Thomas Anthony Harris's 1967 self-help book I'm OK – You're OK, a guide on how to save marriage relationships;[5] NME editors Roy Carr and Charles Shaar Murray see this as a reference to Bowie's divorce from his wife Angie,[6] which initiated shortly before the sessions for Scary Monsters began and was finalised later in 1980.[5][7] In the 2016 edition of his book The Complete David Bowie, biographer Nicholas Pegg found that the opening lines were taken verbatim from artist and filmmaker Hans Richter's 1964 book Dada: Art and Anti-Art: "...and finally the vacuum created by a sudden arrival of freedom and the endless possibilities it seemed to offer if one could grasp them firmly enough."[5]
Musically, biographer Paul Trynka describes the song as "gospelly",[3] while author James Perone considers it a unique form of R&B.[8] The song features unusual time signatures throughout: the opening section is seven bars of 7/8 time and one bar of 3/8 time,[9] while the guitar breaks pan out in 7/4 time, which Visconti had trouble recording.[1] AllMusic's Ned Raggett considered the changing time signatures representative of the "fragmentary compositions" of Bowie's Berlin Trilogy (1977–1979) — "smoothly assembled to result in a striking new song".[10] Similarly, author Peter Doggett noted the song's fragmentary nature, stating: "[T]he time signatures didn't marry up, there were no neat links between the separate sections of the song, and the lyrics were vaguely apocalyptic fragments."[9]
Commentators have found the beat inspired by guitarist
Release and reception
"Up the Hill Backwards" was released on 12 September 1980 as the second track of Bowie's 14th studio album Scary Monsters (and Super Creeps), sequenced between "
Live performances and subsequent releases
Bowie never performed "Up the Hill Backwards" live in its entirety during his concert tours.
"Up the Hill Backwards" was included on the 1989 Sound + Vision box set and later on the 2007 compilation album The Best of David Bowie 1980/1987.[10][22] An early demo of the track, with a duration of 3:21, has appeared on bootleg albums. According to Pegg, the demo features a funkier bass line, a "close-to-the-mike lead vocal" and different lyrics, such as "Skylabs are falling" instead of "witnesses falling", a reference to a then-recent media frenzy regarding the July 1979 dissolution of NASA's Skylab upon re-entry into Earth's atmosphere.[5]
Track listing
All tracks written by David Bowie.[23]
- "Up the Hill Backwards" – 3:14
- "Crystal Japan" – 3:10
Personnel
According to biographer Chris O'Leary:[1]
- David Bowie – vocals, keyboards, producer
- Robert Fripp – lead guitar
- Carlos Alomar – rhythm guitar
- George Murray – bass guitar
- Dennis Davis – drums
- Roy Bittan – piano
- acoustic guitar, backing vocals, producer
- Lynn Maitland – backing vocals
- Chris Porter – backing vocals
Charts
Chart (1981) | Peak position |
---|---|
Canada RPM Top Singles[16] | 49 |
UK Singles Chart[15]
|
32 |
References
- ^ a b c d e f g h O'Leary 2019, chap. 4.
- ^ Pegg 2016, p. 397.
- ^ a b c Trynka 2011, p. 354.
- ^ Buckley 2005, p. 316.
- ^ a b c d e f g h Pegg 2016, pp. 295–296.
- ^ a b Carr & Murray 1981, p. 113.
- ^ a b c Spitz 2009, pp. 311–312.
- ^ a b Perone 2007, p. 80.
- ^ a b c d Doggett 2012, pp. 369–370.
- ^ a b c d Raggett, Ned. "'Up the Hill Backwards' – David Bowie". AllMusic. Archived from the original on 2 May 2021. Retrieved 13 November 2021.
- ^ Cohen, Debra Rae (25 December 1980). "Scary Monsters". Rolling Stone. Archived from the original on 4 March 2021. Retrieved 13 November 2021.
- ^ Murray, Charles Shaar (20 September 1980). "David Bowie: Scary Monsters (RCA)". NME. Archived from the original on 9 August 2020. Retrieved 14 March 2021 – via Rock's Backpages (subscription required).
- ^ Erlewine, Stephen Thomas. "Scary Monsters – David Bowie". AllMusic. Archived from the original on 28 March 2013. Retrieved 11 April 2013.
- ^ Pegg 2016, p. 781.
- ^ a b O'Leary 2019, Partial Discography.
- ^ a b "Image : RPM Weekly". Bac-lac.gc.ca. Library and Archives Canada. 17 July 2013. Retrieved 25 October 2016.
- ^ "David Bowie – The 100 Greatest Songs". Mojo. No. 255. February 2015. p. 74.
- ^ "Every David Bowie Single Ranked". Ultimate Classic Rock. 14 January 2016. Archived from the original on 24 July 2021. Retrieved 19 September 2021.
- ^ Pegg 2016, pp. 584–585.
- ^ Pegg 2016, p. 643.
- ^ Thompson, Dave. "Glass Spider: Live Montreal '87 – David Bowie". AllMusic. Archived from the original on 1 May 2021. Retrieved 13 November 2021.
- ^ Erlewine, Stephen Thomas. "The Best of David Bowie 1980–1987 – David Bowie". AllMusic. Archived from the original on 19 October 2021. Retrieved 13 November 2021.
- ^ "Scary Monsters (And Super Creeps)" (Single liner notes). David Bowie. UK: RCA Records. 1981. BOW 9/PB 9671.
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Sources
- Buckley, David (2005) [1999]. Strange Fascination – David Bowie: The Definitive Story. London: ISBN 978-0-75351-002-5.
- ISBN 978-0-38077-966-6.
- ISBN 978-0-06-202466-4.
- O'Leary, Chris (2019). Ashes to Ashes: The Songs of David Bowie 1976–2016. London: Repeater. ISBN 978-1-912248-30-8.
- Pegg, Nicholas (2016). The Complete David Bowie (Revised and Updated ed.). London: ISBN 978-1-78565-365-0.
- Perone, James E. (2007). The Words and Music of David Bowie. ISBN 978-0-27599-245-3.
- ISBN 978-0-307-71699-6.
- Trynka, Paul (2011). David Bowie – Starman: The Definitive Biography. New York City: ISBN 978-0-31603-225-4.