Vadim Yusov
Vadim Yusov | |
---|---|
Klavdino, Leningrad Oblast, Soviet Union | |
Died | 23 August 2013 Moscow, Russia | (aged 84)
Occupation | Cinematographer |
Years active | 1957—2010 |
Spouse | Inna Zelentsova |
Vadim Ivanovich Yusov (Вадим Иванович Юсов, 20 April 1929 – 23 August 2013) was a
The Black Monk at the Venice International Film Festival in 1988
.
He was a member of the jury at the 1984 Cannes Film Festival[2] and the 45th Berlin International Film Festival in 1995.[3]
As a cameraman, I deal with the atmosphere, but the reason for this is always the plot, the drama [...] These concepts cannot be opposed, cannot be separated, since one simply does not exist without the other.[4]
Filmography
Cinematographer
- The Steamroller and the Violin (1960); directed by Andrei Tarkovsky
- Ivan's Childhood (1962); directed by Andrei Tarkovsky
- Walking the Streets of Moscow (1963); directed by Georgiy Daneliya
- Andrei Rublev (1966); directed by Andrei Tarkovsky
- Don't Grieve (1969); directed by Georgiy Daneliya
- Solaris (1972); directed by Andrei Tarkovsky
- Hopelessly Lost (1973); directed by Georgiy Daneliya
- They Fought for Their Country (1975); directed by Sergei Bondarchuk
- Yuliya Vrevskaya (1977); directed by Nikola Korabov
- Red Bells (1982); directed by Sergei Bondarchuk
- Red Bells II (1983); directed by Sergei Bondarchuk
- Boris Godunov (1986); directed by Sergei Bondarchuk
- The Black Monk (1988); directed by Ivan Dykhovichny
- Passport (1990); directed by Georgiy Daneliya
- Anna: 6 - 18 (1993); directed by Nikita Mikhalkov
- Out of the Present (1995); directed by Andrei Ujică
- The Kopeck (2002); directed by Ivan Dykhovichny
- Orange Juice (2010); directed by Andrei Proshkin
Screenwriter
- A Very English Murder (1974); directed by Samson Samsonov (together with Edgar Smirnov)
References
- ISBN 978-0-8108-6072-8.
- ^ "Festival de Cannes: Vadim Yusov". festival-cannes.com. Retrieved 2009-06-23.
- ^ "45th Berlin International Film Festival". berlinale.de. Retrieved 2011-12-29.
- ^ Vadim Yusov, Cinema Art, No. 8 1976